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Lux Et Umbrae, Robert Crowe, Annette Fischer, Julia Nilsen-Savage, Sigrun Richter, Michael Eberth, Works By Johann Ernst Galliard, Elisabetta De Gambarini, Jeremiah Clarke, Maurice Greene, Henry Carey, John Blow
In Handel's Shadow (Vocal Music By His Rivals In Eighteenth-Century London)
| Label | Toccata Next – TOCN 0018 |
| Format | CD, Album |
| Barcode | 5060640070189 |
| Country | UK |
| Released | 15 Sep 2023 |
| Genre | Classical |
| Style | Baroque |
| The Hymn Of Adam And Eve (publ. 1728) | (22:22) | |
| 1 | Recit: These Are Thy Glorious Works | 1:22 |
| 2 | Duet: And With Songs And Choral Symphonies | 1:44 |
| 3 | Recit.: Fairest Of The Stars, Last In The Train Of Night | 0:29 |
| 4 | Aria: Praise Him In Thy Spheare | 0:53 |
| 5 | Recit.:Thou Sun Of The Great World | 0:21 |
| 6 | Aria: Sound His Praise In Thy Eternal Course | 2:03 |
| 7 | Recit.: Moon, That Now Meet’st The Orient Sun | 0:35 |
| 8 | Aria: Resound His Praise | 0:42 |
| 9 | Recit.: Air, And Ye Elements | 0:41 |
| 10 | Aria: Let Your Ceaseless Change | 1:24 |
| 11 | Recit.: Ye Mists, And Exhalations | 0:52 |
| 12 | Aria: Rising Or Falling, Still Advance His Praise | 1:07 |
| 13 | Recit.: His Praise, Ye Winds | 0:53 |
| 14 | Aria: In Sign Of Worship Wave | 1:36 |
| 15 | Recit: Fountains, And Ye, That Warble | 0:16 |
| 16 | Aria: Warbling Tune His Praise | 1:09 |
| 17 | Duet: Joyn Voices, All Ye Living Souls | 2:04 |
| 18 | Duet: Ye That In Waters Glide | 1:23 |
| 19 | Duet: Hail! Universal Lord | 0:41 |
| 20 | Duet: Disperce It | 2:07 |
| Psalm 13: How Long Wilt Thou Forget Me? From Sacred Music, Vol. 2 (publ. 1801) | ||
| 21 | Aria, Largo Andante: ‘How Long Wilt Thou Forget Me?’ | 3:23 |
| 22 | Recit., Slow: ‘Let Mine Enemy Say’ | 1:05 |
| 23 | Aria, Andante: ‘But My Truth Is In Thy Mercy’ | 1:40 |
| 24 | Orpheus With His Lute - From A Cantata And 4 English Songs (publ. 1745/46) | 4:37 |
| 25 | Behold And Listen - From Lessons For The Harpsichord, Intermix’d With Italian And English Songs (publ. 1748) | 4:67 |
| Apollo And Daphne - From Six English Cantas After The Italian Manner (publ. 1716) | (9:57) | |
| 26 | Recit.: ‘Daphne, The Beautyfull, The Coy’ | 1:05 |
| 27 | Aria, Largo And Affetuoso: ‘Turn Thee, Leave Thy Trembling Fear!’ | 3:19 |
| 28 | Recit.: ‘The River’s Ecchoing Banks’ | 0:57 |
| 29 | Aria, Presto: ‘Father Peneus’ | 1:55 |
| 30 | Recit.: ‘Apollo Wond’ring Stodd’ | 0:53 |
| 31 | Aria, Andante: ‘Nature Alone Can Love Inspire’ | 1:51 |
| Cantata: ‘I Go To The Elisian Shade’ (a Mad Song) - From Cantatas For A Voice With Accompanyment (publ. 1724) | (8:39) | |
| 32 | Recit.: ‘I Go To The Elisian Shade’ | 1:04 |
| 33 | Aria: Allegro, ‘I Fly From Celia’s Cold Disdain’ | 0:46 |
| 34 | Recit.: ‘Her Eyes Are Brighter’ | 0:43 |
