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1 | Who Can It Be Now? | 3:25 | |
2 | I Can See It In Your Eyes | 3:32 | |
3 | Down Under | 3:45 | |
4 | Underground | 3:07 | |
5 | Helpless Automaton | 3:23 | |
6 | People Just Love To Play With Words | 3:33 | |
7 | Be Good Johnny | 3:39 | |
8 | Touching The Untouchables | 3:41 | |
9 | Catch A Star | 3:31 | |
10 | Down By The Sea | 6:53 | |
Bonus Tracks | |||
11 | Crazy (Non LP B-Side) | 2:37 | |
12 | Underground (Live) | 3:42 | |
13 | Who Can It Be Now? (Live) | 4:06 | |
14 | F-19 (Non LP B-Side) | 3:52 |
A&R [Coordination] – Darren Salmieri
A&R [Legacy] – Steve Berkowitz
Art Direction – Howard Fritzson
Bass, Vocals – John Rees
Coordinator [Project Direction] – John Jackson
Crew [Crew Boss] – Charlie Colcheedas
Crew [Equipment] – Tony Hunt
Crew [Lights & Design] – Ian Gilmour
Crew [Lights] – Darryl Petzke
Crew [Sound] – Greg Gaunt
Crew [Unsound] – Bruce Penberthy
Design – Kellum McClain
Design – Ron Kellum
Drums, Vocals – Jerry Speiser
Engineer – Jim Barbour
Engineer – Peter McIan
Engineer [Additional] – Paul Ray (1 to 10)
Guitar, Vocals – Ron Strykert
Illustration [Front Cover Illustration] – John Dickson
Liner Notes – David Wild
Management [Packaging Manager] – Triana D'Orazio
Management [Telephone, Calculator] – Russell Deppeler
Mastered By [Reissue] – Mark Wilder
Performer [The Men Are...] – Colin Hay
Performer [The Men Are...] – Greg Ham
Performer [The Men Are...] – Jerry Speiser
Performer [The Men Are...] – John Rees
Performer [The Men Are...] – Ron Strykert
Performer [The Men Are...] – Russell Deppeler
Photography By – Laura Levine
Photography By [Reissue] – Aaron Rapoport
Photography By [Reissue] – Laurie Paladino
Photography By [Reissue] – Michael Ochs Archives
Photography By [Reissue] – Retna
Photography By [Reissue] – Star File
Producer – Colin Hay (12, 13)
Producer – Greg Ham (12, 13)
Producer – Peter McIan (1 to 11, 14)
Reissue Producer – Bruce Dickinson
Saxophone, Flute, Vocals, Keyboards, Other [Fiddly Things] – Greg Ham
Vocals, Guitar – Colin Hay
Written-By – C. Hay (1 to 4, 7 to 10, 12 to 14)
Written-By – G. Ham (5, 7, 10)
Written-By – J. Speiser (10)
Written-By – R. Strykert (3, 6, 8, 10, 11)
A&R [Legacy] – Steve Berkowitz
Art Direction – Howard Fritzson
Bass, Vocals – John Rees
Coordinator [Project Direction] – John Jackson
Crew [Crew Boss] – Charlie Colcheedas
Crew [Equipment] – Tony Hunt
Crew [Lights & Design] – Ian Gilmour
Crew [Lights] – Darryl Petzke
Crew [Sound] – Greg Gaunt
Crew [Unsound] – Bruce Penberthy
Design – Kellum McClain
Design – Ron Kellum
Drums, Vocals – Jerry Speiser
Engineer – Jim Barbour
Engineer – Peter McIan
Engineer [Additional] – Paul Ray (1 to 10)
Guitar, Vocals – Ron Strykert
Illustration [Front Cover Illustration] – John Dickson
Liner Notes – David Wild
Management [Packaging Manager] – Triana D'Orazio
Management [Telephone, Calculator] – Russell Deppeler
Mastered By [Reissue] – Mark Wilder
Performer [The Men Are...] – Colin Hay
Performer [The Men Are...] – Greg Ham
Performer [The Men Are...] – Jerry Speiser
Performer [The Men Are...] – John Rees
Performer [The Men Are...] – Ron Strykert
Performer [The Men Are...] – Russell Deppeler
Photography By – Laura Levine
Photography By [Reissue] – Aaron Rapoport
Photography By [Reissue] – Laurie Paladino
Photography By [Reissue] – Michael Ochs Archives
Photography By [Reissue] – Retna
Photography By [Reissue] – Star File
Producer – Colin Hay (12, 13)
Producer – Greg Ham (12, 13)
Producer – Peter McIan (1 to 11, 14)
Reissue Producer – Bruce Dickinson
Saxophone, Flute, Vocals, Keyboards, Other [Fiddly Things] – Greg Ham
Vocals, Guitar – Colin Hay
Written-By – C. Hay (1 to 4, 7 to 10, 12 to 14)
Written-By – G. Ham (5, 7, 10)
Written-By – J. Speiser (10)
Written-By – R. Strykert (3, 6, 8, 10, 11)
Mastered at Sony Music Studios, new York, NY.
