You have no items in your shopping cart.
Renaissance & Baroque Music
| Label | Erato – 0190295825072Warner Classics – 0190295825072 |
| Format | 7 x CD, Compilation, Stereo Box Set, |
| Barcode | 0190295825072 |
| Country | Europe |
| Released | 2017 |
| Genre | Classical |
| Style | Medieval, Renaissance, Baroque, Choral |
| The Old Hall Manuscript | |||
| 1-1 | Gloria | 2:22 | |
| 1-2 | Pia Mater | 4:08 | |
| 1-3 | Nesciens Mater | 0:39 | |
| 1-4 | Nesciens Mater | 2:28 | |
| 1-5 | Beata Dei Genitrix | 2:24 | |
| 1-6 | Gloria | 1:59 | |
| 1-7 | Credo | 3:07 | |
| 1-8 | En Katerine Solennia | 3:53 | |
| 1-9 | Credo | 3:09 | |
| 1-10 | Beata Progenies | 0:36 | |
| 1-11 | Beata Progenies | 1:15 | |
| 1-12 | Sanctus | 2:30 | |
| 1-13 | Ave Regina | 1:24 | |
| 1-14 | Ave Regina | 2:36 | |
| 1-15 | Sanctus | 4:49 | |
| 1-16 | Agnus Dei | 2:16 | |
| 1-17 | Qualis Est Dilectus | 3:38 | |
| 1-18 | Agnus Dei | 4:07 | |
| 1-19 | Alma Redemptoris Mater | 2:09 | |
| 1-20 | Ascendit Christus | 5:03 | |
| 1-21 | Agnus Dei | 2:19 | |
| 1-22 | Are Post Libamina | 1:38 | |
| 1-23 | Stella Celi | 1:44 | |
| 1-24 | Salve Porta Paradisi | 1:48 | |
| 1-25 | Post Missarum Solennia | 2:53 | |
| Leonel Power - Masses And Motets | |||
| 2-1 | Ave Regina | 1:56 | |
| 2-2 | Gloria | 3:17 | |
| 2-3 | Beata Viscera | 1:30 | |
| 2-4 | Credo | 4:19 | |
| 2-5 | Sanctus | 3:35 | |
| 2-6 | Agnus Dei | 3:54 | |
| 2-7 | Salve Regina | 7:03 | |
| Missa "Alma Redemptoris Mater" | |||
| 2-8 | I. Gloria | 3:47 | |
| 2-9 | II. Credo | 5:28 | |
| 2-10 | III. Sanctus | 4:19 | |
| 2-11 | IV. Agnus Dei | 6:14 | |
| 2-12 | Ibo Michi Ad Montem | 3:11 | |
| 2-13 | Quam Pulchra Es | 4:15 | |
| Guillaume Dufay | |||
| Missa "L'Homme Armé" | |||
| 3-1 | I. Kyrie | 4:08 | |
| 3-2 | II. Gloria | 8:00 | |
| 3-3 | III. Credo | 11:34 | |
| 3-4 | IV. Sanctus | 8:05 | |
| 3-5 | V. Agnus Dei | 6:42 | |
| 3-6 | Nuper Rosarum Flores | 7:00 | |
| 3-7 | Ecclesiae Militantis | 5:10 | |
| 3-8 | Alma Redemptoris Mater | 3:57 | |
| 3-9 | O Sancte Sebastiane | 4:20 | |
| 3-10 | Salve Flos Tuscae Gentis | 6:43 | |
| Heinrich Isaac - Sacred And Secular Works | |||
| 4-1 | Commune Festorum Beatae Mariæ Virginis (Introitus: Salve, Sancta Parens) | 4:30 | |
| Missa Paschale | |||
| 4-2 | I. Kyrie | 7:53 | |
| 4-3 | II. Gloria | 6:45 | |
| 4-4 | III. Sanctus | 4:25 | |
| 4-5 | IV. Agnus Dei | 2:17 | |
| 4-6 | Quis Dabit Pacem Populo Timenti | 4:46 | |
| 4-7 | Es Het Ein Baur Ein Töchterlein | 1:53 | |
| 4-8 | Es Wolt Ein Meydlein Grasen Gan | 1:09 | |
| 4-9 | Greiner, Zancker, Schnöpffitzer | 1:11 | |
| 4-10 | J'Ay Pris Amours | 3:10 | |
| 4-11 | Fammi Una Gratia, Amore | 3:35 | |
| 4-12 | La Mora | 3:20 | |
