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Miscellaneous Pieces For Harpsichord
| Label | Brilliant Classics – 96065 |
| Format | 3 x CD, Album |
| Barcode | 5028421960654 |
| Country | Europe |
| Released | 2022 |
| Genre | Classical |
| Style | Baroque |
| 1-1 | Fantasie A Minor BWV922 | 7:21 |
| Ouverture In F BWV820 | (8:41) | |
| 1-2 | I. Ouverture | 2:33 |
| 1-3 | II. Entrée | 2:01 |
| 1-4 | III. Menuet 1&2 | 2:25 |
| 1-5 | IV. Bourrée | 1:00 |
| 1-6 | V. Gigue | 0:42 |
| Sonata In D BWV963 | (9:01) | |
| 1-7 | I. (Allegro) | 2:49 |
| 1-8 | II. (Adagio) | 0:50 |
| 1-9 | III. Fuga | 2:11 |
| 1-10 | IV. Adagio | 0:44 |
| 1-11 | V. Thema All’ Imitatione Gallina Cucca | 2:27 |
| 1-12 | Fugue In D Minor BWV948 | 4:19 |
| Suite In F Minor BWV823 | (7:03) | |
| 1-13 | I. Prélude | 1:47 |
| 1-14 | II. Sarabande En Rondeau | 3:22 |
| 1-15 | III. Gigue | 1:54 |
| Prelude And Fugue In B Minor On A Theme By Albinoni | (11:36) | |
| 1-16 | Praeludium BWV923 | 3:30 |
| 1-17 | Fuga BWV951 | 8:06 |
| Praeludium Et Partita Del Tuono Terza In F BWV833 | (9:29) | |
| 1-18 | I. Praeludium | 1:25 |
| 1-19 | II. Allemande | 2:49 |
| 1-20 | III. Courante | 1:56 |
| 1-21 | IV. Sarabande & Double | 1:55 |
| 1-22 | V. Air | 1:24 |
| Prelude And Fugue In A BWV896 | (3:08) | |
| 1-23 | Praeludium | 0:42 |
| 1-24 | Fuge | 2:26 |
| 1-25 | Capriccio In Honorem Johann Christoph Bachii Ohrdruf In E BWV993 | 6:10 |
| Capriccio Sopra La Lontananza Del Fratello Dilettissimo BWV992 | (10:56) | |
| 2-1 | Arioso, Ist Eine Schmeichelung Der Freunde, Um Denselben von Seiner Reise Abzuhalten | 1:54 |
| 2-2 | Ist Eine Vorstellung Unterschiedlicher Casuum, Die Ihm In Der Fremde Könnten Vorfallen | 1:40 |
| 2-3 | Adagiosissimo Ist Ein Allgemeines Lamento Der Freunde | 3:08 |
| 2-4 | Allhier Kommen Die Freunde, Weil Sie Doch Sehen, Dass Es Anders Nicht Sein Kann, Und Nehmen Abschied | 0:40 |
| 2-5 | Allegro Poco, Aria Del Postiglione | 1:00 |
| 2-6 | Fuga All’ Imitatione Della Posta | 2:34 |
| Suite In A BWV832 | (10:11) | |
| 2-7 | I. Allemande | 2:45 |
| 2-8 | II. Air Pour Les Trompettes | 3:06 |
| 2-9 | III. Sarabande | 2:10 |
| 2-10 | IV. Bourrée | 0:55 |
| 2-11 | V. Gigue | 1:15 |
| 2-12 | Fugue In C BWV946 After Albinoni | 2:49 |
| Fantasia And Fugue In B Minor BWV951a On A Theme By Albinoni | (7:32) | |
| 2-13 | Fantasia | 1:40 |
| 2-14 | Fugue | 5:52 |
| 2-15 | Fugue In A Bwv950 On A Theme By Albinoni | 5:40 |
| 2-16 | Praeludium In C Minor BWV921 | 2:59 |
| 2-17 | Fantasie In C Minor Bwv1121 | 3:03 |
| 2-18 | Sonata In A Minor BWV967 | 3:27 |
| 2-19 | Fantasie In G Minor ‘In Duobus Subiectis’ BWV917 | 2:09 |
| 2-20 | Fugue In A Minor BWV947 | 3:39 |
| 2-21 | Canzona In D Minor BWV588 | 5:08 |
| 2-22 | Fugue In A BWV949 | 4:08 |
| 2-23 | Praeludium In E Flat BWV815 | 1:41 |
| 2-24 | Fugue In B Flat BWV955 On A Theme By Erselius | 5:20 |
| 3-1 | Aria Variata BWV989 | 15:49 |
| Sonata In D Minor BWV965 After Reincken | (22:37) | |
| 3-2 | I. Adagio | 1:47 |
| 3-3 | II. Fuga | 3:44 |
| 3-4 | III. Adagio | 0:27 |
| 3-5 | IV. Presto | 0:36 |
| 3-6 | V. Allemande | 4:47 |
| 3-7 | VI. Courante | 2:24 |
| 3-8 | VII. Sarabande | 2:08 |
| 3-9 | VIII. Gigue | 6:44 |
| 3-10 | Fugue In B Flat BWV954 On A Theme By Reincken | 4:14 |
| Sonate In C BWV966 After Reincken | (11:09) | |
| 3-11 | I. Praeludium | 1:46 |
| 3-12 | II. Fuga | 4:06 |
| 3-13 | III. Adagio | 0:45 |
| 3-14 | IV. Allegro | 0:38 |
| 3-15 | V. Allemande | 3:54 |
| Praeludium, Fugue & Allegro In E flat BWV998 | (12:05) | |
| 3-16 | Praeludium | 3:03 |
| 3-17 | Fuge | 5:39 |
| 3-18 | Allegro | 3:23 |
Composed By – Johann Sebastian Bach
Edited By – Peter Arts
Harpsichord – Pieter-Jan Belder
Liner Notes – Jonathan Baxendale
Technician [Harpsichord Made By] – Titus Crijnen
Edited By – Peter Arts
Harpsichord – Pieter-Jan Belder
Liner Notes – Jonathan Baxendale
Technician [Harpsichord Made By] – Titus Crijnen
Recording: 2020 & 2021
Instrument: Harpsichord after Ruckers (1624) by Titus Crijnen (2014)
Instrument: Harpsichord after Ruckers (1624) by Titus Crijnen (2014)
Barcode – 5028421960654
SPARS Code – DDD
Rights Society – STEMRA
SPARS Code – DDD
Rights Society – STEMRA