Smog
Label | Cat In The Room Records – CIR001 |
Format | 2 x Vinyl, LP, Album, Reissue, Remastered |
Barcode | 2090505289442 |
Country | Greece |
Released | 09 Dec 2022 |
Genre | Electronic, Classical |
Style | Experimental |
The newly established label Cat In The Room, created by Goodheart Productions, re-releases for the first time after almost fifty years the legendary work 'Smog' by Kyriakos Sfetsas, one of the most important Greek contemporary composers. 'Smog' is an electro-acoustic work in five parts of equal duration (18 minutes) divided into several variable sequences. It was composed as the music score for the ballet 'Smog' commissioned by the choreographer Michel Caserta. The work was premiered on October 18, 1974, by the Ensemble chor�graphique de Vitry at the Th��tre Jean-Vilar in Vitry-sur-Seine (Paris). As a musical work, it has acquired over the years the scope of a legend in the electro-acoustic-avant-garde scene, for its richness and value as a composition, the composer's ingenious use of the means available at the time regarding the production of electric sounds, and their combination with natural sounds, as well as for the four-channel recording and live performance. A new sound mastering and artwork was developed for this release in collaboration with the composer, whose liner notes are included on the cover. The title 'Smog' obviously refers to the famous London fog but, according to Mr. Caserta, it is more precisely "a fleeting and fragmented vision of things, events and characters, in bright, colored or opaque spaces. Visions truncated, mutilated, lost and found in a constant movement of shapes, rhythms and colors". If the first part of the above reflection evokes the work of the choreographer, that of the composer seems directly concerned with the second part, and we can imagine that it was a precious indicator for the composer who tells us, "imagine a music produced in a spatio-temporal context, the creation of which is possible thanks to the multiple simultaneous functions of three sectors: psyche-imagination, bodily pulsations and pictorial visions. The continual war evolving through these �multiple functions� creates the right preconditions to allow music spring from them, like an image of real life on...
Side One | |||
I. Chairs | |||
A. | Introduction - electronic sounds - low holds & rhythms in high register. Silence | 02:01 | |
B. | Electronic and concrete sounds - mainly serious registers - clusters, falls. "Lines" going through all registers - concrete sounds filters. Silence | 04:06 | |
C. | Polyphony. Organ (rhythms, clusters etc.) & synthesizer. Silence | 06:29 | |
D. | Rhythmic sequence, constantly changing rhythmic pattern. Polyrhythmia. Silence | 03:48 | |
E. | Epilogue - coda - Truncated repeat of A. | 01:40 | |
Track Nº 6 | |||
A. | Electronic Sounds (falls, glissandi, low holds, oscillating sounds), concrete sounds (transformed aircraft engines, airport noises, etc.). Silence | 04:48 | |
Side Two | |||
B. | Rhythmic sequence - start in monophony, then, track 1 and 3: polyrhythm one to three voices on varied model. Tracks 2 and 3: polyrhythm to to three voices on varied model. Electronic sounds only. Silence | 08:38 | |
C. | Melodies of electronic sounds, clusters, oscillating sounds. Silence | 02:50 | |
D. | Epilogue - coda - Resumption of A & drops in successive entries 5" apart | 01:41 | |
Epicenter or Magnetic Field | |||
A. | Wind noise on runways 1,2 and 4 - Breath rhythmic on runway 3. Silence | 01:44 | |
B. | Successive entry on electronic sounds (oscillating, white noise, percussion, clusters). | 02:59 | |
C. | Polyphony of electronic and concrete sounds & screams. Silence | 04:02 | |
Side Three | |||
D. | Tracks1,2 and 4: synthesizer sounds (scales in micro-intervals). Track 3: bass vocals & electronic sounds. Silence | 02:07 | |
E. | Rhythmic Sequence. Track 1 and 3: three voices polyrhythm. Track 2 and 4: two voices polyrhythm. | 07:07 | |
IV. Tour | |||
A. | Introduction - Very low oscillating sounds, the 4 tracks in unison. Then, successive entries at 5" intervals in concrete sounds. | 02:06 | |
B. | Rhythms in concrete sounds on tracks 2 and 4. Then, entries of tracks 1 and 3, still in concrete sounds. Silence | 03:17 | |
C. | Eight doubled voices - Texts spoken, filtered, backwards etc. & clusters. Silence | 04:08 | |
D. | Electronic sounds - drops, "slippery", sustained sounds, on all registers. Silence | 04:03 | |
Side Four | |||
E. | Rhythmic sequence (rhythms for three voices on tracks 1 and 3. Then, inputs tracks 2 and 4, rhythms for two voices). | 04:16 | |
V. The Great Journey | |||
B. | Melody on the synthesizer on track 3. Subsequent entries of the other three tracks with gliding sounds, micro-intervals, etc. Silence | 02:05 | |
C. | Tracks 1 and 3 - "Pop" rhythms. Then, inputs tracks 2 and 4 with superimposed melodies & electronic sounds. | 06:04 | |
D. | Rhythmic sequence - Final. Tracks 2 and 4: Irregular rhythms with three evolving voices. Electronic sounds. Entrances at 01:30 of tracks and 3 with melodies, clusters. | 07:40 |
Executive Producers of the Reissue: Nikos Giousef & Achilleas Stavrou under the supervision of Kyriakos Sfetsas
Artwork & Design: Iro Stamatopoulou
Remastered at Sweetspot Studio by Yiannis Christodoulatos
Special Thanks to Alexandros Kalofolias & Panos Tomaras for the Translations & Love
180gr. double vinyl edition
(P) & (C) 2022 Cat In The Room Records - CIR001 - Made In The E.U.
The copyright in this sound recording is owned by Cat In The Room Records under the auspices of GoodHeart Productions.
www.goodheart.gr
Matrix / Runout (Side B) – GIRAFFE GP694 - KS - 0505090 - B1
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