Schola Heidelberg, Ensemble Aisthesis, Walter Nußbaum - Scelsi, Schwehr, Webern, Ligeti, Xenakis, Leibowitz, Hosokawa, Schönberg - Nuits – Weiß Wie Lilien
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CD

Nuits – Weiß Wie Lilien

Label BIS ‎– BIS-CD-1090BIS ‎– CD-1090
Format CD,
Barcode 7318590010907
Country Sweden
Released Jun 2001
Genre Classical
Style Modern, Contemporary
1 Ave Maria 8:37
Tre Canti Sacri (10:10)
2 I. Angelus Domini Nuntiavit Mariae 2:42
3 II. Requiem Aeternam Dona Eis Domine 3:51
4 III. Gloria In Excelsis Deo 3:24
5 De Profundis (Psalm 130) 3:52
TKRDG (11:41)
6 I. 4:33
7 II. 2:50
8 III. 4:18
Two Settings (3:05)
9 I. The Sick Rose 1:23
10 II. Never Seek To Tell Thy Love 1:42
Drei Lieder (3:24)
11 I. Sehr Ruhig 0:54
12 II. Erlösung 1:05
13 III. Langsam 1:25
14 deutsche tänze 7:10
Zwei Lieder (2:05)
15 I. Lebhaft Und Leicht 1:07
16 II. Sehr Gemächlich 0:58
17 Nuits 8:33
18 Lux Æterna 8:35
Bass Clarinet – Caroline Heilig (15, 16)
Celesta – Jan Marc Reichow (15, 16)
Choir – Schola Heidelberg
Clarinet – Winfried Rager (15, 16)
Clarinet [E flat] – Susanne Heilig (11 to 13)
Co-producer [Coproduktion mit] – Südwestrundfunk
Cover, Photography By [Front cover photography] – Imogen Cunningham
Directed By – Walter Nußbaum
Edited By [Digital editing] – Siegbert Ernst (1, 5 to 18)
Engineer [Balance engineer] – Christian Feldgen (2 to 4)
Engineer [Balance engineer] – Siegbert Ernst (1, 5 to 18)
Engineer [Sound engineer] – Roland Winger (1, 5 to 18)
Ensemble – ensemble aisthesis
Executive-Producer – Hans Hachmann (1, 5 to 18)
Guitar – Hubert Steiner (6 to 8, 11 to 13, 15, 16)
Liner Notes [Cover text] – Jan Kopp
Liner Notes [Translation: English] – Andrew Barnett
Liner Notes [Translation: French] – Arlette Lemieux-Chené
Percussion – Adam Weisman (6 to 8)
Percussion – Boris Müller (6 to 8)
Percussion – Martin Homann (6 to 8)
Producer – Christoph Claßen (2 to 4)
Producer – Siegbert Ernst (1, 5 to 18)
Typography [Typesetting], Layout – Andrew Barnett
Typography [Typesetting], Layout – Kyllikki Barnett
Violin – Anna Mc Michael (15, 16)
Ave Maria for 16-part mixed choir a capella (1991) (Schott Japan Company, Tokyo)

Tre canti sacri per 8 voci miste (1958) (Edition Salabert, Paris)

De Profundis (Psalm 130), Op. 50b (Israeli Music Publications, Tel Aviv)

TKRDG for 6 male voices, 3 percussionists and electrically amplified guitar (1968) (Edition Salabert, Paris)

Two Settings, Op. 71 for mixed chorus a cappella (1966) (Boelke-Bomart, Hillsdale NY)

Drei Lieder, Op. 18, for voice, E flat clarinet and guitar (1925) (Universal Edition)

deutsche tänze for 5 female voices (1989/90) (Mis)

Zwei Lieder, Op. 19, for mixed chorus, celesta, guitar, violin, clarinet and bass clarinet (1926) (Universal Edition)
(Texts: from 'Chinesische Tages- und Jahreszeiten')

Nuits. Musique pour 12 voix mixtes (1967/68) (Edition Salabert, Paris)

Lux æterna for 16-part mixed choir a capella (1966) (Henry Litloff's Verlag / C. F. Peters)
___
Recording data:

Ave Maria: 2000-09-11/12
De Profundis: 2000-09-15
TKRDG: 2000-07-23/25
Two Settings: 2000-09-14/15
Drei Lieder: 2000-03-15
deutsche tänze: 2000-06-17/18
Zwei Lieder: 2000-07-20
Nuits: 2000-06-19/21
Lux æterna: 2000-09-13/14
at the SWR Studio, Karlsruhe, Germany

Tre canti sacri: 1997-09-16/17 at the Kapelle / Plöck, Heidelberg, Germany
___
Total playing time: 69'55

Front cover photography: Calla, late 1920s, © 1978 The Imogen Cunningham Trust
© 1997 & 2000; ℗ 2001, BIS Records AB
Made in Austria. by DADC

The catalog number BIS-CD-1090 is on the spines and back cover and CD-1090 is on the front cover.
Jewel case packaging with 32-page booklet
Barcode – 7 318590 010907
SPARS Code – DDD
Rights Society – n©b
Matrix / Runout – Sony DADC A0100358278-0101 13 Ao
Mastering SID Code – IFPI L553
Mould SID Code – IFPI 94 W5
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