| 4-13 | Ne Più Bella Di Queste | 4:02 | |
| Philippe De Monte - Sacred And Secular Works | |||
| 5-1 | O Suavitas Et Dulcedo | 4:30 | |
| 5-2 | Parce Mihi, Domine | 6:52 | |
| 5-3 | Dolce Mio Caro | 3:58 | |
| 5-4 | Comme La Tourterelle | 1:35 | |
| 5-5 | Comme La Tourterelle | 3:06 | |
| 5-6 | La Déesse Vénus | 3:58 | |
| 5-7 | La Dolce Vista | 2:16 | |
| Missa 8 Vocum "La Dolce Vista" | |||
| 5-8 | I. Kyrie | 3:55 | |
| 5-9 | II. Gloria | 5:02 | |
| 5-10 | III. Credo | 7:44 | |
| 5-11 | IV. Sanctus | 1:55 | |
| 5-12 | V. Benedictus | 2:45 | |
| 5-13 | VI. Agnus Dei | 2:40 | |
| Heinrich Schütz - St Matthew Passion | |||
| 6-1 | Introitus | 1:14 | |
| 6-2 | Und Es Begab Sich, Da Jesus Diese Rede Vollendet Hatte | 3:58 | |
| 6-3 | Da Ging Hin Der Zwölfen Einer | 4:05 | |
| 6-4 | Da Sie Aber Aßen, Nahm Jesus Das Brot | 1:21 | |
| 6-5 | Und Da Sie Den Lobgesang Gesprochen Hatten | 5:56 | |
| 6-6 | Und Als Er Noch Redete | 3:14 | |
| 6-7 | Die Aber Jesum Gegriffen Hatten | 4:19 | |
| 6-8 | Petrus Aber Saß Draußen Im Palast | 2:17 | |
| 6-9 | Des Morgens Aber Hielten Alle Hohenpriester Und Ältesten Des Volks Einen Rat Über Jesum | 3:13 | |
| 6-10 | Jesus Aber Stund Für Dem Landpfleger | 5:18 | |
| 6-11 | Da Nahmen Die Kriegsknechte Des Landpflegers Jesum Zu Sich | 2:28 | |
| 6-12 | Da Sie Ihn Aber Gekreuziget Hatten | 3:32 | |
| 6-13 | Desgleichen Schmäheten Ihn Auch Die Mörder | 3:14 | |
| 6-14 | Und Siehe Da, Der Vorhang Im Tempel Zerreiß In Zwei Stück | 6:30 | |
| 6-15 | Ehre Sei Dir, Christe | 3:54 | |
| Johann Sebastian Bach - Motets | |||
| Singet Dem Herrn Ein Neues Lied | |||
| 7-1 | Singet Dem Herrn Ein Neues Lied | 5:06 | |
| 7-2 | Wie Sich Ein Vater Erbarmet | 4:53 | |
| 7-3 | Lobet Den Herrn In Seinen Taten | 3:54 | |
| Der Geist Hilft Unser Schwachheit Auf | |||
| 7-4 | Der Geist Hilft Unser Schwachheit Auf | 3:56 | |
| 7-5 | Der Aber Die Herzen Forschet | 2:37 | |
| 7-6 | Du Heilige Brunst, Süßer Trost | 1:34 | |
| Jesu, Meine Freude | |||
| 7-7 | Jesu, Meine Freude | 1:11 | |
| 7-8 | Es Ist Nun Nichts | 3:08 | |
| 7-9 | Unter Deinem Schirmen | 1:09 | |
| 7-10 | Denn Das Gesetz Des Geistes | 0:56 | |
| 7-11 | Trotz Dem Alten Drachen | 2:22 | |
| 7-12 | Ihr Aber Seid Nicht Fleischlich | 3:07 | |
| 7-13 | Weg, Mit Allen Schätzen! | 1:17 | |
| 7-14 | So Aber Christus In Euch Ist | 2:11 | |
| 7-15 | Gute Nacht, O Wesen | 3:45 | |
| 7-16 | So Nun Der Geist | 1:35 | |
| 7-17 | Weicht, Ihr Trauergeister | 1:20 | |
| Fürchte Dich Nicht, Ich Bin Bei Dir | |||
| 7-18 | Fürchte Dich Nicht, Ich Bin Bei Dir | 1:33 | |
| 7-19 | Ich Stärke Dich | 2:28 | |
| 7-20 | Fürchte Dich Nicht | 4:33 | |
| Komm, Jesu, Komm | |||
| 7-21 | Komm, Jesu, Komm | 2:25 | |
