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The Solo Piano Works
| Label | BIS ‎– BIS-CD-1955/56 |
| Format | 6 x CD, Box Set, Compilation |
| Barcode | 7318591955566 |
| Country | Europe |
| Released | 2011 |
| Genre | Classical |
| Style | Impressionist |
| 1-1 | 1ère Arabesque, L74/1 (1890) | 5:04 |
| 1-2 | 2ème Arabesque, L74/2 (1891) | 4:01 |
| 1-3 | Danse (Tarentelle Styrienne), L77 (1890) | 5:15 |
| 1-4 | Ballade (Slave) Pour Le Piano, L78 (1890) | 7:29 |
| 1-5 | Valse Romantique, L79 (1890) | 3:29 |
| 1-6 | RĂŞverie, L76 (1890) | 5:09 |
| Suite Bergamasque, L82 (1890—1905) | ||
| 1-7 | I. Prélude | 3:50 |
| 1-8 | II. Menuet | 4:54 |
| 1-9 | III. Clair De Lune | 5:10 |
| 1-10 | IV. Passepied | 4:17 |
| 1-11 | Mazurka, L75 (1890) | 3:01 |
| 1-12 | Nocturne, L89 (1892) | 6:25 |
| 1-13 | Danse Bohémienne, L4 (1880) | 2:14 |
| Pour Le Piano, L95 (1894—1901) | ||
| 1-14 | I. Prélude | 4:18 |
| 1-15 | II. Sarabande | 5:59 |
| 1-16 | III. Toccata | 4:35 |
| Images (1re SĂ©rie), L105 (1905) | ||
| 2-1 | I. Reflets Dans L'Eau | 5:47 |
| 2-2 | II. Homage À Rameau | 6:57 |
| 2-3 | III. Mouvement | 3:30 |
| Images (2e SĂ©rie), L120 (1907) | ||
| 2-4 | I. Cloches À Travers Les Feuilles | 4:45 |
| 2-5 | II. Et La Lune Descend Sur Le Temple Qui Fût | 6:29 |
| 2-6 | III. Poissons D'Or | 4:32 |
| Images [Oubliées], L94 (1894) | ||
| 2-7 | I. Lent (MĂ©lancholique Et Doux) | 3:58 |
| 2-8 | II. Souvenir Du Louvre | 6:06 |
| 2-9 | III. Quelques Aspects De «Nous N'Irons Plus Au Bois» | 4:25 |
| Estampes, L108 (1903) | ||
| 2-10 | I. Pagodes | 5:19 |
| 2-11 | II. La Soirée Dans Grenade | 5:44 |
| 2-12 | III. Jardins Sous La Pluie | 4:01 |
| 2-13 | Masques Pour Piano, L110 (1904) | 5:19 |
| 2-14 | L'Isle Joyeuse, L109 (1904) | 6:34 |
| Préludes (1er Livre), L125 (1909—10) | ||
| 3-1 | I: Lent Et Grave (...Danseuses De Delphes) | 2:51 |
| 3-2 | II: Modéré (...Voiles) | 3:57 |
| 3-3 | III. Animé (...Le Vent Dans La Plaine) | 2:24 |
| 3-4 | IV. Modéré (...«Les Sons Et Les Parfums Tournent Dans L'Air Du Soir») | 3:34 |
| 3-5 | V. Très Modéré (...Les Collines D'Anacapri) | 3:22 |
| 3-6 | VI. Triste Et Lent (...Des Pas Sur La Neige) | 4:28 |
| 3-7 | VII. Animé Et Tumultueux (...Ce Qu'a Vu Le Vent D'Ouest) | 3:48 |
| 3-8 | VIII. Très Calme Et Doucement Expressif (...La Fille Aux Cheveux De Lin) | 2:45 |
| 3-9 | IX. Modérément Animé (...La Sérénade Interrompue) | 2:50 |
| 3-10 | X. Profondément Calme (...La Cathédrale Engloutie) | 6:24 |
| 3-11 | XI. Capricieux Et LĂ©ger (...La Danse De Puck) | 3:18 |
| 3-12 | XII. Modéré (...Minstrels) | 2:47 |
| 3-13 | D'Un Cahier D'Esquisses, L112 (1904) | 4:48 |
| 3-14 | Pièce Pour Piano [Morceau De Concours], L117 (1905) | 0:59 |
| 3-15 | Hommage À Haydn, L123 (1909) | 2:31 |
| 3-16 | The Little Nigar (Cake-Walk), L122 (1909) | 1:58 |
| Children's Corner, L119 (1906—08) | ||
| 3-17 | I. Doctor Gradus Ad Parnassum | 2:30 |
| 3-18 | II. Jimbo's Lullaby | 3:47 |
| 3-19 | III. Serenade For the Doll | 2:37 |
| 3-20 | IV. The Snow Is Dancing | 2:33 |
| 3-21 | V. The Little Shepherd | 2:41 |
