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Complete Harpsichord Music
| Label | Brilliant Classics – 96285 |
| Format | 7 x CD, Box Set, , Clamshell Box |
| Barcode | 5028421962856 |
| Country | Europe |
| Released | 08 Apr 2022 |
| Genre | Classical |
| Style | Baroque |
| Pièces de Clavecin Op.1 (C.1753) | |||
| Suite In D Minor | |||
| 1-1 | Ouverture | ||
| 1-2 | Allemande | ||
| 1-3 | Gigue | ||
| 1-4 | Menuet I-II | ||
| 1-5 | La Fausse Musette | ||
| 1-6 | La Petitte Françoise | ||
| 1-7 | L’Iroquoise (Marche) | ||
| 1-8 | La Petitte Follette (Mesure de Menuet) | ||
| 1-9 | La Mignone | ||
| 1-10 | La Guepine, Rondeau | ||
| 1-11 | L’Orléanois, Rondeau | ||
| 1-12 | La Japonoisse (Marche, Rondeau) | ||
| 1-13 | La Chinoisse (Seconde Marche, Rondeau) | ||
| 1-14 | Les Cyclopes Forgeants Le Foudre Meurtrier D’Esculape – Apollon Vient Les Exterminer | ||
| 1-15 | Concert des Sicilliens delivrez du bruit des Cyclopes | ||
| Suite in D | |||
| 2-1 | Ouverture | ||
| Concerto | |||
| 2-2 | Allegro | ||
| 2-3 | Grave | ||
| 2-4 | Allegro assai | ||
| Suite In F Minor And F | |||
| 2-5 | Ouverture | ||
| 2-6 | Allemande | ||
| 2-7 | Gigue | ||
| 2-8 | Menuet I-II-III | ||
| 2-9 | La Sensible, Rondeau | ||
| 2-10 | La Galanterie, Rondeau | ||
| 2-11 | L’Espion | ||
| 2-12 | La Dupe, 2de Partie | ||
| 2-13 | Le Filou, 3e Partie | ||
| 2-14 | La Doucereusse | ||
| 2-15 | La Jalouse | ||
| 2-16 | L’Animée | ||
| Suite In F | |||
| 2-17 | Ouverture | ||
| Sonata | |||
| 2-18 | Adagio | ||
| 2-19 | Allegro | ||
| 2-20 | Largo | ||
| 2-21 | Allegro Assai | ||
| Pièces de Clavecin Op.2 (c.1753) | |||
| Suite In A/A Minor | |||
| 3-1 | Ouverture | ||
| 3-2 | Allemande | ||
| 3-3 | Courante | ||
| 3-4 | Gigue | ||
| 3-5 | Menuet 1er - 2e Partie | ||
| 3-6 | La Marianne | ||
| 3-7 | Les Epineusse, Rondeau | ||
| 3-8 | La Canadienne, Marche | ||
| 3-9 | La Jeunette | ||
| 3-10 | L’Enbarassante, Rondeau | ||
| 3-11 | La Plaisante | ||
| 3-12 | L’Agissante | ||
| 3-13 | La Bourruë | ||
| 3-14 | La Preludante | ||
| 3-15 | L’Italienne | ||
| 3-16 | Le Tour Italien | ||
| 3-17 | L’Interompuë | ||
| Suite In A Minor | |||
| 3-18 | Ouverture | ||
| Sonate | |||
| 3-19 | Adagio | ||
| 3-20 | Allegro | ||
| 3-21 | Grave | ||
| 3-22 | Presto | ||
| Pièces de Clavecin Op.3 (c.1753) | |||
| Suite In C/C Minor | |||
| 4-1 | Ouverture | ||
| 4-2 | Allemande | ||
| 4-3 | Courante | ||
| 4-4 | Gigue | ||
| 4-5 | Menuet I-II | ||
| 4-6 | Les Nones | ||
| 4-7 | Preparation Du Voyage de Donery | ||
| 4-8 | Marche | ||
| 4-9 | La Tristesse | ||
| 4-10 | Le Retour | ||
| 4-11 | La Joie Marquée Par La Danse (Menuets I-II-III) | ||
| 4-12 | Le Gaigne-pain Des Voyageurs, Tambourins (Menuets/Mineur/Majeur , Rigaudons/Mineur/Majeur) | ||
| 4-13 | La Flotante, Rondeau | ||
| 4-14 | Le Baccante | ||
| 4-15 | Le Jaloux, Rondeau | ||
| 4-16 | La Coquette | ||
| 4-17 | Le Preludant | ||
| 4-18 | L’Euridice | ||
| 4-19 | La Comique | ||
| 4-20 | L’Orphée | ||
| 4-21 | Le Caprice | ||
| 4-22 | Ouverture In C Minor | ||
| Pièces de Clavecin Op.4 (c.1753) | |||
| Suite in G minor/G | |||
| 5-1 | Ouverture | ||
| 5-2 | Allemande | ||
| 5-3 | Courante | ||
| 5-4 | Seconde Courante | ||
| 5-5 | Sarabande | ||
| 5-6 | Gigue | ||
| 5-7 | Le Nouveau, Rigaudon | ||
| 5-8 | La Mode, Menuet | ||
| 5-9 | L’Insensé | ||
| 5-10 | La Discorde | ||
| 5-11 | L’Étourdi, I-II Partie | ||
