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| Concerto Pour Piano N° 1 En Ut Majeur, Op. 15 (Recorded in 1976) | |||
| 1-1 | Allegro Con Brio | ||
| 1-2 | Largo | ||
| 1-3 | Rondo. Allegro Scherzando | ||
| Concerto Pour Piano N° 1 En Ut Majeur, Op. 15 (Recorded in 1932) | |||
| 1-4 | Allegro Con Brio | ||
| 1-5 | Largo | ||
| 1-6 | Rondo. Allegro Scherzando | ||
| 1-7 | Rondo Pour Piano Et Orchestre En Si BĂ©mol Majeur, WoO 6 (Recorded in 1962) | ||
| Concerto Pour Piano N° 2 En Si Bémol Majeur, Op. 19 (Recorded in 1961) | |||
| 2-1 | Allegro Con Brio | ||
| 2-2 | Adagio | ||
| 2-3 | Rondo. Molto Allegro | ||
| Concerto Pour Piano N° 2 En Si Bémol Majeur, Op. 19 (Recorded in 1954) | |||
| 2-4 | Allegro Con Brio | ||
| 2-5 | Adagio | ||
| 2-6 | Rondo. Molto Allegro | ||
| 2-7 | Fantaisie Pour Piano, Chœurs Et Orchestre En Ut Mineur, Op. 80 (Recorded in 1957) | ||
| Concerto Pour Piano N° 3 En Ut Mineur, Op. 37 (Recorded in 1961) | |||
| 3-1 | Allegro Con Brio | ||
| 3-2 | Largo | ||
| 3-3 | Rondo | ||
| Concerto Pour Piano N° 3 En Ut Mineur, Op. 37 (Recorded in 1961) | |||
| 3-4 | Allegro Con Brio | ||
| 3-5 | Largo | ||
| 3-6 | Rondo | ||
| 3-7 | Concerto Pour Piano N° 3 - Largo (Recorded in 1933) | ||
| Concerto Pour Piano N° 4 En Sol Majeur, Op. 58 (Recorded in 1951) | |||
| 4-1 | Allegro Moderato | ||
| 4-2 | Andante Con Moto | ||
| 4-3 | Rondo (Vivace) | ||
| Concerto Pour Piano N° 4 En Sol Majeur, Op. 58 (Recorded in 1939) | |||
| 4-4 | Allegro Moderato | ||
| 4-5 | Andante Con Moto | ||
| 4-6 | Rondo (Vivace) | ||
| Concerto Pour Piano N° 5 En Mi Bémol Majeur, Op. 73 "L'Empereur" (Recorded in 1955) | |||
| 5-1 | Allegro | ||
| 5-2 | Adagio Un Poco Mosso | ||
| 5-3 | Rondo. Allegro Ma Non Troppo | ||
| Concerto Pour Piano N° 5 En Mi Bémol Majeur, Op. 73 "L'Empereur" (Recorded in 1961) | |||
| 5-4 | Allegro | ||
| 5-5 | Adagio Un Poco Mosso | ||
| 5-6 | Rondo. Allegro Ma Non Troppo | ||
| Bonus | |||
| 5-7 | Adagio Un Poco Mosso (Recorded in 1957) | ||
| Concerto Pour Piano N° 5 En Mi Bémol Majeur, Op. 73 "L'Empereur" (Recorded in 1951) | |||
| 6-1 | Allegro | ||
| 6-2 | Adagio Un Poco Mosso | ||
| 6-3 | Rondo. Allegro Ma Non Troppo | ||
| Concerto Pour Violon En RĂ© Majeur, Op. 61 (Recorded In 1958) | |||
| 6-4 | Allegro Ma Non Troppo | ||
| 6-5 | Larghetto | ||
| 6-6 | Rondo Allegro | ||
| 7-1 | Romance Pour Violon Et Orchestre N° 1 En Sol Majeur, Op. 40 (Recorded In 1955) | ||
| 7-2 | Romance Pour Violon Et Orchestre N° 2 En Fa Majeur, Op. 50 (Recorded In 1955) | ||
| Concerto Pour Violon En RĂ© Majeur, Op. 61 (Recorded In 1952) | |||
| 7-3 | Allegro Ma Non Troppo | ||
| 7-4 | Larghetto | ||
| 7-5 | Rondo Allegro | ||
| 7-6 | Cadence Kreisler (Recorded In 1936) | ||
| 7-7 | Cadence Joachim (Recorded In 1934) | ||
| 7-8 | Cadence Milstein (Recorded In 1961) | ||
| 7-9 | Cadence Auer/Heifetz (Recorded In 1955) | ||
| 7-10 | Cadence Beethoven (Recorded In 1962) | ||
| Concerto Pour Violon En RĂ© Majeur, Op. 61 (Recorded In 1949) | |||
