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Timothy Roberts- Jeremy West, His Majestys Sagbutts & Cornetts, Katy BircherAnd Andrew Crawford, Gail HennessyAnd Hilary Stock, Mike Gingold, Charles Daniels, Timothy Roberts
Portraits, Distillations And Soundgames (Instrumental, Chamber And Digital Compositions, 1996-2015)
| Label | Toccata Classics – TOCC 0641 |
| Format | CD, Album |
| Barcode | 5060113446411 |
| Country | UK |
| Released | 04 Mar 2022 |
| Genre | Classical |
| Style | Contemporary |
| Improvisations For Jeremy For Solo Cornett (2005) | ||
| 1 | No. 31 Firle Beacon | 1:12 |
| Three Distillations From Songs By Gabriel Fauré For Harpsichord (1997) | (8:52) | |
| 2 | No. 1 En Sourdine (Prélude Non Mesuré) | 3:17 |
| 3 | No. 2 Clair De Lune (Style Brisé) | 3:03 |
| 4 | No. 3 Puis Que L’Aube Grandit (Arpeggio) | 2:28 |
| On The Wall, Off The Wall: Six Venetian Sketches For Cornetts And Sackbuts (2004) | (6:48) | |
| 5 | No. 1 Intrada | 0:56 |
| 6 | No. 2 Cromatica | 1:14 |
| 7 | No. 3 Forte E Piano | 1:04 |
| 8 | No. 4 Fantasia Allegra | 0:47 |
| 9 | No. 5 Canzona Amorosa | 0:59 |
| 10 | No. 6 G. Gabrieli In Memoriam | 1:48 |
| Two Family Portraits For Piano (1996) | (9:38) | |
| 11 | No. 1 Mozart In Blue | 4:30 |
| 12 | No. 2 Insomniac Rag: Or, The Fearful Symmetries Nocturne | 5:08 |
| Improvisations For Jeremy | ||
| 13 | No. 5 Mild And Bitter | 1:33 |
| 14 | Valldemossa Road For Clavichord (2006) | 2:25 |
| 15 | The Duke’s Rondeau For Harpsichord (2009) | 2:53 |
| 16 | Sonatina For Haydn For Piano (2009) | 2:10 |
| Improvisations For Jeremy | ||
| 17 | No. 18 Southease | 1:48 |
| Upon Words From Saint Matthew For Two Baroque Flutes And Two Oboes Da Caccia (2001) | (8:36) | |
| 18 | Prelude | 0:25 |
| 19 | Fugue I: The Spirit Is Willing But The Flesh Is Weak | 2:24 |
| 20 | Fugue II: Ye Have Always The Poor With You | 1:51 |
| 21 | Fugue III: My God, My God, Why Hast Thou Forsaken Me? | 3:56 |
| 22 | The Triumphant Fall Of Man: Improvisation For Gerhard Grenzing For Organ (2006) | 10:44 |
| Improvisations For Jeremy | ||
| 23 | No. 4 The Furlongs | 3:31 |
| Sunshine For The Mind: 19 Soundgames On Works By Henry Purcell (2006–15) | ||
| 25 | No. 5 Groundwork I, After Purcell’s A New Ground | 2:19 |
| 25 | No. 10 Sunshine For The Mind, After ‘Sound The Trumpet’ | 3:11 |
| 26 | No. 11 Groundwork II, On The Ground Bass Of ‘Music For A While’ | 2:16 |
| 27 | No. 14 And So to Bed, After An Evening Hymn | 4:15 |
| 28 | No. 12 An Orchestra’s Guide To The Young Person, After The Rondo From Abdelazer | 4:08 |
Alto Saxophone – Mike Gingold (24)
Clavichord – Timothy Roberts (14)
Composed By – Timothy Roberts
Cornett – Jeremy West (1, 13, 17, 23)
Design [Cover Design] – David M. Baker
Engineer [Multi-tracking] – Malcolm Bruce (27)
Ensemble – His Majestys Sagbutts & Cornetts (5 to 10)
Executive-Producer – Martin Anderson
Flute [Baroque Flutes] – Andrew Crawford (18 to 21)
Flute [Baroque Flutes] – Katy Bircher (18 to 21)
Harpsichord – Timothy Roberts (2 to 4, 15)
Liner Notes [Booklet Notes] – Timothy Roberts
Mastered By [Mastering] – Adaq Khan
Oboe Da Caccia – Gail Hennessy (18 to 21)
Oboe Da Caccia – Hilary Stock (18 to 21)
