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The Marshall Mathers LP
Label | Aftermath Entertainment – 606949062910Interscope Records – 606949062910Web Entertainment – 606949062910 |
Format | 2 x Vinyl, LP, Album, Reissue, 180 gram |
Barcode | 0606949062910 |
Country | Europe |
Released | 05 Dec 2013 |
Genre | Hip Hop |
Style | Hardcore Hip-Hop, Horrorcore |
A1 | Public Service Announcement 2000 | 0:25 |
A2 | Kill You | 4:24 |
A3 | Stan | 6:44 |
A4 | Paul (Skit) | 0:10 |
A5 | Who Knew | 3:47 |
A6 | Steve Berman | 0:53 |
B1 | The Way I Am | 4:50 |
B2 | The Real Slim Shady | 4:44 |
B3 | Remember Me? | 3:38 |
B4 | I'm Back | 5:10 |
C1 | Marshall Mathers | 5:20 |
C2 | Ken Kaniff (Skit) | 1:01 |
C3 | Drug Ballad | 5:00 |
C4 | Amityville | 4:14 |
C5 | B**** Please II | 4:48 |
D1 | Kim | 6:17 |
D2 | Under The Influence | 5:22 |
D3 | Criminal | 5:19 |
A&R [Interscope A&R Direction] – D.J. Mormile
A&R [Interscope A&R Direction] – Dean Geistlinger
A&R [Web A&R Direction] – Wendy Ellen Bass
Art Direction, Design – Jason Noto
Booking [Eminem Booking (Europe)] – Helter Skelter
Booking [Eminem Booking (Europe)] – Steve Strange
Booking [Eminem Booking (U.S.)] – Cara Lewis
Booking [Eminem Booking (U.S.)] – William Morris Agency
Coordinator [Aftermath Project Coordinator] – Kirdis Tucker
Coordinator [Aftermath Project Coordinator] – Larry Chatman
Coordinator [Interscope Production Coordination] – Les Scurry
Coordinator [Photography And Art Coordination] – Joe Mama-Nitzberg
Engineer – Aaron Lepley
Engineer – Akane Nakamura
Engineer – Chris Conway
Engineer – James McCrone
Engineer – Lance Pierre
Engineer – Michelle Forbes
Engineer – Mike Butler
Engineer – Richard Segal Huredia
Engineer – Rich Behrens
Engineer – Rob Ebeling
Engineer – Steve King
Executive-Producer – Dr. Dre
Legal [Aftermath Legal] – Peter Paterno, Esq.
Legal [Eminem Legal] – Cutler & Sedlmayr, LLP
Legal [F.B.T. Productions Legal] – Howard Hertz, Esq.
Management [Eminem Management] – Goliath Artists, Inc.
Management [Eminem Management] – Paul D. Rosenberg, Esq.
Management [Eminem Road Manager] – Marc Labelle
Management [F.B.T. Assistant] – Karen Pinegar
Management [F.B.T. Assistant] – Sarah Catlett
Management [F.B.T. Productions Management] – Joel Martin
Management [Interscope Product Management] – Chris Clancy
Mastered By – Brian "Big Bass" Gardner
Photography By – Jonathan "Xtra Gangsta" Mannion
Producer [Album] – Dr. Dre
Producer [Album] – Eminem
Producer [Album] – Jeff Bass
Producer [Album] – Mark Bass
Producer [Album] – The 45 King
A&R [Interscope A&R Direction] – Dean Geistlinger
A&R [Web A&R Direction] – Wendy Ellen Bass
Art Direction, Design – Jason Noto
Booking [Eminem Booking (Europe)] – Helter Skelter
Booking [Eminem Booking (Europe)] – Steve Strange
Booking [Eminem Booking (U.S.)] – Cara Lewis
Booking [Eminem Booking (U.S.)] – William Morris Agency
Coordinator [Aftermath Project Coordinator] – Kirdis Tucker
Coordinator [Aftermath Project Coordinator] – Larry Chatman
Coordinator [Interscope Production Coordination] – Les Scurry
Coordinator [Photography And Art Coordination] – Joe Mama-Nitzberg
Engineer – Aaron Lepley
Engineer – Akane Nakamura
Engineer – Chris Conway
Engineer – James McCrone
Engineer – Lance Pierre
Engineer – Michelle Forbes
Engineer – Mike Butler
Engineer – Richard Segal Huredia
Engineer – Rich Behrens
Engineer – Rob Ebeling
Engineer – Steve King
Executive-Producer – Dr. Dre
Legal [Aftermath Legal] – Peter Paterno, Esq.
Legal [Eminem Legal] – Cutler & Sedlmayr, LLP
Legal [F.B.T. Productions Legal] – Howard Hertz, Esq.
Management [Eminem Management] – Goliath Artists, Inc.
Management [Eminem Management] – Paul D. Rosenberg, Esq.
Management [Eminem Road Manager] – Marc Labelle
Management [F.B.T. Assistant] – Karen Pinegar
Management [F.B.T. Assistant] – Sarah Catlett
Management [F.B.T. Productions Management] – Joel Martin
Management [Interscope Product Management] – Chris Clancy
Mastered By – Brian "Big Bass" Gardner
Photography By – Jonathan "Xtra Gangsta" Mannion
Producer [Album] – Dr. Dre
Producer [Album] – Eminem
Producer [Album] – Jeff Bass
Producer [Album] – Mark Bass
Producer [Album] – The 45 King
Includes download.
