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Lumières: La Musique Du XVIIIe Siècle - 18th Century: The Age Of Enlightenment - 18. Jahrhundert: Die Zeit Der Aufklärung
| French Harpsichord Music - Le Clavecin Français | |||
| François Couperin (1668-1733) | |||
| Vingt-Cinquième Ordre | |||
| 1-1 | La Visionnaire. Gravement Et Marqué | 3:36 | |
| 1-2 | La Mistérieuse. Modérément | 5:01 | |
| 1-3 | La Montflambert. Tendrement, Sans Lenteur | 1:50 | |
| 1-4 | La Muse Victorieuse. Audacieusement | 2:28 | |
| 1-5 | Les Ombres Errantes. Languissamment | 5:00 | |
| Vingt-Sixième Ordre | |||
| 1-6 | La Convalescente | 5:20 | |
| 1-7 | Gavotte | 1:53 | |
| 1-8 | La Sophie | 3:38 | |
| 1-9 | L'Epineuse | 5:16 | |
| 1-10 | La Pantomime. Gayement et Marqué, Et D'Une Grande Précision | 2:34 | |
| Sixième Ordre | |||
| 1-11 | Les Moissonneurs. Gayement | 1:44 | |
| 1-12 | Les Langueurs Tendres | 3:45 | |
| 1-13 | Le Gazouillement, Rondeau. Gracieusement Et Coulé | 1:59 | |
| 1-14 | La Bersan. Légèrement | 2:28 | |
| 1-15 | Les Baricades Mistérieuses, Rondeau. Vivement | 2:35 | |
| 1-16 | Les Bergeries, Rondeau. Naïvement | 4:41 | |
| 1-17 | La Commère. Vivement | 2:16 | |
| 1-18 | Le Moucheron. Légèrement | 1:59 | |
| Jean-Philippe Rameau (1683-1764) | |||
| Pièces De Clavecin En Concerts | |||
| Premier Concert | |||
| 1-19 | La Coulicam | 3:21 | |
| 1-20 | La Livri | 2:41 | |
| 1-21 | Le Vézinet | 3:22 | |
| Cinquième Concert | |||
| 1-22 | La Forqueray | 4:25 | |
| 1-23 | La Cupis | 5:38 | |
| 1-24 | La Marais | 2:24 | |
| 1-25 | L'Indiscrète, Pour Clavecin Seul | 1:22 | |
| The Twilight Of Lamentation - Le Crépuscule De La Déploration | |||
| André Campra (1660-1744) | |||
| Messe De Requiem | |||
| 2-1 | Requiem | 6:25 | |
| 2-2 | Kyrie | 3:53 | |
| 2-3 | Graduel | 7:00 | |
| 2-4 | Offertoire | 9:25 | |
| 2-5 | Sanctus | 3:40 | |
| 2-6 | Agnus Dei | 5:19 | |
| 2-7 | Post-Communion | 7:05 | |
| Giovanni Battista Pergolesi (1710-1736) | |||
| Stabat Mater - For Soprano, Alto, Strings & Basso Continuo | |||
| 2-8 | I. Duo: Stabat Mater Dolorosa | 3:49 | |
| 2-9 | II. Aria (Soprano): Cujus Animam Gementem | 1:59 | |
| 2-10 | III. Duo: O Quam Tristis Et Afflicta | 1:59 | |
| 2-11 | IV. Aria (Alto): Quae Moerebat Et Dolebat | 2:04 | |
| 2-12 | V. Duo: Quis Est Homo, Qui Non Fleret | 2:42 | |
| 2-13 | VI. Aria: Vidit Suum Dulcem Natum | 3:22 | |
| 2-14 | VII. Aria (Alto): Eja, Mater, Fons Amoris | 2:08 | |
| 2-15 | VIII. Duo: Fac, Ut Ardeat Cor Meum | 2:11 | |
| 2-16 | IX. Duo: Sancta Mater, Istud Agas | 4:49 | |
| 2-17 | X. Aria (Alto): Fac, Ut Portem Christi Mortem | 3:40 | |
| 2-18 | XI. Duo: Inflammatus Et Accensus | 1:52 | |
| 2-19 | XII. Duo: Quando Corpus Morietur - Amen | 4:37 | |
| Oratorio: Solomon Part I | |||
| George Frederic Handel (1685-1759) | |||
| Solomon - Part I. An Oratorio (1749) After II. Chronicles, I. Kings and Josephus Antiquities | |||
| Act One | |||
| 3-1 | No.1 Overture | 6:55 | |
| Scene 1 | |||
| 3-2 | No.2 Chorus Of Priests | 3:40 | |
| 3-3 | No.3 Air. Levite | 4:58 | |
| 3-4 | No.4 Chorus Of Priests | 4:44 | |
| 3-5 | No.5 Accompagnato. Solomon | 3:15 | |
| 3-6 | No.6 Recitative. Zadok | 0:32 | |
| 3-7 | No.7 Air. Zadok | 4:33 | |
| 3-8 | No.8 Chorus Of Israelites | 3:51 | |
| 3-9 | No.9 Recitative. Solomon | 0:26 | |
| 3-10 | No.10 Air. Solomon | 5:59 | |
| Scene 2 | |||
| 3-11 | No.11 Recitative. Solomon | 0:41 | |
| 3-12 | No.12 Air. Queen | 4:52 | |
| 3-13 | No.13 Recitative. Queen, Solomon | 0:43 | |
| 3-14 | No.14 Duet. Queen, Solomon | 3:28 | |
| 3-15 | No.17 Recitative. Solomon | 0:09 | |
| 3-16 | No.18 Air. Solomon | 2:45 | |
| 3-17 | No.19 Recitative. Queen | 0:15 | |
| 3-18 | No.20 Air. Queen | 2:25 | |
| 3-19 | No.21 Recitative. Zadok | 0:11 | |
| 3-20 | No.22 Chorus | 4:25 | |
| Act Two | |||
| Scene 1 | |||
| 3-21 | No.23 Chorus Of Israelites | 5:20 | |
| 3-22 | No.24 Recitative. Solomon | 0:54 | |
| 3-23 | No.25 Air. Solomon | 4:05 | |
| 3-24 | No.26 Recitative. Levite | 0:19 | |
| 3-25 | No.27 Air. Levite | 3:24 | |
| Scene 2 | |||
| 3-26 | No.28 Recitative. Attendant, Solomon | 1:51 | |
| 3-27 | No.29 Trio. Solomon, Two Harlots | 5:17 | |
| Oratorio: Solomon Part II | |||
| 4-1 | No. 30 Recitative. Solomon, 2nd Harlot | 1:11 | |
| 4-2 | No.31 Air. Second Harlot | 1:56 | |
| 4-3 | No.32 Recitative. First Harlot | 0:11 | |
| 4-4 | No.33 Air. First Harlot | 4:33 | |
| 4-5 | No.34 Accompagnato. Solomon | 1:31 | |
| 4-6 | No.35 Duet. First Harlot, Solomon | 3:06 | |
| 4-7 | No.36 Chorus Of Israelites | 2:54 | |
| 4-8 | No.37 Recitative. Zadok | 0:17 | |
| 4-9 | No.38 Air. Zadok | 5:46 | |
| 4-10 | No.39 Recitative. First Harlot | 0:19 | |
| 4-11 | No.40 Air. First Harlot | 6:27 | |
| 4-12 | No.41 Chorus Of Priests | 3:10 | |
| Act Three | |||
| 4-13 | No.42 Symphony: Arrival Of The Queen Of Sheba | 2:52 | |
| 4-14 | No.43 Recitative. Queen Of Sheba, Solomon | 1:10 | |
| 4-15 | No.44 Air. Queen Of Sheba | 4:42 | |
| 4-16 | No.45 Recitative. Solomon | 0:13 | |
| 4-17 | No.46 Solo. Solomon And Israelites | 2:31 | |
| 4-18 | No.47 Solo. Solomon And Israelites | 1:53 | |
| 4-19 | No.48 Recitative. Solomon | 0:31 | |
| 4-20 | No.49 Chorus Of Israelites | 2:51 | |
| 4-21 | No.50 Recitative. Solomon | 0:15 | |
| 4-22 | No.51 Solo. Solomon And Israelites | 3:42 | |
| 4-23 | No.52 Recitative. Queen Of Sheba | 1:01 | |
| 4-24 | No.53 Recitative. Zadok | 0:39 | |
| 4-25 | No.54 Air. Zadok | 3:17 | |
| 4-26 | No.55 Recitative. Solomon | 0:25 | |
| 4-27 | No.56 Air. Solomon | 2:39 | |
| 4-28 | No.57 Recitative. Queen Of Sheba | 0:40 | |
| 4-29 | No.58 Air. Queen Of Sheba | 6:22 | |
| 4-30 | No.59 Recitative. Solomon | 0:17 | |
| 4-31 | No.60 Duet. Queen Of Sheba, Solomon | 2:52 | |
| 4-32 | No.61 Double Chorus | 4:21 | |
| The Apotheosis Of The Baroque Concerto - L'Apogée Du Concerto Baroque | |||
| Antonio Vivaldi (1678-1741) | |||
| Le Quattro Stagioni | |||
| La Primavera | |||
| 5-1 | I. Allegro | 3:27 | |
| 5-2 | II. Largo | 1:57 | |
| 5-3 | III. Allegro | 3:55 | |
| L'Estate | |||
| 5-4 | I. Allegro Non Molto - Allegro | 4:47 | |
| 5-5 | II. Adagio - Presto - Adagio | 1:48 | |
| 5-6 | III. Presto | 2:48 | |
| L'Autunno | |||
| 5-7 | I. Allegro | 5:02 | |
| 5-8 | II. Adagio Molto | 2:45 | |
| 5-9 | III. Allegro | 3:04 | |
| L'Inverno | |||
| 5-10 | I. Allegro Non Molto | 3:21 | |
| 5-11 | II. Largo | 1:47 | |
| 5-12 | III. Allegro | 2:56 | |
| Georg Philipp Telemann (1681-1767) | |||
| Violin Concerto 'The Frogs' | |||
| 5-13 | I. Ohne Satzbezeichnung | 5:30 | |
| 5-14 | II. Adagio | 4:41 | |
| 5-15 | III. Menuet Alternativement | 2:44 | |
| Johann Sebastian Bach (1685-1750) | |||
| Brandenburg Concerto No.6 BWV 1051 - In B Flat Major | |||
| 5-16 | I. [Allegro] | 5:40 | |
| 5-17 | II. Adagio Ma Non Tanto | 4:49 | |
| 5-18 | III. Allegro | 5:38 | |
| George Frideric Handel (1685-1759) | |||
| Concerto Pour Orgue Op.4 No.3 - In G Minor | |||
| 5-19 | I. Adagio | 3:24 | |
| 5-20 | II. Allegro | 3:41 | |
| 5-21 | III. Adagio | 0:56 | |
| 5-22 | IV. Allegro | 2:03 | |
| Concerto: The Conquest Of Europe - À La Conquête De L'Europe | |||
| Giuseppe Tartini (1692-1770) | |||
| Concerto Grosso No.5 - In C Major | |||
| 6-1 | I. Allegro | 2:47 | |
| 6-2 | II. Allegro - Adagio | 4:07 | |
| 6-3 | III. Allegro | 3:10 | |
| Concerto For Violon And Orchestra "À Lunardo Venier" - In A Minor | |||
| 6-4 | I. Andante Cantabile - Allegro Assai - A.c. - All. - A. - All. As. - A.c. - All. As. | 4:59 | |
| 6-5 | II. Andante Cantabile | 5:40 | |
| 6-6 | III. Presto | 5:24 | |
| Georg Matthias Monn (1717-1750) | |||
| Concerto For Violoncello, Harpsichord And String Orchestra - In G Minor | |||
| 6-7 | I. Allegro | 5:52 | |
| 6-8 | II. Adagio | 7:36 | |
| 6-9 | III. Allegro Non Tanto | 4:44 | |
| Carl Philipp Emanuel Bach (1714-1788) | |||
| Harpsichord Concerto No.5 Wq.43 | |||
| 6-10 | I. [Ohne Satzbezeichnung] | 4:58 | |
| 6-11 | II. Adagio | 2:34 | |
| 6-12 | III. Menuet Alternativement | 5:04 | |
| Johann Christian Bach (1735-1782) | |||
| Concerto For Harpsichord, Two Violons & Violoncello Op. 7 No. 5 - In E Flat Major | |||
| 6-13 | I. Allegro Di Molto | 7:03 | |
| 6-14 | II. Andante | 5:52 | |
| 6-15 | III. Allegro | 3:20 | |
| Concerto: From Paris To Vienna - De Paris À Vienne | |||
| Joseph Haydn (1732-1809) | |||
| Violin Concerto No.1 Hob. VIIa:1 - In C Major | |||
| 7-1 | I. Allegro Moderato | 10:19 | |
| 7-2 | II. Adagio | 4:36 | |
| 7-3 | III. Finale. Presto | 4:04 | |
| Wolfgang Amadeus Mozart (1756-1791) | |||
| Concerto K.107 No.2 - In G Major (After The Keyboard Sonata Op.5 No.3 By J.C. Bach) | |||
| 7-4 | I. Allegro | 4:13 | |
| 7-5 | II. Allegretto (Variations) | 4:29 | |
| Symphonie Concertante K.297-b - In E Flat Major | |||
| 7-6 | I. Allegro | 10:08 | |
| 7-7 | II. Adagio | 6:50 | |
| 7-8 | III. Andantino Con Variazioni | 11:02 | |
| Ignaz Joseph Pleyel (1757-1831) | |||
| Violoncello Concerto Ben.106 - C Major | |||
| 7-9 | I. Allegro | 11:34 | |
| 7-10 | II. Adagio | 4:57 | |
| 7-11 | III. Rondo. Allegro Molto | 5:27 | |
| The Classical Concerto - Le Concerto Classique | |||
| Wolfgang Amadeus Mozart (1756-1791) | |||
| Piano Concerto No.21 K.467 - In C Major | |||
| 8-1 | I. Allegro Maestoso | 13:50 | |
| 8-2 | II. Andante | 5:08 | |
| 8-3 | III. Allegro Vivace Assai | 6:04 | |
| Ludwig Van Beethoven (1770-1827) | |||
