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The Complete Warner Recordings
| Label | Warner Classics – 0190295383039 |
| Format | 10 x CD, Compilation, Stereo, Mono Box Set, Reissue, Remastered |
| Barcode | 0190295383039 |
| Country | Europe |
| Released | 27 Mar 2020 |
| Genre | Classical |
| Style | Classical, Romantic, Impressionist |
| Symphony No.5 In E Minor Op.64 | ||
| 1-1 | I. Andante – Allegro Con Anima | 13:15 |
| 1-2 | II. Andante Cantabille, Con Alcuna Licenza | 12:54 |
| 1-3 | III. Valse: Allegro Moderato | 6:14 |
| 1-4 | IV. Finale: Andante Maestoso – Allegro Vivace | 12:28 |
| 1-5 | L'assedio Di Corinto: Overture | 9:01 |
| Paganiniana Op.65 | ||
| 1-6 | I. Allegro Agitato | 4:00 |
| 1-7 | II. Polachetta | 4:01 |
| 1-8 | III. Romanza | 4:34 |
| 1-9 | IV. Tarantella | 4:33 |
| 2-1 | Romeo and Juliet – Fantasy Overture | 18:38 |
| 2-2 | Siegfried Idyll | 17:22 |
| Symphony No.4 In A Major Op.90 ‘Italian' | ||
| 2-3 | I. Allegro Vivace | 8:23 |
| 2-4 | II. Andante Con Moto | 5:57 |
| 2-5 | III. Con Moto Moderato | 6:15 |
| 2-6 | IV. Saltarello: Presto | 6:03 |
| Symphony No.6 In B Minor Op.74 'Pathétique' | ||
| 3-1 | I. Adagio – Allegro Non Troppo | 16:22 |
| 3-2 | II. Allegro Con Grazia | 8:08 |
| 3-3 | III. Allegro Molto Vivace | 9:17 |
| 3-4 | IV. Finale: Adagio Lamentoso | 9:20 |
| 3-5 | La Gazza Ladra: Overture | |
| Symphony No.4 In D Minor Op.120 | ||
| 4-1 | I. Ziemlich Langsam – Lebhaft | 9:07 |
| 4-2 | II. Romanze: Ziemlich Langsam | 4:04 |
| 4-3 | III. Scherzo: Lebhaft | 4:52 |
| 4-4 | IV. Langsam. Lebhaft | 7:35 |
| Symphony No.1 In C Minor Op.68 | ||
| 4-5 | I. Un Poco Sostenuto – Allegro | 13:11 |
| 4-6 | II. Andante Sostenuto | 8:52 |
| 4-7 | III. Un Poco Allegretto E Grazioso | 4:37 |
| 4-8 | IV. Adagio – Più Andante – Allegro Non Troppo, Ma Con Brio – Più Allegro | 16:45 |
| 5-1 | Pavane Pour Une Infante Défunte | 6:12 |
| El Sombrero De Tres Picos | ||
| 5-2 | I. Danza De Los Vecinos | 3:06 |
| 5-3 | II. Danza Del Molinero | 2:46 |
| 5-4 | III. Danza Final | 6:41 |
| 5-5 | Prélude À L'après-midi D'un Faune | 9:19 |
| 5-6 | L'Apprenti Sorcier | 10:34 |
| Symphony In D Minor | ||
| 5-7 | I. Lento – Allegro Non Troppo | 17:14 |
| 5-8 | II. Allegretto | 9:37 |
| 5-9 | III. Allegro Non Troppo | 9:39 |
| La Mer | ||
| 6-1 | I. De L'aube À Midi Sur La Mer | 8:20 |
| 6-2 | II. Jeux De Vagues | 6:36 |
| 6-3 | III. Dialogue Du Vent Et De La Mer | 7:39 |
| Le Martyre De Saint Sébastian | ||
| 6-4 | I. La Cour Des Lys (Prélude) | 3:44 |
| 6-5 | II. Dans Exatique Et Final | 6:07 |
| 6-6 | III. La Passion | 5:55 |
| 6-7 | IV. Le Bon Pasteur | 5:49 |
| Nocturnes | ||
| 6-8 | I. Nuages | 6:30 |
| 6-9 | II. Fêtes | 6:24 |
| Daphnis Et Chloé, Suite No.2 | ||
| 6-10 | I. Lever Du Jour | 4:38 |
| 6-11 | II. Pantomime | 5:50 |
| 6-12 | III. Danse Générale | 4:58 |
| Symphony No 8 In B Minor D759 'Unfinished' | ||
| 7-1 | I. Allegro Moderato | 10:58 |
| 7-2 | II. Andante Con Moto | 12:07 |
| Symphony No.4 In A Major Op.90 ‘Italian' | ||
| 7-3 | I. Allegro Vivace | 8:12 |