Tracks 1-10 Originally Columbia Released 1981.
#11 to 14 are bonus tracks.
#11 from: B-Side of Columbia Single "".
#12 and 13 recorded live in Brazil, 1996: from Brazil Columbia /Legacy.
#14 from: B-Side of CBS Australia Single "", previously unreleased in the US.
All songs © 1982 April Music Pty Limited except Bonus Tracks. All rights administered in the U.S. and Canada by Blackwood Music Inc. (BMI)
EAN: 5099750861721
SACEM BIEM - LC 00162 - Made in Austria
© 2003 Sony Music Entertainment Inc. / ℗ 1997 (#12, 13) Disco E. Cultura, 1981, 2003 Sony Music Entertainment Inc.
Tracks 1-10 Originally Columbia Released 1981.
#11 to 14 are bonus tracks.
#11 from: B-Side of Columbia Single "".
#12 and 13 recorded live in Brazil, 1996: from Brazil Columbia /Legacy.
#14 from: B-Side of CBS Australia Single "", previously unreleased in the US.
All songs © 1982 April Music Pty Limited except Bonus Tracks. All rights administered in the U.S. and Canada by Blackwood Music Inc. (BMI)
EAN: 5099750861721
SACEM BIEM - LC 00162 - Made in Austria
© 2003 Sony Music Entertainment Inc. / ℗ 1997 (#12, 13) Disco E. Cultura, 1981, 2003 Sony Music Entertainment Inc.
Barcode – 5 099750 861721
Label Code – LC 00162
Rights Society – SACEM/SACD/SDRM/SCDL/BIEM
Matrix / Runout (Variant 1) – Sony Music S5086172000-0101 31 A00
Mastering SID Code (Variant 1) – IFPI L551
Mould SID Code (Variant 1) – IFPI 94K1
Matrix / Runout (Variant 2) – Sony Music S5086172000-0101 15 A04
Mastering SID Code (Variant 2) – IFPI L555
Mould SID Code (Variant 2) – IFPI 946R
Matrix / Runout (Variant 3) – Sony Music S5086172000-0101 15 A3
Mastering SID Code (Variant 3) – IFPI L555
Mould SID Code (Variant 3) – IFPI 946A
Matrix / Runout (Variant 4) – Sony Music S5086172000-0101 15 A3
Mastering SID Code (Variant 4) – IFPI L555
Mould SID Code (Variant 4) – IFPI 949B
Matrix / Runout (Variant 5) – Sony Music S5086172000-0101 31 A01
Mastering SID Code (Variant 5) – IFPI L551
Mould SID Code (Variant 5) – IFPI 94K3
Label Code – LC 00162
Rights Society – SACEM/SACD/SDRM/SCDL/BIEM
Matrix / Runout (Variant 1) – Sony Music S5086172000-0101 31 A00
Mastering SID Code (Variant 1) – IFPI L551
Mould SID Code (Variant 1) – IFPI 94K1
Matrix / Runout (Variant 2) – Sony Music S5086172000-0101 15 A04
Mastering SID Code (Variant 2) – IFPI L555
Mould SID Code (Variant 2) – IFPI 946R
Matrix / Runout (Variant 3) – Sony Music S5086172000-0101 15 A3
Mastering SID Code (Variant 3) – IFPI L555
Mould SID Code (Variant 3) – IFPI 946A
Matrix / Runout (Variant 4) – Sony Music S5086172000-0101 15 A3
Mastering SID Code (Variant 4) – IFPI L555
Mould SID Code (Variant 4) – IFPI 949B
Matrix / Runout (Variant 5) – Sony Music S5086172000-0101 31 A01
Mastering SID Code (Variant 5) – IFPI L551
Mould SID Code (Variant 5) – IFPI 94K3