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Chiller
| Label | Telarc – CD-80189 |
| Format | CD, Album |
| Barcode | 0089408018923 |
| Country | US |
| Released | 1989 |
| Genre | Classical, Stage & Screen |
| 1 | Opening Sequence | 0:48 | |
| 2 | Overture To The Phantom Of The Opera | 2:11 | |
| 3 | Night On Bald Mountain | 10:38 | |
| 4 | Danse Macabre, Op. 40 | 7:40 | |
| 5 | March To The Scaffold From Symphonie Fantastique, Op. 14 | 4:58 | |
| 6 | Pandemonium (Scene 19) From The Damnation Of Faust, Op. 24 | 3:22 | |
| 7 | In The Hall Of The Mountain King From Peer Gynt, Suite No. 1, Op. 46 | 2:30 | |
| 8 | Synthesizer Effects | 0:52 | |
| 9 | Theme From The Twilight Zone | 0:48 | |
| 10 | 12,000 Volts | 0:12 | |
| The Bride Of Frankenstein | (5:08) | ||
| 11a | Prelude | 0:49 | |
| 11b | Minuet | 2:44 | |
| 11c | Pastorale & March | 1:35 | |
| 12 | Sleigh Ride From The Devil And Daniel Webster | 1:51 | |
| Three Selections From Psycho | |||
| 13 | Prelude | 1:31 | |
| 14 | The Mad House | 1:59 | |
| 15 | Murder | 1:20 | |
| - | |||
| 16 | Overture To Sleuth | 2:48 | |
| 17 | Television Noise | 0:17 | |
| 18 | The Light From Poltergeist | 2:37 | |
| 19 | Super Sleuth From Without A Clue | 2:03 | |
| 20 | Funeral March Of A Marionette (Theme From Alfred Hitchcock Presents) | 3:35 | |
Art Direction – Ray Kirschensteiner
Conductor – Erich Kunzel
Design [Cover] – Mike Ericsson
Edited By – Rosalind Ilett
Edited By – Thomas Knab
Engineer – Jack Renner
Illustration [Cover] – John Maggard
Illustration [Cover] – Scott Hull Associates
Liner Notes – David Loebel
Orchestra – Cincinnati Pops Orchestra
Producer – Robert Woods
Producer [Production Assistance] – Elaine Martone
Recorded By [Sound Effects] – Michael Bishop
Technician [Technical Assistance] – Michael Bishop
Technician [Technical Assistance] – Thomas Knab
Conductor – Erich Kunzel
Design [Cover] – Mike Ericsson
Edited By – Rosalind Ilett
Edited By – Thomas Knab
Engineer – Jack Renner
Illustration [Cover] – John Maggard
Illustration [Cover] – Scott Hull Associates
Liner Notes – David Loebel
Orchestra – Cincinnati Pops Orchestra
Producer – Robert Woods
Producer [Production Assistance] – Elaine Martone
Recorded By [Sound Effects] – Michael Bishop
Technician [Technical Assistance] – Michael Bishop
Technician [Technical Assistance] – Thomas Knab
The 'Chiller' logo is treated with glow-in-the-dark ink.
Recorded in Music Hall, Cincinnati on October 23 & 24, 1988
℗© 1989 Telarc
Track 2 published by The Really Useful Group. Administered by Colgems-EMI Music, Inc. (ASCAP)
Track 9 published by SBK April Inc. (ASCAP)
Track 11 published by SBK Catalog - Universal Music Corp. (ASCAP)
Track 12 published by Bourne Co. (ASCAP)
Track 13-15 published by Ensign Music Corp. (BMI)
Track 16 published by John Addison (ASCAP)
Track 18 published by SBK Affiliated Lion (BMI)
Track 19 published by EYETEECEE Music, Inc. (ASCAP) & Hollyweed Music Co. (ASCAP)
Recorded in Music Hall, Cincinnati on October 23 & 24, 1988
Microphones: Schopes MK-2S & MK-3
Digital Recording Processor: Soundstream
Console: Neotek, custom build, wired with Monster Cable, Series III
Monitor Speakers: ADS Model 1530 wired with Monster Cable
Power amplifier: Threshold Model S/500 Stasis Series II with optical bias
The entire path from microphones to digital processors utilized the latest cable technology from Monster Cable, including M1000 Series I Prolink and Series III Prolink bandwidht balanced
Control Room Acustic Treatment: Sonex from Illbruck/USA, Soundex from Monster Cable, Tube Traps by ASC, RPG diffusors
During the recording of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e. compression, limiting or equalization) at any step during production.
Digital Editing: Sony DAE 3000
Recorded in Music Hall, Cincinnati on October 23 & 24, 1988
℗© 1989 Telarc
Track 2 published by The Really Useful Group. Administered by Colgems-EMI Music, Inc. (ASCAP)
Track 9 published by SBK April Inc. (ASCAP)
Track 11 published by SBK Catalog - Universal Music Corp. (ASCAP)
Track 12 published by Bourne Co. (ASCAP)
Track 13-15 published by Ensign Music Corp. (BMI)
Track 16 published by John Addison (ASCAP)
Track 18 published by SBK Affiliated Lion (BMI)
Track 19 published by EYETEECEE Music, Inc. (ASCAP) & Hollyweed Music Co. (ASCAP)
Recorded in Music Hall, Cincinnati on October 23 & 24, 1988
Microphones: Schopes MK-2S & MK-3
Digital Recording Processor: Soundstream
Console: Neotek, custom build, wired with Monster Cable, Series III
Monitor Speakers: ADS Model 1530 wired with Monster Cable
Power amplifier: Threshold Model S/500 Stasis Series II with optical bias
The entire path from microphones to digital processors utilized the latest cable technology from Monster Cable, including M1000 Series I Prolink and Series III Prolink bandwidht balanced
Control Room Acustic Treatment: Sonex from Illbruck/USA, Soundex from Monster Cable, Tube Traps by ASC, RPG diffusors
During the recording of the digital masters and the subsequent transfer to disc, the signal was not passed through any processing device (i.e. compression, limiting or equalization) at any step during production.
Digital Editing: Sony DAE 3000
Barcode (Text) – 0 89408 01892 3
Barcode (Scanned) – 0089408018923
Matrix / Runout – DIDX-005382 2
Rights Society – ASCAP
Rights Society – BMI
Other (DADC Code) – DIDX 005382
SPARS Code – DDD
Barcode (Scanned) – 0089408018923
Matrix / Runout – DIDX-005382 2
Rights Society – ASCAP
Rights Society – BMI
Other (DADC Code) – DIDX 005382
SPARS Code – DDD