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Samson, oratorio, HWV 57 | |||
Act One | |||
Scene 1 | |||
1-1 | Overture | ||
1-2 | This Day, A Solemn Feast To Dagon Held | ||
1-3 | Awake The Trumpet's Lofty Sound | ||
1-4 | Ye Men Of Gaza, Hither Bring | ||
1-5 | Awake The Trumpet's Lofty Sound | ||
1-6 | Loud As The Thunder's Awful Voice | ||
1-7 | Then Free From Sorrow | ||
1-8 | Awake The Trumpet's Lofty Sound | ||
1-9 | Why By An Angel Was My Birth Foretold | ||
1-10 | Torments Alas! | ||
Scene 2 | |||
1-11 | O Change Beyond Report | ||
1-12 | O Mirror Of Our Fickle State! | ||
1-13 | Whom Have I To Complain Of But Myself | ||
1-14 | Total Eclipse! | ||
1-15 | Since Light So Necessary Is To Life | ||
1-16 | Oh First Created Beam! | ||
1-17 | Ye See, My Friends, How Woes Enclose Me Round | ||
Scene 3 | |||
1-18 | Brethren And Men Of Dan | ||
1-19 | Oh Miserable Change! | ||
1-20 | Oh Ever Failing Trust In Mortal Strength! | ||
1-21 | God Of Our Fathers, What Is Man? | ||
1-22 | The Good We Wish For, Often Proves Our Bane | ||
1-23 | Thy Glorious Deeds Inspir'd My Tongue | ||
1-24 | Justly These Evils Have Befall'n Thy Son | ||
1-25 | My Griefs For This | ||
1-26 | Why Does The God Of Israel Sleep? | ||
1-27 | There Lies Our Hope! | ||
1-28 | Then Shall They Know | ||
1-29 | For Thee, My Dearest Son | ||
1-30 | Then Long Eternity Shall Greet Your Bliss | ||
1-31 | Then Round About The Starry Throne | ||
Act Two | |||
2-1 | Despair Not Thus! | ||
2-2 | Just Are The Ways Of God To Man | ||
2-3 | My Evils Hopeless Are! | ||
2-4 | Return, Oh God Of Hosts! | ||
Scene 2 | |||
2-5 | But Who Is This | ||
2-6 | With Plaintive Notes And Am'rous Moan | ||
2-7 | Alas! Th' Event Was Worse Than I Foresaw | ||
2-8 | Your Charms To Ruin Led The Way | ||
2-9 | Forgive What's Done | ||
2-10 | My Faith And Truth, Oh Samson, Prove | ||
2-11 | To Fleeting Pleasures Make Your Court | ||
2-12 | Ne'er Think Of That! | ||
2-13 | Traitor To Love! | ||
Scene 3 | |||
2-14 | It Is Not Virture | ||
2-15 | Favour'd Of Heaven Is He | ||
2-16 | To Man God's Universal Law | ||
Scene 4 | |||
2-17 | No Words Of Peace | ||
2-18 | Honour And Arms Scorn Such A Foe | ||
2-19 | Put On Your Arms | ||
2-20 | My Strength Is From The Living God | ||
2-21 | With Thee! | ||
2-22 | Go, Baffled Coward, Go | ||
2-23 | Here Lie The Proof | ||
2-24 | Hear, Jacob's God, Jehovah, Hear! | ||
2-25 | Dagon, Arise! | ||
2-26 | To Song And Dance We Give The Day | ||
2-27 | To Song And Dance We Give The Day | ||
2-28 | Fix'd In His Everlasting Seat | ||
Act Three | |||
3-1 | More Trouble Is Behind | ||
3-2 | Presuming Slave | ||
3-3 | Reflect Then, Samson | ||
3-4 | With Thunder Arm'd Great God, Arise! | ||
3-5 | Be Of Good Courage | ||
3-6 | Thus When The Sun From's Wat'ry Bed | ||
3-7 | With Might Endued Above The Sons Of Men | ||
