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A.M.E.N. – Argento
Label: My Kingdom Music – echo205
Format: CD, Album, Stereo, Digipak CD
Country: Italy
Released: 17 Jan 2025
Genre: Jazz, Rock
Style: Dark Jazz
Tracklist:
• 1 | Brindisi
• 2 | Magia
• 3 | Mistero
• 4 | Omicidio
• 5 | Cadaveri
Credits:
Artwork – Lilith Terra
Bass, Double Bass – Graziano Brufani
Clarinet, Bass Clarinet – Vittorio Sabelli
Drums – Oreste Sbarra
Electric Guitar, Acoustic Guitar – Svedonio
Layout – Francesco Palumbo
Mixed By, Mastered By – Stefan Traunmüller
Music By, Lyrics By – Erba Del Diavolo
Music By, Lyrics By – Vittorio Sabelli
Piano – Luigi Genovesi
Vocals – Erba Del Diavolo
Notes:
Dedicated to Dario Argento
Digipak CD
Barcode & Identifiers:
Barcode – 8002424242051
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Argento" is an intimate and sublime Dark Doomy Jazz piece of Art. With these few words you have a precise image of what the new A.M.E.N. album is.Vittorio Sabelli (Dawn Of A Dark Age, Notturno, Incantvm) and Erba Del Diavolo from Ponte Del Diavolo, hearts, minds and souls of the band, have given an incredible stylistic twist to A.M.E.N, creating a work that succeeds to move from typically Jazz and Blues compositions to moments of pure Dark Doom, all with the voice of Erba Del Diavolo which is here a true protagonist, decanting and giving melodies an interpretation that moves from the great jazz singers of the past to embrace the present with her dark nuances."Argento" is a tribute to the king of horror Dario Argento and this time it empties itself of the Metal component of the past to give space to noir shades, smoky Jazz club atmospheres and an oppressive Doom.It's an intimate, avant-gardish work disconnected from the classic patterns of modern feeling. A masterpiece of Jazz and Blues in a pure Dark Doom context for fans of Ulver, Chelsea Wolfe, Swans, Russian CirclesSo expect an album that shows you that when extreme music meets so-called "high" music, the result is unexpectedly sublime –
Label: My Kingdom Music – echo205
Format: CD, Album, Stereo, Digipak CD
Country: Italy
Released: 17 Jan 2025
Genre: Jazz, Rock
Style: Dark Jazz
Tracklist:
• 1 | Brindisi
• 2 | Magia
• 3 | Mistero
• 4 | Omicidio
• 5 | Cadaveri
Credits:
Artwork – Lilith Terra
Bass, Double Bass – Graziano Brufani
Clarinet, Bass Clarinet – Vittorio Sabelli
Drums – Oreste Sbarra
Electric Guitar, Acoustic Guitar – Svedonio
Layout – Francesco Palumbo
Mixed By, Mastered By – Stefan Traunmüller
Music By, Lyrics By – Erba Del Diavolo
Music By, Lyrics By – Vittorio Sabelli
Piano – Luigi Genovesi
Vocals – Erba Del Diavolo
Notes:
Dedicated to Dario Argento
Digipak CD
Barcode & Identifiers:
Barcode – 8002424242051
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Argento" is an intimate and sublime Dark Doomy Jazz piece of Art. With these few words you have a precise image of what the new A.M.E.N. album is.Vittorio Sabelli (Dawn Of A Dark Age, Notturno, Incantvm) and Erba Del Diavolo from Ponte Del Diavolo, hearts, minds and souls of the band, have given an incredible stylistic twist to A.M.E.N, creating a work that succeeds to move from typically Jazz and Blues compositions to moments of pure Dark Doom, all with the voice of Erba Del Diavolo which is here a true protagonist, decanting and giving melodies an interpretation that moves from the great jazz singers of the past to embrace the present with her dark nuances."Argento" is a tribute to the king of horror Dario Argento and this time it empties itself of the Metal component of the past to give space to noir shades, smoky Jazz club atmospheres and an oppressive Doom.It's an intimate, avant-gardish work disconnected from the classic patterns of modern feeling. A masterpiece of Jazz and Blues in a pure Dark Doom context for fans of Ulver, Chelsea Wolfe, Swans, Russian CirclesSo expect an album that shows you that when extreme music meets so-called "high" music, the result is unexpectedly sublime –
$18
Monster – Monster
Label: Klanggalerie – gg512
Format: CD, Album
Country: Austria
Released: 01 May 2025
Genre: Jazz
Style: Free Improvisation
Tracklist:
• 1 | O Colosso | 14:21
• 2 | Relicts | 21:53
• 3 | End To End | 6:04
• 4 | Cool Green Light Of The Evening | 7:24
Credits:
Bass Clarinet, Cover – Susanna Gartmayer
Double Bass – John Edwards
Drums, Voice – Mariá Portugal
Mixed By, Mastered By – Martin Bowes
Photography By – Peter Gannushkin
Recorded By – Christoph Hehn
Saxophone, Voice – Joe McPhee
Companies, etc.:
Recorded At – Alter Schl8hof, Wels
Recorded At – Music Unlimited Festival
Notes:
Recorded live Festival Music Unlimited 37, Nov 10th 2023 Schl8hof Wels.
Barcode & Identifiers:
Barcode – 5052571217122
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence. –
Label: Klanggalerie – gg512
Format: CD, Album
Country: Austria
Released: 01 May 2025
Genre: Jazz
Style: Free Improvisation
Tracklist:
• 1 | O Colosso | 14:21
• 2 | Relicts | 21:53
• 3 | End To End | 6:04
• 4 | Cool Green Light Of The Evening | 7:24
Credits:
Bass Clarinet, Cover – Susanna Gartmayer
Double Bass – John Edwards
Drums, Voice – Mariá Portugal
Mixed By, Mastered By – Martin Bowes
Photography By – Peter Gannushkin
Recorded By – Christoph Hehn
Saxophone, Voice – Joe McPhee
Companies, etc.:
Recorded At – Alter Schl8hof, Wels
Recorded At – Music Unlimited Festival
Notes:
Recorded live Festival Music Unlimited 37, Nov 10th 2023 Schl8hof Wels.
Barcode & Identifiers:
Barcode – 5052571217122
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence. –
$18
Billy Bang / William Parker – Medicine Buddha
Label: NoBusiness Records – NBCD 71
Format: CD, Album
Country: Lithuania
Released: Nov 2014
Genre: Jazz
Style: Free Jazz
Tracklist:
• 1 | Medicine Buddha | 22:30
• 2 | Sky Song | 6:15
• 3 | Bronx Aborigines | 3:42
• 4 | Eternal Planet (Dedicated To Leroy Jenkins) | 14:22
• 5 | Buddha's Joy | 5:43
Credits:
Bass, Shakuhachi, Xalam [Dousn Gouni] – William Parker
Co-producer – Valerij Anosov
Design – Oskaras Anosovas
Liner Notes – William Parker
Mastered By – Arūnas Zujus
Photography By – Peter Gannushkin
Producer – Danas Mikailionis
Producer – William Parker
Producer [Concert Produced By] – Tim McHenry
Violin, Thumb Piano – Billy Bang
Companies, etc.:
Phonographic Copyright (p) – NoBusiness Records
Copyright (c) – NoBusiness Records
Published By – Ghazal Music
Published By – Centering Music
Recorded At – The Rubin Museum Of Art, New York
Mastered At – MAMAstudios
Notes:
Recorded live at The Rubin Museum Of Art, New York, on the 8th May, 2009.
Barcode & Identifiers:
Barcode – 4 779022 078934 > (Text)
Rights Society – ASCAP (Ghazal Music)
Rights Society – BMI (Centering Music)
Matrix / Runout – 14-10/6599-0001 NBCD71
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
'Medicine Buddha' captures one of the last live performances by violinist Billy Bang and bassist William Parker, recorded in 2009 at New York's Rubin Museum. This 5-track album showcases their deep bond and musical synergy, free from negativity. The title track stands out for its intense improvisation, blending sharp upper tones and rhythmic exploration. The album also features moments of calm, like the serene 'Sky Song,' with Parker on shakuhachi, offering a peaceful atmosphere. The duo's skill and emotional depth shine through, creating a reflective and celebratory listening experience. –
Label: NoBusiness Records – NBCD 71
Format: CD, Album
Country: Lithuania
Released: Nov 2014
Genre: Jazz
Style: Free Jazz
Tracklist:
• 1 | Medicine Buddha | 22:30
• 2 | Sky Song | 6:15
• 3 | Bronx Aborigines | 3:42
• 4 | Eternal Planet (Dedicated To Leroy Jenkins) | 14:22
• 5 | Buddha's Joy | 5:43
Credits:
Bass, Shakuhachi, Xalam [Dousn Gouni] – William Parker
Co-producer – Valerij Anosov
Design – Oskaras Anosovas
Liner Notes – William Parker
Mastered By – Arūnas Zujus
Photography By – Peter Gannushkin
Producer – Danas Mikailionis
Producer – William Parker
Producer [Concert Produced By] – Tim McHenry
Violin, Thumb Piano – Billy Bang
Companies, etc.:
Phonographic Copyright (p) – NoBusiness Records
Copyright (c) – NoBusiness Records
Published By – Ghazal Music
Published By – Centering Music
Recorded At – The Rubin Museum Of Art, New York
Mastered At – MAMAstudios
Notes:
Recorded live at The Rubin Museum Of Art, New York, on the 8th May, 2009.
Barcode & Identifiers:
Barcode – 4 779022 078934 > (Text)
Rights Society – ASCAP (Ghazal Music)
Rights Society – BMI (Centering Music)
Matrix / Runout – 14-10/6599-0001 NBCD71
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
'Medicine Buddha' captures one of the last live performances by violinist Billy Bang and bassist William Parker, recorded in 2009 at New York's Rubin Museum. This 5-track album showcases their deep bond and musical synergy, free from negativity. The title track stands out for its intense improvisation, blending sharp upper tones and rhythmic exploration. The album also features moments of calm, like the serene 'Sky Song,' with Parker on shakuhachi, offering a peaceful atmosphere. The duo's skill and emotional depth shine through, creating a reflective and celebratory listening experience. –
$15
Kidd Jordan / Alvin Fielder / Peter Kowald – Trio And Duo In New Orleans
Label: NoBusiness Records – NBCD 64-65
Format: CD
Country: Lithuania
Released: 10 Dec 2013
Genre: Jazz
Style: Free Jazz
Tracklist:
• 1-1 | Trio I | 12:45
• 1-2 | Trio II | 9:29
• 1-3 | Trio III (High Altitude) | 5:11
• 1-4 | Drums Solo | 6:19
• 1-5 | Bass Solo | 6:26
• 1-6 | Trio IV | 8:40
• 1-7 | Trio V | 12:57
• 1-8 | Trio VI (Concluding) | 8:50
• 2-1 | Liftoff | 9:02
• 2-2 | Duo Flight | 19:45
• 2-3 | E. Fashole - Luke | 17:10
• 2-4 | Tempest NOLA, 2005 | 9:22
• 2-5 | Nameless Sound Duo | 10:39
Credits:
Bass – Peter Kowald
Coordinator – Dave Dove
Coordinator – Eduardo Young
Drums, Percussion – Alvin Fielder
Engineer – Elton Heron
Engineer – John Crutti Jr.
Engineer – Mark Chatters
Engineer – Ryan Edwards
Tenor Saxophone – Kidd Jordan
Companies, etc.:
Recorded At – Zeitgeist Multi-Disciplinary Arts Center
Recorded At – Eldorado Ballroom
Notes:
CD 1 - Recorded on 28th April, 2002 at Zeitgeist Multi-Disciplinary Arts Center, New Orleans, Louisiana
CD 2: 1-4 tracks recorded in May, 2005 at the Shed Recording Studio, New Orleans, Louisiana
5th track (CD 2) recorded on 19th January, 2012 at Eldorado Ballroom, Houston, Texas
Remarks:
'Trio And Duo In New Orleans' features tenor saxophonist Kidd Jordan, drummer Alvin Fielder, and bassist Peter Kowald in powerful free jazz sessions. The 2-CD set includes a 2002 trio session with Kowald, showcasing intense, spontaneous interplay, with Jordan's commanding sax and Fielder's responsive drumming. Kowald shines on bass, especially with his bow, creating a dynamic exchange. The studio session from 2005 is the standout, with Jordan's passionate, personal style and Fielder's tight, colorful drumming. The album's centerpiece, 'Duo Flight,' is full of energy, while live cuts from 2012 add a lively finish to this engaging set. –
Label: NoBusiness Records – NBCD 64-65
Format: CD
Country: Lithuania
Released: 10 Dec 2013
Genre: Jazz
Style: Free Jazz
Tracklist:
• 1-1 | Trio I | 12:45
• 1-2 | Trio II | 9:29
• 1-3 | Trio III (High Altitude) | 5:11
• 1-4 | Drums Solo | 6:19
• 1-5 | Bass Solo | 6:26
• 1-6 | Trio IV | 8:40
• 1-7 | Trio V | 12:57
• 1-8 | Trio VI (Concluding) | 8:50
• 2-1 | Liftoff | 9:02
• 2-2 | Duo Flight | 19:45
• 2-3 | E. Fashole - Luke | 17:10
• 2-4 | Tempest NOLA, 2005 | 9:22
• 2-5 | Nameless Sound Duo | 10:39
Credits:
Bass – Peter Kowald
Coordinator – Dave Dove
Coordinator – Eduardo Young
Drums, Percussion – Alvin Fielder
Engineer – Elton Heron
Engineer – John Crutti Jr.
Engineer – Mark Chatters
Engineer – Ryan Edwards
Tenor Saxophone – Kidd Jordan
Companies, etc.:
Recorded At – Zeitgeist Multi-Disciplinary Arts Center
Recorded At – Eldorado Ballroom
Notes:
CD 1 - Recorded on 28th April, 2002 at Zeitgeist Multi-Disciplinary Arts Center, New Orleans, Louisiana
CD 2: 1-4 tracks recorded in May, 2005 at the Shed Recording Studio, New Orleans, Louisiana
5th track (CD 2) recorded on 19th January, 2012 at Eldorado Ballroom, Houston, Texas
Remarks:
'Trio And Duo In New Orleans' features tenor saxophonist Kidd Jordan, drummer Alvin Fielder, and bassist Peter Kowald in powerful free jazz sessions. The 2-CD set includes a 2002 trio session with Kowald, showcasing intense, spontaneous interplay, with Jordan's commanding sax and Fielder's responsive drumming. Kowald shines on bass, especially with his bow, creating a dynamic exchange. The studio session from 2005 is the standout, with Jordan's passionate, personal style and Fielder's tight, colorful drumming. The album's centerpiece, 'Duo Flight,' is full of energy, while live cuts from 2012 add a lively finish to this engaging set. –
$22
Curtis Clark Trio – Táági
Label: NoBusiness Records – NBCD 11
Format: CD, Album, Limited Edition
Country: Lithuania
Released: 2010
Genre: Jazz
Style: Free Improvisation
Tracklist:
• 1 | Suite Joy/Blessings | 12:06
• 2 | Suite Water Colors / New York City Wildlife | 14:28
• 3 | Táági | 15:25
• 4 | Joy | 6:16
• 5 | Blessings | 10:10
• 6 | Beautiful Love | 7:32
Credits:
Co-producer – Valerij Anosov
Contrabass – Aaron Gonzalez
Design – Oskaras Anosovas
Drums – Stefan Gonzalez
Executive-Producer – Danas Mikailionis
Mastered By – Arūnas Zujus
Photography By – Nari Mann
Piano – Curtis Clark
Recorded By, Mixed By, Producer – Dennis Gonzalez
Companies, etc.:
Recorded At – South Dallas Cultural Center
Recorded At – Long Center
Mastered At – MAMAstudios
Notes:
Recorded May 1 and 2, 2009 at South Dallas Cultural Center, Dallas, TX and Long Center for the Performing Arts, Austin, TX
Mixed in Dallas, May 4, 5, and 6, 2009
Mastered at MAMAstudios, Vilnius, Lithuania.
