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Enter The Wu-Tang (36 Chambers)
| Label | RCA – 07863 66336-1Loud Records – 07863 66336-1Wu-Tang Records – 07863 66336-1 |
| Format | Vinyl, LP, Album, Reissue, Stereo |
| Barcode | 0078636633619 |
| Country | US |
| Released | 2017 |
| Genre | Hip Hop |
| Style | Gangsta |
| Shaolin Sword | |||
| A1 | Bring Da Ruckus | 4:10 | |
| A2 | Shame On A Nigga | 2:57 | |
| A3 | Clan In Da Front | 4:33 | |
| A4 | Wu-Tang: 7th Chamber | 6:05 | |
| A5 | Can It Be All So Simple | 4:46 | |
| A6 | Protect Ya Neck (Intermission) | 6:48 | |
| Wu-Tang Sword | |||
| B1 | Da Mystery Of Chessboxin' | 4:48 | |
| B2 | Wu-Tang Clan Ain't Nuthing Ta F' Wit | 3:36 | |
| B3 | C.R.E.A.M. | 4:12 | |
| B4 | Method Man | 5:50 | |
| B5 | Tearz | 4:17 | |
| B6.1 | Wu-Tang: 7th Chamber - Part II | 5:08 | |
| B6.2 | Conclusion | 1:02 | |
A&R [Loud Records] – Trevor Williams
Art Direction – Jacqueline Murphy
Design – Amy Wenzer
Edited By – GLC Sound Studios
Engineer – Carlos Bess (B1)
Engineer – Ethan Ryman (A1 to A6, B2 to B6)
Engineer [Assistant, Uncredited] – Nolan 'Dr. No' Moffitte (A1)
Executive-Producer – Dennis Coles
Executive-Producer – Mitchell Diggs
Executive-Producer – Oli Grant
Executive-Producer – Robert Diggs
Management – John Gibbons
Management – John Hamilton
Management – Jonathan Lugo
Management – Mike McDonald
Management – Mitchell Diggs
Management – Vince Hamlin
Mastered By – Chris Gehringer
Performer – Ghost Face Killer
Performer – The Method Man
Performer – Ol' Dirty Bastard
Performer – Prince Rakeem "The RZA"
Performer – Shallah Raekwon
Performer – Rebel INS
Performer – The Genius "The GZA"
Performer – U-God
Photography By – Cartel
Photography By – Daniel Hastings
Producer, Mixed By, Arranged By – Prince Rakeem "The RZA"
Programmed By – Prince Rakeem
Scratches – The 4th Disciple
Set Designer – Cartel
Set Designer – Richard Bravo
Supervised By [Production] – John Gibbons
Supervised By [Production] – Mike McDonald
Supervised By [Production] – Mitchell Diggs
Supervised By [Production] – Oli Grant
Supervised By [Production] – Theodore Michael
Written-By – The Wu-Tang Clan
Art Direction – Jacqueline Murphy
Design – Amy Wenzer
Edited By – GLC Sound Studios
Engineer – Carlos Bess (B1)
Engineer – Ethan Ryman (A1 to A6, B2 to B6)
Engineer [Assistant, Uncredited] – Nolan 'Dr. No' Moffitte (A1)
Executive-Producer – Dennis Coles
Executive-Producer – Mitchell Diggs
Executive-Producer – Oli Grant
Executive-Producer – Robert Diggs
Management – John Gibbons
Management – John Hamilton
Management – Jonathan Lugo
Management – Mike McDonald
Management – Mitchell Diggs
Management – Vince Hamlin
Mastered By – Chris Gehringer
Performer – Ghost Face Killer
Performer – The Method Man
Performer – Ol' Dirty Bastard
Performer – Prince Rakeem "The RZA"
Performer – Shallah Raekwon
Performer – Rebel INS
Performer – The Genius "The GZA"
Performer – U-God
Photography By – Cartel
Photography By – Daniel Hastings
Producer, Mixed By, Arranged By – Prince Rakeem "The RZA"
Programmed By – Prince Rakeem
Scratches – The 4th Disciple
Set Designer – Cartel
Set Designer – Richard Bravo
Supervised By [Production] – John Gibbons
Supervised By [Production] – Mike McDonald
Supervised By [Production] – Mitchell Diggs
Supervised By [Production] – Oli Grant
Supervised By [Production] – Theodore Michael
Written-By – The Wu-Tang Clan
Black vinyl reissue.