| Piano Concerto No.2 Op.19 - In B Flat Minor | |||
| 8-4 | I. Allegro Con Brio | 14:26 | |
| 8-5 | II. Adagio | 8:49 | |
| 8-6 | III. Rondo. Molto Allegro | 6:10 | |
| From 'Sinfonia' To 'Sinfonie' - De La Sinfonia À La Sinfonie… | |||
| Giovanni Battista Sammartini (1700-1775) | |||
| Sinfonia In D Major JC14 | |||
| 9-1 | Allegro - Largo - Presto | 6:00 | |
| Sinfonia In G Major JC39 | |||
| 9-2 | Allegro Ma Non Tanto - Grave - Allegro Assai - Minuetto | 9:54 | |
| Wilhelm Friedemann Bach (1710-1784) | |||
| Sinfonie In F Major Falck 67 | |||
| 9-3 | I. Vivace | 3:48 | |
| 9-4 | II. Andante | 5:03 | |
| 9-5 | III. Allegro | 3:39 | |
| 9-6 | IV. Menuetto I & II | 3:48 | |
| Carl Philipp Emanuel Bach (1714-1788) | |||
| Orchester-Sinfonie No.1 Wq.183/1 - In D Major | |||
| 9-7 | I. Allegro Di Molto | 6:17 | |
| 9-8 | II. Largo | 1:55 | |
| 9-9 | III. Presto | 3:01 | |
| Johann Christian Bach (1735-1782) | |||
| Symphony In G Minor Op.6 No.6 | |||
| 9-10 | I. Allegro | 3:06 | |
| 9-11 | II. Andante Più Tosto Adagio | 8:34 | |
| 9-12 | III. Allegro Molto | 2:28 | |
| Luigi Boccherini (1743-1805) | |||
| Symphony 'La Casa Del Diavolo' Op.12 No.4, G.506 | |||
| 9-13 | I. Andante Sostenuto - Allegro Assai | 11:04 | |
| 9-14 | II. Andantino Con Moto | 6:52 | |
| 9-15 | III. Andante Sostenuto - Allegro Assai Con Moto | 6:42 | |
| Symphony: Orchestral Performance - Symphonie : Performance D'Orchestre | |||
| Joseph Haydn (1732-1809) | |||
| Symphony No.6 'Le Matin' Hobs I:6 - In D Major | |||
| 10-1 | I. Adagio - Allegro | 6:09 | |
| 10-2 | II. Adagio - Andante - Adagio | 8:37 | |
| 10-3 | III. Menuetto Avec Trio | 4:13 | |
| 10-4 | IV. Finale: Allegro | 4:38 | |
| Symphony No.7 'Le Midi' Hobs. I:7 - In C Major | |||
| 10-5 | I. Allegro - Largo - Presto | 8:07 | |
| 10-6 | II. Allegro Ma Non Tanto - Grave - Allegro Assai - Minuetto | 10:19 | |
| 10-7 | III. Vivace | 3:45 | |
| 10-8 | IV. Andante | 4:17 | |
| Wolfgang Amadeus Mozart (1756-1791) | |||
| Symphony No.31 'Paris' K.297 - In D Major | |||
| 10-9 | I. Allegro Assai | 7:32 | |
| 10-10 | II/1. Andante | 4:06 | |
| 10-11 | III. Allegro | 3:51 | |
| 10-12 | II/2. Andante (Deuxième Version) | 5:33 | |
| Symphony: The Monuments Of Classicism - Symphonie : Les Monuments Classiques | |||
| Joseph Haydn (1732-1809) | |||
| Symphony No.92 'Oxford' - In G Major | |||
| 11-1 | I. Adagio - Allegro Spiritoso | 10:35 | |
| 11-2 | II. Adagio | 7:55 | |
| 11-3 | III. Menuet. Allegretto | 4:30 | |
| 11-4 | IV. Finale - Presto | 7:01 | |
| Wolfgang Amadeus Mozart (1756-1791) | |||
| Symphony No.41 'Jupiter' K. 551 - In C Major | |||
| 11-5 | I. Allegro Vivace | 10:38 | |
| 11-6 | II. Andante Cantabile | 9:52 | |
| 11-7 | III. Menuetto - Allegretto - Trio | 3:23 | |
| 11-8 | IV. Molto Allegro | 12:01 | |
| Symphony: 'The Ninth' - Symphonie : 'La Neuvième' | |||
| Ludwig Van Beethoven (1770-1827) | |||
| Symphonie No.9 Op.125 - In D Minor | |||
| 12-1 | I. Allegro Ma Non Troppo, Un Poco Maestoso | 13:30 | |
| 12-2 | II. Molto Vivace | 13:19 | |
| 12-3 | III. Adagio Molto E Cantabile | 12:26 | |
| 12-4 | IV. Finale. Presto | 23:02 | |
| The Last Glories Of 'Tragédie Lyrique' - Les Derniers Feux De La Tragédie Lyrique | |||
| Jean-Philippe Rameau (1683-1764) | |||
| Castor & Pollux - Part I | |||
| Prologue | |||
| 13-1 | Ouverture | 4:09 | |
| Scène I : Minerve, L'Amour, Choeurs Des Arts Et Des Plaisirs | |||
| 13-2 | Choeurs Des Arts Et Des Plaisirs : "Vénus, Ô Vénus" | 6:57 | |
| 13-3 | Symphonie | 3:09 | |
| Scène II : Minerve, L'Amour, Vénus Et Leurs Suites, Mars | |||
| 13-4 | Mars : "Je Vous Revois, Belle Déesse" | 2:29 | |
| 13-5 | Gavottes. L'Amour : "Renais, Plus Brillante" | 3:30 | |
| 13-6 | Premier Menuet. Tambourin. L'Amour, Choeur : "Naissez, Dons De Flore" | 2:50 | |
| 13-7 | Deuxième Menuet. Tambourin. Minerve : "D'Un Spectacle Nouveau". Ouverture (Reprise) | 5:06 | |
| Acte Premier | |||
| Scène I | |||
| 13-8 | Troupe De Spartiates : "Que Tout Gémisse" | 3:31 | |
| Scène II | |||
| 13-9 | Télaïre, Phébé : "Où Courez-Vous ?" | 5:26 | |
| Scène III | |||
| 13-10 | Télaïre : "Tristes Apprêts, Pâles Flambeaux" | 5:52 | |
| Scène IV - Pollux, Télaïre, Troupes De Spartiates & D'Athlètes | |||
| 13-11 | Symphonie Guerrière. Télaïre : "D'Où Partent Ces Cris Nouveaux ?". Premier Air Pour Les Athlètes : "Eclatez, Fières Trompettes" | 8:20 | |
| 13-12 | Deuxième Et Troisième Airs Des Athlètes | 2:51 | |
| Scène V | |||
| 13-13 | Télaïre, Pollux : "Je Remets À Vos Pieds Ces Dépouilles Sanglantes" | 4:55 | |
| 13-14 | Premier Air Pour Les Athlètes (Reprise) | 0:53 | |
| Castor & Pollux - Part II | |||
| Acte Deuxième | |||
| Scène I | |||
| 14-1 | Pollux : "Nature, Amour, Qui Partagez Mon Coeur" - Scène II - Pollux, Télaïre | 7:13 | |
| Scène III - Pollux, Télaïre, Le Grand-Prêtre De Jupiter, Choeur Des Prêtres | |||
| 14-2 | Le Grand-Prêtre : "Le Souverain Des Dieux" | 2:03 | |
| Scène IV | |||
| 14-3 | Jupiter, Pollux : "Ma Voix, Puissant Maître Du Monde" | 5:47 | |
| Scène V - Pollux, Hébé Et Sa Suite, Les Plaisirs Célestes | |||
| 14-4 | Entrée D'Hébé Et De Sa Suite : "Connaissez Notre Puissance" | 4:05 | |
| 14-5 | Air Gracieux Pour Hébé Et Ses Suivantes : "Qu'Hébé De Fleurs" | 6:03 | |
| 14-6 | Deuxième Air Pour Hébé Et Ses Suivantes. Un Plaisir : "Voici Des Dieux". Entrée D'Hébé (Reprise) | 5:54 | |
| Acte Troisième | |||
| Scène I - Phébé, Choeur Des Spartiates | |||
| 14-7 | Phébé : "Rassemblez-Vous, Peuples". Scène II - Pollux, Phébé, Le Peuple | 5:40 | |
| Scène III - Pollux, Phébé, Télaïre | |||
| 14-8 | Télaïre : "Son Char A Reculé Tout À Coup À Mes Yeux" | 3:42 | |
| Scène IV - Pollux, Télaïre, Phébé, Démons | |||
| 14-9 | Phébé : "Sortez D'Esclavage". Premier Air Des Démons | 3:10 | |
| 14-10 | Choeur Des Démons : "Brisons Tous Nos Fers". Deuxième Air Des Démons | 3:09 | |
| Scène V | |||
| 14-11 | Phébé : "Tout Céde À Ce Héros Vainqueur". Premier Air Des Démons (Reprise) | 0:59 | |
| Castor & Pollux - Part III | |||
| Acte Quatrième | |||
| Scène I | |||
| 15-1 | Castor : "Séjour De L'Éternelle Paix" | 4:23 | |
| Scène II | |||
| 15-2 | Choeur Des Ombres Heureuses : "Qu'Il Soit Heureux Comme Nous" | 2:40 | |
| 15-3 | Loure. Une Ombre : "Ici Se Lève L'Aurore" | 4:51 | |
| 15-4 | Gavotte. Une Ombre : "Sur Les Ombres Fugitives" | 3:35 | |
| 15-5 | Passepieds. Une Autre Ombre : "Autant D'Amours Que De Fleurs" | 3:19 | |
| 15-6 | Choeur : "Fuyez, Fuyez, Ombres Légères". Scène III - Pollux : "Rassurez-vous, Habitants Fortunés" - Scène IV - Pollux, Castor, Les Ombres. Pollux : "Mais, Qui S'Offre À Mes Yeux" | 7:29 | |
| 15-7 | Choeurs Des Ombres : "Revenez, Revenez Sur Les Rivages Sombres". Gavotte (Reprise) | 2:34 | |
| Acte Cinquième | |||
| Scène I | |||
| 15-8 | Phébé : "Castor Revoit Le Jour" | 1:35 | |
| Scène II | |||
| 15-9 | Castor, Télaïre : "Le Ciel Est Donc Touché". Scène III - Castor, Télaïre, Troupe Des Spartiates : "Vivez, Heureux Époux" | 4:00 | |
| 15-10 | Castor : "Peuples, Éloignez-Vous". Scène IV - Castor, Télaïre : "Eh Quoi ! Tous Ces Objets Ne Peuvent T'Attendrir ?" | 2:42 | |
| 15-11 | Télaïre : "Qu'Ai-je Entendu ! Quel Bruit !" | 3:20 | |
| Scène V - Jupiter, Télaïre, Castor | |||
| 15-12 | Jupiter : "Les Destins Sont Contents". Scène VI - Jupiter, Télaïre, Castor, Pollux. Castor : "Mon Frère… Ô Ciel !" | 2:20 | |
| 15-13 | Jupiter : "Palais De Ma Grandeur Où Je Dicte Mes Lois". Scène VII - Les Astres, Planètes, Satellites, Dieux & Les Mêmes. Jupiter : "Tant De Vertus Doivent Prétendre" | 5:08 | |
| 15-14 | Entrée Des Astres. Gigue | 2:52 | |
| 15-15 | Ariette. Une Planète : "Brillez, Brillez, Astres Nouveaux" | 3:30 | |
| 15-16 | Chaconne. Choeur : "Que Les Cieux, Que La Terre Et L'Onde" | 7:01 | |
| Gluck's Reform - La Réforme Gluckiste | |||
| Christoph Willibald Gluck (1714-1787) | |||
| Orfeo Ed Euridice - Part I | |||
| 16-1 | Overtura | 2:47 | |
| Atto Primo | |||
| Scena 1 (Orfeo Ed Il Coro) | |||
| 16-2 | Coro: Ah! Se Intorno a Quest'urna Funesta | 3:18 | |
| 16-3 | Orfeo (Recitativo): Basta, Basta, O Compagni! | 0:53 | |
| 16-4 | Ballo. Larghetto | 2:49 | |
| 16-5 | Coro: Ah, Se Intorno a Quest'urna Funesta | 2:24 | |
| 16-6 | Orfeo (Aria): Chiamo Il Mio Ben Così | 6:42 | |
| 16-7 | Orfeo (Recitativo): O Numi! Barbari Numi | 2:44 | |
| Scena 2 (Amor Ed Orfeo) | |||
| 16-8 | Amore (Aria): Gli Sguardi Trattieri | 2:55 | |
| 16-9 | Orfeo (Recitativo): Che Disse! Che Ascoltai! | 2:23 | |
| Atto Secondo | |||
| Scena 1 (Orfeo Ed Il Coro) | |||
| 16-10 | Ballo E Coro. Maestoso: Chi Mai Dell'Erebo | 1:54 | |
| 16-11 | Ballo E Coro. Presto: Chi Mai Dell'Erebo | 1:57 | |
| 16-12 | Ballo E Aria Con Coro. Maestoso: Deh! Placatevi Con Me | 4:18 | |
| 16-13 | Coro: Misero Giovane! | 0:53 | |
| 16-14 | Orfeo (Aria): Mille Pene, Ombre Moleste | 0:59 | |
| 16-15 | Coro: Ah! Quale Incognito - Orfeo (Aria): Men Tiranne Ah, Voi Sareste - Coro: Ah! Quale Incognito | 3:11 | |
| Orfeo Ed Euridice - Part II | |||
| Scena 2 (Orfeo Ed Coro) | |||
| 17-1 | Ballo. Andante | 2:06 | |
| 17-2 | Orfeo: Che Puro Ciel! | 5:38 | |
| 17-3 | Coro: Vieni Ai Regni Del Riposo | 1:39 | |
| 17-4 | Ballo. Andante | 2:30 | |
| 17-5 | Orfeo (Recitativo): Anime Avventurose | 0:46 | |
| 17-6 | Coro: Torna, O Bella, Al Tuo Consorte | 1:29 | |
| Atto Terzo | |||
| Scena 1 (Orfeo Ed Euridice) | |||
| 17-7 | Orfeo Ed Euridice (Recitativo): Vieni! Segui I Miei Passi | 5:45 | |
