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Complete Works
| Geistliche Concerten | |||
| 1-1 | Weine Nicht | 13:26 | |
| 1-2 | Zion Spricht | 8:07 | |
| 1-3 | Herr, Wenn Ich Nur Dich Habe | 7:29 | |
| 1-4 | Wie Liegt Die Stadt So Wüste | 15:53 | |
| 1-5 | Dialogo Von Tobias Und Raguel | 11:34 | |
| 1-6 | Kommet Her Zu Mir Alle | 8:02 | |
| 1-7 | Angelicus Coeli Chorus | 7:16 | |
| 1-8 | Es Erhub Sich Ein Streit | 7:02 | |
| 2-1 | Gegrüsset Seist Du, Holdselige | 6:25 | |
| 2-2 | Wenn Der Herr Die Gefangenen Zu Zion | 10:44 | |
| 2-3 | Rex Virtutum | 5:27 | |
| 2-4 | Der Tod Ist Verschlungen In Den Sieg | 4:07 | |
| Chamber Music | |||
| 2-5 | Sonata G-Dur à 3 (No.10) | 3:34 | |
| 2-6 | Sonata D-Moll à 4 (No.9) | 6:08 | |
| 2-7 | Sonata G-Dur à 4 (No.6) | 3:52 | |
| 2-8 | Sonata D-Dur à 4 (No.7) | 3:55 | |
| 2-9 | Sonata A-Moll à 3 (No.8) | 2:49 | |
| 2-10 | Sonata D-Dur à 4 (No.1) | 3:29 | |
| 2-11 | Sonata G-Dur à 4 [Battaglia] (No.5) | 4:23 | |
| 2-12 | Sonata A-Moll à 4 (No.4) | 4:19 | |
| 2-13 | Sontata G-Dur à 4 (No.3) | 4:44 | |
| 2-14 | Sonata D-Dur à 4 (No.2) | 4:50 | |
| Keyboard Works | |||
| 3-1 | Suite H-Moll Praeludium - Allemanda - Courante - Saraband - Gigue | 7:26 | |
| 3-2 | Toccata D-Moll | 2:46 | |
| 3-3 | Canzon D-Moll | 3:06 | |
| 3-4 | Toccata E-Moll | 2:59 | |
| 3-5 | Toccata Vel Praeludium D-Moll (Partita) | 1:57 | |
| 3-6 | Suite D-Moll Allmand - Courant - Sarabanda - Gigue | 5:56 | |
| 3-7 | Lucidor Eins Hütt Der Schaf | 2:08 | |
| 3-8 | Toccata E-Moll | 2:48 | |
| 3-9 | Suite E-Moll Alleman - Gigue - Saraband | 5:04 | |
| 3-10 | Canzona G-Dur | 2:48 | |
| 3-11 | Suite C-Moll Allamanda - Gugue - Courant - Saraband & Le Double | 7:13 | |
| 3-12 | Canzon C-Dur | 2:28 | |
| 3-13 | Suite A-Moll Allemand - Gigue - Courant - Saraband | 6:09 | |
| 3-14 | Die Lieblichen Blicke (Partita) | 6:05 | |
| 3-15 | Toccata C-Dur | 2:55 | |
| 3-16 | Canzon C-Moll | 1:52 | |
| 3-17 | Canzon C-Moll | 4:44 | |
| 3-18 | Toccata A-Moll | 4:45 | |
| Lieder | |||
| 4-1 | Der Reinweissen Hertzogin Hochklahre Seelenfarbe | 1:58 | |
| 4-2 | Ehrenlied An Herrn Martenitz | 1:46 | |
| 4-3 | Der Reinweissen Hertzogin Hochklahre Liebesfarbe | 2:33 | |
| 4-4 | Der Schöne Hamburgerin Liebigkeit | 1:51 | |
| 4-5 | Loblied Auf Herrn Schuppen | 1:19 | |
| 4-6 | Schöne Hamburgerin Abgesang | 1:43 | |
| 4-7 | Mühlenlied | 1:29 | |
| 4-8 | Scherzlied An Die Süsse Anabelle | 2:47 | |
| 4-9 | Freudenlied Auf Die Güldene Hochzeit | 1:42 | |
| Organ Works | |||
| Gott Sei Gelobet Und Gebenedeiet | |||
| 4-10 | Primus Versus (à 4) | 2:37 | |
| 4-11 | Secundus Versus (Auff 2 Clavir) | 3:58 | |
| 4-12 | Canzona [C Dur] | 2:49 | |
| 4-13 | Praeambulum | 3:37 | |
| Ach Wir Armen Sünder | |||
| 4-14 | Versus 1 (Choral In Ten:) | 1:55 | |
| 4-15 | Versus 2 (à 2 Clav. è Ped:) | 2:47 | |
| 4-16 | Versus 3 (à 2 Clav.) | 2:46 | |
| 4-17 | Fuga Ex D Ped. Primi Toni | 5:04 | |
| Gelobet Seist Du Jesu Christ (II) | |||
| 4-18 | Primus Versus (à 4) | 1:24 | |
| 4-19 | Secundus Versus (Auff 2 Clavir) | 1:13 | |
| 4-20 | Tertius Versus (à 3 Voc.) | 1:00 | |
| 4-21 | Canzona [G Dur] | 3:08 | |