Edition of 1000 Cd's.
Remarks:
Pianist Curtis Clark teams up with Aaron and Stefan Gonzalez for 'Na Gua Chi,' a captivating live recording that blends blues, gospel, and jazz in a dynamic trio. Known for their diverse roots and improvisational flair, the Gonzalez brothers bring youthful energy to Clark's impressionistic musings, creating a unique synergy. Recorded in Dallas and Austin, this album showcases rich textures and seamless interplay between piano, bass, and drums, offering an inventive take on modern jazz. –
Label: NoBusiness Records – NBCD 11
Format: CD, Album, Limited Edition
Country: Lithuania
Released: 2010
Genre: Jazz
Style: Free Improvisation
Tracklist:
• 1 | Suite Joy/Blessings | 12:06
• 2 | Suite Water Colors / New York City Wildlife | 14:28
• 3 | Táági | 15:25
• 4 | Joy | 6:16
• 5 | Blessings | 10:10
• 6 | Beautiful Love | 7:32
Credits:
Co-producer – Valerij Anosov
Contrabass – Aaron Gonzalez
Design – Oskaras Anosovas
Drums – Stefan Gonzalez
Executive-Producer – Danas Mikailionis
Mastered By – Arūnas Zujus
Photography By – Nari Mann
Piano – Curtis Clark
Recorded By, Mixed By, Producer – Dennis Gonzalez
Companies, etc.:
Recorded At – South Dallas Cultural Center
Recorded At – Long Center
Mastered At – MAMAstudios
Notes:
Recorded May 1 and 2, 2009 at South Dallas Cultural Center, Dallas, TX and Long Center for the Performing Arts, Austin, TX
Mixed in Dallas, May 4, 5, and 6, 2009
Mastered at MAMAstudios, Vilnius, Lithuania.
Edition of 1000 Cd's.
Remarks:
Pianist Curtis Clark teams up with Aaron and Stefan Gonzalez for 'Na Gua Chi,' a captivating live recording that blends blues, gospel, and jazz in a dynamic trio. Known for their diverse roots and improvisational flair, the Gonzalez brothers bring youthful energy to Clark's impressionistic musings, creating a unique synergy. Recorded in Dallas and Austin, this album showcases rich textures and seamless interplay between piano, bass, and drums, offering an inventive take on modern jazz. –
$13
Free Jazz Group Wiesbaden – Frictions / Frictions Now
Label: NoBusiness Records – NBCD 79
Format: CD, Remastered, Compilation
Country: Lithuania
Released: Sep 2015
Genre: Jazz
Style: Free Jazz
Tracklist:
• 1 | Frictions | 37:32
• 2 | Frictions Now Part I | 17:16
• 3 | Frictions Now Part II | 18:35
Credits:
Alto Saxophone, Oboe, Piano, Flute [Shepherds Flute], Shenai, Trumpet [Prepared Trumpet], Flute [Bamboo Flute] – Dieter Scherf
Co-producer [Uncredited] – Valerij Anosov
Composed By – Scherf
Composed By – Dieter Scherf
Composed By – Gerhard König
Composed By – Sell
Composed By – Michael Sell
Composed By – Wolfgang Schlick
Design [Final Design], Layout [Booklet Layout] – Oskaras Anosovas
Design [Original LP Cover Designs] – Wolfgang Schlick
Drums, Percussion [Metal Bracket] – Wolfgang Schlick
Guitar, Guitar [Prepared Guitar], Flute, Flute [Double Flute] – Gerhard König
Liner Notes – Ernst Nebhuth
Photography By [Group Photo] – Hanns E. Haehl
Photography By [Michael Sell Photo] – Michael Sell
Producer [Produced By (Uncredited)] – Ernst Nebhuth
Producer [Produced By] – Danas Mikailionis
Remastered By – Arūnas Zujus
Trumpet – Michael Sell
Companies, etc.:
Remastered At – MAMAstudios
Notes:
Frictions was recorded on July 12, 1969 at Walldorf Studio, Walldorf and released as an edition of 300 vinyl records on a private label in 1969. The same year there was a second edition of 300 vinyl records on the private label LST in 1969. Frictions is an uninterrupted piece, which includes these compositions: Intro Four For Four (Scherf), Topology (Sell), Töne III (Sell), Sounds For M (Scherf), Töne I (Sell), Ballad-Allintervallreihe (Scherf), Peaceless (Scherf)
Frictions Now was recorded on July 9, 1971 at the same studio as Frictions and released as a limited edition of 500 vinyl records on the private label LST in 1971.
Track 1 previously released as , tracks 2 and 3 previously released as .
Barcode & Identifiers:
Barcode – 4 779022 073854 >
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
NoBusiness Records has uncovered a hidden gem of European free jazz with Free Jazz Group Wiesbaden, a German quartet active in the late '60s and early '70s. Their two LPs, now combined into a 73-minute release, showcase trumpeter Michael Sell, reedman Dieter Scherf, guitarist Gerhard K�nig, and drummer Wolfgang Schlick. Their music blends composed segments with free improvisation, featuring unconventional instrumentation and instrument swapping. Highlights include the 37-minute 'Frictions,' which shifts between structured and freeform playing, with dynamic trumpet and saxophone interplay. This is an essential find for collectors of early European free jazz. –
Label: NoBusiness Records – NBCD 79
Format: CD, Remastered, Compilation
Country: Lithuania
Released: Sep 2015
Genre: Jazz
Style: Free Jazz
Tracklist:
• 1 | Frictions | 37:32
• 2 | Frictions Now Part I | 17:16
• 3 | Frictions Now Part II | 18:35
Credits:
Alto Saxophone, Oboe, Piano, Flute [Shepherds Flute], Shenai, Trumpet [Prepared Trumpet], Flute [Bamboo Flute] – Dieter Scherf
Co-producer [Uncredited] – Valerij Anosov
Composed By – Scherf
Composed By – Dieter Scherf
Composed By – Gerhard König
Composed By – Sell
Composed By – Michael Sell
Composed By – Wolfgang Schlick
Design [Final Design], Layout [Booklet Layout] – Oskaras Anosovas
Design [Original LP Cover Designs] – Wolfgang Schlick
Drums, Percussion [Metal Bracket] – Wolfgang Schlick
Guitar, Guitar [Prepared Guitar], Flute, Flute [Double Flute] – Gerhard König
Liner Notes – Ernst Nebhuth
Photography By [Group Photo] – Hanns E. Haehl
Photography By [Michael Sell Photo] – Michael Sell
Producer [Produced By (Uncredited)] – Ernst Nebhuth
Producer [Produced By] – Danas Mikailionis
Remastered By – Arūnas Zujus
Trumpet – Michael Sell
Companies, etc.:
Remastered At – MAMAstudios
Notes:
Frictions was recorded on July 12, 1969 at Walldorf Studio, Walldorf and released as an edition of 300 vinyl records on a private label in 1969. The same year there was a second edition of 300 vinyl records on the private label LST in 1969. Frictions is an uninterrupted piece, which includes these compositions: Intro Four For Four (Scherf), Topology (Sell), Töne III (Sell), Sounds For M (Scherf), Töne I (Sell), Ballad-Allintervallreihe (Scherf), Peaceless (Scherf)
Frictions Now was recorded on July 9, 1971 at the same studio as Frictions and released as a limited edition of 500 vinyl records on the private label LST in 1971.
Track 1 previously released as , tracks 2 and 3 previously released as .
Barcode & Identifiers:
Barcode – 4 779022 073854 >
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
NoBusiness Records has uncovered a hidden gem of European free jazz with Free Jazz Group Wiesbaden, a German quartet active in the late '60s and early '70s. Their two LPs, now combined into a 73-minute release, showcase trumpeter Michael Sell, reedman Dieter Scherf, guitarist Gerhard K�nig, and drummer Wolfgang Schlick. Their music blends composed segments with free improvisation, featuring unconventional instrumentation and instrument swapping. Highlights include the 37-minute 'Frictions,' which shifts between structured and freeform playing, with dynamic trumpet and saxophone interplay. This is an essential find for collectors of early European free jazz. –
$17
Peter Kuhn – No Coming, No Going - The Music Of Peter Kuhn, 1978-79
Label: NoBusiness Records – NBCD 89-90
Format:
CD, Album, Reissue
CD
All Media, Compilation
Country: Lithuania
Released: May 2016
Genre: Jazz
Style: Free Jazz
Tracklist:
• | Livin' Right
• 1-1 | Chi | 5:51
• 1-2 | Manteca, Long Gone, Axistential | 29:48
• 1-3 | Red Tape | 13:14
• | Peter Kuhn And Denis Charles
• 2-1 | Stigma | 12:42
• 2-2 | Axistential | 11:04
• 2-3 | Drum Dharma | 17:36
• 2-4 | Headed Home | 19:52
Credits:
Bass – William Parker
Clarinet [Bb flat], Bass Clarinet – Peter Kuhn
Co-producer – Valerij Anosov
Composed By – Denis Charles
Composed By – Peter Kuhn
Design – Jeff DiPerna
Drums – Denis Charles
Engineer – Al West
Engineer – Ed Scarvelone
Liner Notes – Peter Kuhn
Photography By [Photo Of Peter Kuhn, 1978] – Kazunori Sugiyama
Photography By [Photos of Charles, Parker, Kondo / Williams] – Gary Halpern
Producer – Danas Mikailionis
Producer – Ed Hazell
Producer [Radio Production] – Ed Scarvelone
Recorded By – John Voci
Remastered By – Arūnas Zujus
Tenor Saxophone – Peter Kuhn
Trumpet – Arthur Williams
Trumpet, Alto Horn – Toshinori Kondo
Companies, etc.:
Copyright (c) – Dependent Origination Music
Phonographic Copyright (p) – NoBusiness Records
Copyright (c) – NoBusiness Records
Remastered At – MAMAstudios
Notes:
CD 1: Live broadcast recording on December 19, 1978, at Columbia University Radio WKCR-FM, NYC.
Originally issued on LP, edited and in slightly different order, as on Kuhn’s Big City Records (LPK 225) [(The original release was edited to fit the limitations of an LP) info from Peter Kuhn.
CD 2: Recorded live in concert on September 29, 1979 at the New England Repertory Theatre, Worcester, Mass [previously unreleased.
Toshinori Kondo (left speaker)
Arthur Williams (right speaker)
Special thanks to WKCR and Ben Young for a copy of the original session tapes.
© 2016 Dependent Origination Music – ASCAP
Remarks:
'No Coming, No Going' is a treasure unearthed from the New York 1970s loft jazz scene, brought to life by NoBusiness Records. This 2-disc set features reedman Peter Kuhn's Livin' Right, a free jazz masterpiece originally recorded live in 1978, blending energetic horns, driving basslines, and intricate drum work. Featuring talents like William Parker on bass, Denis Charles on drums, and twin trumpeters Toshinori Kondo and Arthur Williams, the album delivers intense improvisation, engaging polyphony, and unforgettable performances. The second disc pares it down to a riveting duo between Kuhn's reeds and Charles' drums, offering an exhilarating and intimate musical journey. –
Label: NoBusiness Records – NBCD 89-90
Format:
CD, Album, Reissue
CD
All Media, Compilation
Country: Lithuania
Released: May 2016
Genre: Jazz
Style: Free Jazz
Tracklist:
• | Livin' Right
• 1-1 | Chi | 5:51
• 1-2 | Manteca, Long Gone, Axistential | 29:48
• 1-3 | Red Tape | 13:14
• | Peter Kuhn And Denis Charles
• 2-1 | Stigma | 12:42
• 2-2 | Axistential | 11:04
• 2-3 | Drum Dharma | 17:36
• 2-4 | Headed Home | 19:52
Credits:
Bass – William Parker
Clarinet [Bb flat], Bass Clarinet – Peter Kuhn
Co-producer – Valerij Anosov
Composed By – Denis Charles
Composed By – Peter Kuhn
Design – Jeff DiPerna
Drums – Denis Charles
Engineer – Al West
Engineer – Ed Scarvelone
Liner Notes – Peter Kuhn
Photography By [Photo Of Peter Kuhn, 1978] – Kazunori Sugiyama
Photography By [Photos of Charles, Parker, Kondo / Williams] – Gary Halpern
Producer – Danas Mikailionis
Producer – Ed Hazell
Producer [Radio Production] – Ed Scarvelone
Recorded By – John Voci
Remastered By – Arūnas Zujus
Tenor Saxophone – Peter Kuhn
Trumpet – Arthur Williams
Trumpet, Alto Horn – Toshinori Kondo
Companies, etc.:
Copyright (c) – Dependent Origination Music
Phonographic Copyright (p) – NoBusiness Records
Copyright (c) – NoBusiness Records
Remastered At – MAMAstudios
Notes:
CD 1: Live broadcast recording on December 19, 1978, at Columbia University Radio WKCR-FM, NYC.
Originally issued on LP, edited and in slightly different order, as on Kuhn’s Big City Records (LPK 225) [(The original release was edited to fit the limitations of an LP) info from Peter Kuhn.
CD 2: Recorded live in concert on September 29, 1979 at the New England Repertory Theatre, Worcester, Mass [previously unreleased.
Toshinori Kondo (left speaker)
Arthur Williams (right speaker)
Special thanks to WKCR and Ben Young for a copy of the original session tapes.
© 2016 Dependent Origination Music – ASCAP
Remarks:
'No Coming, No Going' is a treasure unearthed from the New York 1970s loft jazz scene, brought to life by NoBusiness Records. This 2-disc set features reedman Peter Kuhn's Livin' Right, a free jazz masterpiece originally recorded live in 1978, blending energetic horns, driving basslines, and intricate drum work. Featuring talents like William Parker on bass, Denis Charles on drums, and twin trumpeters Toshinori Kondo and Arthur Williams, the album delivers intense improvisation, engaging polyphony, and unforgettable performances. The second disc pares it down to a riveting duo between Kuhn's reeds and Charles' drums, offering an exhilarating and intimate musical journey. –
$22
William Hooker featuring Thomas Chapin – Crossing Points
Label: NoBusiness Records – NBCD 28
Format: CD, Album, Limited Edition
Country: Lithuania
Released: 01 Apr 2011
Genre: Jazz
Style: Free Improvisation
Tracklist:
• 1 | The Subway | 28:40
• 2 | Addiction To Sound | 23:06
• 3 | The Underground Dead | 19:05
Credits:
Co-producer – Valerij Anosov
Design – Oskaras Anosovas
Drums – William Hooker
Liner Notes – Bruce Lee Gallagher
Liner Notes – William Hooker
Mastered By – Arūnas Zujus
Music By – William Hooker
Photography By [Photo] – Peter Gannushkin
Producer – Danas Mikailionis
Saxophone [Sax] – Thomas Chapin
Text By [Poem] – William Hooker
Companies, etc.:
Phonographic Copyright (p) – NoBusiness Records
Copyright (c) – NoBusiness Records
Published By – William Hooker Music
Printed By – UAB "Garsų Pasaulis"
Manufactured By – BOD Group
Pressed By – www.balticdisc.com
Notes:
Recorded at 9th str Gallery, New York City on 30th May, 1992
Mastered at MAMAstudios.
Liner notes by Bruce Lee Gallagher owner of Downtown Music Gallery, NYC.