| 17-8 | Orfeo Ed Euridice (Aria): Vieni, Appaga Il Tuo Consorte! | 3:13 | |
| 17-9 | Orfeo (Recitativo Ed Aria): Qual' Vita È Questa Mai | 5:13 | |
| 17-10 | Orfeo Ed Euridice (Recitativo): Ecco Un Nuovo Tormento! | 3:29 | |
| 17-11 | Orfeo (Aria): Che Farò Senza Euridice? | 4:28 | |
| 17-12 | Orfeo, Amore De Euridice (Recitativo): Ah! Finisca E Per Sempre | 3:17 | |
| Scena 2 (Orfeo, Euridice Ed Amore) | |||
| Scena 3 E Ultima (Tutti) | |||
| 17-13 | Ballo Ultimo. Maestoso | 0:22 | |
| 17-14 | Ballo. Grazioso | 2:18 | |
| 17-15 | Ballo. Allegro | 2:17 | |
| 17-16 | Ballo. Andante | 1:08 | |
| 17-17 | Ballo. Allegro | 2:16 | |
| 17-18 | Coro, Orfeo, Amore Ed Euridice: Trionfi Amore, E Il Mondo Intiero | 2:39 | |
| The Spirit Of The People - L'Esprit Du Peuple | |||
| Wolfgang Amadeus Mozart (1756-1791) | |||
| Le Nozze Di Figaro - Part I | |||
| 18-1 | Sinfonia | 4:11 | |
| Atto Primo | |||
| Scene 1 & 2 | |||
| 18-2 | N.1 Duettino Figaro, Susanna: Cinque… Dieci… Venti… | 2:40 | |
| 18-3 | Recitativo Susanna, Figaro: Cosa Stai Misurando | 0:48 | |
| 18-4 | N.2 Duettino Figaro, Susanna: Se A Caso Madama | 2:34 | |
| 18-5 | Recitativo Susanna, Figaro: Or Bene Ascolta, E Taci | 2:42 | |
| 18-6 | N.3 Cavatina Figaro: Se Vuol Ballare | 2:38 | |
| Scena 3 | |||
| 18-7 | Recitativo Marcellina, Susanna: Ed Aspettate Il Giorno | 1:00 | |
| 18-8 | N.4 Aria Bartolo: La Vendetta, Oh, La Vendetta | 2:59 | |
| Scena 4 | |||
| 18-9 | Recitativo Marcellina, Susanna: Tutto Ancor Non Ho Perso | 0:49 | |
| 18-10 | N.5 Duettino Marcellina, Susanna: Via, Resti Servita | 2:22 | |
| Scena 5 | |||
| 18-11 | Recitativo Susanna, Cherubino: Va Là, Vecchia Pedante | 1:51 | |
| 18-12 | N.6 Aria Cherubino: Non So Più Cosa Son | 2:51 | |
| Scene 6 & 7 | |||
| 18-13 | Recitativo Cherubino, Susanna, Il Conte, Basilio: Ah, Son Perduto! | 3:43 | |
| 18-14 | N.7 Terzetto Il Conte, Basilio, Susanna: Cosa Sento! Tosto Andate | 4:07 | |
| 18-15 | Recitativo Il Conte, Susanna, Cherubino, Basilio: Basilio, In Traccia Tosto | 1:02 | |
| Scena 8 | |||
| 18-16 | N.8 Coro: Giovani Liete | 1:07 | |
| 18-17 | Recitativo Il Conte, Susanna, Figaro: Cos'è Questa Commedia? | 1:34 | |
| 18-18 | N.9 Coro: Giovani Liete | 0:54 | |
| 18-19 | Recitativo Figaro, Susanna, Basilio, Cherubino, Il Conte: Evviva! | 1:16 | |
| 18-20 | N.10 Aria Figaro: Non Più Andrai | 3:56 | |
| Le Nozze Di Figaro - Part II | |||
| Atto Secondo | |||
| Scena 1 | |||
| 19-1 | N.11 Cavatina La Contessa: Porgi, Amor | 3:26 | |
| 19-2 | Recitativo La Contessa, Susanna, Figaro: Vieni, Cara Susanna | 4:02 | |
| Scena 2 | |||
| 19-3 | Recitativo La Contessa, Susanna, Cherubino: Quanto Duolmi, Susanna | 1:25 | |
| 19-4 | N.12 Arietta Cherubino: Voi Che Sapete | 2:59 | |
| 19-5 | Recitativo La Contessa, Susanna, Cherubino: Bravo! Che Bella Voce! | 1:09 | |
| 19-6 | N.13 Aria Susanna: Venite Inginocchiatevi… | 2:49 | |
| 19-7 | Recitativo La Contessa, Susanna, Cherubino, Il Conte: Quante Buffonerie! | 2:54 | |
| Scena 3 | |||
| 19-8 | Recitativo Il Conte, La Contessa: Che Novità! Non Fu Mai | 1:18 | |
| 19-9 | N.14 Terzetto Il Conte, La Contessa, Susanna: Susanna, Or Via, Sortite | 3:10 | |
| 19-10 | Recitativo Il Conte, La Contessa: Dunque, Voi Non Aprite? | 0:54 | |
| Scena 4 | |||
| 19-11 | N.15 Duettino Susanna, Cherubino: Aprite, Presto, Aprite | 1:00 | |
| 19-12 | Recitativo Susanna: O Guarda Il Demonietto! | 0:18 | |
| Scene 5-8 | |||
| 19-13 | Recitativo Il Conte, La Contessa: Tutto È Come Io Lasciati | 1:16 | |
| 19-14 | N.16 Finale Il Conte, La Contessa: Esci, Ormai, Garzon Malnato | 6:45 | |
| Scena 9 | |||
| 19-15 | Figaro, Il Conte, Susanna, La Contessa: Signori, Di Fuori | 2:58 | |
| Scene 10 & 11 | |||
| 19-16 | Antonio, Il Conte, Susanna, La Contessa, Figaro: Ah, Signor… Signor | 5:38 | |
| 19-17 | Marcellina, Basilio, Bartola, Il Conte, Susanna, La Contessa, Figaro: Voi Signor, Che Giusto Siete | 4:00 | |
| Atto Terzo | |||
| Scene 1-3 | |||
| 19-18 | Recitativo Il Conte, La Contessa, Susanna: Che Imbarazzo È Mai Questo! | 2:24 | |
| 19-19 | N.17 Duettino Il Conte, Susanna: Crudel! Perché Finora | 2:44 | |
| 19-20 | Recitativo Il Conte, Susanna, Figaro: E Perché Fosti Meco | 0:49 | |
| Scena 4 | |||
| 19-21 | N.18 Recitativo E Aria Il Conte: Hai Già Vinta La Causa! | 4:47 | |
| Le Nozze Di Figaro - Part III | |||
| Scena 5 | |||
| 20-1 | Recitativo Don Curzio, Marcellina, Figaro, Il Conte, Bartolo: È Decisa La Lite | 2:06 | |
| 20-2 | N.19 Sestetto Marcellina, Figaro, Bartolo, Don Curzio, Il Conte, Susanna: Ricomosci In Questo Ampleso | 4:31 | |
| Scene 6 & 7 | |||
| 20-3 | Recitativo Marcellina, Bartolo, Figaro, Susanna: Eccovi, O Caro Amico | 1:48 | |
| Scena 8 | |||
| 20-4 | N.20 Recitativo E Aria La Contessa: E Susanna Non Vien! | 5:53 | |
| Scene 9 & 10 | |||
| 20-5 | Recitativo Antonio, Il Conte: Io Vi Dico, Signor | 1:09 | |
| 20-6 | N.21 Duettino Susanna, La Contessa: Su L'Aria… | 2:55 | |
| Scene 11-14 | |||
| 20-7 | N.22 Coro: Ricevete, O Padroncina | 1:09 | |
| 20-8 | Recitativo Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino: Queste Sono, Madama | 3:07 | |
| 20-9 | N.23 Finale Figaro, Susanna, Il Conte, La Contessa, 2 Ragazze, Coro: Ecco La Marcia | 6:26 | |
| Atto Quarto | |||
| Scena 1 | |||
| 20-10 | N.24 Cavatina Barbarina: L'Ho Perduta… Me Meschina! | 1:34 | |
| Scene 2-4 | |||
| 20-11 | Recitativo Figaro, Barbarina, Marcellina: Barbarina Co' Hai | 2:50 | |
| 20-12 | N.25 Aria Marcellina: Il Capro E La Capretta | 3:36 | |
| Scene 5-7 | |||
| 20-13 | Recitativo Barbarina, Figaro, Bartolo, Basilio: Nel Padiglione A Manca | 2:11 | |
| 20-14 | N.26 Aria Basilio: In Quegl'Ammi In Cui Val Poco | 3:45 | |
| Scena 8 | |||
| 20-15 | N.27 Recitativo E Aria Figaro: Tutto È Disposto | 4:19 | |
| Scene 9 & 10 | |||
| 20-16 | Recitativo Susanna, La Contessa Travestite, Marcellina: Signora, Ella Mi Disse | 1:03 | |
| 20-17 | N.28 Recitativo E Aria Susanna: Giunse Alfin Il Momento | 4:26 | |
| Scene 11-14 | |||
| 20-18 | Recitativo Figaro, Cherubino, La Contessa Travestite: Perfìda! E In Quella Forma | 0:35 | |
| 20-19 | N.29 Finale Cherubino, La Contessa Travestite, Il Conte, Susanna, Figaro: Pian Pianin Le Andrò | 9:17 | |
| 20-20 | Il Conte: Non La Trovo | 1:41 | |
| Scena Ultima | |||
| 20-21 | Il Conte, Figaro, Basilio, Antonio, Susanna, Barbarina, Cherubino, La Contessa: Gente, Gente | 5:05 | |
| 'A Tre', The Baroque Trio Sonata - La Sonate En Trio Baroque | |||
| Antonio Vivaldi (1678-1741) | |||
| Sonata In C Minor RV 53 - For Oboe, Violoncello, Harpsichord & Archilute | |||
| 21-1 | Adagio | 2:30 | |
| 21-2 | Allegro | 2:16 | |
| 21-3 | Andante | 3:54 | |
| 21-4 | Allegro | 2:39 | |
| Georg Philipp Telemann (1681-1767) | |||
| Sonata In A Minor TWV 41:a3 - From Der Getreue Music-Meister | |||
| 21-5 | Siciliana | 2:02 | |
| 21-6 | Spirituoso | 1:55 | |
| 21-7 | Andante | 1:58 | |
| 21-8 | Vivace | 1:13 | |
| Johann Sebastian Bach (1685-1750) | |||
| Sonata Sopr'il Soggetto Reale - From The Musical Offering BWV 1079 - For Flute, Violin & Basso Continuo | |||
| 21-9 | Largo | 5:54 | |
| 21-10 | Allegro | 5:53 | |
| 21-11 | Andante | 3:01 | |
| 21-12 | Allegro | 2:55 | |
| Carl Philipp Emanuel Bach (1714-1788) | |||
| Sonata In F Major Wq.154 - For Two Violins & Basso Continuo | |||
| 21-13 | Allegretto | 4:23 | |
| 21-14 | Andante | 4:15 | |
| 21-15 | Allegro | 5:16 | |
| Johann Christoph Friedrich Bach (1732-1795) | |||
| Sonata In A Major F.VII/2 - For Two Violins & Basso Continuo | |||
| 21-16 | Allegro | 4:43 | |
| 21-17 | Andante | 4:14 | |
| 21-18 | Tempo Di Minuetto | 2:52 | |
| Johann Schobert (1740?-1767) | |||
| Sonata In F Major Op.XVI No.4 - For Fortepiano, Violin & Violoncello | |||
| 21-19 | Andante | 7:23 | |
| 21-20 | Polonaise Andante | 3:39 | |
| 21-21 | Menuetto | 3:30 | |
| 21-22 | Presto | 1:54 | |
| 'A Tre', From The Sonata To The Classical Trio - De La Sonate Au Trio Classique | |||
| Johann Kuhnau (1660-1722) | |||
| Frische Clavier Früchte | |||
| Suonata Terza | |||
| 22-1 | I. | 2:46 | |
| 22-2 | II. Aria | 1:52 | |
| 22-3 | III. | 1:52 | |
| 22-4 | IV. Aria | 1:58 | |
| 22-5 | V. | 1:10 | |
| Suonata Quinta | |||
| 22-6 | I. | 1:58 | |
| 22-7 | II. | 3:21 | |
| 22-8 | III. | 2:00 | |
| 22-9 | IV. | 2:05 | |
| Suonata Settima | |||
| 22-10 | I. | 3:07 | |
| 22-11 | II. Adagio | 1:29 | |
| 22-12 | III. | 2:07 | |
| 22-13 | IV. | 2:26 | |
| Jean-Joseph Mondonville (1711-1772) | |||
| Pièces De Clavecin Avec Voix Et Violon Op.5 | |||
| 22-14 | Paratum Cor Meum (Ps. 56, 10) | 3:58 | |
| 22-15 | In Domino Laudabitur (Ps. 33, 2) | 8:51 | |
| Wolfgang Amadeus Mozart (1756-1791) | |||
| Sonata In F Major K.376 | |||
| 22-16 | I. Allegro | 7:21 | |
| 22-17 | II. Andante | 5:04 | |
| 22-18 | III. Rondeau. Allegretto Grazioso | 6:36 | |
| Sonata In G Major K.379 | |||
| 22-19 | I. Adagio - Allegro | 11:36 | |
| 22-20 | II. Thema Con Variazioni. Andantino Cantabile | 9:02 | |
| 'A Tre', The Keyboard Trio - Le Trio Avec Piano | |||
| Joseph Haydn (1732-1809) | |||
| Trio In C Major No.43 Hob.XV:27 | |||
| 23-1 | I. Allegro | 9:15 | |
| 23-2 | II. Andante | 5:35 | |
| 23-3 | III. Finale - Presto | 5:22 | |
| Wolfgang Amadeus Mozart (1756-1791) | |||
| Trio In G Major K.496 | |||
| 23-4 | Allegro | 11:34 | |
| 23-5 | Andante | 6:03 | |
| 23-6 | Allegretto (Variations) | 9:57 | |
| Ludwig Van Beethoven (1770-1827) | |||
