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Cantatas Vol. 22
| Label | Antoine Marchand – CC72222Challenge Classics – CC72222 |
| Series | Complete Cantatas |
| Format | 3 x CD, Album |
| Barcode | 0608917222227 |
| Country | Europe |
| Released | 2006 |
| Genre | Classical |
| Style | Baroque |
| "Ein Feste Burg Ist Unser Gott" BWV 80 - Festo Reformationis | (21:58) | ||
| 1-1 | Chorus: "Ein Feste Burg Ist Unser Gott" | 4:56 | |
| 1-2 | Aria And Chorale (Soprano, Bass): "Alles, Was Von Gott Geboren/Mit Unser Macht" | 3:31 | |
| 1-3 | Recitative (Bass): "Erwäge Doch, Kind Gottes" | 1:44 | |
| 1-4 | Aria (Soprano): "Komm In Mein Herzenshaus" | 2:45 | |
| 1-5 | Chorale (T, B): "Und Wenn Die Welt Voll Teufel Wär" | 3:17 | |
| 1-6 | Recitative (Tenor): "So Stehe Dann Bei Christi Blutgefärbten Fahne" | 1:15 | |
| 1-7 | Aria (Duet: Alto, Tenor): "Wie Selig Sind Doch Die, Die Gott Im Munde Tragen" | 3:30 | |
| 1-8 | Chorale: "Das Wort, Sie Sollen Lassen Stahn" | 1:00 | |
| Missa In G, BWV 236 | (24:22) | ||
| 1-9 | Kyrie (Chorus) | 2:23 | |
| 1-10 | Gloria (Chorus) | 4:59 | |
| 1-11 | Gratias Agimus Tibi (Bass) | 4:54 | |
| 1-12 | Domine Deus (Soprano, Alto) | 3:36 | |
| 1-13 | Quoniam Tu Solus Sanctus (Tenor) | 4:53 | |
| 1-14 | Cum Sancto Spiritu (Chorus) | 3:37 | |
| "Freue Dich, Erlöste Schar" BWV 30 - Festo S. Joannis Baptistae | (31:09) | ||
| 1-15 | Chorus: "Freue Dich, Erlöste Schar" | 3:40 | |
| 1-16 | Recitative (Bass): "Wir Haben Rast, Und Des Gesetzes Last" | 0:45 | |
| 1-17 | Aria (Bass): "Gelobet Sei Gott, Gelobet Sein Namen" | 4:37 | |
| 1-18 | Recitative (Alto): "Der Herold Kömmt Und Meldt Den König An" | 0:33 | |
| 1-19 | Aria (Alto): "Kommt, Ihr Angefochtnen Sünder" | 4:32 | |
| 1-20 | Chorale: "Eine Stimme Läßt Sich Hören" | 1:00 | |
| 1-21 | [Secunda Pars] Recitative (Bass): "So Bist Du Denn, Mein Heil, Bedacht" | 0:56 | |
| 1-22 | Aria (Bass): "Ich Will Nun Hassen Und Alles Lassen" | 5:26 | |
| 1-23 | Recitative (Soprano): "Und Ob Wohl Sonst Der Unbestand" | 0:52 | |
| 1-24 | Aria (Soprano): "Eilt, Ihr Stunden, Kommt Herbei" | 4:07 | |
| 1-25 | Recitative (Tenor): "Geduld" | 1:05 | |
| 1-26 | Chorus: "Freue Dich, Geheilgte Schar" | 3:36 | |
| Missa In F, BWV 233 | (23:15) | ||
| 2-1 | Kyrie (Chorus) | 3:07 | |
| 2-2 | Gloria (Chorus) | 5:24 | |
| 2-3 | Domie Deus (Bass) | 3:23 | |
| 2-4 | Qui Tollis Peccata Mundi (Soprano) | 5:12 | |
| 2-5 | Quoniam Tu Solus Sanctus (Alto) | 3:41 | |
| 2-6 | Cum Sancto Spiritu (Chorus) | 2:28 | |
| Missa In A, BWV 234 | (30:27) | ||
| 2-7 | Kyrie (Chorus) | 6:16 | |
| 2-8 | Gloria (Chorus) | 5:14 | |
| 2-9 | Domie Deus (Bass) | 5:30 | |
| 2-10 | Qui Tollis Peccata Mundi (Soprano) | 6:45 | |
| 2-11 | Quoniam Tu Solus Sanctus (Alto) | 3:18 | |
| 2-12 | Cum Sancto Spiritu (Chorus) | 3:24 | |
| Appendix | |||
