You have no items in your shopping cart.
Cantatas 47: ►27 ►36 ►47 (Schwingt Freudig Euch Empor)
| Schwingt Freudig Euch Empor, BWV 36 (Engültige Fassung / Final Version) - Kantate Zum 1. Advent (2nd December 1726 - Revised Version Of A Work From 1725-26) | (28:15) | ||
| 1 | [Prima Parte]: 1. Chorus. Schwingt Freudig Euch Empor Zu Den Erhabnen Sternen … | 3:53 | |
| 2 | [Prima Parte]: 2. Choral (Soprano, Alto). Nun Komm, Der Heiden Heiland … | 3:26 | |
| 3 | [Prima Parte]: 3. Aria (Tenore). Die Liebe Zieht Mit Sanften Schritten … | 5:47 | |
| 4 | [Prima Parte]: 4. Chorale. Zwingt Die Saiten In Cythara | 1:09 | |
| 5 | Secunda Pars: 5. Aria (Basso). Willkommen, Werter Schatz! … | 3:23 | |
| 6 | Secunda Pars: 6. Chorale (Tenore). Der Du Bist Dem Vater Gleich … | 1:36 | |
| 7 | Secunda Pars: 7. Aria (Soprano). Auch Mit Gedämpften, Schwachen Stimmen … | 8:01 | |
| 8 | Secunda Pars: 8. Chorale. Lob Sei Gott, Dem Vater, Ton … | 0:36 | |
| Wer Sich Selbst Erhöhet, Der Soll Erniedriget Werden, BWV 47 - Kantate Zum 17. Sonntag Nach Trinitatis (13th October 1726) | (20:22) | ||
| 9 | 1. [Chorus]. Wer Sich Selbst Erhöhet … | 5:31 | |
| 10 | 2. Aria (Soprano). Wer Ein Wahrer Christ Will Heißen … | 8:29 | |
| 11 | 3. Recitativo (Basso). Der Mensch Ist Kot, Staub, Asch Und Erde … | 1:44 | |
| 12 | 4. Aria (Basso). Jesu, Beuge Doch Mein Herze … | 3:49 | |
| 13 | 5. Choral. Der Zeitlichen Ehrn Will Ich Gern Entbehren … | 0:44 | |
| Wer Weiß, Wie Nahe Mir Mein Ende, BWV 27 - Kantate Zum 16. Sonntag Nach Trinitatis (6th October 1726) | (14:34) | ||
| 14 | 1. [Choral E Recitativi (S, A, T)]. Wer Weiß, Wie Nahe Mir Mein Ende? … | 4:27 | |
| 15 | 2. Recitativo (Tenore). Mein Leben Hat Kein Ander Ziel … | 0:55 | |
| 16 | 3. Aria (Alto). Willkommen! Will Ich Sagen … | 3:49 | |
| 17 | 4. Recitativo (Soprano). Ach, Wer Doch Schon Im Himmel Wär! … | 0:46 | |
| 18 | 5. Aria (Basso). Gute Nacht, Du Weltgetümmel! … | 3:21 | |
| 19 | 6. Choral. Welt, Ade,! Ich Bin Dein Müde … | 1:09 | |
| Appendix: From 'Wer Weiß, Wie Nahe Mir Mein Ende', BWV 27 | |||
| 20 | 3. Aria (Alto). Willkommen! Will Ich Sagen … (Organ Version) | 3:53 | |
Alto Vocals – Hiroya Aoki
Alto Vocals – Tamaki Suzuki
Bass Vocals – Chiyuki Urano
Bass Vocals – Daisuke Fujii
Bass Vocals, Soloist – Peter Kooij
Bassoon [Continuo] – Yukiko Murakami
Composed By – Johann Sebastian Bach
Countertenor Vocals, Soloist, Alto Vocals – Robin Blaze
Directed By – Masaaki Suzuki
Engineer, Mixed By – Andreas Ruge
Executive-Producer – Robert von Bahr
Flute [Flauto Traverso II] – Liliko Maeda
Flute [Flauto Traverso I], Soloist – Kiyomi Suga
Harpsichord [Cembalo, Continuo] – Masato Suzuki
Horn [Corno] – Takeshi Hidaka
Liner Notes – Klaus Hofmann
Liner Notes – Masaaki Suzuki
Liner Notes [English Translation] – Andrew Barnett
Liner Notes [French Translation] – Jean-Pascal Vachon
Liner Notes [German Translation] – Anna Lamberti
Oboe [II], Oboe d'Amore [II] – Yukari Maehashi
Oboe [I], Oboe d'Amore [I], Oboe Da Caccia, Soloist – Masamitsu San'nomiya
Orchestra, Chorus – Bach Collegium Japan
Organ [Continuo] – Naoko Imai
Photography By – Ludék Sojka
Photography By – Olarenska
Photography By – Robert Workman
Photography By [Front Cover] – Marco Borggreve
