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The Sea Of Wires – The Sea Of Wires
Label: Cold Spring – CSR345CD
Format: CD, Reissue, Compilation
Country: UK
Released: Dec 2024
Genre: Electronic
Style: Ambient, Experimental, Berlin-School
Tracklist:
• | Individually Screened
• 1-1 | Invincible | 6:51
• 1-2 | Seascape | 16:38
• 1-3 | Is The New Man Human | 8:15
• 1-4 | Return Of The Captain | 1:35
• 1-5 | Robot Dance | 2:22
• 1-6 | An Endless Rainy Day | 11:27
• 1-7 | Breathing | 8:48
• | Diversions
• 2-1 | The Man Who Smiles | 4:06
• 2-2 | S.O.W. (The Sea Of Wire) | 5:55
• 2-3 | New Age (With Apologies To You Know Who) | 5:59
• 2-4 | It Will Never Work | 2:10
• 2-5 | The Nightmare Continues | 9:40
• | Beyond The Edge Of Tomorrow
• 2-6 | Recollections Of Death | 34:49
Credits:
Graphic Design – Abby Helasdottir
Guitar – Hippy Steve
Mastered By – Martin Bowes
Synthesizer, Recorded By, Producer – Chris Jones
Synthesizer, Recorded By, Producer – T.
Vocals – Rob Gillham
Companies, etc.:
Copyright (c) – Cold Spring Records
Mastered At – The Cage Studios
Notes:
Double CD in a matt-finish gatefold ecopak.
"Individually Screened" recorded and produced by Chris Jones & "T" (Tony Murphy) somewhere in Coventry, March-July 1980.
"Beyond the Edge Of Tomorrow" improvised by The Sea Of Wires, 1982.
The Sea Of Wires: Chris (korg MS20, korg SQ10, Wasp & Spider, Copy-Cat Echo) and "T" (Yamaha CS30, Copy Cat Echo).
Thanks to Hippy Steve for guitar on 'The Man Who Smiles' and Rob Gillham for his vocals on 'Recollections Of Death'.
Mastered by Martin Bowes at The Cage, Coventry.
Graphic design by Abby Helasdottir.
Special thanks to Frank Maier / Vinyl-on-Demand.
Barcode & Identifiers:
Barcode – 0641871746422
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
The Sea Of Wires were a very early '80s electronic duo hailing from the industrial wastelands of Coventry... Followers of the German electronic scene of the time (Tangerine Dream, Ash Ra Tempel, Popol Vuh, Cluster etc), Chris Jones and Tony Murphy used elements of Kosmische Musik in their compositions, with a variety of warm synths, analogue effects, and layered experimentation. This double-CD collects cassettes which appeared on their own Sea Of Wires label: 'Individually Screened' (1980, then 1981 on the famous Flowmotion label), Chris Jones' 'Diversions' (1981, featuring Murphy on synth), and 'Beyond The Edge Of Tomorrow' (1982), representing the absolute peak of their sound. These tracks appeared as a double LP on the illustrious Vinyl-on-Demand label back in 2014 as part of the massive 12LP boxset '80's Minimal Synth. Wave Vol. 2,' but are presented here on CD for the first time ever.FFO early Human League, Vice Versa, We Be Echo, Tangerine Dream. Double CD in a matt-finish gatefold ecopak. –
Label: Cold Spring – CSR345CD
Format: CD, Reissue, Compilation
Country: UK
Released: Dec 2024
Genre: Electronic
Style: Ambient, Experimental, Berlin-School
Tracklist:
• | Individually Screened
• 1-1 | Invincible | 6:51
• 1-2 | Seascape | 16:38
• 1-3 | Is The New Man Human | 8:15
• 1-4 | Return Of The Captain | 1:35
• 1-5 | Robot Dance | 2:22
• 1-6 | An Endless Rainy Day | 11:27
• 1-7 | Breathing | 8:48
• | Diversions
• 2-1 | The Man Who Smiles | 4:06
• 2-2 | S.O.W. (The Sea Of Wire) | 5:55
• 2-3 | New Age (With Apologies To You Know Who) | 5:59
• 2-4 | It Will Never Work | 2:10
• 2-5 | The Nightmare Continues | 9:40
• | Beyond The Edge Of Tomorrow
• 2-6 | Recollections Of Death | 34:49
Credits:
Graphic Design – Abby Helasdottir
Guitar – Hippy Steve
Mastered By – Martin Bowes
Synthesizer, Recorded By, Producer – Chris Jones
Synthesizer, Recorded By, Producer – T.
