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"Origin Of The Species" A Supply Of Two Tablets Of Acid
| Label | Invisible – INV 079 |
| Series | Origin Of The Species |
| Format | 2 x CD, Compilation |
| Barcode | 0637642007922 |
| Country | US |
| Released | 24 Mar 1998 |
| Genre | Electronic |
| Style | Acid House, Industrial, Experimental, Techno |
| First Tablet Of Acid | |||
| 1-1 | In The Beginning... | 1:23 | |
| 1-2 | Infinite Beat | 6:36 | |
| 1-3 | Horror House (Monitor Mix) | 6:07 | |
| 1-4 | Bliss | 9:26 | |
| 1-5 | Genetic Resolution (Live) | 3:01 | |
| 1-6 | I.C.Water (Live) | 11:18 | |
| 1-7 | SMILE (Greedy Beat Remix) | 7:20 | |
| 1-8 | Jigsaw | 5:07 | |
| 1-9 | Stick Insect (Monitor Mix) | 5:20 | |
| 1-10 | Money For E... | 5:25 | |
| 1-11 | Black Raincoat | 5:52 | |
| Second Tablet Of Acid | |||
| 2-1 | I.C.Water | 8:42 | |
| 2-2 | Laughing Gasp (Live) | 9:23 | |
| 2-3 | Money For E... | 5:20 | |
| 2-4 | Bliss (Beat Farm Remix) | 4:46 | |
| 2-5 | Infinite Remix (Fred Remix) | 6:47 | |
| 2-6 | Horror House (Sugardog Remix) | 6:45 | |
| 2-7 | The Nothing Song (Live) | 8:44 | |
| 2-8 | Slow Gems In A Hurricane (Live) | 9:07 | |
| 2-9 | SMILE | 5:54 | |
| 2-10 | Stick Insect (DJ Global Remix) | 8:09 | |
Bass Guitar [Post-modernist Funk Bass Guitar] – Hugo Longden
Drums, Keyboards – Matthew Best
Engineer – Adam Yoffe
Engineer – Andy Falconer
Guitar [Guitars], Programmed By [Programming], Sampler [Samples], Keyboards – Fred Giannelli
Keyboards – Daniel Black
Keyboards [Additional] – Dave Ball
Layout, Design – Marc Paez
Liner Notes – Francis Pinkieknicker
Liner Notes – Genesis P-Orridge
Liner Notes – Tom Hallewell
Management [Project Conception] – Martin Atkins
Management [Project Design/Production], Artwork [Artworks] – Genesis P-Orridge
Mixed By [Live] – Richard Schiessl (1-5, 1-6, 2-2, 2-7, 2-8)
Photography By – Carl Abrahamsson
Producer – Fred Giannelli
Producer – Genesis P-Orridge
Rhythm Guitar [Post-modernist Funk Rhythm] – Sean Maher
Sampler [Sampling] – Dave Ball (1-2, 1-7, 1-8, 1-10, 2-1)
Sampler [Sampling] – Richard Schiessl
Violin [Violins] – Gini Ball
Vocals, Sampler [Samples], Electric Violin, Keyboards – Genesis P-Orridge
Drums, Keyboards – Matthew Best
Engineer – Adam Yoffe
Engineer – Andy Falconer
Guitar [Guitars], Programmed By [Programming], Sampler [Samples], Keyboards – Fred Giannelli
Keyboards – Daniel Black
Keyboards [Additional] – Dave Ball
Layout, Design – Marc Paez
Liner Notes – Francis Pinkieknicker
Liner Notes – Genesis P-Orridge
Liner Notes – Tom Hallewell
Management [Project Conception] – Martin Atkins
Management [Project Design/Production], Artwork [Artworks] – Genesis P-Orridge
Mixed By [Live] – Richard Schiessl (1-5, 1-6, 2-2, 2-7, 2-8)
Photography By – Carl Abrahamsson
Producer – Fred Giannelli
Producer – Genesis P-Orridge
Rhythm Guitar [Post-modernist Funk Rhythm] – Sean Maher
Sampler [Sampling] – Dave Ball (1-2, 1-7, 1-8, 1-10, 2-1)
Sampler [Sampling] – Richard Schiessl
Violin [Violins] – Gini Ball
Vocals, Sampler [Samples], Electric Violin, Keyboards – Genesis P-Orridge
Two CD set with a 32-page booklet containing an introduction written by Francis Pinkieknicker, notes on the tracks by Genesis P-Orridge and numerous photographs from the "Infinite Beat" period of Psychic TV.
The track "Bliss" features the music of Hadj Abdesalam Attar, Master Musician Of Jajouka of the Kingdom Of Morocco and father of Bachir Attar (present Master Musician of Jajouka). This music was recorded by Genesis P-Orridge at the Commonwealth Institute, London September 26th 1980 and is used with the kind permission of Bachir Attar.
"Towards Thee Infinite Beat" and "Beyond Thee Infinite Beat" were both recorded in their entirety at The Beat Farm Studios, London during the period January 1st 1990 to January 23rd 1990.
"Money For E..." was the last track recorded, on the January 23rd 1990, the first anniversary of the passing on through biological death of Salvador Dali to the embrace of the Supreme Creator.
"Towards Thee Infinite Beat" and "Beyond Thee Infinite Beat" were...
Produced by Fred Giannelli and Genesis P-Orridge 1990.
Engineered by Andy Falconer 1990.
Mastered at The Exchange, London February 1990.