| 5-12 | Le Pegase, Rondeau I-II | ||
| 5-13 | L’Holandoise | ||
| 5-14 | Les Papillons | ||
| 5-15 | La Momus, Rondeau | ||
| 5-16 | La Loire | ||
| 5-17 | Ouverture In G | ||
| Sonate In G | |||
| 5-18 | Adagio | ||
| 5-19 | Allegro | ||
| 5-20 | Adagio | ||
| 5-21 | Allegro assai | ||
| Pièces de Clavecin Op.5 (c.1753) | |||
| Suite in E minor/E | |||
| 6-1 | Ouverture En Mi Mineur | ||
| 6-2 | Allemande | ||
| 6-3 | Courante | ||
| 6-4 | Sarabande | ||
| 6-5 | Gigua | ||
| 6-6 | Rigaudon | ||
| 6-7 | Le Fagotto | ||
| 6-8 | Seconde Rigaudon | ||
| 6-9 | Menuet | ||
| 6-10 | Seconde Menuet | ||
| 6-11 | Troisieme Menuet | ||
| 6-12 | La Petitte Riante | ||
| 6-13 | La Parissienne, Partie I-II | ||
| 6-14 | Le Croustilleux | ||
| 6-15 | Le Pandoure, Rondeau | ||
| 6-16 | Le Prussien, Rondeau | ||
| 6-17 | L’Azem-Beba Carmagniole | ||
| 6-18 | Euphrosine | ||
| 6-19 | Talië | ||
| 6-20 | Aglaeé | ||
| 6-21 | Ballet Des Graces: Menuet I-Ii-Iii | ||
| 6-22 | L’Organisée | ||
| 6-23 | Les Cloches D’Orléans, Pièce Pour L’Orgue Et Le Clavecin | ||
| Sinfonias · Concertos (C.1760) | |||
| Sinfonia No.1 In B Minor | |||
| 7-1 | Vivace | ||
| 7-2 | Andante | ||
| 7-3 | Tempo di Minuetto | ||
| Sinfonia No.2 In B-flat | |||
| 7-4 | Vivace | ||
| 7-5 | Largo | ||
| 7-6 | Minuetto | ||
| Sinfonia No.3 In E | |||
| 7-7 | Vivace | ||
| 7-8 | Adagio | ||
| 7-9 | Minuetto | ||
| Sinfonia No.4 In E-flat | |||
| 7-10 | Allegro | ||
| 7-11 | Adagio | ||
| 7-12 | Tempo di Minuetto, Gratioso | ||
| Sinfonia No.5 In F-sharp Minor | |||
| 7-13 | Allegro Molto | ||
| 7-14 | Largo | ||
| 7-15 | Tempo di Minuetto, Vivace | ||
| Sinfonia No.6 In F Minor | |||
| 7-16 | Vivace | ||
| 7-17 | Largo | ||
| 7-18 | Tempo di Minuetto | ||
| APPENDIX | |||
| From Op.5 | |||
| 7-19 | Ouverture En E | ||
| Concerto In E Minor | |||
| 7-20 | Allegro | ||
| 7-21 | Adagio | ||
| 7-22 | Allegro | ||
| Sonate in E minor | |||
| 7-23 | Allegro | ||
| 7-24 | Adagio-Vivace | ||
| From Op.3 | |||
| Concerto in C | |||
| 7-25 | Allegro | ||
| 7-26 | Adagio | ||
| 7-27 | Allegro | ||
| From Op.2 | |||
| 7-28 | Le Purgatoire (A minor) Plaintes de Morts - Cris Lamantables - Redoublemens de Cris - Sommeil - Reveil - Douleurs Amere - Souffrances Aigue - Accablement - Sommeil Eternel | ||
Composed By – Christophe Moyreau
Edited By – Fernando De Luca
Harpsichord – Fernando De Luca
Liner Notes – Francesca Scotti
Mastered By – Marco De Gregorio
Photography By – Stefano Cozzi
Edited By – Fernando De Luca
Harpsichord – Fernando De Luca
Liner Notes – Francesca Scotti
Mastered By – Marco De Gregorio
Photography By – Stefano Cozzi
Recording: June 2012 (Disc 1), July & August 2020 (Disc 2 to 7), Palazzo Annibaldeschi, Monte Compatri, Rome, Italy
Instrument: Copy of a French harpsichord after Blanchet (ca.1754) built by C. Caponi (Rome 1985)
Cover: Jean Honoré Fragonard, A Game of Hot Cockles, c. 1775/1780. National Gallery of Art, Washington, Samuel H. Kress Collection
© 2022 Brilliant Classics
Instrument: Copy of a French harpsichord after Blanchet (ca.1754) built by C. Caponi (Rome 1985)
Cover: Jean Honoré Fragonard, A Game of Hot Cockles, c. 1775/1780. National Gallery of Art, Washington, Samuel H. Kress Collection
© 2022 Brilliant Classics
Barcode – 5 028421 962856
Label Code – LC 09421
SPARS Code – DDD
Rights Society – STEMRA
Label Code – LC 09421
SPARS Code – DDD
Rights Society – STEMRA