Track A1:
Performed [... for F.B.T. Productions
Tracks A2, A5, B2 to B4, C5:
Published by Eight Mile Style (BMI)/Ensign Music Corporation (BMI)/Ain't Nothin' Going' On But F****n' Music (BMI)
Track A3:
Published by Eight Mile Style (BMI)/Ensign Music Corporation (BMI)/WB Music Corporation (ASCAP) on behalf of Warner Chappell Music, Ltd. (PRS)/Champion Music U.K.
Tracks B1, C1, C3, C4, D1 to D3:
Published by Eight Mile Style (BMI)/Ensign Music Corporation (BMI)
Dido appears courtesy of Arista Records
Sticky Fingaz appears courtesy of Universal Records
Dina Rae appears courtesy of WEB Entertainment, Inc.
Bizarre appears courtesy of Shady Records, Inc.
Snoop Dogg appears courtesy of No Limit / Priority Records
Xzibit appears courtesy of Loud Records
Nate Dogg appears courtesy of Dogg Foundation Records
D-12 appear courtesy of Shady Records, Inc.
Recorded and Mixed at: The Mix Room, Encore Studios, Larabee Sound Studios, Chung King, The Record Plant and 54 Sound.
This album is dedicated to Hailie Jade and the memory of Ronald Dean Polkinghorn & Cornell Pitts a/k/a Bugz from D-12.
℗ © 2000 Aftermath Ent./Interscope Records.
Made in the EU.
Track A1:
Performed [... for F.B.T. Productions
Tracks A2, A5, B2 to B4, C5:
Published by Eight Mile Style (BMI)/Ensign Music Corporation (BMI)/Ain't Nothin' Going' On But F****n' Music (BMI)
Track A3:
Published by Eight Mile Style (BMI)/Ensign Music Corporation (BMI)/WB Music Corporation (ASCAP) on behalf of Warner Chappell Music, Ltd. (PRS)/Champion Music U.K.
Tracks B1, C1, C3, C4, D1 to D3:
Published by Eight Mile Style (BMI)/Ensign Music Corporation (BMI)
Dido appears courtesy of Arista Records
Sticky Fingaz appears courtesy of Universal Records
Dina Rae appears courtesy of WEB Entertainment, Inc.
Bizarre appears courtesy of Shady Records, Inc.
Snoop Dogg appears courtesy of No Limit / Priority Records
Xzibit appears courtesy of Loud Records
Nate Dogg appears courtesy of Dogg Foundation Records
D-12 appear courtesy of Shady Records, Inc.
Recorded and Mixed at: The Mix Room, Encore Studios, Larabee Sound Studios, Chung King, The Record Plant and 54 Sound.
This album is dedicated to Hailie Jade and the memory of Ronald Dean Polkinghorn & Cornell Pitts a/k/a Bugz from D-12.
℗ © 2000 Aftermath Ent./Interscope Records.
Made in the EU.
Barcode (Text) – 6 06949 06291 0
Barcode (Scanned) – 606949062910
Rights Society – BIEM/SDRM
Rights Society – BMI
Rights Society (Track A3) – ASCAP
Rights Society (Track A3) – PRS
Other (Inlay) – 069490629-1
Matrix / Runout (Label record 1, side A & B) – 606949063016
Matrix / Runout (Label record 2, side A & B) – 606949063115
Matrix / Runout (Runout side A, stamped, variant 1) – 97983 1A 4906291
Matrix / Runout (Runout side B, stamped, variant 1) – 97983 1B 4906291
Matrix / Runout (Runout side C, stamped, variant 1) – 97983 1C 4906291
Matrix / Runout (Runout side D, stamped, variant 1) – 97983 1D 4906291
Matrix / Runout (Runout side A, stamped, variant 2) – 97983 2A 4906291
Matrix / Runout (Runout side B, stamped, variant 2) – 97983 2B 4906291
Matrix / Runout (Runout side C, stamped, variant 2) – 97983 2C 4906291
Matrix / Runout (Runout side D, stamped, variant 2) – 97983 2D 4906291
Barcode (Scanned) – 606949062910
Rights Society – BIEM/SDRM
Rights Society – BMI
Rights Society (Track A3) – ASCAP
Rights Society (Track A3) – PRS
Other (Inlay) – 069490629-1
Matrix / Runout (Label record 1, side A & B) – 606949063016
Matrix / Runout (Label record 2, side A & B) – 606949063115
Matrix / Runout (Runout side A, stamped, variant 1) – 97983 1A 4906291
Matrix / Runout (Runout side B, stamped, variant 1) – 97983 1B 4906291
Matrix / Runout (Runout side C, stamped, variant 1) – 97983 1C 4906291
Matrix / Runout (Runout side D, stamped, variant 1) – 97983 1D 4906291
Matrix / Runout (Runout side A, stamped, variant 2) – 97983 2A 4906291
Matrix / Runout (Runout side B, stamped, variant 2) – 97983 2B 4906291
Matrix / Runout (Runout side C, stamped, variant 2) – 97983 2C 4906291
Matrix / Runout (Runout side D, stamped, variant 2) – 97983 2D 4906291