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Samson
| Samson, Oratorio, HWV 57 | |||
| Act II | |||
| Scene 1 | |||
| 1-1 | Overture | ||
| 1-2 | This Day, A Solemn Feast To Dagon Held | ||
| 1-3 | Awake The Trumpet's Lofty Sound | ||
| 1-4 | Ye Men Of Gaza, Hither Bring | ||
| 1-5 | Awake The Trumpet's Lofty Sound | ||
| 1-6 | Why By An Angel Was My Birth Foretold | ||
| Scene 2 | |||
| 1-7 | O Change Beyond Report | ||
| 1-8 | Whom Have I To Complain Of But Myself | ||
| 1-9 | Total Eclipse! | ||
| 1-10 | Since Light So Necessary Is To Life | ||
| 1-11 | Oh First Created Beam! | ||
| 1-12 | Ye See, My Friends, How Woes Enclose Me Round | ||
| Scene 3 | |||
| 1-13 | Thy Glorious Deeds Inspir'd My Tongue | ||
| 1-14 | To Sorrow Now I Tune | ||
| 1-15 | Justly These Evils Have Befall'n Thy Son | ||
| 1-16 | My Genial Spirits Droop, My Hopes Are Fled | ||
| 1-17 | Then Round About The Starry Throne | ||
| Act II | |||
| Scene 1 | |||
| 1-18 | Trust Yet In God! - Return O God Of Hosts! Behold | ||
| Scene 2 | |||
| 1-19 | But Who Is This, That So Bedeck'd And Gay | ||
| 1-20 | With Doubtful Feet | ||
| 1-21 | With Plaintive Notes And Am'rous Moan | ||
| 1-22 | Did Love Constrain Thee? | ||
| 1-23 | Your Charms To Ruin Led The Way | ||
| 1-24 | Forgive What's Done, Not Think Of What's Past Cure | ||
| 1-25 | My Faith And Truth, Oh Samson | ||
| 1-26 | To Fleeting Pleasures Make Your Court | ||
| 1-27 | Her Faith And Truth, O Samson! | ||
| 2-1 | Ne'er Think Of That! | ||
| 2-2 | Traitor To Love! Traitress To Love! | ||
| Scene 3 | |||
| 2-3 | She's Gone! | ||
| 2-4 | To Man God's Universal Law | ||
| Scene 4 | |||
| 2-5 | No Words Of Peace | ||
| 2-6 | Honour And Arms Scorn Such A Foe | ||
| 2-7 | Cam'st Thou For This, Vain Boaster? | ||
| 2-8 | Go, Baffled Coward, Go - Presume No On Thy God | ||
| 2-9 | Here Lie The Proof | ||
| 2-10 | Hear, Jacob's God, Jehovah, Hear! | ||
| 2-11 | Dagon, Arise, Attend Thy Sacred Feast! | ||
| 2-12 | To Song And Dance We Give The Day | ||
| 2-13 | To Song And Dance We Give The Day | ||
| 2-14 | Fix'd In His Everlasting Seat | ||
| Act III | |||
| Scene 1 | |||
| 2-15 | More Trouble Is Behind | ||
| 2-16 | Presuming Slave. To Move Their Wrath! | ||
| 2-17 | Reflect Then, Samson, Matters Now Are | ||
| 2-18 | With Thunder Arm'd Great God, Arise! | ||
| 2-19 | Be Of Good Courage, I Begin To Feel | ||
| 2-20 | Thus When The Sun From's Wat'ry Bed | ||
| 2-21 | With Might Endu'd Above The Sons Of Men | ||
| 2-22 | The Holy One Of Israel Be Thy Guide | ||
| Scene 2 | |||
| 2-23 | Old Manoa, With Youthful Steps | ||
| 2-24 | Great Dagon Has Subdued Our Foe | ||
| 2-25 | What Noise Of Joy Was That? | ||
| 2-26 | How Willing My Paternal Love | ||
| 2-27 | Your Hopes Of His Deliv'ry Seem Not Vain | ||
| 2-28 | Noise Call You This? | ||
| Scene 3 | |||
| 2-29 | Ye Sons Of Israel, Now Lament | ||
| 2-30 | Dead March | ||
| 2-31 | The Body Comes | ||
| 2-32 | Glorious Hero, May Thy Grave | ||
| 2-33 | May Ev'ry Hero Fal Like Thee | ||
| 2-34 | Bring The Laurels, Bring The Bays | ||
| 2-35 | Come, come! No time for lamentation now | ||
| 2-36 | Let the bright seraphim in burning row | ||
| 2-37 | Let their celestial concerts all unite | ||
Bass Vocals [Manoah/Harapha] – Luigi Di Donato
Chorus – Choeur de Chambre de Namur
Composed By – George Frideric Handel
Conductor – Leonardo Garcia Alarcón
Countertenor Vocals [Micah] – Lawrence Zazzo
Orchestra – Millenium Orchestra
Soprano Vocals [Dalila] – Klara Ek
Soprano Vocals [Philistine Woman/Israelite Woman/Attendant Of Dalila] – Julie Roset
Tenor Vocals [Messenger, Philistin] – Maxime Melnik
Tenor Vocals [Samson] – Matthew Newlin
Chorus – Choeur de Chambre de Namur
Composed By – George Frideric Handel
Conductor – Leonardo Garcia Alarcón
Countertenor Vocals [Micah] – Lawrence Zazzo
Orchestra – Millenium Orchestra
Soprano Vocals [Dalila] – Klara Ek
Soprano Vocals [Philistine Woman/Israelite Woman/Attendant Of Dalila] – Julie Roset
Tenor Vocals [Messenger, Philistin] – Maxime Melnik
Tenor Vocals [Samson] – Matthew Newlin
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