Photo by Peter Gannushkin / DOWNTOWNMUSIC.NET
Published under BMI (WILLIAM HOOKER MUSIC)
P&C 2011, NoBusiness Records
Artwork printed in Lithuania by UAB "Garsy pasaulis"
Edition of 1000 cd‘s
Barcode & Identifiers:
Barcode – 4 779022 072659
Rights Society – BMI
Rights Society – BIEM/n©b
Matrix / Runout – BOD GROUP 11-02/3166-0002 NCB28 [BOD Group logo] www.balticdisc.com
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Discover Thomas Chapin and William Hooker's explosive duo album! Unearthed from a 1992 NYC performance, this posthumous release showcases Thomas Chapin like never before. Best known for his trio work, Chapin partners with powerhouse drummer William Hooker in a fiery series of sax-drums duos. From the relentless energy of 'Subway' to the playful, joyous rhythms of 'Addiction To Sound' and the freewheeling adventure of 'The Underground Dead,' this album offers a thrilling, untamed ride through jazz's most experimental corners. A must-have for fans of Chapin, Hooker, and lovers of creative, uninhibited jazz. Thanks to NoBusiness Records this lost gem has come to life! –
Label: NoBusiness Records – NBCD 28
Format: CD, Album, Limited Edition
Country: Lithuania
Released: 01 Apr 2011
Genre: Jazz
Style: Free Improvisation
Tracklist:
• 1 | The Subway | 28:40
• 2 | Addiction To Sound | 23:06
• 3 | The Underground Dead | 19:05
Credits:
Co-producer – Valerij Anosov
Design – Oskaras Anosovas
Drums – William Hooker
Liner Notes – Bruce Lee Gallagher
Liner Notes – William Hooker
Mastered By – Arūnas Zujus
Music By – William Hooker
Photography By [Photo] – Peter Gannushkin
Producer – Danas Mikailionis
Saxophone [Sax] – Thomas Chapin
Text By [Poem] – William Hooker
Companies, etc.:
Phonographic Copyright (p) – NoBusiness Records
Copyright (c) – NoBusiness Records
Published By – William Hooker Music
Printed By – UAB "Garsų Pasaulis"
Manufactured By – BOD Group
Pressed By – www.balticdisc.com
Notes:
Recorded at 9th str Gallery, New York City on 30th May, 1992
Mastered at MAMAstudios.
Liner notes by Bruce Lee Gallagher owner of Downtown Music Gallery, NYC.
Photo by Peter Gannushkin / DOWNTOWNMUSIC.NET
Published under BMI (WILLIAM HOOKER MUSIC)
P&C 2011, NoBusiness Records
Artwork printed in Lithuania by UAB "Garsy pasaulis"
Edition of 1000 cd‘s
Barcode & Identifiers:
Barcode – 4 779022 072659
Rights Society – BMI
Rights Society – BIEM/n©b
Matrix / Runout – BOD GROUP 11-02/3166-0002 NCB28 [BOD Group logo] www.balticdisc.com
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Discover Thomas Chapin and William Hooker's explosive duo album! Unearthed from a 1992 NYC performance, this posthumous release showcases Thomas Chapin like never before. Best known for his trio work, Chapin partners with powerhouse drummer William Hooker in a fiery series of sax-drums duos. From the relentless energy of 'Subway' to the playful, joyous rhythms of 'Addiction To Sound' and the freewheeling adventure of 'The Underground Dead,' this album offers a thrilling, untamed ride through jazz's most experimental corners. A must-have for fans of Chapin, Hooker, and lovers of creative, uninhibited jazz. Thanks to NoBusiness Records this lost gem has come to life! –
$13
Vandeweyer / Van Hove / Lovens / Blume - Quat – Live At Hasselt
Label: NoBusiness Records – NBCD 54
Format: CD, Album
Country: Lithuania
Released: 10 Apr 2013
Genre: Jazz
Style: Free Improvisation
Tracklist:
• 1 | H1 | 21:37
• 2 | H2 | 13:59
• 3 | H3 | 16:12
• 4 | H4 | 7:00
Credits:
Co-producer – Valerij Anosov
Composed By [All Compositions By] – Vandeweyer
Composed By [All Compositions By] – Van Hove
Composed By [All Compositions By] – Blume
Composed By [All Compositions By] – Lovens
Design – Oskaras Anosovas
Percussion – Martin Blume
Percussion – Paul Lovens
Photography By – Gérard Rouy
Piano, Accordion – Fred Van Hove
Producer – Danas Mikailionis
Recorded By, Mixed By, Mastered By – Michael W. Huon
Vibraphone – Els Vandeweyer
Companies, etc.:
Phonographic Copyright (p) – NoBusiness Records
Copyright (c) – NoBusiness Records
Printed By – UAB
Recorded At – Kunstencentrum België
Notes:
Recorded 18th June, 2011 at Kunstencentrumbelgië, Hasselt, Belgium.
P&C 2013, NoBusiness Records
Artwork printed in Lithuania by UAB "Garsy pasaulis"
Barcode & Identifiers:
Barcode – 4779022074370 (String)
Barcode – 4 779022 074370 > (Text)
Matrix / Runout – 13-03/5167-0002 NBCD54
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
'Quat Live At Hasselt' by Belgian pianist Fred Van Hove and his quartet offers a fascinating exploration of percussive improvisation. Van Hove mixes jazz and contemporary classical influences, while vibraphonist Els Vandeweyer and drummers Paul Lovens and Martin Blume create intricate textures with taps, hisses, and thuds. The album features four improvised tracks where the musicians communicate seamlessly, creating natural rhythmic flurries. Highlights include Vandeweyer's unique use of vibes and the dramatic closing of 'H2,' where only a lone cymbal rings out after a climactic moment. –
Label: NoBusiness Records – NBCD 54
Format: CD, Album
Country: Lithuania
Released: 10 Apr 2013
Genre: Jazz
Style: Free Improvisation
Tracklist:
• 1 | H1 | 21:37
• 2 | H2 | 13:59
• 3 | H3 | 16:12
• 4 | H4 | 7:00
Credits:
Co-producer – Valerij Anosov
Composed By [All Compositions By] – Vandeweyer
Composed By [All Compositions By] – Van Hove
Composed By [All Compositions By] – Blume
Composed By [All Compositions By] – Lovens
Design – Oskaras Anosovas
Percussion – Martin Blume
Percussion – Paul Lovens
Photography By – Gérard Rouy
Piano, Accordion – Fred Van Hove
Producer – Danas Mikailionis
Recorded By, Mixed By, Mastered By – Michael W. Huon
Vibraphone – Els Vandeweyer
Companies, etc.:
Phonographic Copyright (p) – NoBusiness Records
Copyright (c) – NoBusiness Records
Printed By – UAB
Recorded At – Kunstencentrum België
Notes:
Recorded 18th June, 2011 at Kunstencentrumbelgië, Hasselt, Belgium.
P&C 2013, NoBusiness Records
Artwork printed in Lithuania by UAB "Garsy pasaulis"
Barcode & Identifiers:
Barcode – 4779022074370 (String)
Barcode – 4 779022 074370 > (Text)
Matrix / Runout – 13-03/5167-0002 NBCD54
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
'Quat Live At Hasselt' by Belgian pianist Fred Van Hove and his quartet offers a fascinating exploration of percussive improvisation. Van Hove mixes jazz and contemporary classical influences, while vibraphonist Els Vandeweyer and drummers Paul Lovens and Martin Blume create intricate textures with taps, hisses, and thuds. The album features four improvised tracks where the musicians communicate seamlessly, creating natural rhythmic flurries. Highlights include Vandeweyer's unique use of vibes and the dramatic closing of 'H2,' where only a lone cymbal rings out after a climactic moment. –
$15
Howard Riley – Live With Repertoire
Label: NoBusiness Records – NBCD 58
Format: CD, Album
Country: Lithuania
Released: 15 Aug 2013
Genre: Jazz
Style: Free Improvisation, Free Jazz, Contemporary Jazz
Tracklist:
• 1 | Monk's Mood | 4:50
• 2 | Ba-Lue Bolivar Ba-Lues Are | 3:45
• 3 | Darn That Dream | 4:54
• 4 | Now One | 3:07
• 5 | Ruby, My Dear | 4:30
• 6 | Now Two | 3:11
• 7 | Round Midnight | 6:41
• 8 | I'm Getting Sentimental Over You | 5:42
• 9 | Formerly | 4:15
• 10 | Body And Soul | 6:21
• 11 | Well You Needn't | 5:37
• 12 | Signing Off | 1:12
Credits:
Co-producer – Valerij Anosov
Piano, Liner Notes – Howard Riley
Producer – Danas Mikailionis
Recorded By [Digital Recording By] – Chris Trent
Companies, etc.:
Recorded At – Embrance Arts
Notes:
Recorded in Concert for Leicester Jazz House at Embrance Arts, Leicester on 11th November 2011
Remarks:
On 'Live With Repertoire,' British pianist Howard Riley focuses on standards, particularly Monk and Ellington, blending familiar tunes with his unique improvisational style. Recorded live in Leicester in 2011, Riley delivers a captivating set, balancing embellished renditions like 'I'm Getting Sentimental Over You' with more straightforward interpretations like 'Ba-Lue Bolivar Ba-Lues Are.' His originals, such as 'Now One' and 'Now Two,' showcase his inventive approach, while his take on ''Round Midnight' adds subtle dissonances. Despite his Parkinson's diagnosis, Riley's artistry remains vibrant, making this album perfect for lovers of jazz piano. –
Label: NoBusiness Records – NBCD 58
Format: CD, Album
Country: Lithuania
Released: 15 Aug 2013
Genre: Jazz
Style: Free Improvisation, Free Jazz, Contemporary Jazz
Tracklist:
• 1 | Monk's Mood | 4:50
• 2 | Ba-Lue Bolivar Ba-Lues Are | 3:45
• 3 | Darn That Dream | 4:54
• 4 | Now One | 3:07
• 5 | Ruby, My Dear | 4:30
• 6 | Now Two | 3:11
• 7 | Round Midnight | 6:41
• 8 | I'm Getting Sentimental Over You | 5:42
• 9 | Formerly | 4:15
• 10 | Body And Soul | 6:21
• 11 | Well You Needn't | 5:37
• 12 | Signing Off | 1:12
Credits:
Co-producer – Valerij Anosov
Piano, Liner Notes – Howard Riley
Producer – Danas Mikailionis
Recorded By [Digital Recording By] – Chris Trent
Companies, etc.:
Recorded At – Embrance Arts
Notes:
Recorded in Concert for Leicester Jazz House at Embrance Arts, Leicester on 11th November 2011
Remarks:
On 'Live With Repertoire,' British pianist Howard Riley focuses on standards, particularly Monk and Ellington, blending familiar tunes with his unique improvisational style. Recorded live in Leicester in 2011, Riley delivers a captivating set, balancing embellished renditions like 'I'm Getting Sentimental Over You' with more straightforward interpretations like 'Ba-Lue Bolivar Ba-Lues Are.' His originals, such as 'Now One' and 'Now Two,' showcase his inventive approach, while his take on ''Round Midnight' adds subtle dissonances. Despite his Parkinson's diagnosis, Riley's artistry remains vibrant, making this album perfect for lovers of jazz piano. –
$15
Tara Clerkin Trio – Tara Clerkin Trio
Label: Laura Lies In – LLI007
Format: Vinyl, LP, Album, Repress, 3rd Press
Country: UK
Released: 2020
Genre: Electronic, Jazz
Style: Experimental, Free Improvisation
Tracklist:
• A1 | What?
• A2 | In The Room
• A3 | Hellenica
• A4 | I Know He Will
• B1 | Gold Bar
• B2 | Any Of These
• B3 | There Will Be Time
Credits:
Artwork [Blue Thing] – Tara Clerkin
Graphic Design – Patrick Benjamin
Lacquer Cut By – Kr
Mastered By – Rupert Clervaux
Performer – Tara Clerkin Trio
Photography By [Blue Thing] – Cloé Brunerie
Photography By [Cityscape] – Jennifer Lo
Producer – Dominic Mitchison
Recorded By – Dominic Mitchison
Written-By – Tara Clerkin Trio
Companies, etc.:
Recorded At – The Malthouse, Bristol
Lacquer Cut At – SST GmbH
Pressed By – MPO
Notes:
Third pressing, Includes 12"x12" colour insert with different artwork to the first and second press.
Barcode & Identifiers:
Matrix / Runout – LLI 007 A MPO 21 203275 Kr SST (Runout side A)
Matrix / Runout – LLI 007 B Kr SST MPO 21 206309 (Runout side B)
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Tara Clerkin Trio present their self titled debut LP on Laura Lies In. Similar to that directorial effect of filming at double speed and then slowing down for playback, the record ambles with assurance, expertly paced. Having solidified the workings of the group over the last year their debut self-titled has emerged alongside a strong live set. Drifting from dubby minimalism to smudged acid jazz, Tara's stark and tuneful voice acts as the vehicle for her concise poetic lyricism. The group coalesce disparate influences into a cohesive sound, reflecting a romantic view of a familiar worldA record existing disconnected from the daily getyadowns, a holiday from life, optimism as resistance against mundanity, something extraordinary amongst the ordinary, positively grey. –
Label: Laura Lies In – LLI007
Format: Vinyl, LP, Album, Repress, 3rd Press
Country: UK
Released: 2020
Genre: Electronic, Jazz
Style: Experimental, Free Improvisation
Tracklist:
• A1 | What?
• A2 | In The Room
• A3 | Hellenica
• A4 | I Know He Will
• B1 | Gold Bar
• B2 | Any Of These
• B3 | There Will Be Time
Credits:
Artwork [Blue Thing] – Tara Clerkin
Graphic Design – Patrick Benjamin
Lacquer Cut By – Kr
Mastered By – Rupert Clervaux
Performer – Tara Clerkin Trio
Photography By [Blue Thing] – Cloé Brunerie
Photography By [Cityscape] – Jennifer Lo
Producer – Dominic Mitchison
Recorded By – Dominic Mitchison
Written-By – Tara Clerkin Trio
Companies, etc.:
Recorded At – The Malthouse, Bristol
Lacquer Cut At – SST GmbH
Pressed By – MPO
Notes:
Third pressing, Includes 12"x12" colour insert with different artwork to the first and second press.