| 3-22 | VI. Golliwogg's Cake Walk | 3:14 |
| 3-23 | La Plus Que Lente, L128 (1910) | 5:39 |
| Préludes (2e Livre), L131 (1911—12) | ||
| 4-1 | I. Modéré (...Brouillards) | 3:12 |
| 4-2 | II. Lent Et MĂ©lancholique (...Feuilles Mortes) | 2:54 |
| 4-3 | III. Mouvement De Habanera (...La Puerta Del Vino) | 3:11 |
| 4-4 | IV. Rapide Et LĂ©ger (...Les FĂ©es Sont D'Exquises Danseuses) | 3:15 |
| 4-5 | V. Calme, Doucement Expressif (...Bruyères) | 2:46 |
| 4-6 | VI. Dans Le Style Et Le Mouvement D'Un Cake-Walk (...General Lavine — Eccentric) | 2:32 |
| 4-7 | VII. Lent (...La Terrasse Des Audiences Du Clair De Lune) | 4:06 |
| 4-8 | VIII. Scherzando (...Ondine) | 3:16 |
| 4-9 | IX. Grave (...Hommage À S. Pickwick Esq. P.P.M.P.C.) | 2:28 |
| 4-10 | X. Très Calme Et Doucement Triste (...Canope) | 2:39 |
| 4-11 | XI. Modérément Animé (...Les Tierces Alternées) | 2:41 |
| 4-12 | XII. Modérément Animé (...Feux D'Artifice) | 5:19 |
| 4-13 | Berceuse Héroîque, L140 (1914) | 4:06 |
| 4-14 | Pièce Pour L'Œuvre Du Vêtement Du Blessé (Page D'Album), L141 (1915) | 1:18 |
| 4-15 | Élégie, L146 (1915) | 2:14 |
| La Boîte À Joujoux — Ballet Pour Enfants, L136 (1913) | ||
| 4-16 | 1er Tableau — Le Magasin De Jouets | 14:31 |
| 4-17 | 2me Tableau — Le Champ De Bataille | 9:36 |
| 4-18 | 3me Tableau — La Bergerie À Vendre | 5:56 |
| 4-19 | 4me Tableau — Après Fortune Faite | 3:35 |
| Douze Études Pour Le Piano, L143 (1915) | ||
| 5-1 | I. Pour Les «Cinq Doigts», D'Après M. Czerny | 3:27 |
| 5-2 | II. Pour Les Tierces | 4:33 |
| 5-3 | III. Pour Les Quartes | 5:35 |
| 5-4 | IV. Pour Les Sixtes | 4:57 |
| 5-5 | V. Pour Les Octaves | 2:54 |
| 5-6 | VI. Pour Les Huit Doigts | 1:51 |
| 5-7 | VII. Pour Les Degrés Chromatiques | 2:31 |
| 5-8 | VIII. Pour Les Agréments | 5:08 |
| 5-9 | IX. Pour Les Notes répétées | 3:22 |
| 5-10 | X. Pour Les Sonorités Opposées | 5:08 |
| 5-11 | XI. Pour Les Arpèges Composés | 4:55 |
| 5-12 | XII. Pour Les Accords | 5:43 |
| 5-13 | Étude Retrouvée (1915) | 5:27 |
| 5-14 | Intermède (1880/82) — Transcription Of Second Movement Of Piano Trio In G Major | 4:16 |
| Six Épigraphes Antiques, L139 (1914—15) | ||
| 5-15 | I. Pour Invoquer Pan, Dieu Du Vent D'Été | 2:53 |
| 5-16 | II. Pour Un Tombeau Sans Nom | 4:07 |
| 5-17 | III. Pour Que La Nuit Soit Propice | 3:02 |
| 5-18 | IV. Pour La Danseuse Aux Crotales | 2:46 |
| 5-19 | V. Pour L'Égyptienne | 3:44 |
| 5-20 | VI. Pour Remercier La Pluie Au Matin | 2:47 |
| 5-21 | Les Soirs Illuminés Par L'Ardeur Du Charbon, L150 (1917) | 2:34 |
| Fugues D'École (1881—83) | ||
| 6-1 | Fugue Pour Le Concours De Fugue 1881 | 5:25 |
| 6-2 | Fugue Pour Le Concours De Fugue 1882 | 5:08 |
| 6-3 | Fugue Pour Le Concours De Fugue 1883 | 5:26 |
| 6-4 | Fugue Pour Le Concours D'Essai, Prix De Rome Competition, 1882 | 5:09 |
| 6-5 | Fugue [Incomplete] Pour Le Concours D'Essai, Prix De Rome Competition, 1883 | 2:34 |
| Fantaisie Pour Piano Et Orchestre, L72 (1889—90) | ||
| 6-6 | I. Andante Ma Non Troppo | 8:11 |
| 6-7 | II. Lento E Molto Espressivo | 8:27 |
