Half Machine From The Sun, The Lost Tracks From '79-'80
Label | King Of Spades Records – KofS 400 |
Format | CD, Album |
Barcode | 0829707040023 |
Country | US |
Released | 2013 |
Genre | Electronic, Rock |
Style | Space Rock, Post-Punk, Experimental, Psychedelic Rock |
Tracks recorded by HELIOS CREED and DAMON EDGE in '79 and '80, during the "Half Machine Lip Moves" and "Third From The Sun" period, but never released. About this era Helios recently wrote: "We were into Iggy and the Stooges, and Punk shows started happening at the Mabuhay Gardens in 1976 which was right there in North Beach too, at the end of the Broadway strip. It was the most fun era of my life. The Punk scene had an incredible energy and fire. Then the Sex Pistols came out with Never Mind the Bullocks in 1977 and we released Chrome's second album Alien Soundtracks the same year and the whole Punk thing exploded. Next we released Half Machine Lip Moves in 1979 and it and Alien Soundtracks, took over in the Punk world. Our record covers filled the windows of record stores and I was in awe. We weren't really a traditional Punk band. Nobody else sounded like us. We were more of a Psychedelic band, but a Punk version of Psychedelia, Acid-Punk. But I was influenced by the Punk scene, because the music was experimental and free, but still hard and solid. Punk's guitar was fucked up and without rules. So it was a great scene to keep developing my sound and my approach to guitar. Damon and I were both into expanding the possibilities. We fed off of each other in our experimentation and as we created we'd both like the same things. There was this thing that Damon and I called 'the Chill Factor' where if its really good you get goose bumps, and we used to get the 'Chill Factor' at the same time. We shared concepts about how to approach music and we pushed the limits and that is how I guess we became known as proto-Industrial, because we expanded the possibilities of what music at the time could sound like and people were influenced from there. Damon's and my meeting had become a catalyst for the birth of a whole new sound."
1 | Anything | 3:13 |
2 | Salt | 3:30 |
3 | Looking For Your Door | 8:37 |
4 | Tomorrow Yesterday | 3:34 |
5 | The Inevitable | 5:42 |
6 | Fukishima (Nagasaki) | 3:30 |
7 | Charlie's Little Problem | 2:23 |
8 | Ghost | 2:11 |
9 | Sound And Light | 4:24 |
10 | Autobahn Brazil | 6:22 |
11 | Sub Machine | 6:21 |
12 | Morrison | 2:04 |
13 | The Rain | 6:03 |
14 | Something Rhythmic (I Can't Wait) | 4:16 |
15 | Housewarming Party | 1:06 |
16 | Sugar Moog Pops | 5:43 |
17 | Intervention | 0:16 |
18 | Sunset | 4:56 |
Design [Digital Wizardry] – Shalo P
Engineer – Oliver DiCicco
Liner Notes [2013] – Helios Creed
Mastered By – Jay Tausig
Mixed By [Final Mixing] – Helios Creed
Mixed By [Final Mixing] – Jay Tausig
Photography By – Ruby Ray
Written-By, Composed By, Producer, Performer – Damon Edge
Written-By, Composed By, Producer, Performer – Helios Creed
2013 King of Spades Records
A big thank you goes to all our 'pledgers' who supported the realization this project, especially Karim Gabou, Mark 'Demon One' Johansen, L. Erickson, Thomas Cherryhomes, Austin 'ThornBrain' Scholl, Mark Bourdeau, Alex Tenebaum, Mike B. Anderson, Darren Power, Joe McLaughlin, Vincenzo Carlin, Paulie Kraynak, Robert Temple, John Eisenhart, Jonas Osterlof, Robert Kowalski, The Truth About Frank, Gary "Nervo' Mollica, Don Lloyd, Loachfilet, Kyle Curtsinger, Gene Mullett, Matt Brislawn, Todd 'SpaGuru' Joyce and David Kelley and the artists that helped with the campaign: Mark Steger, Angie Skulls, David Uzarrdi, Ruby Ray, Smash & Grab Studio, and David Lawrence. Thank you to our executive producer's Nevic & Sophia Donnelly of the Circus of All Saints. Special thanks to Monet Clark without whom this album wouldn't have been possible, Brent Marley, Nick and Crystal, Z Silver, Rose Johnson, Alex Johnson, Eric Adrian Helsley, Eos Creed, Joyce and John, Joe Dupre, Dale Hoyt, Doktor Sleepless, Len Del Rio, Stephen Waichulis, Arlo Acton, and Aleph Omega, Keith Thompson and Tommy Grenas.
Barcode (Text) – 8 29707 04002 3
Matrix / Runout (Variant 1) – 11261 - KOS400 SOUND PERFORMANCE 091113
Mastering SID Code (Variant 1) – IFPI LT05
Mould SID Code (Variant 1, stamped) – IFPI A006
Matrix / Runout (Variant 2) – 11261 - KOS400 SOUND PERFORMANCE 091113
Mastering SID Code (Variant 2) – IFPI LT05
Mould SID Code (Variant 2) – IFPI A605
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