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Viennafest
| 1 | Radetzky March, Op. 228 | 3:13 |
| 2 | Overture To "The Gypsy Baron" | 7:27 |
| 3 | Jäger Polka (Huntsman Polka), Op. 229 | 2:50 |
| 4 | Frühlingsstimmen Walzer (Voices Of Spring Waltzes), Op. 410 | 5:41 |
| 5 | Nachtigall Polka (Nightingale Polka), Op. 222 | 3:36 |
| 6 | Studenten Polka (Student's Polka), Op. 263 | 2:53 |
| 7 | Gold And Silver Waltzes | 6:34 |
| 8 | Im Sturmschritt, Polka Schnell (At The Double, Fast Polka), Op. 348 | 2:52 |
| 9 | Mit Dampf, Polka Schnell (At Full Steam, Fast Polka), Op. 70 | 2:11 |
| 10 | Ballsirenen Walzer (Siren Of The Dance Waltzes) From "The Merry Widow" | 6:38 |
| 11 | Overture To "Countess Mariza" | 4:13 |
| 12 | Hofball-Tänze Walzer (Court Ball Waltzes), Op. 161 | 5:36 |
| 13 | Walzerträume (Waltz Dreams) | 6:45 |
| 14 | Zwei Herzen Im Dreiverteltakt (Two Hearts In Three-Quarter Time) | 2:42 |
| 15 | Overture To "Die Fledermaus" | 8:20 |
| 16 | Wien, Wien, Nur Du Allen (Vienna, City Of My Dreams) | 4:33 |
Arranged By – Erich Kunzel (3, 6, 8, 12, 13)
Arranged By – Steven Reineke (14, 16)
Art Direction – Anilda Carrasquillo
Composed By – Eduard Strauss (9)
Composed By – Emmerich Kálmán (11)
Composed By – Franz Lehár (7, 10)
Composed By – Johann Strauss Jr. (2 to 6, 8, 15)
Composed By – Johann Strauss Sr. (1)
Composed By – Josef Lanner (12)
Composed By – Oscar Strauss (13)
Composed By – Robert Stolz (14)
Composed By – Rudolf Sieczynski (16)
Conductor – Erich Kunzel
Design – Brian Sooy & Co.
Design – Heidi Kropf
Edited By – Thomas C. Moore
Engineer – Jack Renner
Liner Notes – Richard E. Rodda
Orchestra – Cincinnati Pops Orchestra
Producer – Robert Woods
Soprano Vocals – Tracy Dahl
Sounds [Sound Effects Production] – Michael Bishop
Supervised By [Production Supervisor] – Erica Brenner
Technician [Assistance] – James Yates
Technician [Assistance] – Mark Robertson-Tessi
Arranged By – Steven Reineke (14, 16)
Art Direction – Anilda Carrasquillo
Composed By – Eduard Strauss (9)
Composed By – Emmerich Kálmán (11)
Composed By – Franz Lehár (7, 10)
Composed By – Johann Strauss Jr. (2 to 6, 8, 15)
Composed By – Johann Strauss Sr. (1)
Composed By – Josef Lanner (12)
Composed By – Oscar Strauss (13)
Composed By – Robert Stolz (14)
Composed By – Rudolf Sieczynski (16)
Conductor – Erich Kunzel
Design – Brian Sooy & Co.
Design – Heidi Kropf
Edited By – Thomas C. Moore
Engineer – Jack Renner
Liner Notes – Richard E. Rodda
Orchestra – Cincinnati Pops Orchestra
Producer – Robert Woods
Soprano Vocals – Tracy Dahl
Sounds [Sound Effects Production] – Michael Bishop
Supervised By [Production Supervisor] – Erica Brenner
Technician [Assistance] – James Yates
Technician [Assistance] – Mark Robertson-Tessi
Total Playing Time: 77:24
*** Technical Information ***
Recorded in Music Hall, Cincinnati, Ohio, February 19-20, 2000
Microphones: Schoeps CMC-6/MK-2s, MK-21, MK-3, MK-2H
On-Stage Microphone Preamplifiers: Millennia Media M2-a, HV3, and Quad
Console: Ramsa WR-S824B, custom engineered by John Windt
Balanced Terminators and MH-750 CVT Shotgun Terminators; Monster Cable Series I and 3 Prolink
Digital Recording System: Sony Direct Stream Digital System with custom DSD ADC and DAC by Ed Meitner, EMM Labs
Power Amplifiers: Threshold SA4e and Bryston 4B NPB
Monitor Speakers: Waveform Mach 10 (bi-amplified) by Waveform Inc.
Control Room & On-Stage Acoustic Treatment: RPG Abffusors and Diffusors
Digital Editor: Sonic Solutions
DSD to PCM Encoding: Sony Super Bit Mapping Direct
Special thanks to David Kawakami and Gus Skinas, Sony Super Audio Project
This CD was recorded using the Direct Stream Digital™ recording system. DSD is a new and improved method of converting music into the digital domain, sampling a 1-bit word at 2.8224 mHz. This results in a frequency response from 0Hz to beyond 100kHz, and a dynamic range greater than 120 dB. Much of the added resolution afforded by the DSD process is retained in standard CD production by using Super Bit Mapping Direct™, a dedicated DSD conversion Processor.
Direct Stream Digital™ and Super Bit Mapping Direct™ are trademarks of the Sony Corporation.
*** Technical Information ***
Recorded in Music Hall, Cincinnati, Ohio, February 19-20, 2000
Microphones: Schoeps CMC-6/MK-2s, MK-21, MK-3, MK-2H
On-Stage Microphone Preamplifiers: Millennia Media M2-a, HV3, and Quad
Console: Ramsa WR-S824B, custom engineered by John Windt
Balanced Terminators and MH-750 CVT Shotgun Terminators; Monster Cable Series I and 3 Prolink
Digital Recording System: Sony Direct Stream Digital System with custom DSD ADC and DAC by Ed Meitner, EMM Labs
Power Amplifiers: Threshold SA4e and Bryston 4B NPB
Monitor Speakers: Waveform Mach 10 (bi-amplified) by Waveform Inc.
Control Room & On-Stage Acoustic Treatment: RPG Abffusors and Diffusors
Digital Editor: Sonic Solutions
DSD to PCM Encoding: Sony Super Bit Mapping Direct
Special thanks to David Kawakami and Gus Skinas, Sony Super Audio Project
This CD was recorded using the Direct Stream Digital™ recording system. DSD is a new and improved method of converting music into the digital domain, sampling a 1-bit word at 2.8224 mHz. This results in a frequency response from 0Hz to beyond 100kHz, and a dynamic range greater than 120 dB. Much of the added resolution afforded by the DSD process is retained in standard CD production by using Super Bit Mapping Direct™, a dedicated DSD conversion Processor.
Direct Stream Digital™ and Super Bit Mapping Direct™ are trademarks of the Sony Corporation.
Barcode – 089408054723
SPARS Code – DDD
SPARS Code – DDD