Barcode & Identifiers:
Matrix / Runout – LLI 007 A MPO 21 203275 Kr SST (Runout side A)
Matrix / Runout – LLI 007 B Kr SST MPO 21 206309 (Runout side B)
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Tara Clerkin Trio present their self titled debut LP on Laura Lies In. Similar to that directorial effect of filming at double speed and then slowing down for playback, the record ambles with assurance, expertly paced. Having solidified the workings of the group over the last year their debut self-titled has emerged alongside a strong live set. Drifting from dubby minimalism to smudged acid jazz, Tara's stark and tuneful voice acts as the vehicle for her concise poetic lyricism. The group coalesce disparate influences into a cohesive sound, reflecting a romantic view of a familiar worldA record existing disconnected from the daily getyadowns, a holiday from life, optimism as resistance against mundanity, something extraordinary amongst the ordinary, positively grey. –
$22
Clancy – Seriously Speaking
Label: Big Pink – BIGPINK941
Format: CD, Deluxe Korean mini LP (papersleeve) CD
Country: South Korea
Released: 2025
Genre: Jazz, Rock, Funk / Soul
Style: Jazz-Rock, Jazz-Funk, Prog Rock, Classic Rock
Tracklist:
• 1 | Back On Love
• 2 | Lose Me
• 3 | Body To Body
• 4 | Steal Away
• 5 | Sign Of The Times
• 6 | Southern Boogie
• 7 | Money
• 8 | Long Time Comin'
• 9 | Move On
• 10 | Eat Gook
Barcode & Identifiers:
Barcode – 8809270029481
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
The first album by the British jazz-funk and prog-rock band Clancy, formed by key members like Ernie Graham, Colin Bass, and David Skinner who had previously been part of major bands in the '60s and '70s British rock scene such as Eire Apparent, Uncle Dog, Help Yourself, and Velvet Opera. The album is dominated by a fantastic jazzy AOR sound throughout. –
Label: Big Pink – BIGPINK941
Format: CD, Deluxe Korean mini LP (papersleeve) CD
Country: South Korea
Released: 2025
Genre: Jazz, Rock, Funk / Soul
Style: Jazz-Rock, Jazz-Funk, Prog Rock, Classic Rock
Tracklist:
• 1 | Back On Love
• 2 | Lose Me
• 3 | Body To Body
• 4 | Steal Away
• 5 | Sign Of The Times
• 6 | Southern Boogie
• 7 | Money
• 8 | Long Time Comin'
• 9 | Move On
• 10 | Eat Gook
Barcode & Identifiers:
Barcode – 8809270029481
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
The first album by the British jazz-funk and prog-rock band Clancy, formed by key members like Ernie Graham, Colin Bass, and David Skinner who had previously been part of major bands in the '60s and '70s British rock scene such as Eire Apparent, Uncle Dog, Help Yourself, and Velvet Opera. The album is dominated by a fantastic jazzy AOR sound throughout. –
$23
William Hooker Quintet – Channels Of Consciousness
Label: NoBusiness Records – NBCD52
Format: CD, Album
Country: Lithuania
Released: Dec 2012
Genre: Jazz, Folk, World, & Country
Style: Free Improvisation
Tracklist:
• 1 | The Unfolding
• 2 | Compelling Influences
• 3 | Thought And Intention
• 4 | Lower Interlude
• 5 | Character
• 6 | Connected
• 7 | Three Hexagons
• 8 | Mother's History (Untold)
Credits:
Bass – Adam Lane
Co-producer – Valerij Anosov
Design – Oskaras Anosovas
Drums, Music By – William Hooker
Guitar – Dave Ross
Mixed By, Mastered By – Arūnas Zujus
Percussion – Sanga
Photography By [Cover] – Peter Gannushkin
Producer – Danas Mikailionis
Trumpet – Chris DiMeglio
Companies, etc.:
Recorded At – Roulette, New York, NY
Mixed At – MAMAstudios
Mastered At – MAMAstudios
Notes:
Recorded on 27th March, 2010 at Roulette, NYC
Remarks:
William Hooker's Quintet showcases an intricate blend of free improvisation with a clear sense of structure on 'Channels Of Consciousness'. Recorded live at Roulette in 2010, the continuous 68-minute performance features trumpeter Chris DiMeglio's recurring motif and Hooker's carefully marshaled grooves. The intensity ebbs and flows, with standout moments like Dave Ross' slide guitar solo on 'Character' and Adam Lane's atmospheric bass work on 'Mother's History (Untold).' Inspired by Richard Wright's unfinished novel 'A Father's Law,' the piece combines musical exploration with spoken word elements. Though some sections may feel overwhelming, the album's passion and complexity make it a compelling listen. –
Label: NoBusiness Records – NBCD52
Format: CD, Album
Country: Lithuania
Released: Dec 2012
Genre: Jazz, Folk, World, & Country
Style: Free Improvisation
Tracklist:
• 1 | The Unfolding
• 2 | Compelling Influences
• 3 | Thought And Intention
• 4 | Lower Interlude
• 5 | Character
• 6 | Connected
• 7 | Three Hexagons
• 8 | Mother's History (Untold)
Credits:
Bass – Adam Lane
Co-producer – Valerij Anosov
Design – Oskaras Anosovas
Drums, Music By – William Hooker
Guitar – Dave Ross
Mixed By, Mastered By – Arūnas Zujus
Percussion – Sanga
Photography By [Cover] – Peter Gannushkin
Producer – Danas Mikailionis
Trumpet – Chris DiMeglio
Companies, etc.:
Recorded At – Roulette, New York, NY
Mixed At – MAMAstudios
Mastered At – MAMAstudios
Notes:
Recorded on 27th March, 2010 at Roulette, NYC
Remarks:
William Hooker's Quintet showcases an intricate blend of free improvisation with a clear sense of structure on 'Channels Of Consciousness'. Recorded live at Roulette in 2010, the continuous 68-minute performance features trumpeter Chris DiMeglio's recurring motif and Hooker's carefully marshaled grooves. The intensity ebbs and flows, with standout moments like Dave Ross' slide guitar solo on 'Character' and Adam Lane's atmospheric bass work on 'Mother's History (Untold).' Inspired by Richard Wright's unfinished novel 'A Father's Law,' the piece combines musical exploration with spoken word elements. Though some sections may feel overwhelming, the album's passion and complexity make it a compelling listen. –
$15
Vincent Taeger Et Le Jazz Kamasutra – Ok Crooner
Label: Born Bad Records – BB181
Format: CD, Album
Country: France
Released: 2024
Genre: Jazz, Pop
Style:
Tracklist:
• 1 | Prologue Amateur | 1:51
• 2 | Sax Addict | 3:53
• 3 | Notre Soleil Est Mort | 3:55
• 4 | Tinder Surprise | 3:42
• 5 | Igor Stravestit | 3:37
• 6 | Amoureuse | 5:24
• 7 | 5th | 3:11
• 8 | Ok Boomer | 3:11
• 9 | Ouais | 2:00
• 10 | Je Cours | 3:29
• 11 | En Conversation | 1:28
• 12 | Laura Palmer | 3:19
• 13 | Yahourt à L'italienne | 2:27
• 14 | Où T'es? | 0:45
Credits:
Artwork – Elzo
Barcode & Identifiers:
Barcode – 3521383498637
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Back in the day, when he was the drummer for Poni Hoax, Vincent Taeger would sing in French whatever came to his mind backstage after concerts, just for fun, to amuse his friend the late Nicolas Ker. Since then, time has flown by, undoubtedly bringing its share of ups and downs. Nonetheless, today, this artist with a long career is finally releasing his debut album as a singer, 'OK Crooner.' It's indeed an album for a singer, but also one for a musician. For this part, Taeger doesn't come alone, he brings along the Jazz Kamasutra, a sexy sextet that knows how to play everything and will later accompany him on stage. To get to this point, Vincent Taeger had to stop playing around with big names like Air, Damon Albarn, Justice, Lenny Kravitz, Skepta, Tony Allen, Oumou Sangar�, Jeff Mills, Archie Shepp, Sampa the Great, Andrea Laszlo de Simone... More than half of the major artists with whom he once collaborated, contributing to their albums or simply laying down a drum, bass, or any other heavy instrument line. Before 'OK Crooner,' he also transformed into Tiger Tigre. This roaring alias was used for a first solo album, instrumental and so deep that one might have thought the ghost of Fran�ois de Roubaix had taken shape. But that was before. Before this exceptional musician decided to dive into the vast ocean of French variety to give a sequel, a culmination to this project. –
Label: Born Bad Records – BB181
Format: CD, Album
Country: France
Released: 2024
Genre: Jazz, Pop
Style:
Tracklist:
• 1 | Prologue Amateur | 1:51
• 2 | Sax Addict | 3:53
• 3 | Notre Soleil Est Mort | 3:55
• 4 | Tinder Surprise | 3:42
• 5 | Igor Stravestit | 3:37
• 6 | Amoureuse | 5:24
• 7 | 5th | 3:11
• 8 | Ok Boomer | 3:11
• 9 | Ouais | 2:00
• 10 | Je Cours | 3:29
• 11 | En Conversation | 1:28
• 12 | Laura Palmer | 3:19
• 13 | Yahourt à L'italienne | 2:27
• 14 | Où T'es? | 0:45
Credits:
Artwork – Elzo
Barcode & Identifiers:
Barcode – 3521383498637
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Back in the day, when he was the drummer for Poni Hoax, Vincent Taeger would sing in French whatever came to his mind backstage after concerts, just for fun, to amuse his friend the late Nicolas Ker. Since then, time has flown by, undoubtedly bringing its share of ups and downs. Nonetheless, today, this artist with a long career is finally releasing his debut album as a singer, 'OK Crooner.' It's indeed an album for a singer, but also one for a musician. For this part, Taeger doesn't come alone, he brings along the Jazz Kamasutra, a sexy sextet that knows how to play everything and will later accompany him on stage. To get to this point, Vincent Taeger had to stop playing around with big names like Air, Damon Albarn, Justice, Lenny Kravitz, Skepta, Tony Allen, Oumou Sangar�, Jeff Mills, Archie Shepp, Sampa the Great, Andrea Laszlo de Simone... More than half of the major artists with whom he once collaborated, contributing to their albums or simply laying down a drum, bass, or any other heavy instrument line. Before 'OK Crooner,' he also transformed into Tiger Tigre. This roaring alias was used for a first solo album, instrumental and so deep that one might have thought the ghost of Fran�ois de Roubaix had taken shape. But that was before. Before this exceptional musician decided to dive into the vast ocean of French variety to give a sequel, a culmination to this project. –
$14
Various – The Man With The Licence Vol 3
Label: Doghouse & Bone Records – DGR-EX-14
Format: Vinyl, LP, Stereo, Compilation
Country: France
Released: 01 Dec 2024
Genre: Jazz, Latin, Stage & Screen
Style: Theme
Tracklist:
• A1 | On Her MajestyâS Secret Service | 2:08
• A2 | From Russia With Love | 2:26
• A3 | Flint Agente Secreto (Our Man Flint) | 2:37
• A4 | IâM Satisfied | 2:10
• A5 | Mister Kiss Kiss Bang Bang | 1:50
• A6 | Twelve By Two | 3:42
• A7 | The Man From U.N.C.L.E | 1:59
• B1 | Mannix (short Version) | 1:28
• B2 | The Man From Thrush | 2:57
• B3 | FURIA A BAHIA POUR OSS117 | 3:00
• B4 | Thunderball | 2:17
• B5 | I Spy | 2:13
• B6 | GOLDFINGER | 2:14
• B7 | 007 | 2:14
Credits:
Artwork – Zi Infams
Remarks:
'DETECTIVES, GUNS, SPIES & BABES...' OSS! Spy vs. Spy! MI6! All operating in the shadows of darkness and danger... listen... underneath that double-trouble of uncertainty lays the groove.The exotic and the erotic sounds. 007! The music with a license to kill and thrill. When the clock strikes five and it is cocktail time, no man is a match for the soundtrack of the femme fatale of the underworld. Shake that thing baby - don't stir it... and the Martini too. The spy universe has been quite an inspiration for composers and orchestras. Lounge music, exotica and symphonic, this record will have you spinning the globe hitting every longitude and latitude from Bangkok to Rio.So drop that needle and get on board this third volume as this jet is leaving the gate right on time. Limited to 400 copies. –
Label: Doghouse & Bone Records – DGR-EX-14
Format: Vinyl, LP, Stereo, Compilation
Country: France
Released: 01 Dec 2024
Genre: Jazz, Latin, Stage & Screen
Style: Theme
Tracklist:
• A1 | On Her MajestyâS Secret Service | 2:08
• A2 | From Russia With Love | 2:26
• A3 | Flint Agente Secreto (Our Man Flint) | 2:37
• A4 | IâM Satisfied | 2:10
• A5 | Mister Kiss Kiss Bang Bang | 1:50
• A6 | Twelve By Two | 3:42
• A7 | The Man From U.N.C.L.E | 1:59
• B1 | Mannix (short Version) | 1:28
• B2 | The Man From Thrush | 2:57
• B3 | FURIA A BAHIA POUR OSS117 | 3:00
• B4 | Thunderball | 2:17
• B5 | I Spy | 2:13
• B6 | GOLDFINGER | 2:14
• B7 | 007 | 2:14
Credits:
Artwork – Zi Infams
Remarks:
'DETECTIVES, GUNS, SPIES & BABES...' OSS! Spy vs. Spy! MI6! All operating in the shadows of darkness and danger... listen... underneath that double-trouble of uncertainty lays the groove.The exotic and the erotic sounds. 007! The music with a license to kill and thrill. When the clock strikes five and it is cocktail time, no man is a match for the soundtrack of the femme fatale of the underworld. Shake that thing baby - don't stir it... and the Martini too. The spy universe has been quite an inspiration for composers and orchestras. Lounge music, exotica and symphonic, this record will have you spinning the globe hitting every longitude and latitude from Bangkok to Rio.So drop that needle and get on board this third volume as this jet is leaving the gate right on time. Limited to 400 copies. –
$21
Diana Krall – The Look Of Love¶¶Label: Verve Records – 0602458986808¶Format: Vinyl, LP, Album, Stereo, Reissue, Remastered, 180 Gram¶Country: Worldwide¶Released: 02 Aug 2024¶Genre: Jazz, Latin¶Style: Bossa Nova, Latin Jazz, Vocal, Ballad¶¶Tracklist: ¶• A1 | S'Wonderful | 4:28¶• A2 | Love Letters | 4:55¶• A3 | I Remember You | 3:55¶• B1 | Cry Me A River | 5:03¶• B2 | Besame Mucho | 6:40¶• C1 | The Night We Called It A Day | 5:41¶• C2 | Dancing In The Dark | 5:48¶• C3 | I Get Along Without You Very Well | 3:44¶• D1 | The Look Of Love | 4:42¶• D2 | Maybe You'll Be There | 5:30¶¶Credits: ¶Arranged By [Orchestra], Conductor – Claus Ogerman¶Art Direction – Hollis King¶Bass – Christian McBride¶Design – Isabelle Wong¶Drums – Jeff Hamilton¶Drums – Peter Erskine¶Engineer [Additional] – John Hendrickson¶Engineer [Assistant, Abby Road Studios] – Chris Clark¶Engineer [Assistant, Abby Road Studios] – Richard Lancaster¶Engineer [Assistant, Avatar Studios] – Aya Takemura¶Engineer [Assistant, Capitol Studios] – John Hendrickson¶Engineer [Assistant] – Bill Smith¶Guitar – Dori Caymmi¶Guitar – John Pisano¶Guitar – Romero Lubambo¶Guitar – Russell Malone¶Mastered By – Ryan Smith¶Orchestra – London Symphony Orchestra¶Orchestra – Los Angeles Session Orchestra¶Percussion – Luis Conte¶Percussion – Paulinho Da Costa¶Photography By – Bruce Weber¶Photography By [Photos In Car] – Jane Shirek¶Photography By [Production] – Donna Ranieri¶Piano, Vocals – Diana Krall¶Producer – Tommy LiPuma¶Recorded By, Mixed By, Engineer – Al Schmitt¶¶Companies, etc.: ¶Phonographic Copyright (p) – The Verve Music Group¶Copyright (c) – The Verve Music Group¶¶Notes: ¶Verve Acoustic Sounds Series: completely analog mastered by Ryan K. Smith at Sterling Sound from the original tapes, QPR pressing (180 g), sturdy tip-on gatefold (Stoughton Printing), padded inner sleeve, gatefold sleeve.¶¶Barcode & Identifiers: ¶Barcode – 0602458986808¶¶Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence. –
De meest recente producten in style 'synthwave'
De meest recente producten in genre 'electronic'
Jake Blanchard – Fermentation
Label:
Eiderdown Records – EID LP0006
Cardinal Fuzz – CFUL0317
Format: Vinyl, LP, Album, Limited Edition
Country: UK
Released: 01 Nov 2024
Genre: Electronic
Style: Experimental, Drone
Tracklist:
• A1 | Sickening Elixir
• A2 | Ethereal Ink
• A3 | Dysplasia Delirium
• B1 | Tremor
• B2 | Mosaic
• B3 | Lithium Palms
• B4 | Morphine Boogie
Credits:
Harmonium, Percussion, Darbouka, Synth – Shahi Baaja
Mastered By – Chris Hardman
Mixed By – Sophie Cooper
Music By, Artwork By, Mixed By – Jake Blanchard
Notes:
Limited to 300 copies in the UK
Remarks:
Jake is well known for his striking art/print work having designed many sleeves for the likes of Pelt, Mike Gangloff and Richard Dawson (his artwork for Dawson's 'The Ruby Cord' was awarded third place in the Art Vinyl album cover of the year award 2022). Along with Sophie Cooper he is one half of TOR, an umbrella term for a variety of projects including Tor Bookings, Tor Festival, Tor Press, Tor Beers and Tor FM that has made Todmorden synonymous with bringing diverse/creative and the best experimental music to the North of England. 'Fermentation' came together over the last couple of years, during this time Jake started struggling with a hip problem and chronic pain. This forced him to change his approach to recording music. He was no longer able to play for any significant length of time so the album was recorded in short bursts and gradually pieced together. Due to this Jake had to move away from the extended improvised jams of previous albums and take a more structured route. Jake plays an electric shahi baaja (similar to the Indian bulbul tarang and Japanese taishogoto, types of zither using typewriter like keys to change the pitch of some of the strings), this plays a central role on 'Fermentation' - buzzing and plucking with a wild abandon to create rolling ecstatic riffs of improvisational flow. The drones give way to a barrage of effects that find Jake manipulating the instrument in drifts of virtuosic shred, but the way he toggles back and forth between known and unknown tongues demonstrates a conceptual mastery that matches his technique. There are bits of this you might think were Michael Flower, Sandy Bull or even The Byrds if they decamped to India with a bag of narcotics before recording a night-long improv session. 'Fermentation's tangled fusion of East/West, traditional/post-modern seamlessly shifts between tumultuous intensity and blissed-out serenity perhaps reflecting Jake's struggles with pain and brief moments of reprieve. As a prism separates white light into many colours or many colour... –
Label:
Eiderdown Records – EID LP0006
Cardinal Fuzz – CFUL0317
Format: Vinyl, LP, Album, Limited Edition
Country: UK
Released: 01 Nov 2024
Genre: Electronic
Style: Experimental, Drone
Tracklist:
• A1 | Sickening Elixir
• A2 | Ethereal Ink
• A3 | Dysplasia Delirium
• B1 | Tremor
• B2 | Mosaic
• B3 | Lithium Palms
• B4 | Morphine Boogie
Credits:
Harmonium, Percussion, Darbouka, Synth – Shahi Baaja
Mastered By – Chris Hardman
Mixed By – Sophie Cooper
Music By, Artwork By, Mixed By – Jake Blanchard
Notes:
Limited to 300 copies in the UK
Remarks:
Jake is well known for his striking art/print work having designed many sleeves for the likes of Pelt, Mike Gangloff and Richard Dawson (his artwork for Dawson's 'The Ruby Cord' was awarded third place in the Art Vinyl album cover of the year award 2022). Along with Sophie Cooper he is one half of TOR, an umbrella term for a variety of projects including Tor Bookings, Tor Festival, Tor Press, Tor Beers and Tor FM that has made Todmorden synonymous with bringing diverse/creative and the best experimental music to the North of England. 'Fermentation' came together over the last couple of years, during this time Jake started struggling with a hip problem and chronic pain. This forced him to change his approach to recording music. He was no longer able to play for any significant length of time so the album was recorded in short bursts and gradually pieced together. Due to this Jake had to move away from the extended improvised jams of previous albums and take a more structured route. Jake plays an electric shahi baaja (similar to the Indian bulbul tarang and Japanese taishogoto, types of zither using typewriter like keys to change the pitch of some of the strings), this plays a central role on 'Fermentation' - buzzing and plucking with a wild abandon to create rolling ecstatic riffs of improvisational flow. The drones give way to a barrage of effects that find Jake manipulating the instrument in drifts of virtuosic shred, but the way he toggles back and forth between known and unknown tongues demonstrates a conceptual mastery that matches his technique. There are bits of this you might think were Michael Flower, Sandy Bull or even The Byrds if they decamped to India with a bag of narcotics before recording a night-long improv session. 'Fermentation's tangled fusion of East/West, traditional/post-modern seamlessly shifts between tumultuous intensity and blissed-out serenity perhaps reflecting Jake's struggles with pain and brief moments of reprieve. As a prism separates white light into many colours or many colour... –
$24
The Sea Of Wires – The Sea Of Wires
Label: Cold Spring – CSR345CD
Format: CD, Reissue, Compilation
Country: UK
Released: Dec 2024
Genre: Electronic
Style: Ambient, Experimental, Berlin-School
Tracklist:
• | Individually Screened
• 1-1 | Invincible | 6:51
• 1-2 | Seascape | 16:38
• 1-3 | Is The New Man Human | 8:15
• 1-4 | Return Of The Captain | 1:35
• 1-5 | Robot Dance | 2:22
• 1-6 | An Endless Rainy Day | 11:27
• 1-7 | Breathing | 8:48
• | Diversions
• 2-1 | The Man Who Smiles | 4:06
• 2-2 | S.O.W. (The Sea Of Wire) | 5:55
• 2-3 | New Age (With Apologies To You Know Who) | 5:59
• 2-4 | It Will Never Work | 2:10
• 2-5 | The Nightmare Continues | 9:40
• | Beyond The Edge Of Tomorrow
• 2-6 | Recollections Of Death | 34:49
Credits:
Graphic Design – Abby Helasdottir
Guitar – Hippy Steve
Mastered By – Martin Bowes
Synthesizer, Recorded By, Producer – Chris Jones
Synthesizer, Recorded By, Producer – T.
