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Uzonia
| Label | Denovali Records – den321 |
| Format | Vinyl, LP, Album |
| Barcode | 4059251353249 |
| Country | Germany |
| Released | 2019 |
| Genre | Electronic |
| Style | Experimental, Ambient, Abstract |
After the release of Hello Darkness in 2017, a collaboration with Dag Rosenqvist, Uzonia is the fourth solo album of the Scotland-based composer Matthew Collings. His acclaimed 'audio-visual opera, A Requiem For Edward Snowden, for strings, clarinet, electronics and real-time visuals was premiered to a sell-out crowd in October 2014, and has been performed at Glasgow CCA, Edinburgh Fringe Festival and Utrecht's Gaudeamus Muziekweek (NL). Hes responsible for several installations using custom-made software, which have been exhibited at Burning Man Festival in San Francisco or Glasgow's Centre for Contemporary Arts. His work for films includes a specially commissioned live score for Dziga Vertovs 1929 silent classic, The Man with the Movie Camera and an invitation to work on The Invisibles, a commission from Amnesty International.
| A1 | Cambridge Analytica | 01:14 |
| A2 | Weapon Opens Time | 03:54 |
| A3 | Digital Ruins, Forgotten Future | 05:53 |
| A4 | S Wave | 04:35 |
| B1 | Love | 03:20 |
| B2 | Your Seconds Will Be Mine | 04:16 |
| B3 | Blackwater | 02:59 |
| B4 | Why Do You Want It To End? | 06:33 |
Artwork – Sigurrós Eidsdóttir
Composed By – Esther Swift (A1, B3, B4)
Composed By, Producer – Matthew Collings (A1 to B4)
Mastered By – Lawrence English
Composed By – Esther Swift (A1, B3, B4)
Composed By, Producer – Matthew Collings (A1 to B4)
Mastered By – Lawrence English
Thick matte covers & printed inner sleeve, 180g Vinyl, includes download code
Barcode – 4 059251 353249