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Anner Bylsma Collection - Cello Concertos - Duets
| Antonio Vivaldi 1678–1741 | |||
| Concerto For Violoncello, Strings And Basso Continuo In A Minor Rv 418 | |||
| 1-1 | I Allegro | ||
| 1-2 | II [Andante] | ||
| 1-3 | III Allegro | ||
| Concerto For Violoncello, Strings And Basso Continuo In G Major Rv 413 | |||
| 1-4 | I Allegro | ||
| 1-5 | II Largo | ||
| 1-6 | III Allegro | ||
| Concerto For Violin, Violoncello, Strings And Basso Continuo In B-flat Major Rv 547 | |||
| 1-7 | I Allegro [moderato] | ||
| 1-8 | II Andante | ||
| 1-9 | III Allegro Molto | ||
| 1-10 | Concerto For Violoncello, Strings And Basso Continuo In D Major Rv 403 | ||
| 1-11 | Concerto For Violoncello, Strings And Basso Continuo In B Minor Rv 424 | ||
| 1-12 | Concerto For Violoncello, Strings And Basso Continuo In A Minor Rv 419 | ||
| 1-13 | Concerto For Violoncello, Bassoon, Strings And Basso Continuo In E Minor Rv 409 | ||
| 1-14 | Concerto For 2 Violins, 2 Violoncellos And Strings in D major RV 564 | ||
| Johann Sebastian Bach 1685–1750 | |||
| 1-15 | Concerto In D Minor (fragment) | ||
| Luigi Boccherini 1743–1805 | |||
| Concerto For Violoncello And Orchestra In G Major G 480 | |||
| 2-1 | I Allegro | ||
| 2-2 | II Adagio | ||
| 2-3 | III Allegro | ||
| Concerto For Violoncello And Orchestra In D Major G 483 | |||
| 2-4 | I Allegro Maestoso | ||
| 2-5 | II Andante Lentarello | ||
| 2-6 | III Allegro Con Moto | ||
| Concerto for Violoncello and Orchestra in D major G 476 | |||
| 2-7 | I Allegro | ||
| 2-8 | II Largo | ||
| 2-9 | III Allegro Piacere | ||
| Concerto For Violoncello And Orchestra In C Major G 573 | |||
| 2-10 | I Maestoso | ||
| 2-11 | II Largo Cantabile | ||
| 2-12 | III Allegro Comodo | ||
| Joseph Haydn 1732–1809 | |||
| Concerto For Violoncello And Orchestra No. 1 In C Major Hob. Viib: 1 | |||
| 3-1 | I Moderato | ||
| 3-2 | II Adagio | ||
| 3-3 | III Allegro Molto | ||
| Concerto For Violoncello And Orchestra No. 2 In D Major Hob. Viib: 2 | |||
| 3-4 | I Allegro Moderato | ||
| 3-5 | II Adagio | ||
| 3-6 | III Rondo. Allegro | ||
| Anton Kraft 1749–1820 | |||
| Concerto For Violoncello And Orchestra In C Major Op. 4 | |||
| 3-7 | I Allegro Aperto | ||
| 3-8 | II Romanza. Andante | ||
| 3-9 | III Rondo Alla Cosacca. Moderato | ||
| Ludwig Van Beethoven 1770–1827 | |||
| Concerto For Piano, Violin, Violoncello And Orchestra In C Major Op. 56 “Triple Concerto” | |||
| 4-1 | I Allegro | ||
| 4-2 | II Largo | ||
| 4-3 | III Rondo Alla Polacca | ||
| Quintet For 2 Violins, Viola And 2 Violoncellos In A Major | |||
| 4-4 | I Adagio Sostenuto – Presto | ||
| 4-5 | II Andante Con Variazioni (I–Iv) | ||
| 4-6 | III Presto | ||
| FranÇOis Servais 1807–1866 | |||
| 5-1 | Souvenir de Bade Op. 20 | ||
| 5-2 | Caprice In A Major Op. 11/4 | ||
| 5-3 | Caprice In D Major Op. 11/2 | ||
| 5-4 | Caprice Sur Des Motifs de L’opéra Le Comte Ory Op. 3 | ||
| 5-5 | Grand Duo de Concert (sur Deux Airs Nationaux Anglais) | ||
| 5-6 | Souvenir de Spa Op. 2 | ||
| Auguste Franchomme 1808–1884 | |||
| 6-1 | Air Auvergnat Varié In A Minor Op. 26 | ||
| 6-2 | Caprice In C Major Op. 7/7 | ||
| 6-3 | Nocturne In G Major | ||
| 6-4 | Grande Valse Op. 34 | ||
| Frédéric Chopin 1810–1849 / Auguste Franchomme | |||
| 6-5 | Grand Duo Concertant Sur Des Thèmes de Robert Le Diable | ||
| Auguste Franchomme | |||
| 6-6 | Caprice In A Minor Op. 7/4 | ||
| 6-7 | Nocturne In A-flat Major Op. 15/3 | ||
| 6-8 | Caprice In E Minor Op. 7/2 | ||
| 6-9 | Air russe varié in D minor op. 32/2 | ||
Artwork – [ec:ko] Communications
Booklet Editor – Jochen Rudelt
Cello – Anner Bylsma
Fortepiano – Lambert Orkis (CD 6)
Fortepiano – Paul Badura-Skoda (CD 4 [1-3])
Music Director – Jeanne Lamon (CD 1 [1-14], 2, 3)
Orchestra – Collegium Aureum (CD 4 [1-3])