| 7-4 | II. Andante Con Moto | 6:00 |
| 7-5 | III. Con Moto Moderato | 7:02 |
| 7-6 | IV. Saltarello: Presto | 6:10 |
| Symphony No.3 In F Major, Op.90 | ||
| 8-1 | I. Allegro Con Brio | 10:03 |
| 8-2 | II. Andante | 8:49 |
| 8-3 | III. Poco Allegretto | 6:23 |
| 8-4 | IV. Allegro – Un Poco Sostenuto | 8:36 |
| Ein Musikalischer Spaß = A Musical Joke K522 | ||
| 8-5 | I. Allegro | 2:49 |
| 8-6 | II. Menuetto Maestoso – Trio | 6:06 |
| 8-7 | III. Adagio Cantabile | 6:13 |
| 8-8 | IV. Presto | 4:13 |
| Symphony No.29 In A Major K201 | ||
| 8-9 | I. Allegro Moderato | 7:03 |
| 8-10 | II. Andante | 5:35 |
| 8-11 | III. Menuetto & Trio | 3:20 |
| 8-12 | IV. Allegro Con Spirito | 5:24 |
| Symphony No.7 In A Major Op.92 | ||
| 9-1 | I. Poco Sostenuto – Vivace | 11:20 |
| 9-2 | II. Allegretto | 8:32 |
| 9-3 | III. Presto – Assai Meno Presto | 7:59 |
| 9-4 | IV. Allegro Con Brio | 7:11 |
| Symphony No.5 In C Minor Op.67 | ||
| 9-5 | II. Andante Con Moto | 10:17 |
| 9-6 | III. Allegro | 5:28 |
| 9-7 | IV. Allegro – Presto | 8:57 |
| Recording Sessions Of Symphony No.5 In C Minor Op.67 | ||
| 9-8 | II. Andante Con Moto (Extract) | 8:15 |
| 9-9 | III. Allegro (Extract) | 3:09 |
| 9-10 | IV. Allegro – Presto (Extract) | 4:46 |
| Remembering Guide Cantelli | ||
| 10-1 | Introduction (Beethoven Symphony No.5: Finale) | 3:48 |
| 10-2 | Introduction – First Recordings (Casella Paganiniana) | 5:01 |
| 10-3 | Cantelli's Impact (Tchaikovsky Romeo And Juliet) | 4:46 |
| 10-4 | Cantelli's Perfectionism (Narration) | 1:10 |
| 10-5 | Mendelssohn Symphony No.4 'Italian': Finale | 5:49 |
| 10-6 | Recording Sessions (Ravel Daphnis Et Chloé, Suite No.2 In Rehearsal) | 11:06 |
| 10-7 | The Philharmonia And Cantelli (Debussy La Mer: Jeux De Vagues) | 8:03 |
| 10-8 | Recording Sessions (Brahms Symphony No.3: Finale | 5:25 |
| 10-9 | Cantelli's Impact On The Audience (Beethoven Symphony No.5: Scherzo In Rehearsal – In Performance) | 3:41 |
| 10-10 | Cantelli's Final Recording And Death (Beethoven Symphony No.5: Finale) | 5:17 |
Conductor – Guido Cantelli
Cover, Photography By [Booklet P16] – Unknown Artist
Engineer [Balance Engineer] – Christopher Parker (7-1, 7-2)
Engineer [Balance Engineer] – Douglas Larter (2-1 to 2-6, 4-1 to 4-8, 6-1 to 6-3, 6-8 to 6-12, 9-1 to 9-10)
Engineer [Balance Engineer] – Harold Davidson (5-1, 5-5)
Engineer [Balance Engineer] – Leslie Chase (5-7 to 5-9)
Engineer [Balance Engineer] – Neville Boyling (7-3 to 7-6)
Engineer [Balance Engineer] – Robert Beckett (5-2 to 5-4, 5-6, 6-4 to 6-7)
Liner Notes – Mark W. Kluge
Liner Notes [Traduction] – Dennis Collins
Liner Notes [Übersetzung] – Renate Wendel
Photography By [Booklet P 9 & 24] – Sabine Weiss
Producer – David Bicknell (1-1 to 1-4, 2-1 to 2-6, 5-1 to 5-6, 6-1 to 6-12)
Producer – John Pfeiffer (5-7 to 5-9)
Producer – Lawrance Collingwood (2-1, 2-3 to 2-6, 4-1 to 4-8, 5-1, 5-5, 6-1 to 6-12, 7-1 to 7-6, 9-1 to 9-10)
Producer – Unknown Artist (1-5 to 1-9)
Remastered By – Christophe Hénault
Written-By, Narrator, Producer – Jon Tolansky (10-1 to 10-10)