| Es Ist Das Heil Uns Kommen Her | |||
| 4-22 | Primus Versus (à 5 Voc. Im Vollen Werck) | 3:13 | |
| 4-23 | Secundus Versus (Manualter In Hyperdiapente Post Miniman) | 1:57 | |
| 4-24 | Tertius Versus (Auff 2 Clavir) | 3:27 | |
| 4-25 | Quartus Versus (à 3 Pedaliter, Canon In Subdiapason Post Semiminimam) | 2:46 | |
| 4-26 | Quintus Versus (à 3 Pedal[iter], Canon In Disdiapente Post Semiminimam) | 2:53 | |
| 4-27 | Sextus Versus (Auf 2 Clavir) | 10:33 | |
| 4-28 | Septimus Et Ultimus Versus (Im Vollen Werk, Choral Im Tenor) | 3:52 | |
| O Lux Beata Trinitas | |||
| 5.1 | Primus Versus (Im Vollen Werck | 2:49 | |
| 5-2 | Secundus Versus (à 4. Choral In Cantu, Manualiter Vel Si Placet Pedaliter) | 1:40 | |
| 5-3 | Tertius Versus (à 4 Vo.) | 2:24 | |
| 5-4 | Quartus Versus (Manualiter) | 7:50 | |
| 5-4.1 | [1.Variatio] | ||
| 5-4.2 | [2. Variatio] | ||
| 5-4.3 | 3.Variatio (à 3 Voc. Canon In Hypodiapason Poest Semininiman) | ||
| 5-4.4 | 4. Variatio (Canon In Hyodiapason Post [Semi]minimam | ||
| 5-5 | Quintus Versus (Auff 2 Clavier) | 5:21 | |
| 5-6 | Sextus Versus (à 5 Im Vollen Werck) | 2:31 | |
| 5-7 | Canzona [C Dur] | 2:13 | |
| 5-8 | Fantasia Ex D | 4:37 | |
| 5-9 | Canzona [C Moll] | 5:12 | |
| Gelobet Seist Du, Jesu Christ (I) | |||
| 5-10 | Primus Versus (à 4) | 1:15 | |
| 5-11 | Secundus Versus (Auff 2 Clavir) | 6:14 | |
| 5-12 | Tertius Versus (Auff 2 Clavir) | 2:15 | |
| 5-13 | Quartus Versus (à 3) | 1:29 | |
| Nun Freut Euch, Lieben Christen Gmein | |||
| 5-14 | [Primus Versus] | 2:06 | |
| 5-15 | Secundus Versus (Auff Zwey Clavir) | 2:12 | |
| 5-16 | Terttius Versus | 2:37 | |
| 5-17 | Canzona [D Moll] | 3:22 | |
| Komm, Heiliger Geist, Herre Gott | |||
| 5-18 | [1. Versus] | 2:22 | |
| 5-19 | [2. Versus] (Auff 2 Clavir) | 3:51 | |
| 5-20 | 3. Versus (à 3) | 3:51 | |
| Magnificat II. Toni | |||
| 5-21 | Primus Versus (à 5) | 1:23 | |
| 5-22 | Secundus Versus (à 4, Auff Clavier) | 2:12 | |
| 5-23 | Tertius Versus (à 5) | 2:13 | |
| 5-24 | Quartus Versus (à 6) | 1:20 | |
Bass Vocals – Max van Egmond
Bassoon – Christian Beuse (2-5 to 2-14)
Bassoon – Jean-Louis Fiat
Cello – Hidemi Suzuki
Composed By – Matthias Weckmann
Conductor – Eric Van Nevel (1-8)
Conductor – Jean Tubéry
Cornett [Cornettino] – Jean Tubéry (2-5 to 2-14)
Countertenor Vocals – James Bowman
Double Bass – Eric Mathot
Ensemble – Capella Sancti Michaelis (1-8)
Ensemble – Ensemble La Fenice
Ensemble – Ricercar Consort
Harpsichord, Clavichord – Siebe Henstra (3-1 to 3-18, 4-1 to 4-9)
Harpsichord, Organ – Jean-Marc Aymes (2-5 to 2-14)
Liner Notes – Bernard Foccroulle
Liner Notes – Ibo Ortgies
Liner Notes – Jérôme Lejeune
Liner Notes [English Translation] – Peter Lockwood
Liner Notes [French Translation] – Ruthi Simons
Liner Notes [German Translation] – Silvia Berutti-Ronelt
Organ – Bernard Foccroulle
Organ – Guy Penson (1-4, 1-7)
Organ – Jan Willem Jansen
Producer [Direction Artistique], Recorded By, Edited By – Jérôme Lejeune
Recorder – Frédéric de Roos
Recorder – Patrick Denecker
Soprano Vocals – Greta de Reyghere
Soprano Vocals – Jill Feldman (1-8)
Tenor Vocals – Guy De Mey (1-8)