Vocals – Rob Gillham
Companies, etc.:
Copyright (c) – Cold Spring Records
Mastered At – The Cage Studios
Notes:
Double CD in a matt-finish gatefold ecopak.
"Individually Screened" recorded and produced by Chris Jones & "T" (Tony Murphy) somewhere in Coventry, March-July 1980.
"Beyond the Edge Of Tomorrow" improvised by The Sea Of Wires, 1982.
The Sea Of Wires: Chris (korg MS20, korg SQ10, Wasp & Spider, Copy-Cat Echo) and "T" (Yamaha CS30, Copy Cat Echo).
Thanks to Hippy Steve for guitar on 'The Man Who Smiles' and Rob Gillham for his vocals on 'Recollections Of Death'.
Mastered by Martin Bowes at The Cage, Coventry.
Graphic design by Abby Helasdottir.
Special thanks to Frank Maier / Vinyl-on-Demand.
Barcode & Identifiers:
Barcode – 0641871746422
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
The Sea Of Wires were a very early '80s electronic duo hailing from the industrial wastelands of Coventry... Followers of the German electronic scene of the time (Tangerine Dream, Ash Ra Tempel, Popol Vuh, Cluster etc), Chris Jones and Tony Murphy used elements of Kosmische Musik in their compositions, with a variety of warm synths, analogue effects, and layered experimentation. This double-CD collects cassettes which appeared on their own Sea Of Wires label: 'Individually Screened' (1980, then 1981 on the famous Flowmotion label), Chris Jones' 'Diversions' (1981, featuring Murphy on synth), and 'Beyond The Edge Of Tomorrow' (1982), representing the absolute peak of their sound. These tracks appeared as a double LP on the illustrious Vinyl-on-Demand label back in 2014 as part of the massive 12LP boxset '80's Minimal Synth. Wave Vol. 2,' but are presented here on CD for the first time ever.FFO early Human League, Vice Versa, We Be Echo, Tangerine Dream. Double CD in a matt-finish gatefold ecopak. –
$21
Bestia Astrum – Fury 161
Label: Cold Spring – CSR342CD
Format: CD, Album
Country: UK
Released: 27 Dec 2024
Genre: Electronic
Style: Industrial, Ambient
Tracklist:
• 1 | The Blood-Dimmed Tide Is Loosed | 9:27
• 2 | And What Rough Beast, Its Hour Come Round At Last | 7:59
• 3 | Surely Some Revelation Is At Hand | 8:02
• 4 | A Gaze Blank And Pitiless As The Sun | 8:47
• 5 | The Ceremony Of Innocence Is Drowned | 6:44
• 6 | The Darkness Drops Again | 10:35
• 7 | Twenty Centuries Of Stony Sleep | 5:03
Credits:
Composed By, Recorded By – Bestia Astrum
Graphic Design, Liner Notes, Layout – Abby Helasdottir
Mastered By – Martin Bowes
Percussion – Serena Helasdottir-Cole
Sounds – Serena Helasdottir-Cole
Companies, etc.:
Copyright (c) – Cold Spring Records
Recorded At – Ultrasound (3)
Mastered At – The Cage Studios
Notes:
CD in full colour digipak with gold spot colour, accompanied by a 16-page booklet with an essay by Abby Helasdottir.
CD release was delayed by pressing plant problems and shipped from 27th December.