Vocals – Rob Gillham
Companies, etc.:
Copyright (c) – Cold Spring Records
Mastered At – The Cage Studios
Notes:
Double CD in a matt-finish gatefold ecopak.
"Individually Screened" recorded and produced by Chris Jones & "T" (Tony Murphy) somewhere in Coventry, March-July 1980.
"Beyond the Edge Of Tomorrow" improvised by The Sea Of Wires, 1982.
The Sea Of Wires: Chris (korg MS20, korg SQ10, Wasp & Spider, Copy-Cat Echo) and "T" (Yamaha CS30, Copy Cat Echo).
Thanks to Hippy Steve for guitar on 'The Man Who Smiles' and Rob Gillham for his vocals on 'Recollections Of Death'.
Mastered by Martin Bowes at The Cage, Coventry.
Graphic design by Abby Helasdottir.
Special thanks to Frank Maier / Vinyl-on-Demand.
Barcode & Identifiers:
Barcode – 0641871746422
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
The Sea Of Wires were a very early '80s electronic duo hailing from the industrial wastelands of Coventry... Followers of the German electronic scene of the time (Tangerine Dream, Ash Ra Tempel, Popol Vuh, Cluster etc), Chris Jones and Tony Murphy used elements of Kosmische Musik in their compositions, with a variety of warm synths, analogue effects, and layered experimentation. This double-CD collects cassettes which appeared on their own Sea Of Wires label: 'Individually Screened' (1980, then 1981 on the famous Flowmotion label), Chris Jones' 'Diversions' (1981, featuring Murphy on synth), and 'Beyond The Edge Of Tomorrow' (1982), representing the absolute peak of their sound. These tracks appeared as a double LP on the illustrious Vinyl-on-Demand label back in 2014 as part of the massive 12LP boxset '80's Minimal Synth. Wave Vol. 2,' but are presented here on CD for the first time ever.FFO early Human League, Vice Versa, We Be Echo, Tangerine Dream. Double CD in a matt-finish gatefold ecopak. –
Label: Cold Spring – CSR345CD
Format: CD, Reissue, Compilation
Country: UK
Released: Dec 2024
Genre: Electronic
Style: Ambient, Experimental, Berlin-School
Tracklist:
• | Individually Screened
• 1-1 | Invincible | 6:51
• 1-2 | Seascape | 16:38
• 1-3 | Is The New Man Human | 8:15
• 1-4 | Return Of The Captain | 1:35
• 1-5 | Robot Dance | 2:22
• 1-6 | An Endless Rainy Day | 11:27
• 1-7 | Breathing | 8:48
• | Diversions
• 2-1 | The Man Who Smiles | 4:06
• 2-2 | S.O.W. (The Sea Of Wire) | 5:55
• 2-3 | New Age (With Apologies To You Know Who) | 5:59
• 2-4 | It Will Never Work | 2:10
• 2-5 | The Nightmare Continues | 9:40
• | Beyond The Edge Of Tomorrow
• 2-6 | Recollections Of Death | 34:49
Credits:
Graphic Design – Abby Helasdottir
Guitar – Hippy Steve
Mastered By – Martin Bowes
Synthesizer, Recorded By, Producer – Chris Jones
Synthesizer, Recorded By, Producer – T.
Vocals – Rob Gillham
Companies, etc.:
Copyright (c) – Cold Spring Records
Mastered At – The Cage Studios
Notes:
Double CD in a matt-finish gatefold ecopak.
"Individually Screened" recorded and produced by Chris Jones & "T" (Tony Murphy) somewhere in Coventry, March-July 1980.
"Beyond the Edge Of Tomorrow" improvised by The Sea Of Wires, 1982.
The Sea Of Wires: Chris (korg MS20, korg SQ10, Wasp & Spider, Copy-Cat Echo) and "T" (Yamaha CS30, Copy Cat Echo).
Thanks to Hippy Steve for guitar on 'The Man Who Smiles' and Rob Gillham for his vocals on 'Recollections Of Death'.
Mastered by Martin Bowes at The Cage, Coventry.
Graphic design by Abby Helasdottir.
Special thanks to Frank Maier / Vinyl-on-Demand.
Barcode & Identifiers:
Barcode – 0641871746422
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
The Sea Of Wires were a very early '80s electronic duo hailing from the industrial wastelands of Coventry... Followers of the German electronic scene of the time (Tangerine Dream, Ash Ra Tempel, Popol Vuh, Cluster etc), Chris Jones and Tony Murphy used elements of Kosmische Musik in their compositions, with a variety of warm synths, analogue effects, and layered experimentation. This double-CD collects cassettes which appeared on their own Sea Of Wires label: 'Individually Screened' (1980, then 1981 on the famous Flowmotion label), Chris Jones' 'Diversions' (1981, featuring Murphy on synth), and 'Beyond The Edge Of Tomorrow' (1982), representing the absolute peak of their sound. These tracks appeared as a double LP on the illustrious Vinyl-on-Demand label back in 2014 as part of the massive 12LP boxset '80's Minimal Synth. Wave Vol. 2,' but are presented here on CD for the first time ever.FFO early Human League, Vice Versa, We Be Echo, Tangerine Dream. Double CD in a matt-finish gatefold ecopak. –
$21
Bestia Astrum – Fury 161
Label: Cold Spring – CSR342CD
Format: CD, Album
Country: UK
Released: 27 Dec 2024
Genre: Electronic
Style: Industrial, Ambient
Tracklist:
• 1 | The Blood-Dimmed Tide Is Loosed | 9:27
• 2 | And What Rough Beast, Its Hour Come Round At Last | 7:59
• 3 | Surely Some Revelation Is At Hand | 8:02
• 4 | A Gaze Blank And Pitiless As The Sun | 8:47
• 5 | The Ceremony Of Innocence Is Drowned | 6:44
• 6 | The Darkness Drops Again | 10:35
• 7 | Twenty Centuries Of Stony Sleep | 5:03
Credits:
Composed By, Recorded By – Bestia Astrum
Graphic Design, Liner Notes, Layout – Abby Helasdottir
Mastered By – Martin Bowes
Percussion – Serena Helasdottir-Cole
Sounds – Serena Helasdottir-Cole
Companies, etc.:
Copyright (c) – Cold Spring Records
Recorded At – Ultrasound (3)
Mastered At – The Cage Studios
Notes:
CD in full colour digipak with gold spot colour, accompanied by a 16-page booklet with an essay by Abby Helasdottir.
CD release was delayed by pressing plant problems and shipped from 27th December.
Barcode & Identifiers:
Barcode – 0641871746323 (Text)
Barcode – 641871746323 (Scanned)
Matrix / Runout – 43353 [Unknown logo] CSR342CD www.coldspring.co.uk
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
The debut album from Bestia Astrum (aka Abby Helasdottir/Gydja) is a grim exploration of 'Fury 161,' the prison planet from the movie 'Alien3.' An industrial ambient travelogue of the spaces in the planet's dark and rusty facility, beginning on a wind-swept shore and ending in the eternal repose of stony sleep.More than just an alternate soundtrack to a film, 'Fury 161' takes cues from the long and troubled production of 'Alien3,' incorporating themes from earlier concepts proposed during its development hell, including the treatment created by Vincent Ward, who imagined the movie's location as a wooden planet that was home to an order of space monks. Motifs of eremitic religiosity permeate the album, as well as themes of Yeatsian apocalypticism, abject anatomy, and the intersection between the sacred and the profane, betwixt the beautiful and the grotesque. Full colour matt-laminate digipak with gold spot colour, accompanied by a 16-page booklet with an essay by Abby Helasdottir. –
Label: Cold Spring – CSR342CD
Format: CD, Album
Country: UK
Released: 27 Dec 2024
Genre: Electronic
Style: Industrial, Ambient
Tracklist:
• 1 | The Blood-Dimmed Tide Is Loosed | 9:27
• 2 | And What Rough Beast, Its Hour Come Round At Last | 7:59
• 3 | Surely Some Revelation Is At Hand | 8:02
• 4 | A Gaze Blank And Pitiless As The Sun | 8:47
• 5 | The Ceremony Of Innocence Is Drowned | 6:44
• 6 | The Darkness Drops Again | 10:35
• 7 | Twenty Centuries Of Stony Sleep | 5:03
Credits:
Composed By, Recorded By – Bestia Astrum
Graphic Design, Liner Notes, Layout – Abby Helasdottir
Mastered By – Martin Bowes
Percussion – Serena Helasdottir-Cole
Sounds – Serena Helasdottir-Cole
Companies, etc.:
Copyright (c) – Cold Spring Records
Recorded At – Ultrasound (3)
Mastered At – The Cage Studios
Notes:
CD in full colour digipak with gold spot colour, accompanied by a 16-page booklet with an essay by Abby Helasdottir.
CD release was delayed by pressing plant problems and shipped from 27th December.
Barcode & Identifiers:
Barcode – 0641871746323 (Text)
Barcode – 641871746323 (Scanned)
Matrix / Runout – 43353 [Unknown logo] CSR342CD www.coldspring.co.uk
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
The debut album from Bestia Astrum (aka Abby Helasdottir/Gydja) is a grim exploration of 'Fury 161,' the prison planet from the movie 'Alien3.' An industrial ambient travelogue of the spaces in the planet's dark and rusty facility, beginning on a wind-swept shore and ending in the eternal repose of stony sleep.More than just an alternate soundtrack to a film, 'Fury 161' takes cues from the long and troubled production of 'Alien3,' incorporating themes from earlier concepts proposed during its development hell, including the treatment created by Vincent Ward, who imagined the movie's location as a wooden planet that was home to an order of space monks. Motifs of eremitic religiosity permeate the album, as well as themes of Yeatsian apocalypticism, abject anatomy, and the intersection between the sacred and the profane, betwixt the beautiful and the grotesque. Full colour matt-laminate digipak with gold spot colour, accompanied by a 16-page booklet with an essay by Abby Helasdottir. –
$17
Adam F – Colours Revisited
Label: 181 Recordings – 181001LP
Format: Vinyl, 12", Album, Transparent Red
Country: UK
Released: 21 Feb 2025
Genre: Electronic
Style: Drum n Bass, Downtempo
Tracklist:
• A1 | 73 MK8 Revisited
• A2 | Metropolis Revisited
• B1 | Music in My Mind Revisited
• B2 | Jaxx Revisited
• C1 | The Tree Knows Everything Revisited
• C2 | Circles Revisited (Extended)
• D1 | Mother Earth Revisited
• D2 | Dirty Harry Revisited
• E | F-Jam Revisited
• F | Aromatherapy Revisited
Remarks:
'Colours Revisited' is a revision of Adam F's MOBO Award-winning 1997 debut album that tells a story of musical rebirth and passion. Adam F, realising that 'Colours' had found a new audience-partly thanks to artists like PinkPantheress-decided to recreate the album. Instead of simply remastering the tracks, Adam went all in. Over two years, he meticu-lously reworked the original music, from restoring vintage instruments like his Fender Rhodes piano to enlisting UK jazz legends like Julian Joseph. Vocalists including Kirsty Hawkshaw and the late MC Conrad re-recorded their parts, while new solos from world-class musicians added fresh life to the tracks. This is a must have album for drum & bass lovers which pays hom-age to what has become a cornerstone of British electronic music history. Includes download card with bonus tracks. –
Label: 181 Recordings – 181001LP
Format: Vinyl, 12", Album, Transparent Red
Country: UK
Released: 21 Feb 2025
Genre: Electronic
Style: Drum n Bass, Downtempo
Tracklist:
• A1 | 73 MK8 Revisited
• A2 | Metropolis Revisited
• B1 | Music in My Mind Revisited
• B2 | Jaxx Revisited
• C1 | The Tree Knows Everything Revisited
• C2 | Circles Revisited (Extended)
• D1 | Mother Earth Revisited
• D2 | Dirty Harry Revisited
• E | F-Jam Revisited
• F | Aromatherapy Revisited
Remarks:
'Colours Revisited' is a revision of Adam F's MOBO Award-winning 1997 debut album that tells a story of musical rebirth and passion. Adam F, realising that 'Colours' had found a new audience-partly thanks to artists like PinkPantheress-decided to recreate the album. Instead of simply remastering the tracks, Adam went all in. Over two years, he meticu-lously reworked the original music, from restoring vintage instruments like his Fender Rhodes piano to enlisting UK jazz legends like Julian Joseph. Vocalists including Kirsty Hawkshaw and the late MC Conrad re-recorded their parts, while new solos from world-class musicians added fresh life to the tracks. This is a must have album for drum & bass lovers which pays hom-age to what has become a cornerstone of British electronic music history. Includes download card with bonus tracks. –
$66
Simon Posford & Raja Ram – Improvisations For Piano & Flute
Label: Twisted Records – TWSLP55
Format: Vinyl, LP, Album, Gold
Country: UK
Released: 29 Nov 2024
Genre: Electronic, Classical
Style: Modern, Ambient
Tracklist:
• A1 | Music For Within | 3:10
• A2 | Absolute Totality | 8:55
• A3 | Spinach Tooth | 4:56
• A4 | Planet Of The Vapes | 3:17
• B5 | Frankincense By The Pound | 7:27
• B6 | Inside The Black Opal | 6:58
• B7 | The Fantastic Life Of Mr Adonis The Peacock | 3:08
• B8 | The Wheels Are Spinning | 5:34
Credits:
Lacquer Cut By – Geoff Pesche
Mastered By – Simon Gibson
Photography By [Uncredited] – Gem Rey
Written-By – Raja Ram
Written-By – Simon Posford
Companies, etc.:
Phonographic Copyright (p) – Twisted Records Ltd.