| 8-1 | Allegro Ma Non Troppo | ||
| 8-2 | Larghetto | ||
| 8-3 | Rondo Allegro | ||
| Concerto Pour Piano, Violon Et Violoncelle En Ut Majeur, Op. 56 (Recorded in 1958) | |||
| 8-4 | Allegro | ||
| 8-5 | Largo | ||
| 8-6 | Rondo Alla Polacca | ||
| Ouvertures | |||
| 9-1 | Ouverture "Coriolan" En Ut Mineur, Op. 62 (Recorded in 1959) | ||
| 9-2 | Ouverture "Coriolan" En Ut Mineur, Op. 62 (Recorded in 1943) | ||
| 9-3 | Ouverture "Les Créatures de Prométhée" En Ut Majeur, Op. 64 (Recorded in 1930) | ||
| 9-4 | Ouverture "Egmont" En Fa Mineur, Op. 84 (Recorded in 1931) | ||
| 9-5 | Ouverture "LĂ©onore I" En Ut Majeur, Op. 138 (Recorded in 1931) | ||
| 9-6 | Ouverture "LĂ©onore II" En Ut Majeur, Op. 72 Bis (Recorded in 1939) | ||
| 9-7 | Ouverture "LĂ©onore III" En Ut Majeur, Op. 72 Ter (Recorded in 1955) | ||
| 9-8 | Ouverture "LĂ©onore III" En Ut Majeur, Op. 72 Ter (Recorded in 1944) | ||
| Fidelio (Recorded in 1957) | |||
| 10-1 | Ouverture | ||
| 10-2 – 10-20 | Acte I | ||
| 11-1 – 11-12 | Acte II | ||
| 10-21 | Ouverture (Recorded in 1934) | ||
| Bonus | |||
| 11-13 | Abscheulicher! (Recorded in 1961) | ||
| 11-14 | Abscheulicher! (Recorded in 1941) | ||
| 11-15 | Got! Welch Dunkel Hier! (Recorded in 1941) | ||
| 11-16 | Got! Welch Dunkel Hier! (Recorded in 1955) | ||
| 12-1 | La Consécration De La Maison, Ouverture En Ut Majeur, Op. 124 (Recorded in 1959) | ||
| Missa Solemnis En RĂ© Majeur, Op. 123 (Recorded in 1960) | |||
| 12-2 | Kyrie | ||
| 12-3 | Gloria | ||
| 12-4 | Credo | ||
| 12-5 | Sanctus | ||
| 13-1 | Agnus Dei | ||
| 13-2 | "Ah! Perfido!", Scène Et Aria, Op. 65 (Recorded in 1954) | ||
| Messe En Ut Majeur, Op. 86 (Recorded in 1959) | |||
| 13-3 | Kyrie | ||
| 13-4 | Gloria | ||
| 13-5 | Credo | ||
| 13-6 | Sanctus | ||
| 13-7 | Benedictus | ||
| 13-8 | Agnus Dei | ||
| 13-9 | Ouverture "Les Ruines D'Athènes" En Sol Mineur, Op. 113 (Recorded in 1949) | ||
Composed By – Ludwig van Beethoven
Creative Director, Liner Notes – Gaëtan Naulleau
Design Concept – Francis Martinet
Editor – Emmanuel Dupuy
Liner Notes – Alain Lompech
Liner Notes – Bertrand Boissard
Liner Notes – Jean-Charles Hoffelé
Liner Notes – Jean-Claude Hulot
Liner Notes – Jean-Michel Molkhou
Liner Notes – Laurent Muraro
Liner Notes – Nicolas Derny
Liner Notes – Patrick Szersnovicz
Mastered By [Mastered], Transferred By [Transfers] – Isabelle Davy
Creative Director, Liner Notes – Gaëtan Naulleau
Design Concept – Francis Martinet
Editor – Emmanuel Dupuy
Liner Notes – Alain Lompech
Liner Notes – Bertrand Boissard
Liner Notes – Jean-Charles Hoffelé
Liner Notes – Jean-Claude Hulot
Liner Notes – Jean-Michel Molkhou
Liner Notes – Laurent Muraro
Liner Notes – Nicolas Derny
Liner Notes – Patrick Szersnovicz
Mastered By [Mastered], Transferred By [Transfers] – Isabelle Davy
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Total timing: 16:58:00
Total timing: 16:58:00
Barcode – 3 770003 441977
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