Barcode & Identifiers:
Barcode – 0641871746323 (Text)
Barcode – 641871746323 (Scanned)
Matrix / Runout – 43353 [Unknown logo] CSR342CD www.coldspring.co.uk
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
The debut album from Bestia Astrum (aka Abby Helasdottir/Gydja) is a grim exploration of 'Fury 161,' the prison planet from the movie 'Alien3.' An industrial ambient travelogue of the spaces in the planet's dark and rusty facility, beginning on a wind-swept shore and ending in the eternal repose of stony sleep.More than just an alternate soundtrack to a film, 'Fury 161' takes cues from the long and troubled production of 'Alien3,' incorporating themes from earlier concepts proposed during its development hell, including the treatment created by Vincent Ward, who imagined the movie's location as a wooden planet that was home to an order of space monks. Motifs of eremitic religiosity permeate the album, as well as themes of Yeatsian apocalypticism, abject anatomy, and the intersection between the sacred and the profane, betwixt the beautiful and the grotesque. Full colour matt-laminate digipak with gold spot colour, accompanied by a 16-page booklet with an essay by Abby Helasdottir. –
Label: Cold Spring – CSR342CD
Format: CD, Album
Country: UK
Released: 27 Dec 2024
Genre: Electronic
Style: Industrial, Ambient
Tracklist:
• 1 | The Blood-Dimmed Tide Is Loosed | 9:27
• 2 | And What Rough Beast, Its Hour Come Round At Last | 7:59
• 3 | Surely Some Revelation Is At Hand | 8:02
• 4 | A Gaze Blank And Pitiless As The Sun | 8:47
• 5 | The Ceremony Of Innocence Is Drowned | 6:44
• 6 | The Darkness Drops Again | 10:35
• 7 | Twenty Centuries Of Stony Sleep | 5:03
Credits:
Composed By, Recorded By – Bestia Astrum
Graphic Design, Liner Notes, Layout – Abby Helasdottir
Mastered By – Martin Bowes
Percussion – Serena Helasdottir-Cole
Sounds – Serena Helasdottir-Cole
Companies, etc.:
Copyright (c) – Cold Spring Records
Recorded At – Ultrasound (3)
Mastered At – The Cage Studios
Notes:
CD in full colour digipak with gold spot colour, accompanied by a 16-page booklet with an essay by Abby Helasdottir.
CD release was delayed by pressing plant problems and shipped from 27th December.
Barcode & Identifiers:
Barcode – 0641871746323 (Text)
Barcode – 641871746323 (Scanned)
Matrix / Runout – 43353 [Unknown logo] CSR342CD www.coldspring.co.uk
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
The debut album from Bestia Astrum (aka Abby Helasdottir/Gydja) is a grim exploration of 'Fury 161,' the prison planet from the movie 'Alien3.' An industrial ambient travelogue of the spaces in the planet's dark and rusty facility, beginning on a wind-swept shore and ending in the eternal repose of stony sleep.More than just an alternate soundtrack to a film, 'Fury 161' takes cues from the long and troubled production of 'Alien3,' incorporating themes from earlier concepts proposed during its development hell, including the treatment created by Vincent Ward, who imagined the movie's location as a wooden planet that was home to an order of space monks. Motifs of eremitic religiosity permeate the album, as well as themes of Yeatsian apocalypticism, abject anatomy, and the intersection between the sacred and the profane, betwixt the beautiful and the grotesque. Full colour matt-laminate digipak with gold spot colour, accompanied by a 16-page booklet with an essay by Abby Helasdottir. –
$17
Simon Posford & Raja Ram – Improvisations For Piano & Flute
Label: Twisted Records – TWSLP55
Format: Vinyl, LP, Album, Gold
Country: UK
Released: 29 Nov 2024
Genre: Electronic, Classical
Style: Modern, Ambient
Tracklist:
• A1 | Music For Within | 3:10
• A2 | Absolute Totality | 8:55
• A3 | Spinach Tooth | 4:56
• A4 | Planet Of The Vapes | 3:17
• B5 | Frankincense By The Pound | 7:27
• B6 | Inside The Black Opal | 6:58
• B7 | The Fantastic Life Of Mr Adonis The Peacock | 3:08
• B8 | The Wheels Are Spinning | 5:34
Credits:
Lacquer Cut By – Geoff Pesche
Mastered By – Simon Gibson
Photography By [Uncredited] – Gem Rey
Written-By – Raja Ram
Written-By – Simon Posford
Companies, etc.:
Phonographic Copyright (p) – Twisted Records Ltd.
Copyright (c) – Twisted Records Ltd.