| Trio In C Minor Op.1 No.3 - For Piano, Violin & Violoncello | |||
| 23-7 | I. Allegro Con Brio | 9:20 | |
| 23-8 | II. Andante Cantabile Con Variazioni | 7:20 | |
| 23-9 | III. Menuetto Quasi Allegro | 3:42 | |
| 23-10 | IV. Prestissimo | 7:38 | |
| The Classical Sonata: Joseph Haydn - Les Grandes Sonates Pour Piano | |||
| Joseph Haydn (1732-1809) | |||
| Sonata In C Minor No.33 Hob.XVI:20 | |||
| 24-1 | I. Moderato | 7:19 | |
| 24-2 | II. Andante Con Moto | 6:42 | |
| 24-3 | III. Finale - Allegro | 4:26 | |
| Sonata In D Major No.39 Hob.XVI:24 | |||
| 24-4 | I. Allegro | 5:03 | |
| 24-5 | II. Adagio Molto | 3:36 | |
| 24-6 | III. Allegro | 2:27 | |
| Sonata In C Major No.60 Hob.XVI:50 | |||
| 24-7 | I. Allegro | 8:49 | |
| 24-8 | II. Adagio | 6:19 | |
| 24-9 | I. Allegro Molto | 2:35 | |
| Sonata In E Flat Major No.62 Hob.XVI:52 | |||
| 24-10 | I. Allegro | 8:26 | |
| 24-11 | II. Adagio | 7:06 | |
| 24-12 | III. Presto | 5:49 | |
| The Classical Sonata: Wolfgang Amadeus Mozart - Les Grandes Sonates Pour Piano | |||
| Wolfgang Amadeus Mozart (1756-1791) | |||
| Sonata In E Flat Major K.282 | |||
| 25-1 | Adagio | 6:41 | |
| 25-2 | Menuetto I & II | 3:21 | |
| 25-3 | Allegro | 3:02 | |
| Sonata In C Major K.330 | |||
| 25-4 | Allegro Moderato | 6:27 | |
| 25-5 | Andante Cantabile | 5:48 | |
| 25-6 | Allegretto | 5:29 | |
| Sonata In F Major K.332 | |||
| 25-7 | Allegro | 9:47 | |
| 25-8 | Adagio | 4:15 | |
| 25-9 | Allegro Assai | 7:16 | |
| Sonata In C Minor K.457 | |||
| 25-10 | Molto Allegro | 7:20 | |
| 25-11 | Adagio | 7:10 | |
| 25-12 | Allegro Assai | 4:31 | |
| The Classical Sonata: Ludwig Van Beethoven - Les Grandes Sonates Pour Piano | |||
| Ludwig Van Beethoven (1770-1827) | |||
| Sonata In F Minor No.1 Op.2 No.1 | |||
| 26-1 | I. Allegro | 4:31 | |
| 26-2 | II. Adagio | 4:39 | |
| 26-3 | III. Menuetto. Allegretto | 3:31 | |
| 26-4 | IV. Prestissimo | 5:22 | |
| Sonata In D Minor no.17 'The Tempest' op.31 No.2 | |||
| 26-5 | I. Largo. Allegro | 8:53 | |
| 26-6 | II. Adagio | 8:23 | |
| 26-7 | III. Allegretto | 7:15 | |
| Sonata In E Flat Major No.21 'Waldstein' op.53 | |||
| 26-8 | I. Allegro Con Brio | 11:27 | |
| 26-9 | II. Introduzione. Adagio Molto | 4:35 | |
| 26-10 | III. Rondo. Allegretto Moderato | 10:52 | |
| The Birth Of The Quartet - La Naissance Du Quatuor | |||
| Georg Philipp Telemann (1681-1767) | |||
| Sonata Prima In A Major - For Flute, Violin, Violoncello & Basso Continuo - Parisian Quartet No.4 | |||
| 27-1 | I. Soave | 3:27 | |
| 27-2 | II. Allegro | 2:02 | |
| 27-3 | III. Andante | 3:44 | |
| 27-4 | IV. Vivace | 2:24 | |
| Wolfgang Amadeus Mozart (1756-1791) | |||
| String Quartet In C Major No.4 K.157 | |||
| 27-5 | I. Allegro | 7:36 | |
| 27-6 | II. Andante | 7:02 | |
| 27-7 | III. Presto | 1:42 | |
| Joseph Haydn (1732-1809) | |||
| String Quartet In C Major Op.33/3 Hob.III:39 | |||
| 27-8 | I. Allegro Moderato | 9:08 | |
| 27-9 | II. Allegretto | 2:54 | |
| 27-10 | III. Adagio | 5:21 | |
| 27-11 | IV. Rondo. Presto | 2:42 | |
| Carl Stamitz (1745-1801) | |||
| Oboe Quartet In D Major Op.8 | |||
| 27-12 | I. Allegro | 5:30 | |
| 27-13 | II. Andante Amoroso | 4:43 | |
| 27-14 | IV. Poco Presto | 4:19 | |
| The Great Classical Quartets - Les Grands Quatuors Classiques | |||
| Wolfgang Amadeus Mozart (1756-1791) | |||
| String Quartet In B Flat Major no.17 K.458 The Hunt | |||
| 28-1 | I. Allegro Vivace Assai | 12:06 | |
| 28-2 | II. Menuetto - Moderato | 4:21 | |
| 28-3 | III. Adagio | 7:14 | |
| 28-4 | IV. Allegro Assai | 9:00 | |
| Joseph Haydn (1732-1809) | |||
| String Quartet In D Minor Op.76 No.2 Hob.III:76 | |||
| 28-5 | I. Allegro | 8:40 | |
| 28-6 | II. Andante E Più Tosto Allegretto | 5:58 | |
| 28-7 | III. Menuetto - Allegro Ma Non Troppo - Trio | 3:50 | |
| 28-8 | IV. Vivace Assai | 3:56 | |
| Ludwig Van Beethoven (1770-1827) | |||
| String Quartet In B Flat Major Op.18 No.6 | |||
| 28-9 | I. Allegro Con Brio | 5:52 | |
| 28-10 | II. Adagio Ma Non Troppo | 6:29 | |
| 28-11 | III. Scherzo (Allegro) - Trio | 3:22 | |
| 28-12 | IV. La Malinconia (Adagio - Allegretto Quasi Allegro) | 6:27 | |
| Ludwig Van Beethoven: The 'Late Quartets' - Les Derniers Quatuors | |||
| Ludwig Van Beethoven (1770-1827) | |||
| String Quartet In B Flat Major No.13 Op.130 | |||
| 29-1 | I. Adagio Ma Non Troppo - Allegro | 13:04 | |
| 29-2 | II. Presto | 2:03 | |
| 29-3 | III. Andante Con Moto Ma Non Troppo | 6:59 | |
| 29-4 | IV. Alla Danza Tedesca. Allegro Assai | 3:34 | |
| 29-5 | V. Cavatina. Adagio Molto Espressivo | 6:17 | |
| 29-6 | Grosse Fuge Op.133 | 16:19 | |
| String Quartet In F Major No.16 Op.135 | |||
| 29-7 | I. Allegretto | 6:26 | |
| 29-8 | II. Vivace | 3:21 | |
| 29-9 | III. Lento Assai, Cantante E Tranquillo | 6:50 | |
| 29-10 | IV. Grave Ma Non Troppo Tratto - Allegro | 6:57 | |
Alto Vocals – Bernarda Fink (2-8 to 2-19)
Baritone Vocals – Simon Keenlyside (18-1 to 20-21)
Bass Vocals – Antonio Abete (18-1 to 20-21)
Bass Vocals – Dietrich Henschel (12-1 to 12-4)
Bass Vocals – Lorenzo Regazzo (18-1 to 20-21)
Bass Vocals – Stephen Varcoe (2-1 to 2-7)
Bassoon – Javier Zafra (7-6 to 7-8)
Cello – Christophe Coin (23-1 to 23-3)
Cello – Clive Greensmith (28-9 to 2-10)
Cello – Helen Gough (27-12 to 27-14)
Cello – Ivan Monighetti (7-9 to 7-11)
Cello – Jaap Ter Linden (21-9 to 21-12)
Cello – Jean-Guihen Queyras (6-7 to 6-9, 23-7 to 23-10)
Cello – Kristin Von Der Goltz (27-1 to 27-4)
Cello – Kyril Zlotnikov (27-5 to 27-11, 28-1 to 28-8)
Cello – Myron Lutzke (23-4 to 23-6)
Cello – Philipp Bosbach (21-19 to 21-22)
Cello – Susan Sheppard (21-1 to 21-8)
Choir – Collegium Vocale (12-1 to 12-4, 18-1 to 20-21)
Choir – La Chapelle Royale (12-1 to 12-4)
Choir – Choeur De La Chapelle Royale (2-1 to 2-7)
Choir – RIAS Kammerchor (3-1 to 4-32, 16-1 to 17-18)
Composed By – André Campra (2-1 to 2-7)
Composed By – Antonio Vivaldi (5-1 to 5-12, 21-1 to 21-4)
Composed By – Carl Philipp Emanuel Bach (6-10 to 6-12, 9-7 to 9-9, 21-13 to 21-15)
Composed By – Carl Stamitz (27-12 to 27-14)
Composed By – Christoph Willibald Gluck (16-1 to 17-18)
Composed By – François Couperin (1-1 to 1-18)
Composed By – George Frideric Handel (3-1 to 4-32, 5-19 to 5-22)
Composed By – Georg Philipp Telemann (5-13 to 5-15, 21-5 to 21-8, 27-1 to 27-4)
Composed By – Giovanni Battista Pergolesi (2-8 to 2-19)
Composed By – Giovanni Battista Sammartini (9-1, 9-2)
Composed By – Giuseppe Tartini (6-1 to 6-6)
Composed By – Ignaz Joseph Pleyel (7-9 to 7-11)
Composed By – Jean-Joseph Mondonville (22-14, 22-15)
Composed By – Jean-Philippe Rameau (1-19 to 1-25, 13-1 to 15-16)
Composed By – Johann Christian Bach (6-13 to 6-15, 9-10 to 9-12)
Composed By – Johann Christoph Friedrich Bach (21-16 to 21-18)
Composed By – Johann Kuhnau (22-1 to 22-13)
Composed By – Johann Schobert (21-19 to 21-22)
Composed By – Johann Sebastian Bach (5-16 to 5-18, 21-9 to 21-12)
Composed By – Joseph Haydn (7-1 to 7-3, 10-1 to 10-8, 11-1 to 11-4, 23-1 to 23-3, 24-1 to 24-12, 27-8 to 27-11, 28-5 to 28-8)
Composed By – Ludwig Van Beethoven (8-4 to 8-6, 12-1 to 12-4, 23-7 to 23-10, 26-1 to 26-10, 28-9 to 29-10)
Composed By – Luigi Boccherini (9-13 to 9-15)
Composed By – Georg Matthias Monn (6-7 to 6-9)
Composed By – Wilhelm Friedemann Bach (9-3 to 9-6)
Composed By – Wolfgang Amadeus Mozart (7-4 to 7-8, 8-1 to 8-3, 10-9 to 10-12, 11-5 to 11-8, 22-16 to 22-20, 23-4 to 23-6, 25-1 to 25-12, 27-5 to 27-7, 28-1 to 28-4)
Countertenor Vocals [Haute-Contre] – Josep Benet (2-1 to 2-7)
Directed By – Andrew Manze (9-7 to 9-9)
Directed By – Chiara Banchini (6-1 to 6-6, 9-1, 9-2, 9-13 to 9-15)
Directed By – Clemens-Maria Nuszbaumer (5-1 to 5-12)
Directed By – Daniel Reuss (3-1 to 4-32)
Directed By – Gottfried Von Der Goltz (7-6 to 7-8, 10-9 to 10-12)
Directed By – Jiří Bělohlávek (8-4 to 8-6)
Directed By – Petra Müllejans (6-7 to 6-12, 10-1 to 10-8)
Directed By – Philippe Herreweghe (2-1 to 2-7, 12-1 to 12-4)
Directed By – René Jacobs (11-1 to 11-8, 16-1 to 20-21)
Directed By – Stephan Mai (5-13 to 5-15, 7-9 to 7-11, 9-3 to 9-6, 9-10 to 9-12)
Directed By – William Christie (13-1 to 15-16)
Directed By, Harpsichord – Richard Egarr (5-16 to 5-18)
Directed By, Organ – Richard Egarr (5-19 to 5-22)
Directed By, Piano – Stefan Vladar (8-1 to 8-3)
Directed By, Violin – Gottfried Von Der Goltz (7-1 to 7-3)
Edited By [Montage] – René Möller (3-1 to 4-32)
Ensemble – Ensemble 415 (6-1 to 6-6, 9-1, 9-2, 9-13 to 9-15)
Ensemble – Freiburger BarockConsort (27-1 to 27-4)
Ensemble – Jerusalem Quartet (27-5 to 27-11, 28-1 to 28-8)
Ensemble – London Baroque (6-13 to 6-15, 7-4, 7-5, 21-13 to 21-18)
Ensemble – Terzetto (27-12 to 27-14)
Ensemble – The Mozartean Players (23-4 to 23-6)
Ensemble – Tokyo String Quartet (28-9 to 29-10)
Flute – Janet See (21-9 to 21-12)
Flute – Karl Kaiser (27-1 to 27-4)
Flute – Suzanne Kaiser (7-6 to 7-8)
Fortepiano – Andreas Staier (23-7 to 23-10, 25-1 to 25-12)
Fortepiano – Patrick Cohen (23-1 to 23-3)
Fortepiano – Steven Lubin (23-4 to 23-6)
Fortepiano – Temenuschka Vesselinova (22-16 to 22-20)
Fortepiano [Fritz] – Luciano Sgrizzi (21-19 to 21-22)
Harpsichord – Andreas Staier (6-10 to 6-12)
Harpsichord – Christophe Rousset (1-1 to 1-25)
Harpsichord – Davitt Moroney (21-9 to 21-12)
Harpsichord – John Butt (22-1 to 22-13)
Harpsichord – John Toll (21-1 to 21-8)
Harpsichord – Torsten Johann (27-1 to 27-4)