| Gaudete Omnes Populi (Latin Version Of BWV 80, 1 & 5) | (8:40) | ||
| 2-13 | Chorus: Gaudete Omnes Populi | 5:00 | |
| 2-14 | Chorale: Menabit Verbum Domini | 3:40 | |
| "Angenehmes Wiederau, Freue Dich In Deinen Auen" BWV 30a - Dramma Per Musica Zur Huldigung Johann Christian von Hennickes Als Erbherren Auf Wiederau | |||
| 3-1 | Chorus: "Angenehmes Wiederau, Freue Dich In Deinen Auen" | 3:32 | |
| 3-2 | Recitative (Bass, S, A, T): "So Ziehen Wir In Diesem Hause" | 0:55 | |
| 3-3 | Aria (Bass): "Willkommen Im Heil, Willkommen In Freuden" | 4:39 | |
| 3-4 | Recitative (Alto): "Da Heute Dir, Gepriesner Hennikke" | 0:35 | |
| 3-5 | Aria (Alto): "Was Die Seele Kann Ergötzen" | 4:28 | |
| 3-6 | Recitative (Bass): "Und Wie Ich Jederzeit Bedacht" | 0:35 | |
| 3-7 | Aria (Bass): "Ich Will Dich Halten Und Mit Dir Walten" | 5:27 | |
| 3-8 | Recitative (Soprano): "Und Obwohl Sonst Der Unbestand" | 0:50 | |
| 3-9 | Aria (Soprano): "Eilt, Ihr Stunden, Wie Ihr Wollt" | 4:04 | |
| 3-10 | Recitative (Tenor): "So Recht! Ihr Seid Mir Werte Gäste" | 0:41 | |
| 3-11 | Aria (Tenor): "So Wie Ich Die Tropfen Zolle" | 2:28 | |
| 3-12 | Recitative (S, A, B): "Drum, Angenehmes Wiederau" | 1:06 | |
| 3-13 | Chorus: "Angenehmes Wiederau, Prange Nun In Deinen Auen!" | 3:34 | |
| Missa In g, BWV 235 | (26:02) | ||
| 3-14 | Kyrie (Chorus) | 6:42 | |
| 3-15 | Gloria (Chorus) | 3:16 | |
| 3-16 | Gratias Agimus Tibi (Bass) | 2:48 | |
| 3-17 | Domine Fili Unigenite (Alto) | 5:02 | |
| 3-18 | Qui Tollis Peccata Mundi (Tenor) | 3:43 | |
| 3-19 | Cum Sancto Spiritu (Chorus) | 4:31 | |
Alto Vocals – Annemieke Cantor
Alto Vocals – Carla Schaap
Alto Vocals – Hugo Naessens
Alto Vocals – Peter De Groot
Alto Vocals – Stephen Carter
Bass Vocals – Bart Vandewege
Bass Vocals – Donald Bentvelsen
Bass Vocals – Hans Wijers
Bass Vocals – Julian Clarkson
Bass Vocals – Matthijs Mesdag
Bass Vocals – René Steur
Bassoon – Wouter Verschuren
Choir – The Amsterdam Baroque Choir
Chorus Master – Ulrike Grosch
Composed By – Johann Sebastian Bach
Conductor – Ton Koopman
Coordinator [Production] – Willemijn Mooij
Design – Marcel Van Den Broek
Design [Original] – George Cramer
Double Bass – Alberto Rasi
Double Bass – Margaret Urquhart
Double Bass – Michele Zeoli
Engineer, Edited By – Adriaan Verstijnen
Flute [Traverso] – Marion Moonen
Flute [Traverso] – Wilbert Hazelzet
Horn – Andrew Clark
Horn – Jorge Renteira
Liner Notes [English Translation] – James Chater
Liner Notes [French Translation] – Clémence Comte
Liner Notes [German] – Christoph Wolff
Lute – Mike Fentross
Oboe – Alexandra Bellamy
Oboe – Anna Starr
Oboe – Katharina Spreckelsen
Oboe, Oboe Da Caccia, Soloist – Alfredo Bernardini
Oboe, Oboe Da Caccia, Soloist – Katharina Spreckelsen
Oboe, Oboe d'Amore, Oboe [Taille] – Alfredo Bernardini