3-8 | The Holy One Of Israel Be Thy Guide | ||
Scene 2 | |||
3-9 | Old Manoa, With Youthful Steps | ||
3-10 | Great Dago Has Subdued Our Foe | ||
3-11 | What Noise Of Joy Was That? | ||
3-12 | How Willing My Paternal Love | ||
3-13 | Your Hopes Of His Deliv'ry Seem Not Vain | ||
3-14 | Noise Call You This? | ||
Scene 3 | |||
3-15 | Where Shall I Run | ||
3-16 | In Life And Death | ||
3-17 | Proceed We Hence To Find His Body | ||
3-18 | Dead March | ||
3-19 | The Body Comes | ||
3-20 | Glorious Hero | ||
3-21 | Come, Come! | ||
3-22 | Let The Bright Seraphim |
Alto Vocals [Micah] – Catherine Wyn-Rogers
Alto Vocals [The Sixteen] – Andrew Giles
Alto Vocals [The Sixteen] – Christopher Royall
Alto Vocals [The Sixteen] – Michael Lees
Alto Vocals [The Sixteen] – Philip Newton
Bass – Cecelia Bruggemeyer
Bass – Peter Buckoke
Bass Vocals [Harapha] – Jonathan Best
Bass Vocals [Manoa] – Michael George
Bass Vocals [Samson] – Thomas Randle
Bass Vocals [The Sixteen] – Michael McCarthy
Bass Vocals [The Sixteen] – Robert Evans
Bass Vocals [The Sixteen] – Simon Birchall
Bass Vocals [The Sixteen] – Timothy Jones
Bassoon – Christopher Robson
Bassoon – Frances Eustace
Cello – Helen Verney
Cello – Jane Coe
Cello – Susan Sheppard
Chorus – The Sixteen
Composed By – Georg Friedrich Händel
Conductor – Harry Christophers
Design – Richard Boxall Design Associates
Engineer – Mike Clements
Engineer – Mike Hatch
Flute – Rachel Beckett
Flute – Uta Ikeda
Harpsichord – Laurence Cummings
Horn – Martin Lawrence
Horn – Roger Montgomery
Libretto By – Newburgh Hamilton
Liner Notes – Anthony Hicks
Oboe – Anthony Robson
Oboe – Cherry Forbes
Oboe – Gail Hennessey
Orchestra – The Symphony Of Harmony And Invention
Organ – Paul Nicholson
Photography By [Cover] – Hirsham F. Ibrahim
Producer – Mark Brown
Remastered By – Julian Millard
Soprano Vocals [Dalila] – Lynda Russell
Soprano Vocals [Israelite Woman, Philistine Woman, Virgin] – Lynne Dawson
Soprano Vocals [The Sixteen] – Carolyn Sampson
Soprano Vocals [The Sixteen] – Carys Lane
Soprano Vocals [The Sixteen] – Helen Groves
Soprano Vocals [The Sixteen] – Katie Pringle
Soprano Vocals [The Sixteen] – Rebecca Outram
Soprano Vocals [The Sixteen] – Ruth Dean
Tenor Vocals [Israelite Man, Philistine Man] – Mark Padmore
Tenor Vocals [Messenger] – Matthew Vine
Tenor Vocals [The Sixteen] – Andrew Carwood
Tenor Vocals [The Sixteen] – David Roy
Tenor Vocals [The Sixteen] – Matthew Vine
Tenor Vocals [The Sixteen] – Philip Cave
Tenor Vocals [The Sixteen] – Simon Berridge
Tenor Vocals [The Sixteen] – Simon Davies
Theorbo – Robin Jeffrey
Timpani – Benedict Hoffnung
Trumpet – Crispian Steele-Perkins
Trumpet – David Blackadder
Trumpet – Robert Farley
Viola – David Brooker
Viola – Nicola Akeroyd
Violin – Claire Sansom
Violin – David Woodcock
Violin – Fiona Huggett
Violin – Miranda Fulleylove