Producer [Recording Producer], Edited By – Rita Hermeyer
Soprano Vocals – Minae Fujisaki
Soprano Vocals – Yoshie Hida
Soprano Vocals, Soloist – Hana Blažíková
Technician [Tuner] – Akimi Hayashi
Tenor Vocals – Yosuke Taniguchi
Tenor Vocals – Yusuke Fujii
Tenor Vocals, Soloist – Satoshi Mizukoshi
Viola – Amiko Watabe
Viola – Hiroshi Narita
Violin [II] – Azumi Takada
Violin [II] – Kaori Toda
Violin [II] – Yuko Araki
Violin [I] – Paul Herrera
Violin [I] – Yuko Takeshima
Violin [I], Soloist, Leader – Natsumi Wakamatsu
Violoncello [Continuo] – Hidemi Suzuki
Violone [Continuo] – Seiji Nishizawa
Alto Vocals – Tamaki Suzuki
Bass Vocals – Chiyuki Urano
Bass Vocals – Daisuke Fujii
Bass Vocals, Soloist – Peter Kooij
Bassoon [Continuo] – Yukiko Murakami
Composed By – Johann Sebastian Bach
Countertenor Vocals, Soloist, Alto Vocals – Robin Blaze
Directed By – Masaaki Suzuki
Engineer, Mixed By – Andreas Ruge
Executive-Producer – Robert von Bahr
Flute [Flauto Traverso II] – Liliko Maeda
Flute [Flauto Traverso I], Soloist – Kiyomi Suga
Harpsichord [Cembalo, Continuo] – Masato Suzuki
Horn [Corno] – Takeshi Hidaka
Liner Notes – Klaus Hofmann
Liner Notes – Masaaki Suzuki
Liner Notes [English Translation] – Andrew Barnett
Liner Notes [French Translation] – Jean-Pascal Vachon
Liner Notes [German Translation] – Anna Lamberti
Oboe [II], Oboe d'Amore [II] – Yukari Maehashi
Oboe [I], Oboe d'Amore [I], Oboe Da Caccia, Soloist – Masamitsu San'nomiya
Orchestra, Chorus – Bach Collegium Japan
Organ [Continuo] – Naoko Imai
Photography By – Ludék Sojka
Photography By – Olarenska
Photography By – Robert Workman
Photography By [Front Cover] – Marco Borggreve
Producer [Recording Producer], Edited By – Rita Hermeyer
Soprano Vocals – Minae Fujisaki
Soprano Vocals – Yoshie Hida
Soprano Vocals, Soloist – Hana Blažíková
Technician [Tuner] – Akimi Hayashi
Tenor Vocals – Yosuke Taniguchi
Tenor Vocals – Yusuke Fujii
Tenor Vocals, Soloist – Satoshi Mizukoshi
Viola – Amiko Watabe
Viola – Hiroshi Narita
Violin [II] – Azumi Takada
Violin [II] – Kaori Toda
Violin [II] – Yuko Araki
Violin [I] – Paul Herrera
Violin [I] – Yuko Takeshima
Violin [I], Soloist, Leader – Natsumi Wakamatsu
Violoncello [Continuo] – Hidemi Suzuki
Violone [Continuo] – Seiji Nishizawa
Recorded in February 2010 at the Kobe Shoin Women's University Chapel, Japan
© & ℗ 2010
Cantatas from Leipzig 1726
Equipment: Neumann microphones; RME Octamic D microphone preamplifier and
high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation;
B&W Nautilus 802 loudspeakers; STAX headphones
TT: 68'27
32-page digital booklet with liner notes in English, German and French, including the original sung text and the English Translation.
Originally released on SACD in October 2010
© & ℗ 2010
Cantatas from Leipzig 1726
Equipment: Neumann microphones; RME Octamic D microphone preamplifier and
high resolution A/D converter; Sequoia Workstation; Pyramix DSD Workstation;
B&W Nautilus 802 loudspeakers; STAX headphones
TT: 68'27
32-page digital booklet with liner notes in English, German and French, including the original sung text and the English Translation.
Originally released on SACD in October 2010
Barcode – 7318599918617