Harpsichord – William Christie (22-14, 22-15)
Horn – Erwin Wieringa (7-6 to 7-8)
Layout – Atelier Harmonia Mundi
Liner Notes – Andreas Friesenhagen
Liner Notes – Andreas Staier
Liner Notes – Andrew Manze
Liner Notes – Armin Raab
Liner Notes – Bruce Gustafson
Liner Notes – Bruce Haynes
Liner Notes – Charles Johnston
Liner Notes – Christian Girardin
Liner Notes – Danilo Prefumo
Liner Notes – David Fuller
Liner Notes – David Vickers
Liner Notes – Davitt Moroney
Liner Notes – Denis Morrier
Liner Notes – Elisabeth Bourgogne
Liner Notes – Emilio Moreno
Liner Notes – Enrico Gatti
Liner Notes – Florence Badol-Bertrand
Liner Notes – George Gelles
Liner Notes – Giorgio Prestelli
Liner Notes – Hans Günter Ottenberg
Liner Notes – Jean-Paul Montagnier
Liner Notes – John Butt
Liner Notes – John Irving
Liner Notes – Michael Talbot
Liner Notes – Nicholas Anderson
Liner Notes – Peter Huth
Liner Notes – Peter Wollny
Liner Notes – Renaud Machart
Liner Notes – Richard Egarr
Liner Notes – Roman Hinke
Liner Notes – Steven Lubin
Liner Notes – Sylvie Bouissou
Lute – Lee Santana (27-1 to 27-4)
Mezzo-soprano Vocals – Angelika Kirchschlager (18-1 to 20-21)
Mezzo-soprano Vocals – Bernarda Fink (16-1 to 17-18)
Mezzo-soprano Vocals – Petra Lang (12-1 to 12-4)
Oboe – Ann-Kathrin Brüggemann (7-6 to 7-8)
Oboe – Paul Goodwin (21-1 to 21-8, 27-12 to 27-14)
Orchestra – Akademie Für Alte Musik Berlin (2-8 to 5-15, 7-9 to 7-11, , 9-3 to 9-6, 9-10 to 9-12)
Orchestra – BBC Symphony Orchestra (8-4 to 8-6)
Orchestra – Camerata Salzburg (8-1 to 8-3)
Orchestra – Concerto Köln (18-1 to 20-21)
Orchestra – The English Concert (9-7 to 9-9)
Orchestra – Freiburger Barockorchester (6-7 to 6-12, 7-1 to 7-3, 7-6 to 7-8, 10-1 to 11-8, 16-1 to 17-18)
Orchestra – Orchestre De La Chapelle Royale (2-1 to 2-7)
Orchestra – Les Arts Florissants (13-1 to 15-16)
Orchestra – Orchestre Des Champs-Elysées (12-1 to 12-4)
Orchestra – Academy Of Ancient Music (5-16 to 5-22)
Piano – Alain Planès (24-1 to 24-12)
Piano – Paul Lewis (8-4 to 8-6, 26-1 to 26-10)
Producer [Direction Artistique] – Arend Prohmann (9-1, 9-2)
Producer [Direction Artistique] – Barbara Valentin (6-13 to 6-15, 7-4, 7-5)
Producer [Direction Artistique] – Ben Turner (27-12 to 27-14)
Producer [Direction Artistique] – Brad Michel (29-7 to 29-10)
Producer [Direction Artistique] – Eberhard Geiger (5-13 to 5-15, 7-9 to 7-11, 9-3 to 9-6, 16-1 to 17-18)
Producer [Direction Artistique] – Friedemann Engelbrecht (6-7 to 6-9)
Producer [Direction Artistique] – Jacques Drillon (24-1 to 24-6)
Producer [Direction Artistique] – Jean-Martial Golaz (12-1 to 12-4, 13-1 to 15-16, 23-1 to 23-3)
Producer [Direction Artistique] – Joanna Nickrenz (23-4 to 23-6)
Producer [Direction Artistique] – Klaus L. Neumann (21-5 to 21-8)
Producer [Direction Artistique] – Marc Aubort (23-4 to 23-6)
Producer [Direction Artistique] – Martin Sauer (1-1 to 1-25, 2-8 to 5-12, 6-10 to 6-12, 7-1 to 7-3, 7-6 to 7-8, 8-1 to 8-6, 9-10 to 9-12, 10-1 to 11-8, 18-1 to 20-21, 23-7 to 23-10, 24-7 to 25-9, 26-1 to 27-11, 28-1 to 28-4)
Producer [Direction Artistique] – Michel Bernard (2-1 to 2-7, 21-9 to 21-12, 21-16 to 21-18)
Producer [Direction Artistique] – Nicholas Parker (21-13 to 21-15)
Producer [Direction Artistique] – Otto Nielen (21-5 to 21-8)
Producer [Direction Artistique] – Paul F. Witt (22-1 to 22-13)
Producer [Direction Artistique] – Pere Casulleras (6-1 to 6-6, 9-13 to 9-15, 21-19 to 21-22, , 22-16 to 22-20)
Producer [Direction Artistique] – Robina G. Young (5-16 to 5-22, 9-7 to 9-9, 21-1 to 21-8, 22-1 to 22-13, 23-4 to 23-6, 25-10 to 25-12, 27-12 to 27-14, 28-5 to 29-6)
Producer [Producteur Délégué] – Richard Lorber (18-1 to 20-21)
Recorded By [Prise De Son] – Arend Prohmann (9-1, 9-2)
Recorded By [Prise De Son] – Brad Michel (5-16 to 5-22, 9-7 to 9-9, 25-10 to 25-12, , 28-5 to 29-6)
Recorded By [Prise De Son] – Chris Barrett (5-19 to 5-22)
Recorded By [Prise De Son] – Dietrich Wohlfromm (6-13 to 6-15, 7-4, 7-5)
Recorded By [Prise De Son] – Elite Recordings Inc. (23-4 to 23-6)
Recorded By [Prise De Son] – Götz Bürki (21-5 to 21-8)
Recorded By [Prise De Son] – Jean-François Pontefract (21-9 to 21-12, 22-14, 22-15)
Recorded By [Prise De Son] – Jean-Martial Golaz (12-1 to 12-4, 13-1 to 15-16, 23-1 to 23-3)
Recorded By [Prise De Son] – Julian Schwenkner (24-7 to 24-12, 26-1 to 26-10)
Recorded By [Prise De Son] – Michael Glaser (5-13 to 5-15, 7-9 to 7-11, , 9-3 to 9-6, 16-1 to 17-18)
Recorded By [Prise De Son] – Michel Pierre (1-1 to 1-25, 21-16 to 21-18, 24-1 to 24-6)
Recorded By [Prise De Son] – Nicholas Parker (21-13 to 21-15)
Recorded By [Prise De Son] – Pere Casulleras (2-1 to 2-7, 6-1 to 6-6, 9-13 to 9-15, 21-19 to 21-22, 22-16 to 22-20)
Recorded By [Prise De Son] – Philipp Knop (6-7 to 6-9, 8-3 to 8-6, 26-1 to 26-10)
Recorded By [Prise De Son] – Reiner Kühl (18-1 to 20-21, 21-5 to 21-8)
Recorded By [Prise De Son] – René Möller (7-6 to 7-8, 10-8 to 10-12, 11-5 to 11-8, 27-4 to 27-7)
Recorded By [Prise De Son] – Sara Clerk (29-7 to 29-10)
Recorded By [Prise De Son] – Sebastian Roth (18-1 to 20-21)
Recorded By [Prise De Son] – Tobias Lehmann (2-8 to 5-12, 6-10 to 6-12, 7-1 to 7-3, 7-6 to 7-8, 8-1 to 8-3, 9-10 to 9-12, 10-1 to 10-12, 23-7 to 23-10, 25-1 to 25-9, 27-1 to 27-3, 27-8 to 27-11, 28-1 to 28-4)
Recorded By [Prise De Son] – Tony Faulkner (21-1 to 21-4, 22-1 to 22-13, 27-12 to 27-14)
Recorded By [Prise De Son] – Ute Hesse (11-5 to 11-8)
Soprano Vocals – Anna Prohaska (2-8 to 2-19)
Soprano Vocals – Judith Nelson (22-14, 22-15)
Soprano Vocals – Maria Cristina Kiehr (16-1 to 17-18)
Soprano Vocals – Marie McLaughlin (18-1 to 20-21)
Soprano Vocals – Melanie Diener (12-1 to 12-4)
Soprano Vocals – Nuria Rial (18-1 to 20-21)
Soprano Vocals – Patrizia Ciofi (18-1 to 20-21)
Soprano Vocals – Veronica Cangemi (16-1 to 17-18)
Soprano Vocals – Véronique Gens (18-1 to 20-21)
Soprano Vocals [Dessus 1] – Elisabeth Baudry (2-1 to 2-7)
Soprano Vocals [Dessus 2] – Monique Zanetti (2-1 to 2-7)
Tenor Vocals – Endrik Wottrich (12-1 to 12-4)
Tenor Vocals – John Elwes (2-1 to 2-7)
Tenor Vocals – Kobie Van Rensburg (18-1 to 20-21)
Theorbo [Archilute] – Nigel North (21-1 to 21-8)
Viola – Amichai Grosz (27-5 to 27-11)
Viola – Jane Rogers (27-12 to 27-14)
Viola – Kazuhide Isomura (28-9 to 2-10)
Viola da Gamba – Hille Perl (27-1 to 27-4)
Viola da Gamba – Kaori Uemura (1-19 to 1-25)
Violin – Alexander Pavlovsky (27-5 to 27-11, 28-1 to 28-8)
Violin – Anna McDonald (27-12 to 27-14)
Violin – Chiara Banchini (21-19 to 21-22, 22-16 to 22-20)
Violin – Daniel Sepec (23-7 to 23-10)
Violin – Enrico Gatti (6-1 to 6-6)
Violin – Erich Höbarth (23-1 to 23-3)
Violin – John Holloway (21-9 to 21-12)
Violin – Kikuei Ikeda (28-9 to 2-10)
Violin – Martin Beaver (28-9 to 2-10)
Violin – Midori Seiler (5-1 to 5-15)
Violin – Petra Müllejans (27-1 to 27-4)
Violin – Ryo Terakado (1-19 to 1-25)
Violin – Sergei Bresler (27-5 to 27-11, 28-1 to 28-8)
Violin – Stanley Ritchie (22-14, 22-15, 23-4 to 23-6)
Violin – Véronique Méjean (21-19 to 21-22)
Baritone Vocals – Simon Keenlyside (18-1 to 20-21)
Bass Vocals – Antonio Abete (18-1 to 20-21)
Bass Vocals – Dietrich Henschel (12-1 to 12-4)
Bass Vocals – Lorenzo Regazzo (18-1 to 20-21)
Bass Vocals – Stephen Varcoe (2-1 to 2-7)
Bassoon – Javier Zafra (7-6 to 7-8)
Cello – Christophe Coin (23-1 to 23-3)
Cello – Clive Greensmith (28-9 to 2-10)
Cello – Helen Gough (27-12 to 27-14)
Cello – Ivan Monighetti (7-9 to 7-11)
Cello – Jaap Ter Linden (21-9 to 21-12)
Cello – Jean-Guihen Queyras (6-7 to 6-9, 23-7 to 23-10)
Cello – Kristin Von Der Goltz (27-1 to 27-4)
Cello – Kyril Zlotnikov (27-5 to 27-11, 28-1 to 28-8)
Cello – Myron Lutzke (23-4 to 23-6)
Cello – Philipp Bosbach (21-19 to 21-22)
Cello – Susan Sheppard (21-1 to 21-8)
Choir – Collegium Vocale (12-1 to 12-4, 18-1 to 20-21)
Choir – La Chapelle Royale (12-1 to 12-4)
Choir – Choeur De La Chapelle Royale (2-1 to 2-7)
Choir – RIAS Kammerchor (3-1 to 4-32, 16-1 to 17-18)
Composed By – André Campra (2-1 to 2-7)
Composed By – Antonio Vivaldi (5-1 to 5-12, 21-1 to 21-4)
Composed By – Carl Philipp Emanuel Bach (6-10 to 6-12, 9-7 to 9-9, 21-13 to 21-15)
Composed By – Carl Stamitz (27-12 to 27-14)
Composed By – Christoph Willibald Gluck (16-1 to 17-18)
Composed By – François Couperin (1-1 to 1-18)
Composed By – George Frideric Handel (3-1 to 4-32, 5-19 to 5-22)
Composed By – Georg Philipp Telemann (5-13 to 5-15, 21-5 to 21-8, 27-1 to 27-4)
Composed By – Giovanni Battista Pergolesi (2-8 to 2-19)
Composed By – Giovanni Battista Sammartini (9-1, 9-2)
Composed By – Giuseppe Tartini (6-1 to 6-6)
Composed By – Ignaz Joseph Pleyel (7-9 to 7-11)
Composed By – Jean-Joseph Mondonville (22-14, 22-15)
Composed By – Jean-Philippe Rameau (1-19 to 1-25, 13-1 to 15-16)
Composed By – Johann Christian Bach (6-13 to 6-15, 9-10 to 9-12)
Composed By – Johann Christoph Friedrich Bach (21-16 to 21-18)
Composed By – Johann Kuhnau (22-1 to 22-13)
Composed By – Johann Schobert (21-19 to 21-22)
Composed By – Johann Sebastian Bach (5-16 to 5-18, 21-9 to 21-12)
Composed By – Joseph Haydn (7-1 to 7-3, 10-1 to 10-8, 11-1 to 11-4, 23-1 to 23-3, 24-1 to 24-12, 27-8 to 27-11, 28-5 to 28-8)
Composed By – Ludwig Van Beethoven (8-4 to 8-6, 12-1 to 12-4, 23-7 to 23-10, 26-1 to 26-10, 28-9 to 29-10)
Composed By – Luigi Boccherini (9-13 to 9-15)
Composed By – Georg Matthias Monn (6-7 to 6-9)
Composed By – Wilhelm Friedemann Bach (9-3 to 9-6)