Copyright (c) – Twisted Records Ltd.
Mastered At – Abbey Road Studios
Lacquer Cut At – Abbey Road Studios
Mastered At – GZ Media – 287365E
Barcode & Identifiers:
Barcode – 630883007959
Matrix / Runout – 287365E1 2025809 (Side A runout)
Matrix / Runout – 287365E2 2019115 (Side B runout)
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Collaborative mini album by two musicians highly esteemed for decades in the electronic music scene, Simon Posford and Raja Ram, 'Improvisations For Piano & Flute': as the title suggests, a series of fully improvised compositions by the two legendary musicians. The 44-minute flow of this album is more contemplative and analog in nature than anything in the pair's previous output in their three decades of collaborative work, yet equally mesmerising and consciousness-expanding. This album is a significant departure from their usual output in its focus on the interplay of Raj's lyrical flute playing and Simon's noodling at the piano, with almost imperceptible synthesized atmospheric support that seamlessly unites analog and digital realities. These improvisations were recorded in Posford's living room instead of the usual studio because the musicians found that it provided more of the desired ambience. With a synthesizer placed atop an antique Bluthner piano, either Raj or Simon would begin playing and the other would join in - nothing prepared, decided, or arranged: just live, in-the-moment inspiration. This spontaneity infuses each track with such magnetic energy that the listener is inevitably drawn into each note, phrase, and piece. The whole album is supremely chill and introspective, with a grand arc to the storyline of 8 tracks that Shpongle fans will recognize from the dynamic duo's internationally prized discography. 'Improvisations for Piano & Flute' is a salve for the soul, providing an atmospheric antidote to the relentless stress and fast pace of our increasingly complex world - a great way to kick back, tune in, and refresh. –
Label: Twisted Records – TWSLP55
Format: Vinyl, LP, Album, Gold
Country: UK
Released: 29 Nov 2024
Genre: Electronic, Classical
Style: Modern, Ambient
Tracklist:
• A1 | Music For Within | 3:10
• A2 | Absolute Totality | 8:55
• A3 | Spinach Tooth | 4:56
• A4 | Planet Of The Vapes | 3:17
• B5 | Frankincense By The Pound | 7:27
• B6 | Inside The Black Opal | 6:58
• B7 | The Fantastic Life Of Mr Adonis The Peacock | 3:08
• B8 | The Wheels Are Spinning | 5:34
Credits:
Lacquer Cut By – Geoff Pesche
Mastered By – Simon Gibson
Photography By [Uncredited] – Gem Rey
Written-By – Raja Ram
Written-By – Simon Posford
Companies, etc.:
Phonographic Copyright (p) – Twisted Records Ltd.
Copyright (c) – Twisted Records Ltd.
Mastered At – Abbey Road Studios
Lacquer Cut At – Abbey Road Studios
Mastered At – GZ Media – 287365E
Barcode & Identifiers:
Barcode – 630883007959
Matrix / Runout – 287365E1 2025809 (Side A runout)
Matrix / Runout – 287365E2 2019115 (Side B runout)
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Collaborative mini album by two musicians highly esteemed for decades in the electronic music scene, Simon Posford and Raja Ram, 'Improvisations For Piano & Flute': as the title suggests, a series of fully improvised compositions by the two legendary musicians. The 44-minute flow of this album is more contemplative and analog in nature than anything in the pair's previous output in their three decades of collaborative work, yet equally mesmerising and consciousness-expanding. This album is a significant departure from their usual output in its focus on the interplay of Raj's lyrical flute playing and Simon's noodling at the piano, with almost imperceptible synthesized atmospheric support that seamlessly unites analog and digital realities. These improvisations were recorded in Posford's living room instead of the usual studio because the musicians found that it provided more of the desired ambience. With a synthesizer placed atop an antique Bluthner piano, either Raj or Simon would begin playing and the other would join in - nothing prepared, decided, or arranged: just live, in-the-moment inspiration. This spontaneity infuses each track with such magnetic energy that the listener is inevitably drawn into each note, phrase, and piece. The whole album is supremely chill and introspective, with a grand arc to the storyline of 8 tracks that Shpongle fans will recognize from the dynamic duo's internationally prized discography. 'Improvisations for Piano & Flute' is a salve for the soul, providing an atmospheric antidote to the relentless stress and fast pace of our increasingly complex world - a great way to kick back, tune in, and refresh. –
$29
Maalem Houssam Guinia – Dead Of Night
Label: Hive Mind Records – HMRLP035
Format: Vinyl, LP, Album, Limited Edition
Country: UK
Released: 15 Nov 2024
Genre: Electronic, Blues, Folk, World, & Country
Style: African, Experimental
Tracklist:
• A1 | Allah Allah Daym Molana اÙÙ٠اÙÙ٠داÙÙ Ù ÙÙØ§Ùا | 4:23
• A2 | Jangari جاÙگر٠| 6:10
• A3 | Jahwari Bouri Bouriama جاÙÙØ±ÙÙ Ø¨ÙØ±Ù Ø¨ÙØ±Ùا٠ا | 4:27
• A4 | Ya Jowadi با Ø¬ÙØ§Ø¯Ù | 6:30
• B1 | Samaoui س٠اÙÙ | 5:04
• B2 | Matinba ٠اتÙÙØ¨Ø§ | 4:56
• B3 | Mosawiyin (Souiri) Ù ÙØ³Ø§ÙÙÙÙ (صÙÙØ±Ù) | 11:43
Credits:
Design – Marc Teare
Mastered By – Julian Tardo
Photography By – Bader Naggay
Recorded By, Producer – Karl-Erik Enkelmann
Voice, Guimbri – Maalem Houssam Guinia
Notes:
Black vinyl.
350gsm matt varnished sleeve.
1st pressing of 500 copies.
Remarks:
Recorded in a single late night session in a house in Casablanca, using a Tascam field recorder and 2 microphones, 'Dead Of Night' is an incredible solo album from Maalem Houssam Guinia, the son of Maalem Mahmoud Guinia, and one of Morocco's most exciting young Gnawa masters. It captures Houssam at his most natural, singing and playing the Gnawa songs that have been with him since his birth, completely solo and free without percussion or backing vocals. Houssam described the album as containing the songs he knows best as these were the pieces his father would play and sing late into the night in their home when he was an infant. The whole performance has been beautifully and sympathetically captured by bassist and producer Karl-Erik Enkelman. –
Label: Hive Mind Records – HMRLP035
Format: Vinyl, LP, Album, Limited Edition
Country: UK
Released: 15 Nov 2024
Genre: Electronic, Blues, Folk, World, & Country
Style: African, Experimental
Tracklist:
• A1 | Allah Allah Daym Molana اÙÙ٠اÙÙ٠داÙÙ Ù ÙÙØ§Ùا | 4:23
• A2 | Jangari جاÙگر٠| 6:10
• A3 | Jahwari Bouri Bouriama جاÙÙØ±ÙÙ Ø¨ÙØ±Ù Ø¨ÙØ±Ùا٠ا | 4:27
• A4 | Ya Jowadi با Ø¬ÙØ§Ø¯Ù | 6:30
• B1 | Samaoui س٠اÙÙ | 5:04
• B2 | Matinba ٠اتÙÙØ¨Ø§ | 4:56
• B3 | Mosawiyin (Souiri) Ù ÙØ³Ø§ÙÙÙÙ (صÙÙØ±Ù) | 11:43
Credits:
Design – Marc Teare
Mastered By – Julian Tardo
Photography By – Bader Naggay
Recorded By, Producer – Karl-Erik Enkelmann
Voice, Guimbri – Maalem Houssam Guinia
Notes:
Black vinyl.
350gsm matt varnished sleeve.
1st pressing of 500 copies.
Remarks:
Recorded in a single late night session in a house in Casablanca, using a Tascam field recorder and 2 microphones, 'Dead Of Night' is an incredible solo album from Maalem Houssam Guinia, the son of Maalem Mahmoud Guinia, and one of Morocco's most exciting young Gnawa masters. It captures Houssam at his most natural, singing and playing the Gnawa songs that have been with him since his birth, completely solo and free without percussion or backing vocals. Houssam described the album as containing the songs he knows best as these were the pieces his father would play and sing late into the night in their home when he was an infant. The whole performance has been beautifully and sympathetically captured by bassist and producer Karl-Erik Enkelman. –
$29
Position Parallèle – Aiguille À Découdre
Label: Silences Et Gresillements – SEG006
Format: Vinyl, LP, Album, Limited Edition, Translucent red
Country: Europe
Released: 08 Nov 2024
Genre: Electronic
Style: Minimal, Synth-pop
Tracklist:
• A1 | Toiles
• A2 | Variables
• A3 | Qui es-tu?
• A4 | Tu Ne Sais Pas Mâoublier....
• A5 | A.D.N
• A6 | Boite à Musique
• B7 | Zone
• B8 | Aiguille à Découdre
• B9 | Ãa Nâa Pas Dâimportance
• B10 | Le Ticket File Entre Tes Doigts
• B11 | Futur
Credits:
Noises – Geoffroy D.
Voice – Geoffroy D.
Companies, etc.:
Distributed By – Tesco Distribution
Notes:
Vinyl comes with printed innersleeve, limited edition of 250 copies. Comes with a Bandcamp download code.
Tracks are sequentially listed regardless of sides.
Remarks:
Future retro synthi-pop! Minimal electronics! Or should we better call it maximal electronics? Comes with printed innersleeve. 250 copies on translucent red vinyl. –
Label: Silences Et Gresillements – SEG006
Format: Vinyl, LP, Album, Limited Edition, Translucent red
Country: Europe
Released: 08 Nov 2024
Genre: Electronic
Style: Minimal, Synth-pop
Tracklist:
• A1 | Toiles
• A2 | Variables
• A3 | Qui es-tu?
• A4 | Tu Ne Sais Pas Mâoublier....
• A5 | A.D.N
• A6 | Boite à Musique
• B7 | Zone
• B8 | Aiguille à Découdre
• B9 | Ãa Nâa Pas Dâimportance
• B10 | Le Ticket File Entre Tes Doigts
• B11 | Futur
Credits:
Noises – Geoffroy D.
Voice – Geoffroy D.
Companies, etc.:
Distributed By – Tesco Distribution
Notes:
Vinyl comes with printed innersleeve, limited edition of 250 copies. Comes with a Bandcamp download code.
Tracks are sequentially listed regardless of sides.
Remarks:
Future retro synthi-pop! Minimal electronics! Or should we better call it maximal electronics? Comes with printed innersleeve. 250 copies on translucent red vinyl. –
$34
Tara Clerkin Trio – Tara Clerkin Trio
Label: Laura Lies In – LLI007
Format: Vinyl, LP, Album, Repress, 3rd Press
Country: UK
Released: 2020
Genre: Electronic, Jazz
Style: Experimental, Free Improvisation
Tracklist:
• A1 | What?
• A2 | In The Room
• A3 | Hellenica
• A4 | I Know He Will
• B1 | Gold Bar
• B2 | Any Of These
• B3 | There Will Be Time
Credits:
Artwork [Blue Thing] – Tara Clerkin
Graphic Design – Patrick Benjamin
Lacquer Cut By – Kr
Mastered By – Rupert Clervaux
Performer – Tara Clerkin Trio
Photography By [Blue Thing] – Cloé Brunerie
Photography By [Cityscape] – Jennifer Lo
Producer – Dominic Mitchison
Recorded By – Dominic Mitchison
Written-By – Tara Clerkin Trio
Companies, etc.:
Recorded At – The Malthouse, Bristol
Lacquer Cut At – SST GmbH
Pressed By – MPO
Notes:
Third pressing, Includes 12"x12" colour insert with different artwork to the first and second press.
Barcode & Identifiers:
Matrix / Runout – LLI 007 A MPO 21 203275 Kr SST (Runout side A)
Matrix / Runout – LLI 007 B Kr SST MPO 21 206309 (Runout side B)
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Tara Clerkin Trio present their self titled debut LP on Laura Lies In. Similar to that directorial effect of filming at double speed and then slowing down for playback, the record ambles with assurance, expertly paced. Having solidified the workings of the group over the last year their debut self-titled has emerged alongside a strong live set. Drifting from dubby minimalism to smudged acid jazz, Tara's stark and tuneful voice acts as the vehicle for her concise poetic lyricism. The group coalesce disparate influences into a cohesive sound, reflecting a romantic view of a familiar worldA record existing disconnected from the daily getyadowns, a holiday from life, optimism as resistance against mundanity, something extraordinary amongst the ordinary, positively grey. –
Label: Laura Lies In – LLI007
Format: Vinyl, LP, Album, Repress, 3rd Press
Country: UK
Released: 2020
Genre: Electronic, Jazz
Style: Experimental, Free Improvisation
Tracklist:
• A1 | What?
• A2 | In The Room
• A3 | Hellenica
• A4 | I Know He Will
• B1 | Gold Bar
• B2 | Any Of These
• B3 | There Will Be Time
Credits:
Artwork [Blue Thing] – Tara Clerkin
Graphic Design – Patrick Benjamin
Lacquer Cut By – Kr
Mastered By – Rupert Clervaux
Performer – Tara Clerkin Trio
Photography By [Blue Thing] – Cloé Brunerie
Photography By [Cityscape] – Jennifer Lo
Producer – Dominic Mitchison
Recorded By – Dominic Mitchison
Written-By – Tara Clerkin Trio
Companies, etc.:
Recorded At – The Malthouse, Bristol
Lacquer Cut At – SST GmbH
Pressed By – MPO
Notes:
Third pressing, Includes 12"x12" colour insert with different artwork to the first and second press.