| 6-8 | III. Allegro Molto | 8:35 |
Composed By – Claude Debussy
Conductor – Lan Shui (6-6 to 6-8)
Edited By – Christian Starke (6-1 to 6-8)
Edited By – Jeffrey Ginn (1-1 to 5-21)
Engineer – Ingo Petry (4-16 to 4-19)
Engineer – Jeffrey Ginn (6-1 to 6-5)
Engineer – Marion Schwebel (1-1 to 4-15)
Engineer – Matthias Spitzbarth (6-6 to 6-8)
Engineer – Thore Brinkmann
Executive-Producer – Robert von Bahr
Liner Notes – Leif Hasselgren
Liner Notes [French Translation] – Arlette Lemieux-Chené
Liner Notes [German Translation] – Horst A. Scholz
Liner Notes, Text By [French Translation By] – Jean-Pascal Vachon
Orchestra – Singapore Symphony Orchestra (6-6 to 6-8)
Photography By – Satoru Mitsuta
Piano – Noriko Ogawa
Producer, Executive-Producer – Robert Suff
Technician [Piano] – Carl Wahren (4-1 to 5-21)
Technician [Piano] – Graham Cooke (6-1 to 6-5)
Technician [Piano] – Stefan Olsson
Text By [German Translation] – Anna Lamberti
Transcription By – Noriko Ogawa (6-1 to 6-5)
Transcription By – Tokyo Hustle Copy (6-1 to 6-5)
Typography [Typesetting, Lay-out] – Andrew Barnett
Conductor – Lan Shui (6-6 to 6-8)
Edited By – Christian Starke (6-1 to 6-8)
Edited By – Jeffrey Ginn (1-1 to 5-21)
Engineer – Ingo Petry (4-16 to 4-19)
Engineer – Jeffrey Ginn (6-1 to 6-5)
Engineer – Marion Schwebel (1-1 to 4-15)
Engineer – Matthias Spitzbarth (6-6 to 6-8)
Engineer – Thore Brinkmann
Executive-Producer – Robert von Bahr
Liner Notes – Leif Hasselgren
Liner Notes [French Translation] – Arlette Lemieux-Chené
Liner Notes [German Translation] – Horst A. Scholz
Liner Notes, Text By [French Translation By] – Jean-Pascal Vachon
Orchestra – Singapore Symphony Orchestra (6-6 to 6-8)
Photography By – Satoru Mitsuta
Piano – Noriko Ogawa
Producer, Executive-Producer – Robert Suff
Technician [Piano] – Carl Wahren (4-1 to 5-21)
Technician [Piano] – Graham Cooke (6-1 to 6-5)
Technician [Piano] – Stefan Olsson
Text By [German Translation] – Anna Lamberti
Transcription By – Noriko Ogawa (6-1 to 6-5)
Transcription By – Tokyo Hustle Copy (6-1 to 6-5)
Typography [Typesetting, Lay-out] – Andrew Barnett
Made in the EU by DADC
Instrumentarium
Grand Piano: Steinway D
Disc 1 · Recorded in January 2000 at Nybrokajen (the former Academy of Music), Stockholm, Sweden
Disc 2 · Recorded in August 2000 at Nybrokajen (the former Academy of Music), Stockholm, Sweden
Disc 3 · Recorded in July 2002 at Nybrokajen (the former Academy of Music), Stockholm, Sweden
Disc 4 · Recorded in July 2005 (Tracks 1-15) and June 2004 (Tracks 16-19) at Nybrokajen (the former Academy of Music), Stockholm, Sweden
Disc 5 · Recorded in July 2007 at Nybrokajen (the former Academy of Music), Stockholm, Sweden
Disc 6 · Tracks 1-5: Recorded in August 2011 at Potton Hall, Suffolk, England
Disc 6 · Tracks 6-8: Recorded in July 2009 at the Esplanade Concert Hall, Singapore
The numbering of the works in this collection follows the catalogue drawn up by François Lesure in 2003, a revision of his previous catalogue from 1977,
Liner notes incorrectly show two track 11s for Disc 1.