Composed By – Wolfgang Amadeus Mozart (7-4 to 7-8, 8-1 to 8-3, 10-9 to 10-12, 11-5 to 11-8, 22-16 to 22-20, 23-4 to 23-6, 25-1 to 25-12, 27-5 to 27-7, 28-1 to 28-4)
Countertenor Vocals [Haute-Contre] – Josep Benet (2-1 to 2-7)
Directed By – Andrew Manze (9-7 to 9-9)
Directed By – Chiara Banchini (6-1 to 6-6, 9-1, 9-2, 9-13 to 9-15)
Directed By – Clemens-Maria Nuszbaumer (5-1 to 5-12)
Directed By – Daniel Reuss (3-1 to 4-32)
Directed By – Gottfried Von Der Goltz (7-6 to 7-8, 10-9 to 10-12)
Directed By – Jiří Bělohlávek (8-4 to 8-6)
Directed By – Petra Müllejans (6-7 to 6-12, 10-1 to 10-8)
Directed By – Philippe Herreweghe (2-1 to 2-7, 12-1 to 12-4)
Directed By – René Jacobs (11-1 to 11-8, 16-1 to 20-21)
Directed By – Stephan Mai (5-13 to 5-15, 7-9 to 7-11, 9-3 to 9-6, 9-10 to 9-12)
Directed By – William Christie (13-1 to 15-16)
Directed By, Harpsichord – Richard Egarr (5-16 to 5-18)
Directed By, Organ – Richard Egarr (5-19 to 5-22)
Directed By, Piano – Stefan Vladar (8-1 to 8-3)
Directed By, Violin – Gottfried Von Der Goltz (7-1 to 7-3)
Edited By [Montage] – René Möller (3-1 to 4-32)
Ensemble – Ensemble 415 (6-1 to 6-6, 9-1, 9-2, 9-13 to 9-15)
Ensemble – Freiburger BarockConsort (27-1 to 27-4)
Ensemble – Jerusalem Quartet (27-5 to 27-11, 28-1 to 28-8)
Ensemble – London Baroque (6-13 to 6-15, 7-4, 7-5, 21-13 to 21-18)
Ensemble – Terzetto (27-12 to 27-14)
Ensemble – The Mozartean Players (23-4 to 23-6)
Ensemble – Tokyo String Quartet (28-9 to 29-10)
Flute – Janet See (21-9 to 21-12)
Flute – Karl Kaiser (27-1 to 27-4)
Flute – Suzanne Kaiser (7-6 to 7-8)
Fortepiano – Andreas Staier (23-7 to 23-10, 25-1 to 25-12)
Fortepiano – Patrick Cohen (23-1 to 23-3)
Fortepiano – Steven Lubin (23-4 to 23-6)
Fortepiano – Temenuschka Vesselinova (22-16 to 22-20)
Fortepiano [Fritz] – Luciano Sgrizzi (21-19 to 21-22)
Harpsichord – Andreas Staier (6-10 to 6-12)
Harpsichord – Christophe Rousset (1-1 to 1-25)
Harpsichord – Davitt Moroney (21-9 to 21-12)
Harpsichord – John Butt (22-1 to 22-13)
Harpsichord – John Toll (21-1 to 21-8)
Harpsichord – Torsten Johann (27-1 to 27-4)
Harpsichord – William Christie (22-14, 22-15)
Horn – Erwin Wieringa (7-6 to 7-8)
Layout – Atelier Harmonia Mundi
Liner Notes – Andreas Friesenhagen
Liner Notes – Andreas Staier
Liner Notes – Andrew Manze
Liner Notes – Armin Raab
Liner Notes – Bruce Gustafson
Liner Notes – Bruce Haynes
Liner Notes – Charles Johnston
Liner Notes – Christian Girardin
Liner Notes – Danilo Prefumo
Liner Notes – David Fuller
Liner Notes – David Vickers
Liner Notes – Davitt Moroney
Liner Notes – Denis Morrier
Liner Notes – Elisabeth Bourgogne
Liner Notes – Emilio Moreno
Liner Notes – Enrico Gatti
Liner Notes – Florence Badol-Bertrand
Liner Notes – George Gelles
Liner Notes – Giorgio Prestelli
Liner Notes – Hans Günter Ottenberg
Liner Notes – Jean-Paul Montagnier
Liner Notes – John Butt
Liner Notes – John Irving
Liner Notes – Michael Talbot
Liner Notes – Nicholas Anderson
Liner Notes – Peter Huth
Liner Notes – Peter Wollny
Liner Notes – Renaud Machart
Liner Notes – Richard Egarr
Liner Notes – Roman Hinke
Liner Notes – Steven Lubin
Liner Notes – Sylvie Bouissou
Lute – Lee Santana (27-1 to 27-4)
Mezzo-soprano Vocals – Angelika Kirchschlager (18-1 to 20-21)
Mezzo-soprano Vocals – Bernarda Fink (16-1 to 17-18)
Mezzo-soprano Vocals – Petra Lang (12-1 to 12-4)
Oboe – Ann-Kathrin Brüggemann (7-6 to 7-8)
Oboe – Paul Goodwin (21-1 to 21-8, 27-12 to 27-14)
Orchestra – Akademie Für Alte Musik Berlin (2-8 to 5-15, 7-9 to 7-11, , 9-3 to 9-6, 9-10 to 9-12)
Orchestra – BBC Symphony Orchestra (8-4 to 8-6)
Orchestra – Camerata Salzburg (8-1 to 8-3)
Orchestra – Concerto Köln (18-1 to 20-21)
Orchestra – The English Concert (9-7 to 9-9)
Orchestra – Freiburger Barockorchester (6-7 to 6-12, 7-1 to 7-3, 7-6 to 7-8, 10-1 to 11-8, 16-1 to 17-18)
Orchestra – Orchestre De La Chapelle Royale (2-1 to 2-7)
Orchestra – Les Arts Florissants (13-1 to 15-16)
Orchestra – Orchestre Des Champs-Elysées (12-1 to 12-4)
Orchestra – Academy Of Ancient Music (5-16 to 5-22)
Piano – Alain Planès (24-1 to 24-12)
Piano – Paul Lewis (8-4 to 8-6, 26-1 to 26-10)
Producer [Direction Artistique] – Arend Prohmann (9-1, 9-2)
Producer [Direction Artistique] – Barbara Valentin (6-13 to 6-15, 7-4, 7-5)
Producer [Direction Artistique] – Ben Turner (27-12 to 27-14)
Producer [Direction Artistique] – Brad Michel (29-7 to 29-10)
Producer [Direction Artistique] – Eberhard Geiger (5-13 to 5-15, 7-9 to 7-11, 9-3 to 9-6, 16-1 to 17-18)
Producer [Direction Artistique] – Friedemann Engelbrecht (6-7 to 6-9)
Producer [Direction Artistique] – Jacques Drillon (24-1 to 24-6)
Producer [Direction Artistique] – Jean-Martial Golaz (12-1 to 12-4, 13-1 to 15-16, 23-1 to 23-3)
Producer [Direction Artistique] – Joanna Nickrenz (23-4 to 23-6)
Producer [Direction Artistique] – Klaus L. Neumann (21-5 to 21-8)
Producer [Direction Artistique] – Marc Aubort (23-4 to 23-6)
Producer [Direction Artistique] – Martin Sauer (1-1 to 1-25, 2-8 to 5-12, 6-10 to 6-12, 7-1 to 7-3, 7-6 to 7-8, 8-1 to 8-6, 9-10 to 9-12, 10-1 to 11-8, 18-1 to 20-21, 23-7 to 23-10, 24-7 to 25-9, 26-1 to 27-11, 28-1 to 28-4)
Producer [Direction Artistique] – Michel Bernard (2-1 to 2-7, 21-9 to 21-12, 21-16 to 21-18)
Producer [Direction Artistique] – Nicholas Parker (21-13 to 21-15)
Producer [Direction Artistique] – Otto Nielen (21-5 to 21-8)
Producer [Direction Artistique] – Paul F. Witt (22-1 to 22-13)
Producer [Direction Artistique] – Pere Casulleras (6-1 to 6-6, 9-13 to 9-15, 21-19 to 21-22, , 22-16 to 22-20)
Producer [Direction Artistique] – Robina G. Young (5-16 to 5-22, 9-7 to 9-9, 21-1 to 21-8, 22-1 to 22-13, 23-4 to 23-6, 25-10 to 25-12, 27-12 to 27-14, 28-5 to 29-6)
Producer [Producteur Délégué] – Richard Lorber (18-1 to 20-21)
Recorded By [Prise De Son] – Arend Prohmann (9-1, 9-2)
Recorded By [Prise De Son] – Brad Michel (5-16 to 5-22, 9-7 to 9-9, 25-10 to 25-12, , 28-5 to 29-6)
Recorded By [Prise De Son] – Chris Barrett (5-19 to 5-22)
Recorded By [Prise De Son] – Dietrich Wohlfromm (6-13 to 6-15, 7-4, 7-5)
Recorded By [Prise De Son] – Elite Recordings Inc. (23-4 to 23-6)
Recorded By [Prise De Son] – Götz Bürki (21-5 to 21-8)
Recorded By [Prise De Son] – Jean-François Pontefract (21-9 to 21-12, 22-14, 22-15)
Recorded By [Prise De Son] – Jean-Martial Golaz (12-1 to 12-4, 13-1 to 15-16, 23-1 to 23-3)
Recorded By [Prise De Son] – Julian Schwenkner (24-7 to 24-12, 26-1 to 26-10)
Recorded By [Prise De Son] – Michael Glaser (5-13 to 5-15, 7-9 to 7-11, , 9-3 to 9-6, 16-1 to 17-18)
Recorded By [Prise De Son] – Michel Pierre (1-1 to 1-25, 21-16 to 21-18, 24-1 to 24-6)
Recorded By [Prise De Son] – Nicholas Parker (21-13 to 21-15)
Recorded By [Prise De Son] – Pere Casulleras (2-1 to 2-7, 6-1 to 6-6, 9-13 to 9-15, 21-19 to 21-22, 22-16 to 22-20)
Recorded By [Prise De Son] – Philipp Knop (6-7 to 6-9, 8-3 to 8-6, 26-1 to 26-10)
Recorded By [Prise De Son] – Reiner Kühl (18-1 to 20-21, 21-5 to 21-8)
Recorded By [Prise De Son] – René Möller (7-6 to 7-8, 10-8 to 10-12, 11-5 to 11-8, 27-4 to 27-7)
Recorded By [Prise De Son] – Sara Clerk (29-7 to 29-10)
Recorded By [Prise De Son] – Sebastian Roth (18-1 to 20-21)
Recorded By [Prise De Son] – Tobias Lehmann (2-8 to 5-12, 6-10 to 6-12, 7-1 to 7-3, 7-6 to 7-8, 8-1 to 8-3, 9-10 to 9-12, 10-1 to 10-12, 23-7 to 23-10, 25-1 to 25-9, 27-1 to 27-3, 27-8 to 27-11, 28-1 to 28-4)
Recorded By [Prise De Son] – Tony Faulkner (21-1 to 21-4, 22-1 to 22-13, 27-12 to 27-14)
Recorded By [Prise De Son] – Ute Hesse (11-5 to 11-8)
Soprano Vocals – Anna Prohaska (2-8 to 2-19)
Soprano Vocals – Judith Nelson (22-14, 22-15)
Soprano Vocals – Maria Cristina Kiehr (16-1 to 17-18)
Soprano Vocals – Marie McLaughlin (18-1 to 20-21)
Soprano Vocals – Melanie Diener (12-1 to 12-4)
Soprano Vocals – Nuria Rial (18-1 to 20-21)
Soprano Vocals – Patrizia Ciofi (18-1 to 20-21)
Soprano Vocals – Veronica Cangemi (16-1 to 17-18)
Soprano Vocals – Véronique Gens (18-1 to 20-21)
Soprano Vocals [Dessus 1] – Elisabeth Baudry (2-1 to 2-7)
Soprano Vocals [Dessus 2] – Monique Zanetti (2-1 to 2-7)
Tenor Vocals – Endrik Wottrich (12-1 to 12-4)
Tenor Vocals – John Elwes (2-1 to 2-7)
Tenor Vocals – Kobie Van Rensburg (18-1 to 20-21)
Theorbo [Archilute] – Nigel North (21-1 to 21-8)
Viola – Amichai Grosz (27-5 to 27-11)
Viola – Jane Rogers (27-12 to 27-14)
Viola – Kazuhide Isomura (28-9 to 2-10)
Viola da Gamba – Hille Perl (27-1 to 27-4)
Viola da Gamba – Kaori Uemura (1-19 to 1-25)
Violin – Alexander Pavlovsky (27-5 to 27-11, 28-1 to 28-8)
Violin – Anna McDonald (27-12 to 27-14)
Violin – Chiara Banchini (21-19 to 21-22, 22-16 to 22-20)
Violin – Daniel Sepec (23-7 to 23-10)
Violin – Enrico Gatti (6-1 to 6-6)
Violin – Erich Höbarth (23-1 to 23-3)
Violin – John Holloway (21-9 to 21-12)
Violin – Kikuei Ikeda (28-9 to 2-10)
Violin – Martin Beaver (28-9 to 2-10)
Violin – Midori Seiler (5-1 to 5-15)
Violin – Petra Müllejans (27-1 to 27-4)
Violin – Ryo Terakado (1-19 to 1-25)
Violin – Sergei Bresler (27-5 to 27-11, 28-1 to 28-8)
Violin – Stanley Ritchie (22-14, 22-15, 23-4 to 23-6)
Violin – Véronique Méjean (21-19 to 21-22)
• Disc 1: ℗ 1992-1994 © 2011. Enregistrements: (1-10) septembre 1993, Musée d'Art et d'Histoire de Neuchâtel; (11-18) mai 1994 Musée des Beaux-Arts de Chartres; (19-25) mars 1992; Salle d'orgue du C.N.S.M.D. de Paris (Cité de la Musique, La Villette, Paris). Total time: 81'16.