Barcode & Identifiers:
Matrix / Runout – LLI 007 A MPO 21 203275 Kr SST (Runout side A)
Matrix / Runout – LLI 007 B Kr SST MPO 21 206309 (Runout side B)
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Tara Clerkin Trio present their self titled debut LP on Laura Lies In. Similar to that directorial effect of filming at double speed and then slowing down for playback, the record ambles with assurance, expertly paced. Having solidified the workings of the group over the last year their debut self-titled has emerged alongside a strong live set. Drifting from dubby minimalism to smudged acid jazz, Tara's stark and tuneful voice acts as the vehicle for her concise poetic lyricism. The group coalesce disparate influences into a cohesive sound, reflecting a romantic view of a familiar worldA record existing disconnected from the daily getyadowns, a holiday from life, optimism as resistance against mundanity, something extraordinary amongst the ordinary, positively grey. –
$22
VNV Nation – Construct
Label: Anachron Sounds – ANA-V-7A
Format: Vinyl, LP, Album, Limited Edition, White
Country: Germany
Released: 09 May 2025
Genre: Electronic
Style: Synth-pop, Dark Electro
Tracklist:
• A1 | Hymn
• A2 | The Spaces Between
• A3 | Station 21
• B1 | By Your Side
• B2 | Nothing More
• B3 | Save Me
• C1 | Close To Heaven
• C2 | Silence Speaks
• D1 | On Other Oceans
• D2 | Frontier I + II
Credits:
Mastered By – Chris Gehringer
Mixed By – Benjamin Lawrenz
Mixed By – Ronan Harris
Music By, Lyrics By, Written By, Producer, Artwork By – Ronan Harris
Photography By – Franz Schepers
Companies, etc.:
Recorded At – Anachron Studios (3)
Mastered At – Sterling Sound
Published By – Schubert Music Publishing
Barcode & Identifiers:
Barcode – 4056813986556
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Two years after 'Electric Sun,' VNV Nation returns with 10 new tracks, whose catchy quality and emotional depth mark another high point in the band's career.The album will be released as a digipak CD, black double vinyl, and limited white double vinyl - all featuring an elaborate codebook-style cover design, with the band name and album title visible through a series of holes.In advance of the album's release, VNV Nation will tour from February 5 to April 6, including 19 dates in Germany and two in Austria.'Construct' will be followed in late spring by its counterpart, 'Destruct,' a second full-length studio album. –
Label: Anachron Sounds – ANA-V-7A
Format: Vinyl, LP, Album, Limited Edition, White
Country: Germany
Released: 09 May 2025
Genre: Electronic
Style: Synth-pop, Dark Electro
Tracklist:
• A1 | Hymn
• A2 | The Spaces Between
• A3 | Station 21
• B1 | By Your Side
• B2 | Nothing More
• B3 | Save Me
• C1 | Close To Heaven
• C2 | Silence Speaks
• D1 | On Other Oceans
• D2 | Frontier I + II
Credits:
Mastered By – Chris Gehringer
Mixed By – Benjamin Lawrenz
Mixed By – Ronan Harris
Music By, Lyrics By, Written By, Producer, Artwork By – Ronan Harris
Photography By – Franz Schepers
Companies, etc.:
Recorded At – Anachron Studios (3)
Mastered At – Sterling Sound
Published By – Schubert Music Publishing
Barcode & Identifiers:
Barcode – 4056813986556
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Two years after 'Electric Sun,' VNV Nation returns with 10 new tracks, whose catchy quality and emotional depth mark another high point in the band's career.The album will be released as a digipak CD, black double vinyl, and limited white double vinyl - all featuring an elaborate codebook-style cover design, with the band name and album title visible through a series of holes.In advance of the album's release, VNV Nation will tour from February 5 to April 6, including 19 dates in Germany and two in Austria.'Construct' will be followed in late spring by its counterpart, 'Destruct,' a second full-length studio album. –
$42
Günter Schickert – Samtvogel
Label: Bureau B – BB475
Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Transparent Yellow
Country: Germany
Released: 15 Nov 2024
Genre: Electronic, Rock
Style: Krautrock, Minimal, Experimental
Tracklist:
• A1 | Apricot Brandy | 5:59
• A2 | Kriegsmaschinen, Fahrt Zur Hölle | 16:36
• B | Wald | 21:20
Credits:
Cover [Umschlagentwurf], Design [Umschlagentwurf], Written-By – G. Schickert
Recorded By [Alle Aufnahmearbeiten], Electric Guitar [E-Gitarre], Voice [Stimme], Effects [Echogerät] – Günter Schickert
Notes:
Limited to 100 copies.
Barcode & Identifiers:
Barcode – 4255805500095
Label Code – LC263331
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Repress of 100 copies on transparant yellow vinyl. G�nther Schickert recorded his amazing self-released LP 'Samtvogel' in 1974. Despite the limited availability of equipment, the music he recorded touches the human heart and soul. 'Samtvogel' will appeal to fans of kraut innovators such as Ash Ra Tempel, Manuel G�ttsching or A.R. Machines. Some of the vocal passages may remind one of Damo Suzuki during Can's 'Tago-Mago'-era. The LP is housed in a quality sleeve with reproduced artwork and includes a 4-page insert with liner notes and photos. –
Label: Bureau B – BB475
Format: Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Transparent Yellow
Country: Germany
Released: 15 Nov 2024
Genre: Electronic, Rock
Style: Krautrock, Minimal, Experimental
Tracklist:
• A1 | Apricot Brandy | 5:59
• A2 | Kriegsmaschinen, Fahrt Zur Hölle | 16:36
• B | Wald | 21:20
Credits:
Cover [Umschlagentwurf], Design [Umschlagentwurf], Written-By – G. Schickert
Recorded By [Alle Aufnahmearbeiten], Electric Guitar [E-Gitarre], Voice [Stimme], Effects [Echogerät] – Günter Schickert
Notes:
Limited to 100 copies.
Barcode & Identifiers:
Barcode – 4255805500095
Label Code – LC263331
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Repress of 100 copies on transparant yellow vinyl. G�nther Schickert recorded his amazing self-released LP 'Samtvogel' in 1974. Despite the limited availability of equipment, the music he recorded touches the human heart and soul. 'Samtvogel' will appeal to fans of kraut innovators such as Ash Ra Tempel, Manuel G�ttsching or A.R. Machines. Some of the vocal passages may remind one of Damo Suzuki during Can's 'Tago-Mago'-era. The LP is housed in a quality sleeve with reproduced artwork and includes a 4-page insert with liner notes and photos. –
$33
Pitchshifter – Peel Sessions 1991-93
Label: Cold Spring – CSR344LP
Format: Vinyl, LP, Limited Edition, White
Country: UK
Released: 22 Nov 2024
Genre: Electronic, Rock
Style: Industrial Metal
Tracklist:
• A1 | Gritter | 4:02
• A3 | Tendrill | 3:32
• A3 | Dry Riser Inlet | 4:19
• B1 | (A Higher Form Of) Killing (Radio Phuque Edit) | 4:43
• B2 | Diable (Wayco Survival Mix) | 5:57
• B3 | Deconstruction (Reconstruction) | 4:56
Notes:
Ltd Ed 500 copies on white heavyweight 180g LP in a matt-laminate sleeve.
The first ever release of PITCHSHIFTER's BBC sessions for the late, great John Peel.
Recorded over two sessions at Maida Vale studios: 28th April 1991 and 30th March 1993. Sourced directly from the BBC Archives. Remastered.
GRITTER, TENDRILL, DRY RISER INLET
Recorded: 28 April 1991
Produced by Dale Griffin
Engineered by Mike Engles, Dave McCarthy
Studio: Maida Vale 3
First Broadcast: 25 May 1991
Repeated: 03 August 1991
J S Clayden (Vocals)
M D Clayden (Bass)
J Carter (Guitar)
S Toolin (Guitar)
(A HIGHER FORM OF) KILLING (RADIO PHUQUE EDIT), DIABLE (WAYCO SURVIVAL MIX), DECONSTRUCTION (RECONSTRUCTION)
Recorded: 30 March 1993
Produced by Simon Askew
Engineered by Simon Askew
Studio: Maida Vale 4
First Broadcast: 01 May 1993
Repeated: 17 September 1993
J S Clayden (Vocals)
J A Carter (Guitar, Programming)
M D Clayden (Bass)
D J Walters (Percussion)
Special thanks to DE & FM Clayden
Thanks to Dave Kirby
Mastered by Martin Bowes | Graphic Design by Abby Helasdottir
Barcode & Identifiers:
Barcode – 0641871746453
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
The first ever release of Pitchshifter's legendary BBC sessions for the late, great John Peel. These ultra heavy industrial metal tracks were recorded over two sessions at the iconic Maida Vale studios: 28th April 1991 and 30th March 1993 and were sourced directly from the BBC Archives. The 1991 session was recorded during the same period as 'Industrial' (Deaf Records/Peaceville), with the 1993 session recorded around the time of 'Desensitized' (Earache). Founded in Nottingham in 1989, Pitchshifter's early style was heavy industrial metal, being cited as one of the originators of the genre along with Godflesh - a style which they termed "death industrial." These sessions and albums mark the end of that classic period, before a shift towards the more commercial, beat-driven industrial style from the mid-'90s onward that they are still known for. Edition on white vinyl. –
Label: Cold Spring – CSR344LP
Format: Vinyl, LP, Limited Edition, White
Country: UK
Released: 22 Nov 2024
Genre: Electronic, Rock
Style: Industrial Metal
Tracklist:
• A1 | Gritter | 4:02
• A3 | Tendrill | 3:32
• A3 | Dry Riser Inlet | 4:19
• B1 | (A Higher Form Of) Killing (Radio Phuque Edit) | 4:43
• B2 | Diable (Wayco Survival Mix) | 5:57
• B3 | Deconstruction (Reconstruction) | 4:56
Notes:
Ltd Ed 500 copies on white heavyweight 180g LP in a matt-laminate sleeve.
The first ever release of PITCHSHIFTER's BBC sessions for the late, great John Peel.
Recorded over two sessions at Maida Vale studios: 28th April 1991 and 30th March 1993. Sourced directly from the BBC Archives. Remastered.
GRITTER, TENDRILL, DRY RISER INLET
Recorded: 28 April 1991
Produced by Dale Griffin
Engineered by Mike Engles, Dave McCarthy
Studio: Maida Vale 3
First Broadcast: 25 May 1991
Repeated: 03 August 1991
J S Clayden (Vocals)
M D Clayden (Bass)
J Carter (Guitar)
S Toolin (Guitar)
(A HIGHER FORM OF) KILLING (RADIO PHUQUE EDIT), DIABLE (WAYCO SURVIVAL MIX), DECONSTRUCTION (RECONSTRUCTION)
Recorded: 30 March 1993
Produced by Simon Askew
Engineered by Simon Askew
Studio: Maida Vale 4
First Broadcast: 01 May 1993
Repeated: 17 September 1993
J S Clayden (Vocals)
J A Carter (Guitar, Programming)
M D Clayden (Bass)
D J Walters (Percussion)
Special thanks to DE & FM Clayden
Thanks to Dave Kirby
Mastered by Martin Bowes | Graphic Design by Abby Helasdottir
Barcode & Identifiers:
Barcode – 0641871746453
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
The first ever release of Pitchshifter's legendary BBC sessions for the late, great John Peel. These ultra heavy industrial metal tracks were recorded over two sessions at the iconic Maida Vale studios: 28th April 1991 and 30th March 1993 and were sourced directly from the BBC Archives. The 1991 session was recorded during the same period as 'Industrial' (Deaf Records/Peaceville), with the 1993 session recorded around the time of 'Desensitized' (Earache). Founded in Nottingham in 1989, Pitchshifter's early style was heavy industrial metal, being cited as one of the originators of the genre along with Godflesh - a style which they termed "death industrial." These sessions and albums mark the end of that classic period, before a shift towards the more commercial, beat-driven industrial style from the mid-'90s onward that they are still known for. Edition on white vinyl. –
$29
Pitchshifter – Peel Sessions 1991-93
Label: Cold Spring – CSR344LP
Format: Vinyl, LP
Country: UK
Released: 22 Nov 2024
Genre: Electronic, Rock
Style: Industrial Metal
Tracklist:
• A1 | Gritter | 4:02
• A3 | Tendrill | 3:32
• A3 | Dry Riser Inlet | 4:19
• B1 | (A Higher Form Of) Killing (Radio Phuque Edit) | 4:43
• B2 | Diable (Wayco Survival Mix) | 5:57
• B3 | Deconstruction (Reconstruction) | 4:56
Notes:
The first ever release of PITCHSHIFTER's BBC sessions for the late, great John Peel.
Recorded over two sessions at Maida Vale studios: 28th April 1991 and 30th March 1993. Sourced directly from the BBC Archives. Remastered.
GRITTER, TENDRILL, DRY RISER INLET
Recorded: 28 April 1991
Produced by Dale Griffin
Engineered by Mike Engles, Dave McCarthy
Studio: Maida Vale 3
First Broadcast: 25 May 1991
Repeated: 03 August 1991
J S Clayden (Vocals)
M D Clayden (Bass)
J Carter (Guitar)
S Toolin (Guitar)
(A HIGHER FORM OF) KILLING (RADIO PHUQUE EDIT), DIABLE (WAYCO SURVIVAL MIX), DECONSTRUCTION (RECONSTRUCTION)
Recorded: 30 March 1993
Produced by Simon Askew
Engineered by Simon Askew
Studio: Maida Vale 4
First Broadcast: 01 May 1993
Repeated: 17 September 1993
J S Clayden (Vocals)
J A Carter (Guitar, Programming)
M D Clayden (Bass)
D J Walters (Percussion)
Special thanks to DE & FM Clayden
Thanks to Dave Kirby
Mastered by Martin Bowes | Graphic Design by Abby Helasdottir
Barcode & Identifiers:
Barcode – 0641871746446
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
The first ever release of Pitchshifter's legendary BBC sessions for the late, great John Peel. These ultra heavy industrial metal tracks were recorded over two sessions at the iconic Maida Vale studios: 28th April 1991 and 30th March 1993 and were sourced directly from the BBC Archives. The 1991 session was recorded during the same period as 'Industrial' (Deaf Records/Peaceville), with the 1993 session recorded around the time of 'Desensitized' (Earache). Founded in Nottingham in 1989, Pitchshifter's early style was heavy industrial metal, being cited as one of the originators of the genre along with Godflesh - a style which they termed "death industrial." These sessions and albums mark the end of that classic period, before a shift towards the more commercial, beat-driven industrial style from the mid-'90s onward that they are still known for. –
Label: Cold Spring – CSR344LP
Format: Vinyl, LP
Country: UK
Released: 22 Nov 2024
Genre: Electronic, Rock
Style: Industrial Metal
Tracklist:
• A1 | Gritter | 4:02
• A3 | Tendrill | 3:32
• A3 | Dry Riser Inlet | 4:19
• B1 | (A Higher Form Of) Killing (Radio Phuque Edit) | 4:43
• B2 | Diable (Wayco Survival Mix) | 5:57
• B3 | Deconstruction (Reconstruction) | 4:56
Notes:
The first ever release of PITCHSHIFTER's BBC sessions for the late, great John Peel.
Recorded over two sessions at Maida Vale studios: 28th April 1991 and 30th March 1993. Sourced directly from the BBC Archives. Remastered.