Mastered At – Abbey Road Studios
Lacquer Cut At – Abbey Road Studios
Mastered At – GZ Media – 287365E
Barcode & Identifiers:
Barcode – 630883007959
Matrix / Runout – 287365E1 2025809 (Side A runout)
Matrix / Runout – 287365E2 2019115 (Side B runout)
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Collaborative mini album by two musicians highly esteemed for decades in the electronic music scene, Simon Posford and Raja Ram, 'Improvisations For Piano & Flute': as the title suggests, a series of fully improvised compositions by the two legendary musicians. The 44-minute flow of this album is more contemplative and analog in nature than anything in the pair's previous output in their three decades of collaborative work, yet equally mesmerising and consciousness-expanding. This album is a significant departure from their usual output in its focus on the interplay of Raj's lyrical flute playing and Simon's noodling at the piano, with almost imperceptible synthesized atmospheric support that seamlessly unites analog and digital realities. These improvisations were recorded in Posford's living room instead of the usual studio because the musicians found that it provided more of the desired ambience. With a synthesizer placed atop an antique Bluthner piano, either Raj or Simon would begin playing and the other would join in - nothing prepared, decided, or arranged: just live, in-the-moment inspiration. This spontaneity infuses each track with such magnetic energy that the listener is inevitably drawn into each note, phrase, and piece. The whole album is supremely chill and introspective, with a grand arc to the storyline of 8 tracks that Shpongle fans will recognize from the dynamic duo's internationally prized discography. 'Improvisations for Piano & Flute' is a salve for the soul, providing an atmospheric antidote to the relentless stress and fast pace of our increasingly complex world - a great way to kick back, tune in, and refresh. –
Label: Twisted Records – TWSLP55
Format: Vinyl, LP, Album, Gold
Country: UK
Released: 29 Nov 2024
Genre: Electronic, Classical
Style: Modern, Ambient
Tracklist:
• A1 | Music For Within | 3:10
• A2 | Absolute Totality | 8:55
• A3 | Spinach Tooth | 4:56
• A4 | Planet Of The Vapes | 3:17
• B5 | Frankincense By The Pound | 7:27
• B6 | Inside The Black Opal | 6:58
• B7 | The Fantastic Life Of Mr Adonis The Peacock | 3:08
• B8 | The Wheels Are Spinning | 5:34
Credits:
Lacquer Cut By – Geoff Pesche
Mastered By – Simon Gibson
Photography By [Uncredited] – Gem Rey
Written-By – Raja Ram
Written-By – Simon Posford
Companies, etc.:
Phonographic Copyright (p) – Twisted Records Ltd.
Copyright (c) – Twisted Records Ltd.
Mastered At – Abbey Road Studios
Lacquer Cut At – Abbey Road Studios
Mastered At – GZ Media – 287365E
Barcode & Identifiers:
Barcode – 630883007959
Matrix / Runout – 287365E1 2025809 (Side A runout)
Matrix / Runout – 287365E2 2019115 (Side B runout)
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Collaborative mini album by two musicians highly esteemed for decades in the electronic music scene, Simon Posford and Raja Ram, 'Improvisations For Piano & Flute': as the title suggests, a series of fully improvised compositions by the two legendary musicians. The 44-minute flow of this album is more contemplative and analog in nature than anything in the pair's previous output in their three decades of collaborative work, yet equally mesmerising and consciousness-expanding. This album is a significant departure from their usual output in its focus on the interplay of Raj's lyrical flute playing and Simon's noodling at the piano, with almost imperceptible synthesized atmospheric support that seamlessly unites analog and digital realities. These improvisations were recorded in Posford's living room instead of the usual studio because the musicians found that it provided more of the desired ambience. With a synthesizer placed atop an antique Bluthner piano, either Raj or Simon would begin playing and the other would join in - nothing prepared, decided, or arranged: just live, in-the-moment inspiration. This spontaneity infuses each track with such magnetic energy that the listener is inevitably drawn into each note, phrase, and piece. The whole album is supremely chill and introspective, with a grand arc to the storyline of 8 tracks that Shpongle fans will recognize from the dynamic duo's internationally prized discography. 'Improvisations for Piano & Flute' is a salve for the soul, providing an atmospheric antidote to the relentless stress and fast pace of our increasingly complex world - a great way to kick back, tune in, and refresh. –
$29