Tenor Vocals – Ian Honeyman
Theorbo – Christina Pluhar (2-5 to 2-14)
Theorbo – Philippe Malfeyt
Theorbo – Vincent Dumestre (4-1 to 4-9)
Trombone – Alain Pire
Trombone – Jean-Jacques Herbin (2-5 to 2-14)
Trombone – Jean-Marie Xhonneux
Trombone – Sébastien Jadot
Viol [Bass] – Kaori Uemura (2-2)
Viol [Bass] – Piet Stryckers (1-2)
Viol [Bass] – Rainer Zipperling (2-2)
Viol [Bass] – Sophie Watillon (2-2)
Viol [Treble], Viol [Bass] – Philippe Pierlot
Violin [III] – Ghislaine Wauters
Violin [II] – Enrico Gatti
Violin [II] – Mihoko Kimura (2-7)
Violin [I] – François Fernandez
Bassoon – Christian Beuse (2-5 to 2-14)
Bassoon – Jean-Louis Fiat
Cello – Hidemi Suzuki
Composed By – Matthias Weckmann
Conductor – Eric Van Nevel (1-8)
Conductor – Jean Tubéry
Cornett [Cornettino] – Jean Tubéry (2-5 to 2-14)
Countertenor Vocals – James Bowman
Double Bass – Eric Mathot
Ensemble – Capella Sancti Michaelis (1-8)
Ensemble – Ensemble La Fenice
Ensemble – Ricercar Consort
Harpsichord, Clavichord – Siebe Henstra (3-1 to 3-18, 4-1 to 4-9)
Harpsichord, Organ – Jean-Marc Aymes (2-5 to 2-14)
Liner Notes – Bernard Foccroulle
Liner Notes – Ibo Ortgies
Liner Notes – Jérôme Lejeune
Liner Notes [English Translation] – Peter Lockwood
Liner Notes [French Translation] – Ruthi Simons
Liner Notes [German Translation] – Silvia Berutti-Ronelt
Organ – Bernard Foccroulle
Organ – Guy Penson (1-4, 1-7)
Organ – Jan Willem Jansen
Producer [Direction Artistique], Recorded By, Edited By – Jérôme Lejeune
Recorder – Frédéric de Roos
Recorder – Patrick Denecker
Soprano Vocals – Greta de Reyghere
Soprano Vocals – Jill Feldman (1-8)
Tenor Vocals – Guy De Mey (1-8)
Tenor Vocals – Ian Honeyman
Theorbo – Christina Pluhar (2-5 to 2-14)
Theorbo – Philippe Malfeyt
Theorbo – Vincent Dumestre (4-1 to 4-9)
Trombone – Alain Pire
Trombone – Jean-Jacques Herbin (2-5 to 2-14)
Trombone – Jean-Marie Xhonneux
Trombone – Sébastien Jadot
Viol [Bass] – Kaori Uemura (2-2)
Viol [Bass] – Piet Stryckers (1-2)
Viol [Bass] – Rainer Zipperling (2-2)
Viol [Bass] – Sophie Watillon (2-2)
Viol [Treble], Viol [Bass] – Philippe Pierlot
Violin [III] – Ghislaine Wauters
Violin [II] – Enrico Gatti
Violin [II] – Mihoko Kimura (2-7)
Violin [I] – François Fernandez
℗ Outhere 1988-2013 © Outhere 2016
Recordings:
Sacred Works: Abbaye De Stavelot, January & March 1992
Keyboard Works: Chapelle De Charneux-Monty, March 1988
Chamber Music & Songs: Bolland, église Saint Appolinnarie, May 1995
Organ works: Hollern & Stade, May 2012 / Hamburg, September 2013
Delivered in a cardboard box including 102 page booklet with notes and sung text in English, French and German
A E.U. production made in Austria by Sony DADC, Austria AG
Recordings:
Sacred Works: Abbaye De Stavelot, January & March 1992
Keyboard Works: Chapelle De Charneux-Monty, March 1988
Chamber Music & Songs: Bolland, église Saint Appolinnarie, May 1995
Organ works: Hollern & Stade, May 2012 / Hamburg, September 2013
Delivered in a cardboard box including 102 page booklet with notes and sung text in English, French and German
A E.U. production made in Austria by Sony DADC, Austria AG
Barcode – 5400439003699