Released in North America by Wax Trax Records, Chicago, U.S.A; as Catalog #'s Wax CD 7129 and WAX CD 7130 1990
Released in the Rest Of The World on Temple Records, Brighton, U.K.; as Catalog #'s TOPY 050CD and TOPY 051CD 1990.
Disc one: All lyrics copyright 1990, 1998 Genesis P-Orridge. All music and lyrics on Tracks #1, #5 Published by Miss Jackie Songs/BMI 1998. All other music and lyrics on other tracks by Genesis P-Orridge published by Complete Music 1990/1998.
All music by Fred Giannelli on Tracks #5, #11 is copyright 1988, 1998 and published by Turning Shrines Songs/BMI 1998. All other music by Fred Giannelli on all other tracks published by Complete Music 1990/1998. Music by Z'EV and Matthew Bentham on track #5 is copyright control 1992 and 1998.
Disc two: All lyrics copyright 1990, 1998 Genesis P-Orridge. All music and lyrics on Tracks #2, #7 Published by Miss Jackie Songs/BMI 1998. All other music and lyrics on other tracks by Genesis P-Orridge published by Complete Music 1990/1998.
All music by Fred Giannelli on Tracks #2, #5, #7, #8 is copyright 1988, 1998 and published by Turning Shrines Songs/BMI 1998. All other music by Fred Giannelli on all other tracks published by Complete Music 1990/1998.
Music by Steph Paynes and Matthew Bentham on Tracks #2, #7, #8 is copyright control 1992 and 1998.
Total hyperdelic times: 66.41 minutes (disc one), 73.45 minutes (disc two).
Tracks 1-1, 1-3, 1-5, 1-6, 1-9, 1-11, 2-2, 2-5, 2-7 and 2-8 have never before been released.
℗&© 1998 Invisible Records
Manufactured and distributed by Caroline Records, Inc.
The track "Bliss" features the music of Hadj Abdesalam Attar, Master Musician Of Jajouka of the Kingdom Of Morocco and father of Bachir Attar (present Master Musician of Jajouka). This music was recorded by Genesis P-Orridge at the Commonwealth Institute, London September 26th 1980 and is used with the kind permission of Bachir Attar.
"Towards Thee Infinite Beat" and "Beyond Thee Infinite Beat" were both recorded in their entirety at The Beat Farm Studios, London during the period January 1st 1990 to January 23rd 1990.
"Money For E..." was the last track recorded, on the January 23rd 1990, the first anniversary of the passing on through biological death of Salvador Dali to the embrace of the Supreme Creator.
"Towards Thee Infinite Beat" and "Beyond Thee Infinite Beat" were...
Produced by Fred Giannelli and Genesis P-Orridge 1990.
Engineered by Andy Falconer 1990.
Mastered at The Exchange, London February 1990.
Released in North America by Wax Trax Records, Chicago, U.S.A; as Catalog #'s Wax CD 7129 and WAX CD 7130 1990
Released in the Rest Of The World on Temple Records, Brighton, U.K.; as Catalog #'s TOPY 050CD and TOPY 051CD 1990.
Disc one: All lyrics copyright 1990, 1998 Genesis P-Orridge. All music and lyrics on Tracks #1, #5 Published by Miss Jackie Songs/BMI 1998. All other music and lyrics on other tracks by Genesis P-Orridge published by Complete Music 1990/1998.
All music by Fred Giannelli on Tracks #5, #11 is copyright 1988, 1998 and published by Turning Shrines Songs/BMI 1998. All other music by Fred Giannelli on all other tracks published by Complete Music 1990/1998. Music by Z'EV and Matthew Bentham on track #5 is copyright control 1992 and 1998.
Disc two: All lyrics copyright 1990, 1998 Genesis P-Orridge. All music and lyrics on Tracks #2, #7 Published by Miss Jackie Songs/BMI 1998. All other music and lyrics on other tracks by Genesis P-Orridge published by Complete Music 1990/1998.
All music by Fred Giannelli on Tracks #2, #5, #7, #8 is copyright 1988, 1998 and published by Turning Shrines Songs/BMI 1998. All other music by Fred Giannelli on all other tracks published by Complete Music 1990/1998.
Music by Steph Paynes and Matthew Bentham on Tracks #2, #7, #8 is copyright control 1992 and 1998.
Total hyperdelic times: 66.41 minutes (disc one), 73.45 minutes (disc two).
Tracks 1-1, 1-3, 1-5, 1-6, 1-9, 1-11, 2-2, 2-5, 2-7 and 2-8 have never before been released.
℗&© 1998 Invisible Records
Manufactured and distributed by Caroline Records, Inc.
Barcode (Text) – 6 37642 00792 2
Barcode – 637642007922
Matrix / Runout (CD1) – INV00079D1 1-0-1
Mastering SID Code (CD1) – IFPI L044
Mould SID Code (CD1) – IFPI 1667
Matrix / Runout (CD2) – INV00079D2 2-0-1
Mastering SID Code (CD2) – IFPI L044
Mould SID Code (CD2) – IFPI 1667
Barcode – 637642007922
Matrix / Runout (CD1) – INV00079D1 1-0-1
Mastering SID Code (CD1) – IFPI L044
Mould SID Code (CD1) – IFPI 1667
Matrix / Runout (CD2) – INV00079D2 2-0-1
Mastering SID Code (CD2) – IFPI L044
Mould SID Code (CD2) – IFPI 1667
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