Oboe, Oboe d'Amore, Oboe [Taille] – Ann Vanlancker
Oboe, Oboe d'Amore, Oboe [Taille] – Michel Henry
Orchestra – The Amsterdam Baroque Orchestra
Organ [Continuo] – Matthew Halls
Organ [Continuo] – Ton Koopman
Painting [Cover] – Pieter Saenredam
Producer – Tini Mathot
Soprano Vocals – Caroline Stam
Soprano Vocals – Cécilie Kempenaers
Soprano Vocals – Dorothee Wolgemuth
Soprano Vocals – Francine Van Der Heijden
Soprano Vocals – Henriëtte Feith
Soprano Vocals – Lut Van De Velde
Soprano Vocals – Maria Luz Alvarez
Soprano Vocals – Mariëtte Bastiaansen
Soprano Vocals – Orlanda Velez Isidro
Soprano Vocals – Vera Lansink
Tenor Vocals – Geraint Roberts
Tenor Vocals – Henk Gunneman
Tenor Vocals – Joost Van Der Linden
Tenor Vocals – Malcolm Bennett
Tenor Vocals – Marco van de Klundert
Tenor Vocals – Otto Bouwknegt
Tenor Vocals – Tilmann Kögel
Timpani – Luuk Nagtegaal
Trumpet – James Ghigi
Trumpet – Jonathan Impett
Trumpet – Stephen Keavy
Viola – Alfonso Leal Del Ojo
Viola – Jane Rogers
Viola – Katherine McGillivray
Viola – Louise Hogan
Viola – Martin Kelly
Violin – Alida Schat
Violin – Carla Marotta
Violin – Catherine Manson
Violin – David Rabinovich
Violin – Fanny Pestalozzi
Violin – Foskien Kooistra
Violin – Judith Steenbrink
Violin – Kati Debretzeni
Violin – Lisa Ferguson
Violin – Lisa Landgraf
Violin – Marc Cooper
Violin – Margaret Faultless
Violin – Mario Konaka
Violin – Nicholas Mazzoleni
Violin – Sebastiaan Van Vucht
Violin – Silvia Schweinberger
Violin, Soloist – Margaret Faultless
Violoncello – Catherine Jones
Violoncello – Dmitri Dichtiar
Violoncello – Jennifer Morsches
Violoncello – Jonathan Manson
Violoncello, Soloist – Jonathan Manson
Alto Vocals – Carla Schaap
Alto Vocals – Hugo Naessens
Alto Vocals – Peter De Groot
Alto Vocals – Stephen Carter
Bass Vocals – Bart Vandewege
Bass Vocals – Donald Bentvelsen
Bass Vocals – Hans Wijers
Bass Vocals – Julian Clarkson
Bass Vocals – Matthijs Mesdag
Bass Vocals – René Steur
Bassoon – Wouter Verschuren
Choir – The Amsterdam Baroque Choir
Chorus Master – Ulrike Grosch
Composed By – Johann Sebastian Bach
Conductor – Ton Koopman
Coordinator [Production] – Willemijn Mooij
Design – Marcel Van Den Broek
Design [Original] – George Cramer
Double Bass – Alberto Rasi
Double Bass – Margaret Urquhart
Double Bass – Michele Zeoli
Engineer, Edited By – Adriaan Verstijnen
Flute [Traverso] – Marion Moonen
Flute [Traverso] – Wilbert Hazelzet
Horn – Andrew Clark
Horn – Jorge Renteira
Liner Notes [English Translation] – James Chater
Liner Notes [French Translation] – Clémence Comte
Liner Notes [German] – Christoph Wolff
Lute – Mike Fentross
Oboe – Alexandra Bellamy
Oboe – Anna Starr
Oboe – Katharina Spreckelsen
Oboe, Oboe Da Caccia, Soloist – Alfredo Bernardini
Oboe, Oboe Da Caccia, Soloist – Katharina Spreckelsen
Oboe, Oboe d'Amore, Oboe [Taille] – Alfredo Bernardini
