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Roots & Crowns
| Label | Thrill Jockey – thrill 163 |
| Format | Vinyl, LP, Reissue, Remastered |
| Barcode | 0790377016314 |
| Country | US |
| Released | 22 Jul 2022 |
| Genre | Rock |
| Style | Blues Rock, Art Rock, Post Rock |
| 1 | Pink & Sour | 4:13 |
| 2 | Spiders House | 3:47 |
| 3 | Sunday Noises | 2:50 |
| 4 | The Eye You Lost In The Crusades | 4:42 |
| 5 | A Chinese Actor | 4:18 |
| 6 | Our Kitten Sees Ghosts | 2:47 |
| 7 | Alice Crawley | 0:37 |
| 8 | The Orchids | 2:55 |
| 9 | Burned By The Christians | 3:55 |
| 10 | Black Metal Valentine | 6:16 |
| 11 | Rose Petal Ear | 2:09 |
| 12 | 3 Legged Animal | 4:08 |
| 13 | If You Would | 5:43 |
Artwork [Art Assist] – Chris Hamilton
Artwork [Cards] – Gina Kelly
Bass – Wil Hendricks
Design – Sheila Sachs
Drums [Batterie, Lensdrum], Performer [Pistons], Rattle [Zuni], Performer [Shu{3}lai{2}bao{3} Treasure Counting Stick], Performer [Bronze Fork], Percussion [Gourds], Shaker, Percussion [Glass], Chimes [Oak], Performer [Ribbon Crasher] – Ben Massarella
Drums, Bass Clarinet, Organ [Wurlitzer], Piano, Organ, Vibraphone, Sampler [Dr. Sample], Bells, Melodica, Percussion [Prepared Metaliphone] – Joe Adamik
Harmonica, Loops, Electronics – Brian Deck
Recorded By – Andy Bosnak
Recorded By – Califone
Recorded By – Jim McGranahan
Recorded By – Michael Krassner
Recorded By – Ron Guensche
Recorded By, Mixed By, Synthesizer, Electronics [Manipulation], Vibraphone, Organ – Brian Deck
Trombone – Michael McGinley
Trumpet – Alan Scalpone
Viola – Anthony Gilbert
Violin, Banjo, Vocals, Guitar, Bass, Loops, Electronics, Percussion, Xylophone, Accordion [Cajun], Mandolin, Kalimba – Jim Becker
Vocals, Guitar, Piano, Electronics, Recorded By [Field Recordings], Organ, Synthesizer, Banjo, Loops, Balalaika [Bowed], Photography By, Artwork [Collage] – Tim Rutili
Written-By – Massarella (1, 3, 5, 10)
Written-By – Deck (1, 5, 10)
Written-By – G. Sherman (2)
Written-By – Becker (1, 3, 5, 6, 10, 13)
Written-By – Adamik (1, 3, 5, 10, 13)
Written-By – Psychic TV (8)
Written-By – Rutili (1 to 6, 9 to 13)
Artwork [Cards] – Gina Kelly
Bass – Wil Hendricks
Design – Sheila Sachs
Drums [Batterie, Lensdrum], Performer [Pistons], Rattle [Zuni], Performer [Shu{3}lai{2}bao{3} Treasure Counting Stick], Performer [Bronze Fork], Percussion [Gourds], Shaker, Percussion [Glass], Chimes [Oak], Performer [Ribbon Crasher] – Ben Massarella
Drums, Bass Clarinet, Organ [Wurlitzer], Piano, Organ, Vibraphone, Sampler [Dr. Sample], Bells, Melodica, Percussion [Prepared Metaliphone] – Joe Adamik
Harmonica, Loops, Electronics – Brian Deck
Recorded By – Andy Bosnak
Recorded By – Califone
Recorded By – Jim McGranahan
Recorded By – Michael Krassner
Recorded By – Ron Guensche
Recorded By, Mixed By, Synthesizer, Electronics [Manipulation], Vibraphone, Organ – Brian Deck
Trombone – Michael McGinley
Trumpet – Alan Scalpone
Viola – Anthony Gilbert
Violin, Banjo, Vocals, Guitar, Bass, Loops, Electronics, Percussion, Xylophone, Accordion [Cajun], Mandolin, Kalimba – Jim Becker
Vocals, Guitar, Piano, Electronics, Recorded By [Field Recordings], Organ, Synthesizer, Banjo, Loops, Balalaika [Bowed], Photography By, Artwork [Collage] – Tim Rutili
Written-By – Massarella (1, 3, 5, 10)
Written-By – Deck (1, 5, 10)
Written-By – G. Sherman (2)
Written-By – Becker (1, 3, 5, 6, 10, 13)
Written-By – Adamik (1, 3, 5, 10, 13)
Written-By – Psychic TV (8)
Written-By – Rutili (1 to 6, 9 to 13)
Recorded at 4deuces, Chicago; Angeles Drake's Warehouse, Long Beach; Nico's House, Phoenix; Western Sound Lab, Los Angeles and at home and in the wilderness.
Wil's bass recorded at New Future Vintage Studios, Oakland.
© 2006 Thrill Jockey Records
© 2006 Pastry Sharp Music/ BMI Administered by Rough Trade Publishing
Wil's bass recorded at New Future Vintage Studios, Oakland.
© 2006 Thrill Jockey Records
© 2006 Pastry Sharp Music/ BMI Administered by Rough Trade Publishing
Barcode (Text) – 790377016314
Matrix / Runout – THRILL-163-A 14702.1(2)
Matrix / Runout – THRILL-163-B 14702.2(2)
Matrix / Runout – THRILL-163-A 14702.1(2)
Matrix / Runout – THRILL-163-B 14702.2(2)
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