GRITTER, TENDRILL, DRY RISER INLET
Recorded: 28 April 1991
Produced by Dale Griffin
Engineered by Mike Engles, Dave McCarthy
Studio: Maida Vale 3
First Broadcast: 25 May 1991
Repeated: 03 August 1991
J S Clayden (Vocals)
M D Clayden (Bass)
J Carter (Guitar)
S Toolin (Guitar)
(A HIGHER FORM OF) KILLING (RADIO PHUQUE EDIT), DIABLE (WAYCO SURVIVAL MIX), DECONSTRUCTION (RECONSTRUCTION)
Recorded: 30 March 1993
Produced by Simon Askew
Engineered by Simon Askew
Studio: Maida Vale 4
First Broadcast: 01 May 1993
Repeated: 17 September 1993
J S Clayden (Vocals)
J A Carter (Guitar, Programming)
M D Clayden (Bass)
D J Walters (Percussion)
Special thanks to DE & FM Clayden
Thanks to Dave Kirby
Mastered by Martin Bowes | Graphic Design by Abby Helasdottir
Barcode & Identifiers:
Barcode – 0641871746446
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
The first ever release of Pitchshifter's legendary BBC sessions for the late, great John Peel. These ultra heavy industrial metal tracks were recorded over two sessions at the iconic Maida Vale studios: 28th April 1991 and 30th March 1993 and were sourced directly from the BBC Archives. The 1991 session was recorded during the same period as 'Industrial' (Deaf Records/Peaceville), with the 1993 session recorded around the time of 'Desensitized' (Earache). Founded in Nottingham in 1989, Pitchshifter's early style was heavy industrial metal, being cited as one of the originators of the genre along with Godflesh - a style which they termed "death industrial." These sessions and albums mark the end of that classic period, before a shift towards the more commercial, beat-driven industrial style from the mid-'90s onward that they are still known for. –
$26
Reverorum Ib Malacht – ርቬሩርም ፡ ኢብን ፡ ማላኽት +++ ሧርትጩካ ፡ ኦክ ፡ ማጊ ።
Label: The Ajna Offensive – FLAME 130
Format: Vinyl, LP, Album
Country: US
Released: 02 Nov 2024
Genre: Electronic, Rock
Style: Black Metal, Unblack Metal, Dark Ambient, Avantgarde, Experimental
Tracklist:
• A1 | á áµá á¡ á ᥠᡠááááµ á¡ áááááµ á¡ á á±áµ á¡ | 17:52
• B1 | ᯠá á°áá¶á®á«á®á°á¦ á | 12:30
Notes:
The digital version of the album is broken into two parts. The songs within these tracks include:
1:
፩ አምላክ ።
፪ ዕቀበኒ ፡ በመስቀልከ ።
፫ ዕቀበኒ ፡ በመስቀልከ ፡ ለመልአከ ፡ዓለም ።ከመ ፡ኖላዊ ፡ የዓቅብ ፡ እምተኵላ ፡ በግዖ ።
፬ ጸሎተ ፡ አስማቲከ ።፠ ፠ ፠
፭ ጸሎት ፡ በእንተ ፡ መሥጥመ ፡ አጋንንት ፡ ወሰይጣናት ።
፮ ለሕማመ ፡ ቁርፀት ።
2:
፯ ፠ ሰፎሶሮያሮሰቦ ፠
፰ ሚካኤል ።
፱ ፠ ሎፍሐም ፠
፲ ፠ መሐፍሎን ፠
፲፩ ፡ ሱስንዮስ ።
፲፪ ፡ በስመ ፡ አብ ፡ ወወልድ ፡ ወመንፈስ ፡ ቅዱስ ፡
፩ አምላክ ።
፲፫ መስቀል ፡ ዘቀተሎ ፡ ለተኵላ ፨ ሃ ሊ ፡ ሉያ ።
፲፬ አማኑኤል ።
፲፭ መወዳእታ ።
፲፮ መስቀል ፡ ለዕውራን ፡ ብርሃን ። ሃ ሊ ፡ ሉያ ።
፲፯ ፠ ሸላሆም ፠
Barcode & Identifiers:
Matrix / Runout – 285842E1/A XVINYLX.COM (Side A)
Matrix / Runout – 285842E2/A XVINYLX.COM (Side B)
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Another album by Roman Catholic black metal project Reverorum Ib Malacht, one of three in 2024. All titles are in Ethiopian/Amharic language script. –
Label: The Ajna Offensive – FLAME 130
Format: Vinyl, LP, Album
Country: US
Released: 02 Nov 2024
Genre: Electronic, Rock
Style: Black Metal, Unblack Metal, Dark Ambient, Avantgarde, Experimental
Tracklist:
• A1 | á áµá á¡ á ᥠᡠááááµ á¡ áááááµ á¡ á á±áµ á¡ | 17:52
• B1 | ᯠá á°áá¶á®á«á®á°á¦ á | 12:30
Notes:
The digital version of the album is broken into two parts. The songs within these tracks include:
1:
፩ አምላክ ።
፪ ዕቀበኒ ፡ በመስቀልከ ።
፫ ዕቀበኒ ፡ በመስቀልከ ፡ ለመልአከ ፡ዓለም ።ከመ ፡ኖላዊ ፡ የዓቅብ ፡ እምተኵላ ፡ በግዖ ።
፬ ጸሎተ ፡ አስማቲከ ።፠ ፠ ፠
፭ ጸሎት ፡ በእንተ ፡ መሥጥመ ፡ አጋንንት ፡ ወሰይጣናት ።
፮ ለሕማመ ፡ ቁርፀት ።
2:
፯ ፠ ሰፎሶሮያሮሰቦ ፠
፰ ሚካኤል ።
፱ ፠ ሎፍሐም ፠
፲ ፠ መሐፍሎን ፠
፲፩ ፡ ሱስንዮስ ።
፲፪ ፡ በስመ ፡ አብ ፡ ወወልድ ፡ ወመንፈስ ፡ ቅዱስ ፡
፩ አምላክ ።
፲፫ መስቀል ፡ ዘቀተሎ ፡ ለተኵላ ፨ ሃ ሊ ፡ ሉያ ።
፲፬ አማኑኤል ።
፲፭ መወዳእታ ።
፲፮ መስቀል ፡ ለዕውራን ፡ ብርሃን ። ሃ ሊ ፡ ሉያ ።
፲፯ ፠ ሸላሆም ፠
Barcode & Identifiers:
Matrix / Runout – 285842E1/A XVINYLX.COM (Side A)
Matrix / Runout – 285842E2/A XVINYLX.COM (Side B)
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Another album by Roman Catholic black metal project Reverorum Ib Malacht, one of three in 2024. All titles are in Ethiopian/Amharic language script. –
$25
The Young Gods – Appear Disappear
Label: Two Gentlemen Records – TWOGTL 130-12
Format: Vinyl, LP, Album, Limited Edition, Cream Marbled
Country: Switzerland
Released: 2025
Genre: Electronic, Rock
Style: Avantgarde
Tracklist:
• A1 | Appear Disappear
• A2 | Systemized
• A3 | Blue Me Away
• A4 | Hey Amour
• A5 | Blackwater
• B1 | Tu En Ami Du Temps
• B2 | Intertidal
• B3 | Mes Yeux De Tous
• B4 | Shine That Drone
• B5 | Off The Radar
Barcode & Identifiers:
Barcode – 7640186558372
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Rarely has a Young Gods album been so deeply infused with its era - one of military conflicts, mass surveillance, and intimate dramas. Since their inception in 1985, the band has pioneered musical landscapes that dared to fuse the raw urgency of rock with the power of electronics. 'Appear Disappear' captures that beating heart. The Young Gods honor their own history as much as their lifelong influences, from psychedelic rock to post-punk, from the swirling, very "Doors-like" 'Intertidal' to the industrial rolls of 'Systemized.' Limited edition on 'Pear Northern Light' coloured vinyl (whatever this means, a sort of icy white)... –
Label: Two Gentlemen Records – TWOGTL 130-12
Format: Vinyl, LP, Album, Limited Edition, Cream Marbled
Country: Switzerland
Released: 2025
Genre: Electronic, Rock
Style: Avantgarde
Tracklist:
• A1 | Appear Disappear
• A2 | Systemized
• A3 | Blue Me Away
• A4 | Hey Amour
• A5 | Blackwater
• B1 | Tu En Ami Du Temps
• B2 | Intertidal
• B3 | Mes Yeux De Tous
• B4 | Shine That Drone
• B5 | Off The Radar
Barcode & Identifiers:
Barcode – 7640186558372
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence.
Remarks:
Rarely has a Young Gods album been so deeply infused with its era - one of military conflicts, mass surveillance, and intimate dramas. Since their inception in 1985, the band has pioneered musical landscapes that dared to fuse the raw urgency of rock with the power of electronics. 'Appear Disappear' captures that beating heart. The Young Gods honor their own history as much as their lifelong influences, from psychedelic rock to post-punk, from the swirling, very "Doors-like" 'Intertidal' to the industrial rolls of 'Systemized.' Limited edition on 'Pear Northern Light' coloured vinyl (whatever this means, a sort of icy white)... –
$35
Bryan Ferry – Olympia
Label: BMG – 964039622
Format: CD, Album, Reissue
Country: Worldwide
Released: 30 May 2025
Genre: Electronic, Rock, Pop
Style: Alt-Pop, Art Rock, Soft Rock, Synth-pop
Tracklist:
• 1 | You Can Dance | 4:29
• 2 | Alphaville | 4:25
• 3 | Heartache By Numbers | 4:56
• 4 | Me Oh My | 4:40
• 5 | Shameless | 4:36
• 6 | Song To The Siren | 5:56
• 7 | No Face, No Name, No Number | 4:40
• 8 | BF Bass (Ode To Olympia) | 4:09
• 9 | Reason Or Rhyme | 6:52
• 10 | Tender Is The Night | 4:35
• 11 | Whatever Gets You Thru The Night | 3:20
• 12 | One Night | 4:00
Credits:
Bass – Marcus Miller
Chorus – Aleysha Gordon
Chorus – Hannah Khemoh
Chorus – Seweuse Abwa
Drums – Andy Newmark
Drums – Tara Ferry
Electronics – John Monkman
Engineer – Simon Willey
Engineer [Additional] – Ash Howes
Engineer [Additional] – Jamie Johnson
Engineer [Additional] – John Monkman
Engineer [Additional] – Sven Taits
Engineer [Additional] – Tim Roe
Guitar – David Williams
Guitar – Nile Rodgers
Guitar – Oliver Thompson
Liner Notes – Richard Williams
Management – Alistair Norbury
Management – Isaac Ferry
Mastered By – Bob Ludwig
Mixed By – Bob Clearmountain
Percussion – Frank Ricotti
Producer – Bryan Ferry
Producer – Johnson Somerset
Producer – Rhett Davies
Recorded By [Additional] – Chris Mullings
Voice, Piano, Keyboards – Bryan Ferry
Companies, etc.:
Phonographic Copyright (p) – Dene Jesmond Enterprises Ltd.
Copyright (c) – Dene Jesmond Enterprises Ltd.
Licensed To – BMG Rights Management (UK) Limited
Published By – BMG Rights Management (UK) Limited
Published By – Downtown Music UK Ltd
Published By – Eligible Music Ltd.
Published By – Gallery Music Ltd.
Published By – Kobalt Music Publishing
Published By – peermusic (UK) Ltd
Published By – Sony / ATV Music Publishing
Published By – Sweet Left Peg Limited
Published By – Universal/Island Music Ltd.
Published By – Universal Music Publishing MGB Ltd.
Published By – Warner Chappell Music Ltd.
Published By – Warner/Chappell Music Publishing Ltd.
Engineered At – Studio One, London
Recorded At – 4th Street Recording
Mixed At – Mix This!
Mixed At – Sofa Sound Studios, London
Mastered At – Gateway Mastering
Notes:
Engineered at Studio One, Olympia, London.
Mixed at Mix This!, LA and at Sofa Sound, London.
Additional recording at 4th Street Recordings, Santa Monica.
Publishers:
Track 1: BMG Rights Management (UK) Ltd. / Eligible Music Ltd.
Track 2: BMG Rights Management (UK) Ltd. / Universal Music Publishing MGB Ltd.
Track 3: Warner Chappell Music Ltd. / B2d2 / BMG Rights Management (UK) Ltd.
Tracks 4, 6 & 9: BMG Rights Management (UK) Ltd.
Track 5: Warner Chappell Music Ltd. / Sweet Left Peg Ltd. / Warner Chappell Music Publishing Ltd. / BMG Rights Management (UK) Ltd.
Track 7: Universal/Island Music Ltd. / Kobalt Music Publishing Ltd.
Track 8: BMG Rights Management (UK) Ltd./ Gallery Music Ltd.
Track 10: BMG Rights Management (UK) Ltd. / Peermusic (UK) Ltd.
Track 11: Downtown Music UK Ltd.
Track 12: Sony/ATV Music Publishing (UK) Ltd.
All tracks ℗ 2010 Dene Jesmond Enterprises Ltd under exclusive licence to BMG Rights Management (UK) Ltd.
Packaged in a mini LP-styled cardboard sleeve with a 12-page booklet.
Barcode & Identifiers:
Barcode – 4 099964 039627 (Text)
Label Code – LC19813
Rights Society – GEMA/BIEM
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence. –
Label: BMG – 964039622
Format: CD, Album, Reissue
Country: Worldwide
Released: 30 May 2025
Genre: Electronic, Rock, Pop
Style: Alt-Pop, Art Rock, Soft Rock, Synth-pop
Tracklist:
• 1 | You Can Dance | 4:29
• 2 | Alphaville | 4:25
• 3 | Heartache By Numbers | 4:56
• 4 | Me Oh My | 4:40
• 5 | Shameless | 4:36
• 6 | Song To The Siren | 5:56
• 7 | No Face, No Name, No Number | 4:40
• 8 | BF Bass (Ode To Olympia) | 4:09
• 9 | Reason Or Rhyme | 6:52
• 10 | Tender Is The Night | 4:35
• 11 | Whatever Gets You Thru The Night | 3:20
• 12 | One Night | 4:00
Credits:
Bass – Marcus Miller
Chorus – Aleysha Gordon
Chorus – Hannah Khemoh
Chorus – Seweuse Abwa
Drums – Andy Newmark
Drums – Tara Ferry
Electronics – John Monkman
Engineer – Simon Willey
Engineer [Additional] – Ash Howes
Engineer [Additional] – Jamie Johnson
Engineer [Additional] – John Monkman
Engineer [Additional] – Sven Taits
Engineer [Additional] – Tim Roe
Guitar – David Williams
Guitar – Nile Rodgers
Guitar – Oliver Thompson
Liner Notes – Richard Williams
Management – Alistair Norbury
Management – Isaac Ferry
Mastered By – Bob Ludwig
Mixed By – Bob Clearmountain
Percussion – Frank Ricotti
Producer – Bryan Ferry
Producer – Johnson Somerset
Producer – Rhett Davies
Recorded By [Additional] – Chris Mullings
Voice, Piano, Keyboards – Bryan Ferry
Companies, etc.:
Phonographic Copyright (p) – Dene Jesmond Enterprises Ltd.
Copyright (c) – Dene Jesmond Enterprises Ltd.
Licensed To – BMG Rights Management (UK) Limited
Published By – BMG Rights Management (UK) Limited
Published By – Downtown Music UK Ltd
Published By – Eligible Music Ltd.
Published By – Gallery Music Ltd.
Published By – Kobalt Music Publishing
Published By – peermusic (UK) Ltd
Published By – Sony / ATV Music Publishing
Published By – Sweet Left Peg Limited
Published By – Universal/Island Music Ltd.
Published By – Universal Music Publishing MGB Ltd.
Published By – Warner Chappell Music Ltd.
Published By – Warner/Chappell Music Publishing Ltd.
Engineered At – Studio One, London
Recorded At – 4th Street Recording
Mixed At – Mix This!
Mixed At – Sofa Sound Studios, London
Mastered At – Gateway Mastering
Notes:
Engineered at Studio One, Olympia, London.
Mixed at Mix This!, LA and at Sofa Sound, London.
Additional recording at 4th Street Recordings, Santa Monica.
Publishers:
Track 1: BMG Rights Management (UK) Ltd. / Eligible Music Ltd.
Track 2: BMG Rights Management (UK) Ltd. / Universal Music Publishing MGB Ltd.
Track 3: Warner Chappell Music Ltd. / B2d2 / BMG Rights Management (UK) Ltd.
Tracks 4, 6 & 9: BMG Rights Management (UK) Ltd.
Track 5: Warner Chappell Music Ltd. / Sweet Left Peg Ltd. / Warner Chappell Music Publishing Ltd. / BMG Rights Management (UK) Ltd.
Track 7: Universal/Island Music Ltd. / Kobalt Music Publishing Ltd.
Track 8: BMG Rights Management (UK) Ltd./ Gallery Music Ltd.
Track 10: BMG Rights Management (UK) Ltd. / Peermusic (UK) Ltd.
Track 11: Downtown Music UK Ltd.
Track 12: Sony/ATV Music Publishing (UK) Ltd.
All tracks ℗ 2010 Dene Jesmond Enterprises Ltd under exclusive licence to BMG Rights Management (UK) Ltd.
Packaged in a mini LP-styled cardboard sleeve with a 12-page booklet.
Barcode & Identifiers:
Barcode – 4 099964 039627 (Text)
Label Code – LC19813
Rights Society – GEMA/BIEM
Data provided by Discogs, and Wikipedia under a Creative Commons Attribution CC-BY-SA 4.0 licence. –
$18