Organ – Timothy Roberts (22)
Photography By [Cover Photo] – Jon Osney
Piano – Timothy Roberts (11, 12, 16)
Producer, Engineer – Timothy Roberts
Tenor Vocals [Tenor] – Charles Daniels (27)
Typography [Typesetting], Layout [Lay-out] – Kerrypress, St Albans
Clavichord – Timothy Roberts (14)
Composed By – Timothy Roberts
Cornett – Jeremy West (1, 13, 17, 23)
Design [Cover Design] – David M. Baker
Engineer [Multi-tracking] – Malcolm Bruce (27)
Ensemble – His Majestys Sagbutts & Cornetts (5 to 10)
Executive-Producer – Martin Anderson
Flute [Baroque Flutes] – Andrew Crawford (18 to 21)
Flute [Baroque Flutes] – Katy Bircher (18 to 21)
Harpsichord – Timothy Roberts (2 to 4, 15)
Liner Notes [Booklet Notes] – Timothy Roberts
Mastered By [Mastering] – Adaq Khan
Oboe Da Caccia – Gail Hennessy (18 to 21)
Oboe Da Caccia – Hilary Stock (18 to 21)
Organ – Timothy Roberts (22)
Photography By [Cover Photo] – Jon Osney
Piano – Timothy Roberts (11, 12, 16)
Producer, Engineer – Timothy Roberts
Tenor Vocals [Tenor] – Charles Daniels (27)
Typography [Typesetting], Layout [Lay-out] – Kerrypress, St Albans
Tracks 24, 26-28: Digital Compositions
Recorded on 24 June 2005 in the Church of the Holy Spirit, Copenhagen, Denmark (Three Distillations);
on 21 September 2005 in the chapel of the Escolapies, Sóller, Mallorca (Two Family Portraits);
on 23 October 2005 in the Church of St John the Baptist, Deià, Mallorca (Valldemossa Road);
on 28 June 2006 at St Andrew's, Santanyí, Mallorca (The Triumphant Fall of Man);
on 27 November 2007 in the studio of Malcolm Bruce, London ('And So to Bed');
on 3 May 2009 at St Martha's, Tarascon-sur-Rhône, Provence (Sonatina for Haydn);
on 24 February 2015 at St James's, Bermondsey, London (Upon Words from Saint Matthew);
on 15 February 2016 at Andrew's Studio, Bedchester, Dorset (The Duke’s Rondeau);
on 21 April 2017 (Improvisations for Jeremy);
and 4-5 April 2018 (On the Wall, Off the Wall) in the chapel of Girton College, Cambridge
Microphones: Calrec 2001 (tracks 1, 5-23)
© Toccata Classics, London, 2022
℗ Toccata Classics, London, 2022
First recordings
TT 76:26
Made in Germany
Recorded on 24 June 2005 in the Church of the Holy Spirit, Copenhagen, Denmark (Three Distillations);
on 21 September 2005 in the chapel of the Escolapies, Sóller, Mallorca (Two Family Portraits);
on 23 October 2005 in the Church of St John the Baptist, Deià, Mallorca (Valldemossa Road);
on 28 June 2006 at St Andrew's, Santanyí, Mallorca (The Triumphant Fall of Man);
on 27 November 2007 in the studio of Malcolm Bruce, London ('And So to Bed');
on 3 May 2009 at St Martha's, Tarascon-sur-Rhône, Provence (Sonatina for Haydn);
on 24 February 2015 at St James's, Bermondsey, London (Upon Words from Saint Matthew);
on 15 February 2016 at Andrew's Studio, Bedchester, Dorset (The Duke’s Rondeau);
on 21 April 2017 (Improvisations for Jeremy);
and 4-5 April 2018 (On the Wall, Off the Wall) in the chapel of Girton College, Cambridge
Microphones: Calrec 2001 (tracks 1, 5-23)
© Toccata Classics, London, 2022
℗ Toccata Classics, London, 2022
First recordings
TT 76:26
Made in Germany
Barcode – 5 060113 446411
Label Code – LC 14674
SPARS Code – DDD
Label Code – LC 14674
SPARS Code – DDD