Tracks 6-1 to 6-5 (Fugues D'École) - Piano transcriptions of the original manuscripts, kept at the Archives nationales (tracks 1—3) and Bibliothèque nationale (tracks 4 & 5) in Paris
Instrumentarium
Grand Piano: Steinway D
Disc 1 · Recorded in January 2000 at Nybrokajen (the former Academy of Music), Stockholm, Sweden
Disc 2 · Recorded in August 2000 at Nybrokajen (the former Academy of Music), Stockholm, Sweden
Disc 3 · Recorded in July 2002 at Nybrokajen (the former Academy of Music), Stockholm, Sweden
Disc 4 · Recorded in July 2005 (Tracks 1-15) and June 2004 (Tracks 16-19) at Nybrokajen (the former Academy of Music), Stockholm, Sweden
Disc 5 · Recorded in July 2007 at Nybrokajen (the former Academy of Music), Stockholm, Sweden
Disc 6 · Tracks 1-5: Recorded in August 2011 at Potton Hall, Suffolk, England
Disc 6 · Tracks 6-8: Recorded in July 2009 at the Esplanade Concert Hall, Singapore
The numbering of the works in this collection follows the catalogue drawn up by François Lesure in 2003, a revision of his previous catalogue from 1977,
Liner notes incorrectly show two track 11s for Disc 1.
Tracks 6-1 to 6-5 (Fugues D'École) - Piano transcriptions of the original manuscripts, kept at the Archives nationales (tracks 1—3) and Bibliothèque nationale (tracks 4 & 5) in Paris
Barcode – 7 318591 955566
Barcode (scanned) – 7318591955566
SPARS Code – DDD
Rights Society – BIEM/n©b
Matrix / Runout (CD1) – Sony DADC A0101754230-0101 11 A01
Mastering SID Code (CD1) – IFPI L551
Mould SID Code (CD1) – 94Y4
Matrix / Runout (CD2) – Sony DADC A0100352859-0101 53 A01
Mastering SID Code (CD2) – IFPI L553
Mould SID Code (CD2) – IFPI 94K4
Matrix / Runout (CD3) – Sony DADC A0100442080-0101 21 A02
Mastering SID Code (CD3) – IFPI L551
Mould SID Code (CD3) – IFPI 94K4
Matrix / Runout (CD4) – Sony DADC A0100647928-0101 25 A00
Mastering SID Code (CD4) – IFPI L555
Mould SID Code (CD4) – IFPI 94K4
Matrix / Runout (CD5) – Sony DADC A0100903237-0101 15 A05
Mastering SID Code (CD5) – IFPI L555
Mould SID Code (CD5) – IFPI 94K2
Matrix / Runout (CD6) – Sony DADC A0101886599-0101 13 A00
Mastering SID Code (CD6) – IFPI L553
Mould SID Code (CD6) – IFPI 94Y7
Barcode (scanned) – 7318591955566
SPARS Code – DDD
Rights Society – BIEM/n©b
Matrix / Runout (CD1) – Sony DADC A0101754230-0101 11 A01
Mastering SID Code (CD1) – IFPI L551
Mould SID Code (CD1) – 94Y4
Matrix / Runout (CD2) – Sony DADC A0100352859-0101 53 A01
Mastering SID Code (CD2) – IFPI L553
Mould SID Code (CD2) – IFPI 94K4
Matrix / Runout (CD3) – Sony DADC A0100442080-0101 21 A02
Mastering SID Code (CD3) – IFPI L551
Mould SID Code (CD3) – IFPI 94K4
Matrix / Runout (CD4) – Sony DADC A0100647928-0101 25 A00
Mastering SID Code (CD4) – IFPI L555
Mould SID Code (CD4) – IFPI 94K4
Matrix / Runout (CD5) – Sony DADC A0100903237-0101 15 A05
Mastering SID Code (CD5) – IFPI L555
Mould SID Code (CD5) – IFPI 94K2
Matrix / Runout (CD6) – Sony DADC A0101886599-0101 13 A00
Mastering SID Code (CD6) – IFPI L553
Mould SID Code (CD6) – IFPI 94Y7