Cover, Photography By [Booklet P16] – Unknown Artist
Engineer [Balance Engineer] – Christopher Parker (7-1, 7-2)
Engineer [Balance Engineer] – Douglas Larter (2-1 to 2-6, 4-1 to 4-8, 6-1 to 6-3, 6-8 to 6-12, 9-1 to 9-10)
Engineer [Balance Engineer] – Harold Davidson (5-1, 5-5)
Engineer [Balance Engineer] – Leslie Chase (5-7 to 5-9)
Engineer [Balance Engineer] – Neville Boyling (7-3 to 7-6)
Engineer [Balance Engineer] – Robert Beckett (5-2 to 5-4, 5-6, 6-4 to 6-7)
Liner Notes – Mark W. Kluge
Liner Notes [Traduction] – Dennis Collins
Liner Notes [Übersetzung] – Renate Wendel
Photography By [Booklet P 9 & 24] – Sabine Weiss
Producer – David Bicknell (1-1 to 1-4, 2-1 to 2-6, 5-1 to 5-6, 6-1 to 6-12)
Producer – John Pfeiffer (5-7 to 5-9)
Producer – Lawrance Collingwood (2-1, 2-3 to 2-6, 4-1 to 4-8, 5-1, 5-5, 6-1 to 6-12, 7-1 to 7-6, 9-1 to 9-10)
Producer – Unknown Artist (1-5 to 1-9)
Remastered By – Christophe Hénault
Written-By, Narrator, Producer – Jon Tolansky (10-1 to 10-10)
Newly remastered by Christophe Hénault, Art & Son Studio from original tapes in 24 bit/192kHz (CD1 (1-4), CD2-9)
Manufactured and printed in the EU. ℗ as shown on wallets.
This compilation ℗ & © 2020 Parlophone Records Limited,
a Warner Music Group Company.
CD 1 71:05
Recorded: 9 (5) 13-14 (6-9), Teatro Argentina, Rome, 23 & 26.IX.1950, No.1 Studio, Abbey Road, London (1-4) · MONO
℗ 1951 & Remastered ℗ 2020 Parlophone Records Limited (1-4); ℗ 1949 & Remastered ℗ 1993 Parlophone Records Limited (5-9)
CD 2 62:42
Recorded 12 (3-6), 13 (1), 16 (2) .X.1951 (1), No.1 Studio, Abbey Road, London · MONO
℗ 1951 (1), ℗ 1953 (2), ℗ 1999 (3-6) & Remastered ℗ 2020 Parlophone Records Limited
CD 3 52:08
Recorded 22 (5), 22-25 & 28 (1-4) .X.1952, Royal Festival Hall, London · MONO
℗ 1953 (1-4), ℗ 1953 (1-4), ℗ 1994 (5) & Remastered ℗ 2020 Parlophone Records Limited
CD 4 69:08
Recorded 15 & 21 (1-4) & 21-22 (5-8) .V.1953, Kingsway Hall, London · MONO
℗ 1954 (1-4), & Remastered ℗ 2020 Parlophone Records Limited
CD 5 75:13
Recorded 24-25.X.1952, Royal Festival Hall, London (1); 1 (2-4, 6), 8-9 (5) .VI.1954 (6), Kingsway Hall, London; 6.IV.1954, Carnegie Hall, New York (7-9) · MONO (1-56), STEREO (7-9)
℗ 1955 & Remastered ℗ 2020 Parlophone Records Limited
CD 6 72:56
Recorded 4 & 8.VI (4-7), 13-14.IX.1954 (1-3), 4 & 6.VIII.1955 (8-12), 28.V.1956 (10-12), Kingsway Hall, London · MONO
℗ 1955 (1-7), ℗ 1957 (8-12) & Remastered ℗ 2020 Parlophone Records Limited
CD 7 50:33
Recorded 12, 13 & 16 (3-6), 18 (1-3) .VIII.1955, Kingsway Hall, London · MONO (3-6), STEREO (1-2)
℗ 1957 & Remastered ℗ 2020 Parlophone Records Limited
CD 8 74:40
Recorded 8, 9, 12, 6 & 18 (1-4), 18 (5-8) .VIII.1955, Kingsway Hall, London · STEREO
℗ 1956 (1-4), ℗ 1957 (5-12) & Remastered ℗ 2020 Parlophone Records Limited
CD 9 75:59
Recorded 28-31.V (1-4). 31.V & 1, 4 & 5.VI (5-10) .VI (5-10) 1956, Kingsway Hall, London · STEREO
℗ 1960 (1-4), ℗ 1964 (5-7), ℗ 2020 (8-10) & Remastered ℗ 2020 Parlophone Records Limited
CD 10 54:12
℗ 2012 © Jon Tolansky · MONO
Manufactured and printed in the EU. ℗ as shown on wallets.