| 35 | Aria: Lento, ‘See Yonder River’s Flowing Tide’ | 0:49 |
| 36 | Recit.: ‘There Have I Wept’ | 1:07 |
| 37 | Aria: Affettuoso – Vivace – Prestissimo: ‘Pity My Pains, Ye Gentle Swains’ | 1:39 |
| 38 | Recit.: ‘Where Yelling And Howling And Grumbling And Growling’ | 1:26 |
| 39 | Aria: ‘To Some Peaceful Plain Convey Me’ | 1:05 |
| 40 | Prelude In A Minor (c. 1700) | 3:00 |
| Psalm 119: Blessed Are Those That Are Undefiled - From Sacred Music, Vol. 2 (publ. 1801) | (5:51) | |
| 41 | Duet: Largo, ‘Blessed Are Those That Are Undefiled’ | 1:18 |
| 42 | Recit.: ‘Thou Hast Charged’ | 0:26 |
| 43 | Aria: Andante, ‘O That My Ways Were Made So Direct’ | 1:53 |
| 44 | Duetto: Vivace, ‘Then Will I Talk Of Thy Commandments’ | 2:14 |
Cello – Julia Nilsen-Savage (21 to 23, 26 to 31, 41 to 44)
Design [Cover Design] – David M. Baker
Engineer [Recording Engineer] – John Forrestal (21 to 44)
Engineer [Recording Engineer] – Niklas Keuser (1 to 20)
Ensemble – Lux Et Umbrae
Executive-Producer – Martin Anderson
Harpsichord – Michael Eberth (1 to 23, 26 to 44)
Liner Notes [Booklet Texts] – Robert Crowe
Lute [Archlute] – Sigrun Richter (1 to 20, 24, 26 to 31, 41 to 44)
Music Director [Artistic Director] – Robert Crowe
Producer – Joachim Enders
Producer – Robert Crowe
Soprano Vocals [Soprano] – Annette Fischer (1 to 4, 7, 8, 11, 12, 15 to 20, 24, 26 to 31, 41 to 44)
Soprano Vocals [Soprano] – Robert Crowe (1, 2, 5, 6, 9, 10, 13, 14, 17 to 23, 25, 32 to 39)
Typography [Typesetting], Layout [Lay-out] – Kerrypress, St Albans
Design [Cover Design] – David M. Baker
Engineer [Recording Engineer] – John Forrestal (21 to 44)
Engineer [Recording Engineer] – Niklas Keuser (1 to 20)
Ensemble – Lux Et Umbrae
Executive-Producer – Martin Anderson
Harpsichord – Michael Eberth (1 to 23, 26 to 44)
Liner Notes [Booklet Texts] – Robert Crowe
Lute [Archlute] – Sigrun Richter (1 to 20, 24, 26 to 31, 41 to 44)
Music Director [Artistic Director] – Robert Crowe
Producer – Joachim Enders
Producer – Robert Crowe
Soprano Vocals [Soprano] – Annette Fischer (1 to 4, 7, 8, 11, 12, 15 to 20, 24, 26 to 31, 41 to 44)
Soprano Vocals [Soprano] – Robert Crowe (1, 2, 5, 6, 9, 10, 13, 14, 17 to 23, 25, 32 to 39)
Typography [Typesetting], Layout [Lay-out] – Kerrypress, St Albans
Recorded on 29 and 30 May 2021 (The Hymn of Adam and Eve) and on 23-30 October 2022 in the
Gemeindehaus of the Bessungerkirche, Darmstadt
Tracks 1-23, 25-39, 41-44 : first recordings
© Toccata Next, London, 2023
℗ Toccata Next, London, 2023
TT 65:17
Made in Germany
Gemeindehaus of the Bessungerkirche, Darmstadt
Tracks 1-23, 25-39, 41-44 : first recordings
© Toccata Next, London, 2023
℗ Toccata Next, London, 2023
TT 65:17
Made in Germany
Barcode – 5 060640 070189
Label Code – LC 14674
SPARS Code – DDD
Label Code – LC 14674
SPARS Code – DDD