Violin – Pauline Smith
Violin – Peter Lissauer
Violin – Stefanie Heichelheim
Violin – Stephen Jones
Violin – Theresa Caudle
Violin – Walter Reiter
Violin – William Thorp
Alto Vocals [The Sixteen] – Andrew Giles
Alto Vocals [The Sixteen] – Christopher Royall
Alto Vocals [The Sixteen] – Michael Lees
Alto Vocals [The Sixteen] – Philip Newton
Bass – Cecelia Bruggemeyer
Bass – Peter Buckoke
Bass Vocals [Harapha] – Jonathan Best
Bass Vocals [Manoa] – Michael George
Bass Vocals [Samson] – Thomas Randle
Bass Vocals [The Sixteen] – Michael McCarthy
Bass Vocals [The Sixteen] – Robert Evans
Bass Vocals [The Sixteen] – Simon Birchall
Bass Vocals [The Sixteen] – Timothy Jones
Bassoon – Christopher Robson
Bassoon – Frances Eustace
Cello – Helen Verney
Cello – Jane Coe
Cello – Susan Sheppard
Chorus – The Sixteen
Composed By – Georg Friedrich Händel
Conductor – Harry Christophers
Design – Richard Boxall Design Associates
Engineer – Mike Clements
Engineer – Mike Hatch
Flute – Rachel Beckett
Flute – Uta Ikeda
Harpsichord – Laurence Cummings
Horn – Martin Lawrence
Horn – Roger Montgomery
Libretto By – Newburgh Hamilton
Liner Notes – Anthony Hicks
Oboe – Anthony Robson
Oboe – Cherry Forbes
Oboe – Gail Hennessey
Orchestra – The Symphony Of Harmony And Invention
Organ – Paul Nicholson
Photography By [Cover] – Hirsham F. Ibrahim
Producer – Mark Brown
Remastered By – Julian Millard
Soprano Vocals [Dalila] – Lynda Russell
Soprano Vocals [Israelite Woman, Philistine Woman, Virgin] – Lynne Dawson
Soprano Vocals [The Sixteen] – Carolyn Sampson
Soprano Vocals [The Sixteen] – Carys Lane
Soprano Vocals [The Sixteen] – Helen Groves
Soprano Vocals [The Sixteen] – Katie Pringle
Soprano Vocals [The Sixteen] – Rebecca Outram
Soprano Vocals [The Sixteen] – Ruth Dean
Tenor Vocals [Israelite Man, Philistine Man] – Mark Padmore
Tenor Vocals [Messenger] – Matthew Vine
Tenor Vocals [The Sixteen] – Andrew Carwood
Tenor Vocals [The Sixteen] – David Roy
Tenor Vocals [The Sixteen] – Matthew Vine
Tenor Vocals [The Sixteen] – Philip Cave
Tenor Vocals [The Sixteen] – Simon Berridge
Tenor Vocals [The Sixteen] – Simon Davies
Theorbo – Robin Jeffrey
Timpani – Benedict Hoffnung
Trumpet – Crispian Steele-Perkins
Trumpet – David Blackadder
Trumpet – Robert Farley
Viola – David Brooker
Viola – Nicola Akeroyd
Violin – Claire Sansom
Violin – David Woodcock
Violin – Fiona Huggett
Violin – Miranda Fulleylove
Violin – Pauline Smith
Violin – Peter Lissauer
Violin – Stefanie Heichelheim
Violin – Stephen Jones
Violin – Theresa Caudle
Violin – Walter Reiter
Violin – William Thorp
© The Sixteen Ltd 2002
℗ The Sixteen Ltd 2002
CD1: 72:40
CD2: 78:05
CD3: 54:10
Originally released on Collins Classics
℗ The Sixteen Ltd 2002
CD1: 72:40
CD2: 78:05
CD3: 54:10
Originally released on Collins Classics
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