• Disc 2: ℗ 1997-2010 © 2011. Enregistrements: (1-7) août 1986, Studio 103, Maison de Radio-France, Paris - En coproduction avec le Ministère de la Culture, la Fondation Total pour la Musique et France Musique; (8-19) décembre 2009, Teldex Studio Berlin. Total time: 77'59.
• Discs 3 & 4: ℗ 2007 © 2011. Enregistrement: En coproduction avec ROC GmbH. Mai 2006, Teldex Studio Berlin. Total times: 80'11-74'50.
• Disc 5: ℗ 2002-2010 © 2011. Enregistrements: (1-12) septembre 2009, Teldex Studio Berlin; (13-15) mars 2001, Christus-Kirche, Berlin-Oberschöneweide; (16-18) mai 2008, St. Jude's-on-the-Hill, Hampstead Garden, Londres; (19-22) novembre 2006, St. Jude's-on-the-Hill, Hampstead Garden. Total time: 76'43.
• Disc 6: ℗ 1991-2011 © 2011. Enregistrements: (1-6) décembre 1994, Église de Sometan (Suisse); (7-9) mars 2003, Teldex Studio Berlin; (10-12) mai 2010, Teldex Studio Berlin; (13-15) octobre 1990, Coproduction WDR. Total time: 73'10.
• Disc 7: ℗ 1995-2009 © 2011. Enregistrements: (1-3) août 2009, Paulussaal, Fribourg-en-Brisgau; (4-5) octobre 1990; Coproduction avec WDR; (6-8) avril 2005; Paulussaal, Fribourg-en-Brisgau; (9-11) février 1996, Christuskirche, Berlin-Oberschöneweide. Total time: 77'59.
• Disc 8: ℗ 2006, 2010 © 2011. Enregistrements: (1-3) avril 2006, Grand Auditoire de l'université de Salzbourg. En coproduction avec Salinen Austria AG; (4-6) juillet 2009, Maida Vale, Londres. En coproduction avec BBC Radio et BBC Symphony Orchestra. Total time: 54'27.
• Disc 9: ℗ 1986-2004 © 2011. Enregistrements: (1-2) juin 1986, Chiesa di San Giorgio, Morbio Inferiore (Suisse); (3-6) octobre 2001, Christuskirche, Berlin-Oberschöneweide; (7-9) mars 2006, Air Studios, Lyndhurst Hall, Londres; (10-12) octobre 2002, Teldex Studio Berlin; (13-15) juillet 1988, Église de Velleron (France). Total time: 81'11.
• Disc 10: ℗ 2002, 2006 © 2011. Enregistrements: (1-8) octobre 2001, Teldex Studio Berlin; (9-12) avril 2005, Paulussaal, Fribourg-en-Brisgau. Total time: 72'34.
• Disc 11: ℗ 2005, 2007 © 2011. Enregistrements: (1-4) février 2004, H. Rosbaud-Studio Baden-Baden / SWR; (5-8) août 2006, Tirol Saal, Congress Innsbruck. Total time: 65'55.
• Disc 12: ℗ 1999 © 2011. Enregistrement: Octobre 1998, Arsenal de Metz. Total time: 62'29.
• Discs 13-15: ℗ 1992 © 2011. Enregistrement: Septembre 1992, Paris, salle Berthier. Total times: 60'08-47'54-61'38.
• Discs 16-17: ℗ 2001 © 2011. Enregistrement: Janvier 2001, Teldec-Studio Berlin. Total times: 40'10-50'34.
• Discs 18-20: ℗ 2004 © 2011. Enregistrement: Avril 2003, Stolberger Saal, Cologne. En coproduction avec la WDR3. Total times: 45'16-57'05-69'48.
• Disc 21: ℗ 1986-1996 © 2011. Enregistrements: (1-4) mai 1992, Boxgrove Priory, Chichester; (5-8) juillet 1995, Forde Abbey, Chard, Somerset (GB) - En coproduction avec la WDR; (9-12) juin 1987, Salle Adyar, Paris; (13-15) St. Martin's Church, East Woodhay, Berkshire; (16-18) novembre 1995, The Cobbe Foundation, East Clandon, Surrey (GB); (19-22) octobre 1988, Paroisse de l'Oratoire, Genève. Total time: 80'55.
• Disc 22: ℗ 1980-1994 © 2011. Enregistrements: (1-13) octobre 1991, Skywalker Sound, LucasArts Entertainment Company, Nicasio (USA); (14-15) janvier 1980, Notre-Dame des Anges, Lurs; (16-20) juillet et novembre 1993, Burgmattsaal, Waldenburg. Total time: 80'39.
• Disc 23: ℗ 1991-2007 © 2011. Enregistrements: (1-3) juin 2001, Salle de musique de la Chaux-de-Fonds (Suisse); (4-6) mai 1990, State University of New York, Purchase; (7-10) juillet 2006, Teldex Studio Berlin. Total time: 72'14.
• Disc 24: ℗ 2002-2009 © 2011. Enregistrements: (1-6) août 2001, Salle modulable de l'IRCAM, Paris; (7-12) octobre 2007, Teldex Studio Berlin. Total time: 68'37.
• Disc 25: ℗ 2003-2011 © 2011. Enregistrements: (1-3) mars 2003, Salle Stolberger, Cologne; (4-9) mars 2004, Teldex Studio Berlin; (10-12) janvier 2010, Air Studios, Lyndhurst Hall, Londres. Total time: 70'40.
• Disc 26: ℗ 2005-2007 © 2011. Enregistrements: (1-4) octobre-novembre 2006, (5-7) avril 2005, (8-10) décembre 2005, Teldex Studio Berlin. Total time: 69'28.
• Disc 27: ℗ 1998-2011 © 2011. Enregistrements: (1-3) février 2010, Teldex Studio Berlin; (4-7) août-septembre 2008, Teldex Studio Berlin; (8-11) Vereenidge Doopsgezinde Gemeente, Haarlem (NL); (12-14) octobre 1996, St. Andreaw Church, Toddington, Gloucestershire. Total time: 62'34.
• Disc 28: ℗ 1998-2011 © 2011. Enregistrements: (1-4) février 2010, Teldex Studio Berlin; (5-12) mai 2006 et février 2007, The Fisher Center for the Performing Arts, Bard College, Annandale-on-Hudson (NY). Total time: 80'15.
• Disc 29: ℗ 2010 © 2011. Enregistrements: (1-6) août-septembre 2008, Oji Hall, Tokyo; (7-10) novembre 2007, American Academy of Arts & Letters, New York. Total time: 71'50.
• Disc 30: ℗ 2011 © 2011. The CD-ROM contains the sung texts of the oratorio and operas, accompanied by an English translation.
Packaging: CDs housed in individual sleeves. Includes a 264 page booklet in French, English and German.
℗ 2011 - Made in Italy.
Imprimé en Italie par Pozzoli S.p.A.
• Disc 2: ℗ 1997-2010 © 2011. Enregistrements: (1-7) août 1986, Studio 103, Maison de Radio-France, Paris - En coproduction avec le Ministère de la Culture, la Fondation Total pour la Musique et France Musique; (8-19) décembre 2009, Teldex Studio Berlin. Total time: 77'59.
• Discs 3 & 4: ℗ 2007 © 2011. Enregistrement: En coproduction avec ROC GmbH. Mai 2006, Teldex Studio Berlin. Total times: 80'11-74'50.
• Disc 5: ℗ 2002-2010 © 2011. Enregistrements: (1-12) septembre 2009, Teldex Studio Berlin; (13-15) mars 2001, Christus-Kirche, Berlin-Oberschöneweide; (16-18) mai 2008, St. Jude's-on-the-Hill, Hampstead Garden, Londres; (19-22) novembre 2006, St. Jude's-on-the-Hill, Hampstead Garden. Total time: 76'43.
• Disc 6: ℗ 1991-2011 © 2011. Enregistrements: (1-6) décembre 1994, Église de Sometan (Suisse); (7-9) mars 2003, Teldex Studio Berlin; (10-12) mai 2010, Teldex Studio Berlin; (13-15) octobre 1990, Coproduction WDR. Total time: 73'10.
• Disc 7: ℗ 1995-2009 © 2011. Enregistrements: (1-3) août 2009, Paulussaal, Fribourg-en-Brisgau; (4-5) octobre 1990; Coproduction avec WDR; (6-8) avril 2005; Paulussaal, Fribourg-en-Brisgau; (9-11) février 1996, Christuskirche, Berlin-Oberschöneweide. Total time: 77'59.
• Disc 8: ℗ 2006, 2010 © 2011. Enregistrements: (1-3) avril 2006, Grand Auditoire de l'université de Salzbourg. En coproduction avec Salinen Austria AG; (4-6) juillet 2009, Maida Vale, Londres. En coproduction avec BBC Radio et BBC Symphony Orchestra. Total time: 54'27.
• Disc 9: ℗ 1986-2004 © 2011. Enregistrements: (1-2) juin 1986, Chiesa di San Giorgio, Morbio Inferiore (Suisse); (3-6) octobre 2001, Christuskirche, Berlin-Oberschöneweide; (7-9) mars 2006, Air Studios, Lyndhurst Hall, Londres; (10-12) octobre 2002, Teldex Studio Berlin; (13-15) juillet 1988, Église de Velleron (France). Total time: 81'11.
• Disc 10: ℗ 2002, 2006 © 2011. Enregistrements: (1-8) octobre 2001, Teldex Studio Berlin; (9-12) avril 2005, Paulussaal, Fribourg-en-Brisgau. Total time: 72'34.
• Disc 11: ℗ 2005, 2007 © 2011. Enregistrements: (1-4) février 2004, H. Rosbaud-Studio Baden-Baden / SWR; (5-8) août 2006, Tirol Saal, Congress Innsbruck. Total time: 65'55.
• Disc 12: ℗ 1999 © 2011. Enregistrement: Octobre 1998, Arsenal de Metz. Total time: 62'29.
• Discs 13-15: ℗ 1992 © 2011. Enregistrement: Septembre 1992, Paris, salle Berthier. Total times: 60'08-47'54-61'38.
• Discs 16-17: ℗ 2001 © 2011. Enregistrement: Janvier 2001, Teldec-Studio Berlin. Total times: 40'10-50'34.
• Discs 18-20: ℗ 2004 © 2011. Enregistrement: Avril 2003, Stolberger Saal, Cologne. En coproduction avec la WDR3. Total times: 45'16-57'05-69'48.
• Disc 21: ℗ 1986-1996 © 2011. Enregistrements: (1-4) mai 1992, Boxgrove Priory, Chichester; (5-8) juillet 1995, Forde Abbey, Chard, Somerset (GB) - En coproduction avec la WDR; (9-12) juin 1987, Salle Adyar, Paris; (13-15) St. Martin's Church, East Woodhay, Berkshire; (16-18) novembre 1995, The Cobbe Foundation, East Clandon, Surrey (GB); (19-22) octobre 1988, Paroisse de l'Oratoire, Genève. Total time: 80'55.
• Disc 22: ℗ 1980-1994 © 2011. Enregistrements: (1-13) octobre 1991, Skywalker Sound, LucasArts Entertainment Company, Nicasio (USA); (14-15) janvier 1980, Notre-Dame des Anges, Lurs; (16-20) juillet et novembre 1993, Burgmattsaal, Waldenburg. Total time: 80'39.
• Disc 23: ℗ 1991-2007 © 2011. Enregistrements: (1-3) juin 2001, Salle de musique de la Chaux-de-Fonds (Suisse); (4-6) mai 1990, State University of New York, Purchase; (7-10) juillet 2006, Teldex Studio Berlin. Total time: 72'14.
• Disc 24: ℗ 2002-2009 © 2011. Enregistrements: (1-6) août 2001, Salle modulable de l'IRCAM, Paris; (7-12) octobre 2007, Teldex Studio Berlin. Total time: 68'37.
• Disc 25: ℗ 2003-2011 © 2011. Enregistrements: (1-3) mars 2003, Salle Stolberger, Cologne; (4-9) mars 2004, Teldex Studio Berlin; (10-12) janvier 2010, Air Studios, Lyndhurst Hall, Londres. Total time: 70'40.
• Disc 26: ℗ 2005-2007 © 2011. Enregistrements: (1-4) octobre-novembre 2006, (5-7) avril 2005, (8-10) décembre 2005, Teldex Studio Berlin. Total time: 69'28.
• Disc 27: ℗ 1998-2011 © 2011. Enregistrements: (1-3) février 2010, Teldex Studio Berlin; (4-7) août-septembre 2008, Teldex Studio Berlin; (8-11) Vereenidge Doopsgezinde Gemeente, Haarlem (NL); (12-14) octobre 1996, St. Andreaw Church, Toddington, Gloucestershire. Total time: 62'34.
• Disc 28: ℗ 1998-2011 © 2011. Enregistrements: (1-4) février 2010, Teldex Studio Berlin; (5-12) mai 2006 et février 2007, The Fisher Center for the Performing Arts, Bard College, Annandale-on-Hudson (NY). Total time: 80'15.
• Disc 29: ℗ 2010 © 2011. Enregistrements: (1-6) août-septembre 2008, Oji Hall, Tokyo; (7-10) novembre 2007, American Academy of Arts & Letters, New York. Total time: 71'50.
• Disc 30: ℗ 2011 © 2011. The CD-ROM contains the sung texts of the oratorio and operas, accompanied by an English translation.
Packaging: CDs housed in individual sleeves. Includes a 264 page booklet in French, English and German.
℗ 2011 - Made in Italy.