Oboe, Oboe d'Amore, Oboe [Taille] – Ann Vanlancker
Oboe, Oboe d'Amore, Oboe [Taille] – Michel Henry
Orchestra – The Amsterdam Baroque Orchestra
Organ [Continuo] – Matthew Halls
Organ [Continuo] – Ton Koopman
Painting [Cover] – Pieter Saenredam
Producer – Tini Mathot
Soprano Vocals – Caroline Stam
Soprano Vocals – Cécilie Kempenaers
Soprano Vocals – Dorothee Wolgemuth
Soprano Vocals – Francine Van Der Heijden
Soprano Vocals – Henriëtte Feith
Soprano Vocals – Lut Van De Velde
Soprano Vocals – Maria Luz Alvarez
Soprano Vocals – Mariëtte Bastiaansen
Soprano Vocals – Orlanda Velez Isidro
Soprano Vocals – Vera Lansink
Tenor Vocals – Geraint Roberts
Tenor Vocals – Henk Gunneman
Tenor Vocals – Joost Van Der Linden
Tenor Vocals – Malcolm Bennett
Tenor Vocals – Marco van de Klundert
Tenor Vocals – Otto Bouwknegt
Tenor Vocals – Tilmann Kögel
Timpani – Luuk Nagtegaal
Trumpet – James Ghigi
Trumpet – Jonathan Impett
Trumpet – Stephen Keavy
Viola – Alfonso Leal Del Ojo
Viola – Jane Rogers
Viola – Katherine McGillivray
Viola – Louise Hogan
Viola – Martin Kelly
Violin – Alida Schat
Violin – Carla Marotta
Violin – Catherine Manson
Violin – David Rabinovich
Violin – Fanny Pestalozzi
Violin – Foskien Kooistra
Violin – Judith Steenbrink
Violin – Kati Debretzeni
Violin – Lisa Ferguson
Violin – Lisa Landgraf
Violin – Marc Cooper
Violin – Margaret Faultless
Violin – Mario Konaka
Violin – Nicholas Mazzoleni
Violin – Sebastiaan Van Vucht
Violin – Silvia Schweinberger
Violin, Soloist – Margaret Faultless
Violoncello – Catherine Jones
Violoncello – Dmitri Dichtiar
Violoncello – Jennifer Morsches
Violoncello – Jonathan Manson
Violoncello, Soloist – Jonathan Manson
Recording location: Waalse Kerk, Amsterdam
Recording dates: BWV 30[2,4,7,9,11], BWV 30a[2,4,6,8], BWV 80[3,4]: 9-13/05/2002; BWV 30[3,5,8,10], BWV 30a[3,5,7,9-12], BWV 80[2]: 26/09-3/10/2002; BWV 30a[1,13]: 28/10/2002; BWV 30[1,6,12], BWV 80[1,5-8], Gaudete Omnes Populi: 13-18/10/2003; BWV 235, BWV 236: 31/10-1/11/2004; BWV 233, BWV 234: 11-12/11/2005
℗ & © 2006
58-p. booklet. Please refer to scans to see the exact distribution of musicians and singers for each cantata.
Total playing time: CD1 77:58, CD2 62:43, CD3 59:16
Recording dates: BWV 30[2,4,7,9,11], BWV 30a[2,4,6,8], BWV 80[3,4]: 9-13/05/2002; BWV 30[3,5,8,10], BWV 30a[3,5,7,9-12], BWV 80[2]: 26/09-3/10/2002; BWV 30a[1,13]: 28/10/2002; BWV 30[1,6,12], BWV 80[1,5-8], Gaudete Omnes Populi: 13-18/10/2003; BWV 235, BWV 236: 31/10-1/11/2004; BWV 233, BWV 234: 11-12/11/2005
℗ & © 2006
58-p. booklet. Please refer to scans to see the exact distribution of musicians and singers for each cantata.
Total playing time: CD1 77:58, CD2 62:43, CD3 59:16
Barcode – 608917222227
Label Code – LC 00950
Rights Society – BIEM
Label Code – LC 00950
Rights Society – BIEM