This compilation ℗ & © 2020 Parlophone Records Limited,
a Warner Music Group Company.
CD 1 71:05
Recorded: 9 (5) 13-14 (6-9), Teatro Argentina, Rome, 23 & 26.IX.1950, No.1 Studio, Abbey Road, London (1-4) · MONO
℗ 1951 & Remastered ℗ 2020 Parlophone Records Limited (1-4); ℗ 1949 & Remastered ℗ 1993 Parlophone Records Limited (5-9)
CD 2 62:42
Recorded 12 (3-6), 13 (1), 16 (2) .X.1951 (1), No.1 Studio, Abbey Road, London · MONO
℗ 1951 (1), ℗ 1953 (2), ℗ 1999 (3-6) & Remastered ℗ 2020 Parlophone Records Limited
CD 3 52:08
Recorded 22 (5), 22-25 & 28 (1-4) .X.1952, Royal Festival Hall, London · MONO
℗ 1953 (1-4), ℗ 1953 (1-4), ℗ 1994 (5) & Remastered ℗ 2020 Parlophone Records Limited
CD 4 69:08
Recorded 15 & 21 (1-4) & 21-22 (5-8) .V.1953, Kingsway Hall, London · MONO
℗ 1954 (1-4), & Remastered ℗ 2020 Parlophone Records Limited
CD 5 75:13
Recorded 24-25.X.1952, Royal Festival Hall, London (1); 1 (2-4, 6), 8-9 (5) .VI.1954 (6), Kingsway Hall, London; 6.IV.1954, Carnegie Hall, New York (7-9) · MONO (1-56), STEREO (7-9)
℗ 1955 & Remastered ℗ 2020 Parlophone Records Limited
CD 6 72:56
Recorded 4 & 8.VI (4-7), 13-14.IX.1954 (1-3), 4 & 6.VIII.1955 (8-12), 28.V.1956 (10-12), Kingsway Hall, London · MONO
℗ 1955 (1-7), ℗ 1957 (8-12) & Remastered ℗ 2020 Parlophone Records Limited
CD 7 50:33
Recorded 12, 13 & 16 (3-6), 18 (1-3) .VIII.1955, Kingsway Hall, London · MONO (3-6), STEREO (1-2)
℗ 1957 & Remastered ℗ 2020 Parlophone Records Limited
CD 8 74:40
Recorded 8, 9, 12, 6 & 18 (1-4), 18 (5-8) .VIII.1955, Kingsway Hall, London · STEREO
℗ 1956 (1-4), ℗ 1957 (5-12) & Remastered ℗ 2020 Parlophone Records Limited
CD 9 75:59
Recorded 28-31.V (1-4). 31.V & 1, 4 & 5.VI (5-10) .VI (5-10) 1956, Kingsway Hall, London · STEREO
℗ 1960 (1-4), ℗ 1964 (5-7), ℗ 2020 (8-10) & Remastered ℗ 2020 Parlophone Records Limited
CD 10 54:12
℗ 2012 © Jon Tolansky · MONO
Barcode (Text) – 0 190295 383039
Barcode (Scanned) – 0190295383039
Label Code – LC 02822
SPARS Code – ADD
Rights Society – GEMA
Matrix / Runout (CD1) – AK97597-01 [manufactured by optimal media GmbH]
Mastering SID Code (CD1 to CD3, CD6 to CD9) – IFPI L578
Mould SID Code – IFPI 9707
Matrix / Runout (CD2) – AK97598-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD3) – AK97599-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD4) – AK97600-01 [manufactured by optimal media GmbH]
Mould SID Code (CD4, CD5) – IFPI L577
Matrix / Runout (CD5) – AK97601-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD6) – AK97602-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD7) – AK97603-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD8) – AK97604-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD9) – AK97604-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD10) – AK97608-01 [manufactured by optimal media GmbH]
Mastering SID Code (CD10) – IFPI L576
Barcode (Scanned) – 0190295383039
Label Code – LC 02822
SPARS Code – ADD
Rights Society – GEMA
Matrix / Runout (CD1) – AK97597-01 [manufactured by optimal media GmbH]
Mastering SID Code (CD1 to CD3, CD6 to CD9) – IFPI L578
Mould SID Code – IFPI 9707
Matrix / Runout (CD2) – AK97598-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD3) – AK97599-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD4) – AK97600-01 [manufactured by optimal media GmbH]
Mould SID Code (CD4, CD5) – IFPI L577
Matrix / Runout (CD5) – AK97601-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD6) – AK97602-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD7) – AK97603-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD8) – AK97604-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD9) – AK97604-01 [manufactured by optimal media GmbH]
Matrix / Runout (CD10) – AK97608-01 [manufactured by optimal media GmbH]
Mastering SID Code (CD10) – IFPI L576