Orchestra – L'Archibudelli (CD 4 [4-6], 6)
Orchestra – Smithsonian Chamber Orchestra (CD 5, 6)
Orchestra – Tafelmusik (CD 1, 2)
Photography By – Carine Bijlsma
Reissue Producer – Robert Russ
Violin – Franzjosef Maier (CD 4 [1-3])
Booklet Editor – Jochen Rudelt
Cello – Anner Bylsma
Fortepiano – Lambert Orkis (CD 6)
Fortepiano – Paul Badura-Skoda (CD 4 [1-3])
Music Director – Jeanne Lamon (CD 1 [1-14], 2, 3)
Orchestra – Collegium Aureum (CD 4 [1-3])
Orchestra – L'Archibudelli (CD 4 [4-6], 6)
Orchestra – Smithsonian Chamber Orchestra (CD 5, 6)
Orchestra – Tafelmusik (CD 1, 2)
Photography By – Carine Bijlsma
Reissue Producer – Robert Russ
Violin – Franzjosef Maier (CD 4 [1-3])
CD 1:
Recording: Hervormde Kerk, Bennebroek, The Netherlands, June 25–27, 1990 [1–9; Humbercrest United Church, Toronto, May 16, 1996 [10–14; Doopsgezinde Kerk, Amsterdam, February 1975 [15
Producer / Recording Supervisor: Wolf Erichson
Recording Engineer / Editing: Stephan Schellmann (Tritonus) [1–9
P 1976/1992/1997 Sony Music Entertainment
CD 2:
Recording: Kirche der Karlshöhe, Ludwigsburg, Germany, September 1988 [1–6; Doopsgezinde Kerk, Amsterdam, September 15–17, 1992 [7–12
Producer / Recording Supervisor: Wolf Erichson [7–12
Recording Engineer / Editing: Markus Heiland (Tritonus) [7–12
P 1989/1993 Sony Music Entertainment
CD 3:
Recording: Humbercrest United Church, Toronto, October 29–31 1989
Producer / Recording Supervisor: Wolf Erichson
Recording Engineer / Editing: Andreas Neubronner (Tritonus)
P 1990 Sony Music Entertainment
CD 4:
Recording: Cedernsaal, Schloss Kirchheim, Germany, June 1974 [1–3; Doopsgezinde Kerk, Amsterdam, June 5, 1991 [4–6
Producer / Recording Supervisor: Wolf Erichson [4–6
P 1990/1992 Sony Music Entertainment
CD 5:
Recording: Hall of Musical Instruments, National Museum of American History, Smithsonian Institution, Washington, DC, April 9–11, 1986
Producers & Engineers: Marc Aubort & Joanna Nickrenz (Elite Recordings Inc.)
P 1988 Sony Music Entertainment
CD 6:
Recording: American Academy of Arts and Letters, New York City, January 25–28, 1993
Producer / Recording Supervisor: Wolf Erichson
Recording Engineer / Editing: Stephan Schellmann (Tritonus)
P 1994 Sony Music Entertainment
Recording: Hervormde Kerk, Bennebroek, The Netherlands, June 25–27, 1990 [1–9; Humbercrest United Church, Toronto, May 16, 1996 [10–14; Doopsgezinde Kerk, Amsterdam, February 1975 [15
Producer / Recording Supervisor: Wolf Erichson
Recording Engineer / Editing: Stephan Schellmann (Tritonus) [1–9
P 1976/1992/1997 Sony Music Entertainment
CD 2:
Recording: Kirche der Karlshöhe, Ludwigsburg, Germany, September 1988 [1–6; Doopsgezinde Kerk, Amsterdam, September 15–17, 1992 [7–12
Producer / Recording Supervisor: Wolf Erichson [7–12
Recording Engineer / Editing: Markus Heiland (Tritonus) [7–12
P 1989/1993 Sony Music Entertainment
CD 3:
Recording: Humbercrest United Church, Toronto, October 29–31 1989
Producer / Recording Supervisor: Wolf Erichson
Recording Engineer / Editing: Andreas Neubronner (Tritonus)
P 1990 Sony Music Entertainment
CD 4:
Recording: Cedernsaal, Schloss Kirchheim, Germany, June 1974 [1–3; Doopsgezinde Kerk, Amsterdam, June 5, 1991 [4–6
Producer / Recording Supervisor: Wolf Erichson [4–6
P 1990/1992 Sony Music Entertainment
CD 5:
Recording: Hall of Musical Instruments, National Museum of American History, Smithsonian Institution, Washington, DC, April 9–11, 1986
Producers & Engineers: Marc Aubort & Joanna Nickrenz (Elite Recordings Inc.)
P 1988 Sony Music Entertainment
CD 6:
Recording: American Academy of Arts and Letters, New York City, January 25–28, 1993
Producer / Recording Supervisor: Wolf Erichson
Recording Engineer / Editing: Stephan Schellmann (Tritonus)
P 1994 Sony Music Entertainment
Barcode – 888430106628
Label Code – LC 06868
Label Code – LC 06868