Imprimé en Italie par Pozzoli S.p.A.
Barcode (Text) – 3 149020 860144
Barcode – 3149020860144
Label Code – LC7045
Other (Cat# CD1) – HMX 2908601
Matrix / Runout (CD1) – HMX2908601 . 30 CD1 50362
Mastering SID Code (CD1) – IFPI L213
Mould SID Code (CD1) – IFPI 3721
Other (Cat# CD2) – HMX 2908602
Matrix / Runout (CD2) – HMX2908601 . 30 CD2 50363
Mastering SID Code (CD2) – IFPI L213
Mould SID Code (CD2) – IFPI 3720
Other (Cat# CD3) – HMX 2908603
Matrix / Runout (CD3) – HMX2908601 . 30 CD3 50364
Mastering SID Code (CD3) – IFPI L213
Mould SID Code (CD3) – IFPI 3721
Other (Cat# CD4) – HMX 2908604
Matrix / Runout (CD4) – HMX2908601 . 30 CD4 F1 50365
Mastering SID Code (CD4) – IFPI L213
Mould SID Code (CD4) – IFPI 3722
Other (Cat# CD5) – HMX 2908605
Matrix / Runout (CD5) – HMX2908601 . 30 CD5 50366
Mastering SID Code (CD5) – IFPI L213
Mould SID Code (CD5) – IFPI 3722
Other (Cat# CD6) – HMX 2908606
Matrix / Runout (CD6) – HMX2908601 . 30 CD6 50367
Mastering SID Code (CD6) – IFPI L213
Mould SID Code (CD6) – IFPI 3721
Other (Cat# CD7) – HMX 2908607
Matrix / Runout (CD7) – HMX2908601 . 30 CD7 50368
Mastering SID Code (CD7) – IFPI L213
Mould SID Code (CD7) – IFPI 3722
Other (Cat# CD8) – HMX 2908608
Matrix / Runout (CD8) – HMX2908601 . 30 CD8 50369
Mastering SID Code (CD8) – IFPI L213
Mould SID Code (CD8) – IFPI 3720
Other (Cat# CD9) – HMX 2908609
Matrix / Runout (CD9) – HMX2908601 . 30 CD9 50370
Mastering SID Code (CD9) – IFPI L213
Mould SID Code (CD9) – IFPI 3722
Other (Cat# CD10) – HMX 2908610
Matrix / Runout (CD10) – HMX2908601 . 30 CD10 50371
Mastering SID Code (CD10) – IFPI L213
Mould SID Code (CD10) – IFPI 3721
Other (Cat# CD11) – HMX 2908611
Matrix / Runout (CD11) – HMX2908601 . 30 CD11 50372
Mastering SID Code (CD11) – IFPI L213
Mould SID Code (CD11) – IFPI 3720
Other (Cat# CD12) – HMX 2908612
Matrix / Runout (CD12) – HMX2908601 . 30 CD12 50373
Mastering SID Code (CD12) – IFPI L213
Mould SID Code (CD12) – IFPI 3722
Other (Cat# CD13) – HMX 2908613
Matrix / Runout (CD13) – HMX2908601 . 30 CD13 50374
Mastering SID Code (CD13) – IFPI L213
Mould SID Code (CD13) – IFPI 3721
Other (Cat# CD14) – HMX 2908614
Matrix / Runout (CD14) – HMX2908601 . 30 CD14 50375
Mastering SID Code (CD14) – IFPI L213
Mould SID Code (CD14) – IFPI 3720
Other (Cat# CD15) – HMX 2908615
Matrix / Runout (CD15) – HMX2908601 . 30 CD15 50376
Mastering SID Code (CD15) – IFPI L213
Mould SID Code (CD15) – IFPI 3722
Other (Cat# CD16) – HMX 2908616
Matrix / Runout (CD16) – HMX2908601 . 30 CD16 F1 50377
Mastering SID Code (CD16) – IFPI L213
Mould SID Code (CD16) – IFPI 3720
Other (Cat# CD17) – HMX 2908617
Matrix / Runout (CD17) – HMX2908601 . 30 CD17 50378
Mastering SID Code (CD17) – IFPI L213
Mould SID Code (CD17) – IFPI 3720
Other (Cat# CD18) – HMX 2908618
Matrix / Runout (CD18) – HMX2908601 . 30 CD18 50379
Mastering SID Code (CD18) – IFPI L213
Mould SID Code (CD18) – IFPI 3721
Other (Cat# CD19) – HMX 2908619
Matrix / Runout (CD19) – HMX2908601 . 30 CD19 50380
Mastering SID Code (CD19) – IFPI L213
Mould SID Code (CD19) – IFPI 3722
Other (Cat# CD20) – HMX 2908620
Matrix / Runout (CD20) – HMX2908601 . 30 CD20 50381
Mastering SID Code (CD20) – IFPI L213
Mould SID Code (CD20) – IFPI 3721
Other (Cat# CD21) – HMX 2908621
Matrix / Runout (CD21) – HMX2908601 . 31 CD21 50382
Mastering SID Code (CD21) – IFPI L213
Mould SID Code (CD21) – IFPI 3721
Other (Cat# CD22) – HMX 2908622
Matrix / Runout (CD22) – HMX2908601 . 31 CD22 50383
Mastering SID Code (CD22) – IFPI L213
Mould SID Code (CD22) – IFPI 3720
Other (Cat# CD23) – HMX 2908623
Matrix / Runout (CD23) – HMX2908601 . 31 CD23 50384
Mastering SID Code (CD23) – IFPI L213
Mould SID Code (CD23) – IFPI 3722
Other (Cat# CD24) – HMX 2908624
Matrix / Runout (CD24) – HMX2908601 . 31 CD24 50385
Mastering SID Code (CD24) – IFPI L213
Mould SID Code (CD24) – IFPI 3722
Other (Cat# CD25) – HMX 2908625
Matrix / Runout (CD25) – HMX2908601 . 31 CD25 50386
Mastering SID Code (CD25) – IFPI L213
Mould SID Code (CD25) – IFPI 3721
Other (Cat# CD26) – HMX 2908626
Matrix / Runout (CD26) – HMX2908601 . 31 CD26 50387
Mastering SID Code (CD26) – IFPI L213
Mould SID Code (CD26) – IFPI 3720
Other (Cat# CD27) – HMX 2908627
Matrix / Runout (CD27) – HMX2908601 . 31 CD27 50388
Mastering SID Code (CD27) – IFPI L213
Mould SID Code (CD27) – IFPI 3721
Other (Cat# CD28) – HMX 2908628
Matrix / Runout (CD28) – HMX2908601 . 31 CD28 50389
Mastering SID Code (CD28) – IFPI L213
Mould SID Code (CD28) – IFPI 3721
Other (Cat# CD29) – HMX 2908629
Matrix / Runout (CD29) – HMX2908601 . 31 CD29 50390
Mastering SID Code (CD29) – IFPI L213
Mould SID Code (CD29) – IFPI 3721
Other (Cat# CD30) – HMX 2908630
Matrix / Runout (CD30) – HMX2908601 . 31 CD30 50391
Mastering SID Code (CD30) – IFPI L213
Mould SID Code (CD30) – IFPI 3720
Barcode – 3149020860144
Label Code – LC7045
Other (Cat# CD1) – HMX 2908601
Matrix / Runout (CD1) – HMX2908601 . 30 CD1 50362
Mastering SID Code (CD1) – IFPI L213
Mould SID Code (CD1) – IFPI 3721
Other (Cat# CD2) – HMX 2908602
Matrix / Runout (CD2) – HMX2908601 . 30 CD2 50363
Mastering SID Code (CD2) – IFPI L213
Mould SID Code (CD2) – IFPI 3720
Other (Cat# CD3) – HMX 2908603
Matrix / Runout (CD3) – HMX2908601 . 30 CD3 50364
Mastering SID Code (CD3) – IFPI L213
Mould SID Code (CD3) – IFPI 3721
Other (Cat# CD4) – HMX 2908604
Matrix / Runout (CD4) – HMX2908601 . 30 CD4 F1 50365
Mastering SID Code (CD4) – IFPI L213
Mould SID Code (CD4) – IFPI 3722
Other (Cat# CD5) – HMX 2908605
Matrix / Runout (CD5) – HMX2908601 . 30 CD5 50366
Mastering SID Code (CD5) – IFPI L213
Mould SID Code (CD5) – IFPI 3722
Other (Cat# CD6) – HMX 2908606
Matrix / Runout (CD6) – HMX2908601 . 30 CD6 50367
Mastering SID Code (CD6) – IFPI L213
Mould SID Code (CD6) – IFPI 3721
Other (Cat# CD7) – HMX 2908607
Matrix / Runout (CD7) – HMX2908601 . 30 CD7 50368
Mastering SID Code (CD7) – IFPI L213
Mould SID Code (CD7) – IFPI 3722
Other (Cat# CD8) – HMX 2908608
Matrix / Runout (CD8) – HMX2908601 . 30 CD8 50369
Mastering SID Code (CD8) – IFPI L213
Mould SID Code (CD8) – IFPI 3720
Other (Cat# CD9) – HMX 2908609
Matrix / Runout (CD9) – HMX2908601 . 30 CD9 50370
Mastering SID Code (CD9) – IFPI L213
Mould SID Code (CD9) – IFPI 3722
Other (Cat# CD10) – HMX 2908610
Matrix / Runout (CD10) – HMX2908601 . 30 CD10 50371
Mastering SID Code (CD10) – IFPI L213
Mould SID Code (CD10) – IFPI 3721
Other (Cat# CD11) – HMX 2908611
Matrix / Runout (CD11) – HMX2908601 . 30 CD11 50372
Mastering SID Code (CD11) – IFPI L213
Mould SID Code (CD11) – IFPI 3720
Other (Cat# CD12) – HMX 2908612
Matrix / Runout (CD12) – HMX2908601 . 30 CD12 50373
Mastering SID Code (CD12) – IFPI L213
Mould SID Code (CD12) – IFPI 3722
Other (Cat# CD13) – HMX 2908613
Matrix / Runout (CD13) – HMX2908601 . 30 CD13 50374
Mastering SID Code (CD13) – IFPI L213
Mould SID Code (CD13) – IFPI 3721
Other (Cat# CD14) – HMX 2908614
Matrix / Runout (CD14) – HMX2908601 . 30 CD14 50375
Mastering SID Code (CD14) – IFPI L213
Mould SID Code (CD14) – IFPI 3720
Other (Cat# CD15) – HMX 2908615
Matrix / Runout (CD15) – HMX2908601 . 30 CD15 50376
Mastering SID Code (CD15) – IFPI L213
Mould SID Code (CD15) – IFPI 3722
Other (Cat# CD16) – HMX 2908616
Matrix / Runout (CD16) – HMX2908601 . 30 CD16 F1 50377
Mastering SID Code (CD16) – IFPI L213
Mould SID Code (CD16) – IFPI 3720
Other (Cat# CD17) – HMX 2908617
Matrix / Runout (CD17) – HMX2908601 . 30 CD17 50378
Mastering SID Code (CD17) – IFPI L213
Mould SID Code (CD17) – IFPI 3720
Other (Cat# CD18) – HMX 2908618
Matrix / Runout (CD18) – HMX2908601 . 30 CD18 50379
Mastering SID Code (CD18) – IFPI L213
Mould SID Code (CD18) – IFPI 3721
Other (Cat# CD19) – HMX 2908619
Matrix / Runout (CD19) – HMX2908601 . 30 CD19 50380
Mastering SID Code (CD19) – IFPI L213
Mould SID Code (CD19) – IFPI 3722
Other (Cat# CD20) – HMX 2908620
Matrix / Runout (CD20) – HMX2908601 . 30 CD20 50381
Mastering SID Code (CD20) – IFPI L213
Mould SID Code (CD20) – IFPI 3721
Other (Cat# CD21) – HMX 2908621
Matrix / Runout (CD21) – HMX2908601 . 31 CD21 50382
Mastering SID Code (CD21) – IFPI L213
Mould SID Code (CD21) – IFPI 3721
Other (Cat# CD22) – HMX 2908622
Matrix / Runout (CD22) – HMX2908601 . 31 CD22 50383
Mastering SID Code (CD22) – IFPI L213
Mould SID Code (CD22) – IFPI 3720
Other (Cat# CD23) – HMX 2908623
Matrix / Runout (CD23) – HMX2908601 . 31 CD23 50384
Mastering SID Code (CD23) – IFPI L213
Mould SID Code (CD23) – IFPI 3722
Other (Cat# CD24) – HMX 2908624
Matrix / Runout (CD24) – HMX2908601 . 31 CD24 50385
Mastering SID Code (CD24) – IFPI L213
Mould SID Code (CD24) – IFPI 3722
Other (Cat# CD25) – HMX 2908625
Matrix / Runout (CD25) – HMX2908601 . 31 CD25 50386
Mastering SID Code (CD25) – IFPI L213
Mould SID Code (CD25) – IFPI 3721
Other (Cat# CD26) – HMX 2908626
Matrix / Runout (CD26) – HMX2908601 . 31 CD26 50387
Mastering SID Code (CD26) – IFPI L213
Mould SID Code (CD26) – IFPI 3720
Other (Cat# CD27) – HMX 2908627
Matrix / Runout (CD27) – HMX2908601 . 31 CD27 50388
Mastering SID Code (CD27) – IFPI L213
Mould SID Code (CD27) – IFPI 3721
Other (Cat# CD28) – HMX 2908628
Matrix / Runout (CD28) – HMX2908601 . 31 CD28 50389
Mastering SID Code (CD28) – IFPI L213
Mould SID Code (CD28) – IFPI 3721
Other (Cat# CD29) – HMX 2908629
Matrix / Runout (CD29) – HMX2908601 . 31 CD29 50390
Mastering SID Code (CD29) – IFPI L213
Mould SID Code (CD29) – IFPI 3721
Other (Cat# CD30) – HMX 2908630
Matrix / Runout (CD30) – HMX2908601 . 31 CD30 50391
Mastering SID Code (CD30) – IFPI L213
Mould SID Code (CD30) – IFPI 3720