Contains numerous samples from the 1981 Hong Kong film "Shaolin & Wu Tang" (English dubbed version)
Produced, mixed and arranged for Wu-Tang Productions
Recorded & mixed at Firehouse Studio, NY, NY
Edited by GLC, NYC
Mastered at The Hit Factory, NYC
Can It Be All So Simple: Excerpts from "[url=http://www.discogs.com/Gladys-Knight-And-The-Pips-The-Way-We-Were-Try-To-Remember/master/178678]The Way We Were[/url]" performed by Gladys Knight & The Pips used courtesy of Essex Entertainment. Published by Colgems-EMI Music, Inc. (ASCAP) • C.R.E.A.M.: Excerpts from "[url=http://www.discogs.com/Charmels-As-Long-As-Ive-Got-YouBaby-Come-And-Get-It/release/2566865]As Long As I've Got You[/url]" performed by The Charmels used courtesy of Warner Special Products. Published by Irving Music Inc. (BMI) • Tearz: Excerpts from "[url=http://www.discogs.com/Wendy-Rene-After-Laughter-What-Will-Tomorrow-Bring/release/1341847]After Laughter (Comes Tears)[/url]" performed by Wendy Rene used courtesy of Warner Special Products. Published by Irving Music Inc. (BMI)
Published by Wu-Tang Publishing (BMI)
℗ 1993 BMG Music
Manufactured and Distributed by BMG Music, New York, NY • Printed in USA
Contains numerous samples from the 1981 Hong Kong film "Shaolin & Wu Tang" (English dubbed version)
Produced, mixed and arranged for Wu-Tang Productions
Recorded & mixed at Firehouse Studio, NY, NY
Edited by GLC, NYC
Mastered at The Hit Factory, NYC
Can It Be All So Simple: Excerpts from "[url=http://www.discogs.com/Gladys-Knight-And-The-Pips-The-Way-We-Were-Try-To-Remember/master/178678]The Way We Were[/url]" performed by Gladys Knight & The Pips used courtesy of Essex Entertainment. Published by Colgems-EMI Music, Inc. (ASCAP) • C.R.E.A.M.: Excerpts from "[url=http://www.discogs.com/Charmels-As-Long-As-Ive-Got-YouBaby-Come-And-Get-It/release/2566865]As Long As I've Got You[/url]" performed by The Charmels used courtesy of Warner Special Products. Published by Irving Music Inc. (BMI) • Tearz: Excerpts from "[url=http://www.discogs.com/Wendy-Rene-After-Laughter-What-Will-Tomorrow-Bring/release/1341847]After Laughter (Comes Tears)[/url]" performed by Wendy Rene used courtesy of Warner Special Products. Published by Irving Music Inc. (BMI)
Published by Wu-Tang Publishing (BMI)
℗ 1993 BMG Music
Manufactured and Distributed by BMG Music, New York, NY • Printed in USA
Barcode (Back Sleeve) – 0 7863-66336-1 9
Barcode (LP, Sides A & B) – 0 78636 63361 9
Barcode (Scanned) – 078636633619
Matrix / Runout (Side A) – 0786 3663 361-RE /MRP0102-A
Matrix / Runout (Side B) – 0786 3663 361-RE /MRP0102-B
Barcode (LP, Sides A & B) – 0 78636 63361 9
Barcode (Scanned) – 078636633619
Matrix / Runout (Side A) – 0786 3663 361-RE /MRP0102-A
Matrix / Runout (Side B) – 0786 3663 361-RE /MRP0102-B