Michael Tilson Thomas, Orff- The Cleveland Orchestra, London Symphony Orchestra, New York Philharmonic, The Columbia Jazz Band
Carmina Burana / Beethoven: Late Choral Music / Rhapsody In Blue
Label | Dutton Epoch – 2CDLX 7369 |
Format | 2 x SACD, Hybrid, Multichannel, Quadraphonic, Compilation, Remastered |
Barcode | 0765387736927 |
Country | UK |
Released | 26 Oct 2019 |
Genre | Classical |
Style | Modern |
Carmina Burana (1974) | |||
Fortuna Imperatrix Mundi (Fortune, Empress Of The World) | (5:10) | ||
1-1 | O Fortuna | 2:26 | |
1-2 | Fortune Plango Vulnera | 2:44 | |
I — Primo Vere (In Springtime) | (9:15) | ||
1-3 | Veris Leta Facies | 4:31 | |
1-4 | Omnia Sol Temperat | 2:15 | |
1-5 | Ecce Gratum | 2:29 | |
Uf Dem Anger | (14:19) | ||
1-6 | Tanz (Dance) | 1:41 | |
1-7 | Floret Silva | 3:03 | |
1-8 | Chramer, Gip Die Varwe Mir | 3:24 | |
1-9 | Reie (Round Dance) | 2:20 | |
1-10 | Swaz Hie Gat Umbe / Chume, Chum Geselle Min / Swaz Hie Gat Umbe | 3:03 | |
1-11 | Were Diu Werlt Alle Min | 0:48 | |
II — In Taberna (In The Tavern) | (10:34) | ||
1-12 | Enstuans Interius | 2:21 | |
1-13 | Olim Lacus Colueram | 3:29 | |
1-14 | Ego Sum Abbas | 1:45 | |
1-15 | In Taberna Quando Sumus | 2:59 | |
III — Cour D'Amour (The Court Of Love) | (18:06) | ||
1-16 | Amor Volat Undique | 4:07 | |
1-17 | Dies, Nox Et Omnia | 2:50 | |
1-18 | Stetit Puella | 1:50 | |
1-19 | Circa Mea Pectora | 1:58 | |
1-20 | Si Puer Cum Puellula | 0:53 | |
1-21 | Veni, Veni, Venias | 0:51 | |
1-22 | In Trutina | 2:35 | |
1-23 | Tempus Est Iocundum | 2:18 | |
1-24 | Dulcissime | 0:44 | |
Blanziflor Et Helena (Blanziflor And Helena) | (2:00) | ||
1-25 | Ave Formosissima | 2:00 | |
Fortuna Imperatrix Mundi (Fortune, Empress Of The World) | (2:34) | ||
1-26 | O Fortuna | 2:34 | |
Beethoven: Late Choral Music (1975) | |||
1-27 | Elegischer Gesang, Op. 118 (Elegiac Song) | 7:03 | |
1-28 | Opferlied, Op. 121b (Song Of Sacrifice) | 7:51 | |
2-1 | Bundeslied, Op 122 (Fellowship) | 4:00 | |
2-2 | Meeresstille und Glückliche Fahrt, Op. 112 (Calm Sea And Prosperous Voyage) | 8:32 | |
Incidental Music To King Stephen, Op. 117 | (23:33) | ||
2-3 | Overture | 6:49 | |
2-4 | i - Ruhend von Seinen Thaten | 2:09 | |
2-5 | ii - Auf Dunkelm Irrweg | 1:15 | |
2-6 | iii - Victory March | 3:38 | |
2-7 | iv - Wo Die Unschuld Blumen Streute | 2:38 | |
2-8 | vi - Eine Neue Strahlende Sonne | 0:39 | |
2-9 | vii - Maestoso Con Moto; Andante Maestoso; Maestoso Con Moto | 1:11 | |
2-10 | viii - Heil Unserm Könige! | 3:00 | |
2-11 | ix - Heil! Heil Unsern Enkeln! | 2:14 | |
George Gershwin: An American In Paris/Rhapsody In Blue (1976) | |||
2-12 | An American In Paris | 18:34 | |
2-13 | Rhapsody In Blue (Original Version - The Legendary 1925 Piano Roll) | 13:44 |
Baritone Vocals – Peter Binder (1-1 to 1-26)
Chorus – Ambrosian Opera Chorus (1-27 to 1-28, 2-1 to 2-11)
Chorus – The Cleveland Orchestra Chorus And Boys Choir (1-1 to 1-26)
Chorus Master [Director] – John McCarthy (1-27 to 1-28, 2-1 to 2-11)
Chorus Master [Director] – Robert Page (1-1 to 1-26)
Composed By – Carl Orff (1-1 to 1-26)
Composed By – George Gershwin (2-12 to 2-13)
Composed By – Johann Sebastian Bach (1-27 to 1-28, 2-1 to 2-11)
Conductor – Michael Tilson Thomas
Engineer [Quadraphonic Remix Engineer] – Mike Ross-Trevor (1-27 to 1-28, 2-1 to 2-11)
Engineer [Quadraphonic Remix Engineer] – Raymond Moore (1-1 to 1-26, 2-12 to 2-13)
Engineer [Recording] – Edward T. Graham (1-1 to 1-26, 2-12 to 2-13)
Engineer [Recording] – Mike Ross-Trevor (1-27 to 1-28, 2-1 to 2-11)
Engineer [Recording] – Milton Cherin (2-12 to 2-13)
Engineer [Recording] – Raymond Moore (1-1 to 1-26, 2-12 to 2-13)
Engineer [Recording] – Robert Gooch (1-27 to 1-28, 2-1 to 2-11)
Graphics [Reissue Graphics] – Paul Evans
Liner Notes – Andrew Kazdin
Liner Notes – Lee Trippett
Orchestra – London Symphony Orchestra (1-27 to 1-28, 2-1 to 2-11)
Orchestra – New York Philharmonic (2-12)
Orchestra – The Cleveland Orchestra (1-1 to 1-26)
Piano [Piano Roll] – George Gershwin (2-13)
Producer – Andrew Kazdin (1-1 to 1-26, 2-12 to 2-13)
Producer – Paul Myers (1-27 to 1-28, 2-1 to 2-11)
Remastered By – Michael J. Dutton
Soprano Vocals – Judith Blegen (1-1 to 1-26)
Soprano Vocals – Lorna Haywood (1-28)
Supervised By [Quadraphonic Sound Supervision] – Andrew Kazdin (2-12 to 2-13)
Tenor Vocals – Kenneth Riegel (1-1 to 1-26)
Disc 1, tracks 27-28 and Disc 2, tracks 1-11 recorded at Abbey Road Studio No. 1, London, 19 December 1974
Disc 2, track 12 recorded at Avery Fisher Hall, Lincoln Center, New York, 11 February 1974
Disc 2, track 13 recorded at Columbia's 30th Street Studio, New York, 23 June 1976
Contains the complete original stereo and quadraphonic mixes of the albums "Carmina Burana" M/MQ 33172 (1974), "Beethoven: Late Choral Music" M/MQ 33509 (1975) and "George Gershwin: An American In Paris/Rhapsody In Blue" M 34205 (1976).
All Tracks Available In Stereo And Multichannel
Disc Manufactured in Austria
SPARS Code – ADD
Rights Society – MCPS
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