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Tape Rolling! On Wax And In The Studio 1971-74
| Label | Pressure Sounds – PSLP 91SSYBPressure Sounds – PSLP 91 |
| Format | 2 x Vinyl, LP, Compilation, Special Edition, Yellow Blue Silk Screen Edition |
| Barcode | 0799439886186 |
| Country | UK |
| Released | 2016 |
| Genre | Reggae |
| Style | Roots Reggae, Dub |
| A1 | The Time Has Come (Ureleased Cut) | |
| A2 | Devil's Brother in Law (Unreleased Cut) | |
| A3 | Sentimental Man (Extended Mix) | |
| A4 | Rasta Train | |
| A5 | I Wonder Why (Unreleased Cut) | |
| B1 | Two Ton Gulletto | |
| B2 | Stick By Me (Unreleased Cut) | |
| B3 | A Wonderful Version | |
| B4 | Give Me Love (Unreleased Cut) | |
| B5 | Straight To The Copycat Head | |
| C1 | Soon I'm Gonna Make It | |
| C2 | Man Next Door (Unreleased Cut) | |
| C3 | Noisy Place (Unreleased Cut) | |
| C4 | Trying To Wreck My Life | |
| C5 | Any Heart Can Be Broken (Unreleased Cut) | |
| D1 | Cherry Oh Baby (Unreleased Cut) | |
| D2 | Festival Mash Up | |
| D3 | Riding For A Fall | |
| D4 | My Confession (Unreleased Cut) | |
| D5 | Turning Point (Unreleased Cut) |
Silk screen version of the Tape Rolling album only 33 made. Comes with a Litho copy of the album so you get the sleevenotes. Each one is slightly different and both sides of the sleeve has a graded silk screen print. Hand numbered limited edition.
In 1971, despite his run of hits, Bunny Lee was still having to support himself with freelance producing at Dynamic Sounds, but by 1974 he was fully independent and poised to dominate Jamaican music in the mid 70’s. The tracks on this compilation capture that moment of transition, when the smaller ghetto producers were taking over from the older musical establishment.
Listening to Bunny’s unreleased master tapes, what bursts out of the speakers is the energy and excitement of the whole production process, from the studio chatter of the musicians to the sonic experiments at the mixing desk. These pioneering steps in deejaying and dub were the launch pad for remix culture and the core production techniques of today, a creative explosion that altered the shape of our popular culture.
In the words of I Roy, “Striker Lee, him have the key!
In 1971, despite his run of hits, Bunny Lee was still having to support himself with freelance producing at Dynamic Sounds, but by 1974 he was fully independent and poised to dominate Jamaican music in the mid 70’s. The tracks on this compilation capture that moment of transition, when the smaller ghetto producers were taking over from the older musical establishment.
Listening to Bunny’s unreleased master tapes, what bursts out of the speakers is the energy and excitement of the whole production process, from the studio chatter of the musicians to the sonic experiments at the mixing desk. These pioneering steps in deejaying and dub were the launch pad for remix culture and the core production techniques of today, a creative explosion that altered the shape of our popular culture.
In the words of I Roy, “Striker Lee, him have the key!
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