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The Eminem Show
| Label | Aftermath Entertainment – B0035973-01Interscope Records – B0035973-01UMe – B0035973-01Web Entertainment – B0035973-01Shady Records – B0035973-01 |
| Format | 4 x Vinyl, LP, Album, Deluxe Edition, Reissue, Stereo, Expanded Edition |
| Barcode | 0602445963225 |
| Country | Worldwide |
| Released | 27 Jan 2023 |
| Genre | Hip Hop |
| Style | Pop Rap, Hardcore Hip-Hop, Conscious |
| A1 | Curtains Up (Skit) | |
| A2 | White America | |
| A3 | Business | |
| A4 | Cleanin' Out My Closet | |
| A5 | Square Dance | |
| B1 | The Kiss (Skit) | |
| B2 | Soldier | |
| B3 | Say Goodbye Hollywood | |
| B4 | Drips | |
| B5 | Without Me | |
| C1 | Paul Rosenberg (Skit) | |
| C2 | Sing For The Moment | |
| C3 | Superman | |
| C4 | Hailie's Song | |
| D1 | Steve Berman (Skit) | |
| D2 | When The Music Stops | |
| D3 | Say What You Say | |
| D4 | Till I Collapse | |
| D5 | My Dad's Gone Crazy | |
| D6 | Curtains Close (skit) | |
| E1 | Stimulate | |
| E2 | The Conspiracy Freestyle | |
| E3 | Bump Heads | |
| E4 | Jimmy, Brian And Mike (Previously Unreleased) | |
| E5 | Freestyle (#1) (Live At Tramps, New York, 1999) | |
| E6 | Brain Damage (Live At Tramps, New York, 1999) | |
| E7 | Freestyle (#2) (Live At Tramps, New York, 1999) | |
| E8 | Just Don't Give A Fuck (Live At Tramps, New York, 1999) | |
| F1 | The Way I Am (Live At The Fuji Rock Festival, 2001) | |
| F2 | The Real Slim Shady (Live At The Fuji Rock Festival, 2001) | |
| F3 | Business (Instrumental) | |
| F4 | Cleanin' Out My Closet (Instrumental) | |
| G1 | Square Dance (Instrumental) | |
| G2 | Without Me (Instrumental) | |
| G3 | Sing For The Moment (Instrumental) | |
| H1 | Superman (Instrumental) | |
| H2 | Say What You Say (Instrumental) | |
| H3 | Till I Collapse (Instrumental) |
A&R [Interscope A&R] – D.j. Mormile
A&R [Shady Records A&R] – Marc Labelle
Art Direction, Design – Jason Noto
Artwork [Interscope Creative], Management [Interscope Creative] – Ekaterina Kenney
Booking [Eminem Booking (Europe)] – Helter Skelter
Booking [Eminem Booking (Europe)] – Steve Strange
Booking [Eminem Booking (U.S.)] – Cara Lewis
Booking [Eminem Booking (U.S.)] – William Morris Agency
Coordinator [Aftermath Project Coordinator] – Kirdis Tucker
Coordinator [Aftermath Project Coordinator] – Larry Chatman
Coordinator [Interscope Production Coordination] – Les Scurry
Coordinator [Studio A&R Coordination For 54Sound] – Sarah Catlett
Design [Reissue Design] – Mike Saputo
Design [Typeface Based On Eminem's Handwriting Designed By] – Kevin Dresser
Executive-Producer – Dr. Dre
Executive-Producer [Executive Producer For F.B.T. Productions] – Jeff Bass
Executive-Producer [Executive Producer For F.B.T. Productions] – Mark Bass
Legal [Aftermath Legal] – Peter Paterno
Legal [Eminem Legal] – Cutler & Sedlmayr, Llp
Legal [Eminem Legal] – Theo Sedlmayr, Esq.
Legal [F.B.T. Productions Legal] – Howard Hertz, Esq.
Legal [Reissue Legal Clearances] – Andrew Labarrere
Management [Eminem Management] – Goliath Artists, Inc.
Management [Eminem Management] – Paul D. Rosenberg, Esq.
