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A Smaller Life
| Label | Full Contact Records – krypt-067Ektro Records – none |
| Format | 2 x Vinyl, LP, Compilation |
| Barcode | 6417138629746 |
| Country | Finland |
| Released | 2015 |
| Genre | Rock |
| Style | Punk, New Wave |
Curated primarily from high-quality studio sessions engineered by the late Tom Mallon, the double-LP compilation amasses 24 tracks never before pressed on vinyl. These songs span the wiry charge of a 1980 demo to a charred feedback orgy consummated in 2011. As time marches on, the sound evolves and intensifies but stays true to Craig Gray's basic template, drawn when he founded the group as the predominantly instrumental successor to his classic Bay Area punk quartet, Negative Trend. Detours along the way include a pair of outtakes featuring American Music Club vocalist Mark Eitzel, as well as five haunted collaborations with ex-Sleepers frontman Ricky Williams, whose 1992 passing truncated his second and final tenure with the Midgets. As distinctive as they are, however, these singers don't matter too much. The band's undeniable core is the friction generated by guitarists Gray and Paul Hood, in which concise, circular chord progressions fornicate with expressionistic smears. Set against the weighty, shifting rhythms of Mallon and original drummer Tim Mooney (also RIP), the elemental riffs transform into a thing of searing majesty and bruising beauty.
| 1980 - 1983 | |||
| A1 | Do The Incendiary | ||
| A2 | Warehouse | ||
| A3 | If You Choose To Live | ||
| A4 | So He Sayeth | ||
| A5 | Richard Speck | ||
| A6 | Caverns II | ||
| 1989 - 1992 | |||
| B1 | EQ Plex | ||
| B2 | The Brush | ||
| B3 | Mr. Spine | ||
| B4 | Nadine | ||
| B5 | To Die | ||
| B6 | Little Charlene | ||
| 1991 - 1996 | |||
| C1 | Sequence 13 | ||
| C2 | Wolf Blitzer | ||
| C3 | Pumice | ||
| C4 | Why Can't We? | ||
| C5 | When | ||
| C6 | Train Set | ||
| 1995 - 2011 | |||
| D1 | No Paul, No | ||
| D2 | Andi | ||
| D3 | Clock | ||
| D4 | Yakuza Serenade | ||
| D5 | Broken | ||
| D6 | Burn | ||
Bass – Aaron Gregory (A4 - A6)
Bass – Erich Werner (C5, C6, D1 - D5)
Bass – Joe Goldring (B6, C1 - C4)
Bass – Lisa Davis (B1 - B5)
Bass – Nosmo King (A1, A2)
Curated By – Jordan N. Mamone
Drums – Tim Mooney (A1, A2, A5, A6, B1 - B6, C1, C2)
Drums – Tom Mallon (C3 - C6, D1 - D5)
Drums, Synth – Craig Gray (A4)
Engineer – Aaron Gregory (B1)
Engineer – Craig Gray (D6)
Engineer – David Paul (A3, A4)
Engineer – Tom Mallon (A1, A2, A5, A6, B2 - D5)
Guitar – Annie Ungar (A5, A6)
Guitar – Craig Gray (A1 - A3, A5, A6, B1 - D6)
Guitar – Paul Hood (A1 - A3, A5, A6, B1 - D6)
Keyboards – Mark Sullivan (D1 - D5)
Mixed By – Craig Gray (A5, A6, C2 - D6)
Mixed By – Tom Mallon (A1 - A4, B1 - B6, C1)
Other [Machines] – David Paul (A4)
Transferred By [From Audio Tape] – Chris von Sneidern
Viola – Joanna Hood (C6)
Viola – Mary Redfield (C3)
Vocals – Mark Eitzel (B4, B5)
Vocals – Ricky Williams (A3, A4, C2 - C4)
Bass – Erich Werner (C5, C6, D1 - D5)
Bass – Joe Goldring (B6, C1 - C4)
Bass – Lisa Davis (B1 - B5)
Bass – Nosmo King (A1, A2)
Curated By – Jordan N. Mamone
Drums – Tim Mooney (A1, A2, A5, A6, B1 - B6, C1, C2)
Drums – Tom Mallon (C3 - C6, D1 - D5)
Drums, Synth – Craig Gray (A4)
Engineer – Aaron Gregory (B1)
Engineer – Craig Gray (D6)
Engineer – David Paul (A3, A4)
Engineer – Tom Mallon (A1, A2, A5, A6, B2 - D5)
Guitar – Annie Ungar (A5, A6)
Guitar – Craig Gray (A1 - A3, A5, A6, B1 - D6)
Guitar – Paul Hood (A1 - A3, A5, A6, B1 - D6)
Keyboards – Mark Sullivan (D1 - D5)
Mixed By – Craig Gray (A5, A6, C2 - D6)
Mixed By – Tom Mallon (A1 - A4, B1 - B6, C1)
Other [Machines] – David Paul (A4)
Transferred By [From Audio Tape] – Chris von Sneidern
Viola – Joanna Hood (C6)
Viola – Mary Redfield (C3)
Vocals – Mark Eitzel (B4, B5)
Vocals – Ricky Williams (A3, A4, C2 - C4)
Curated primarily from high-quality studio sessions engineered by the late Tom Mallon, the double-LP compilation amasses 24 tracks never before pressed on vinyl. These songs span the wiry charge of a 1980 demo to a charred feedback orgy consummated in 2011. As time marches on, the sound evolves and intensifies but stays true to Craig Gray's basic template, drawn when he founded the group as the predominantly instrumental successor to his classic Bay Area punk quartet, Negative Trend. Detours along the way include a pair of outtakes featuring American Music Club vocalist Mark Eitzel, as well as five haunted collaborations with ex-Sleepers frontman Ricky Williams, whose 1992 passing truncated his second and final tenure with the Midgets. As distinctive as they are, however, these singers don't matter too much. The band's undeniable core is the friction generated by guitarists Gray and Paul Hood, in which concise, circular chord progressions fornicate with expressionistic smears. Set against the weighty, shifting rhythms of Mallon and original drummer Tim Mooney (also RIP), the elemental riffs transform into a thing of searing majesty and bruising beauty.
Matrix / Runout (Side A) – 127425E1/A
Matrix / Runout (Side B) – 127425E2/A
Matrix / Runout (Side C) – 127425E3/A
Matrix / Runout (Side D) – 127425E4/A
Matrix / Runout (Side B) – 127425E2/A
Matrix / Runout (Side C) – 127425E3/A
Matrix / Runout (Side D) – 127425E4/A