Management [F.B.T. Productions Management] – Joel Martin
Management [F.B.T. Productions/Eight Mile Style Accounting] – Frank Copeland
Mastered By – Brian "Big Bass" Gardner
Photography By [Original Photography] – Jonathan Mannion
Product Manager [Interscope Product Management] – Chris Clancy
Product Manager [Reissue Marketing Director] – Jason Sangerman
Product Manager [Reissue Product Manager] – Victor Reznik
Production Manager [Reissue Production Manager] – Howard DeLoach
Reissue Producer – Frank Collura
A&R [Shady Records A&R] – Marc Labelle
Art Direction, Design – Jason Noto
Artwork [Interscope Creative], Management [Interscope Creative] – Ekaterina Kenney
Booking [Eminem Booking (Europe)] – Helter Skelter
Booking [Eminem Booking (Europe)] – Steve Strange
Booking [Eminem Booking (U.S.)] – Cara Lewis
Booking [Eminem Booking (U.S.)] – William Morris Agency
Coordinator [Aftermath Project Coordinator] – Kirdis Tucker
Coordinator [Aftermath Project Coordinator] – Larry Chatman
Coordinator [Interscope Production Coordination] – Les Scurry
Coordinator [Studio A&R Coordination For 54Sound] – Sarah Catlett
Design [Reissue Design] – Mike Saputo
Design [Typeface Based On Eminem's Handwriting Designed By] – Kevin Dresser
Executive-Producer – Dr. Dre
Executive-Producer [Executive Producer For F.B.T. Productions] – Jeff Bass
Executive-Producer [Executive Producer For F.B.T. Productions] – Mark Bass
Legal [Aftermath Legal] – Peter Paterno
Legal [Eminem Legal] – Cutler & Sedlmayr, Llp
Legal [Eminem Legal] – Theo Sedlmayr, Esq.
Legal [F.B.T. Productions Legal] – Howard Hertz, Esq.
Legal [Reissue Legal Clearances] – Andrew Labarrere
Management [Eminem Management] – Goliath Artists, Inc.
Management [Eminem Management] – Paul D. Rosenberg, Esq.
Management [F.B.T. Productions Management] – Joel Martin
Management [F.B.T. Productions/Eight Mile Style Accounting] – Frank Copeland
Mastered By – Brian "Big Bass" Gardner
Photography By [Original Photography] – Jonathan Mannion
Product Manager [Interscope Product Management] – Chris Clancy
Product Manager [Reissue Marketing Director] – Jason Sangerman
Product Manager [Reissue Product Manager] – Victor Reznik
Production Manager [Reissue Production Manager] – Howard DeLoach
Reissue Producer – Frank Collura
This expanded reissue includes, in addition to the original tracklist, 18 bonus tracks including B-sides, live performances, instrumentals and an unreleased song.
Issued in a gatefold cover.
On back cover and label side A, C, E & G:
℗©2022 UMG Recordings, Inc.
Issued in a gatefold cover.
On back cover and label side A, C, E & G:
℗©2022 UMG Recordings, Inc.
Barcode (Text) – 6 02445 96322 5
Barcode (Scanned) – 602445963225
Rights Society – BMI
Rights Society – ASCAP
Rights Society – PRS
Other (Cat#, record 1) – LP01
Other (Cat#, record 2) – LP02
Other (Cat#, record 3) – LP03
Other (Cat#, record 4) – LP04
Matrix / Runout (Runout side A) – B0035971-01 LP01A 247683E1/E
Matrix / Runout (Runout side B) – B0035971-01 LP01B 247683E2/E
Matrix / Runout (Runout side C) – B0035971-01 LP02C 247683E3/E
Matrix / Runout (Runout side D) – B0035971-01 LP02D 247683E4/E
Matrix / Runout (Runout side E) – B0035971-01 LP03E 247683E5/K
Matrix / Runout (Runout side F) – B0035971-01 LP03F 247683E6/H
Matrix / Runout (Runout side G) – B0035971-01 LP04G 247683E7/I
Matrix / Runout (Runout side H) – B0035971-01 LP04H 247683E8/E
Barcode (Scanned) – 602445963225
Rights Society – BMI
Rights Society – ASCAP
Rights Society – PRS
Other (Cat#, record 1) – LP01
Other (Cat#, record 2) – LP02
Other (Cat#, record 3) – LP03
Other (Cat#, record 4) – LP04
Matrix / Runout (Runout side A) – B0035971-01 LP01A 247683E1/E
Matrix / Runout (Runout side B) – B0035971-01 LP01B 247683E2/E
Matrix / Runout (Runout side C) – B0035971-01 LP02C 247683E3/E
Matrix / Runout (Runout side D) – B0035971-01 LP02D 247683E4/E
Matrix / Runout (Runout side E) – B0035971-01 LP03E 247683E5/K
Matrix / Runout (Runout side F) – B0035971-01 LP03F 247683E6/H
Matrix / Runout (Runout side G) – B0035971-01 LP04G 247683E7/I
Matrix / Runout (Runout side H) – B0035971-01 LP04H 247683E8/E