| 7-22 | Komm, Ich Will Mich Dir Ergeben | 0:44 | |
| 7-23 | Du Bist Der Rechte Weg | 4:12 | |
| 7-24 | Drum Schließ Ich Mich In Deine Hände | 1:11 | |
| Lobet Den Herrn, Alle Heiden | |||
| 7-25 | Lobet Den Herrn, Alle Heiden | 2:55 | |
| 7-26 | Denn Seine Gnade Und Wahrheit | 2:16 | |
| 7-27 | Alleluja | 1:22 | |
Alto Vocals – Charles Brett (7-1 to 7-27)
Alto Vocals – Christhard Liebert (7-1 to 7-27)
Alto Vocals – Detlef Bratschke (7-1 to 7-27)
Alto Vocals [Judas] – David James (6-1 to 6-15, 7-1 to 7-27)
Baritone Vocals – Gordon Jones (1-3, 1-22, 1-25, 7-1 to 7-27)
Baritone Vocals – Paul Hillier (1-1, 1-2, 1-4 to 1-7, 1-10 to 1-12, 1-14 to 1-16, 1-18, 1-21 to 1-23, 1-25, 2-1 to 2-11, 2-13, 3-1 to 3-10)
Bass Trombone – Richard Lister (4-1, 4-2, 4-9, 4-13 (IV), 5-1, 5-4, 5-6, 5-8 to 5-13 (With Chorus I))
Bass Vocals – Michael George (2-1 to 2-4, 2-13, 3-1 to 3-6, 3-9, 3-10, 6-7, 7-1 to 7-27 )
Bass Vocals – Michael Pearce (6-1 to 6-15)
Bass Vocals – Paul Hillier (4-1 to 4-9, 4-11, 4-13, 5-1 to 5-4, 5-7, 5-8 to 5-13 (Chorus II), 6-1 to 6-15 (Christus))
Cello [London Baroque] – Charles Medlam (7-1 to 7-27)
Chorus – Knabenchor Hannover (7-1 to 7-27)
Chorus Master [Knabenchor Hannover] – Heinz Hennig (7-1 to 7-27)
Compiled By – Philipp Puls
Compiled By – Rolf Gertler
Cornett – Bruce Dickey (4-1 to 4-5, 4-9, 4-13 (III&IV), 5-1, 5-4, 5-7, 5-8 to 5-13 (With Chorus II))
Countertenor Vocals – Alex Donaldson (6-1 to 6-15)
Countertenor Vocals – Ashley Stafford (1-9, 1-25, 2-1 to 2-11)
Countertenor Vocals – David James (1-2, 1-4, 1-8, 1-9, 1-11, 1-12, 1-16 to 1-18, 1-20, 1-21, 1-23 to 1-25, 2-1, 2-12, 3-1 to 3-8, 3-10, 4-1 to 4-11, 4-13, 5-1 to 5-4, 5-6, 5-7, 5-8 to 5-13 (Chorus I))
Countertenor Vocals – Michael Chance (3-1 to 3-7, 3-10)
Engineer [Balance - CD1] – Tony Bridge
Engineer [Balance - CD2] – Nikolaus Matthes
Engineer [Balance - CD3] – Neville Boyling
Engineer [Sound - CD4, CD7] – Hartwing Paulsen
Engineer [Sound - CD5] – Frédéric Briant
Engineer [Sound - CD6] – Mark Vigars
Ensemble – Kees Boeke Consort (4-1 to 5-13)
Ensemble – London Baroque (7-1 to 7-27)
Ensemble – The Hilliard Ensemble
Graphics [CD1: The Old Hall Manuscript - Salve Porta Paradisi By Damette] – British Library
Graphics [CD2, 4 & 5: Original Covers] – Roberto Patelli
Graphics [CD3: Firenze. Pianta Della Catena, Parte Centrale] – Museo Di Firenze
Graphics [CD6: The Crucufixion (Middle Section, 1464) St Bavo's Cathedral, Ghent] – Joos Van Wassenhove
Graphics [CD7: St Cecilia (c.1623); Museumslandschaft Hessen, Kassel] – Gerrit van Honthorst
Liner Notes – Simon Heighes
Liner Notes [French Translation] – Michel Roubinet
Liner Notes [German Translation] – Dorle Ellmers
Lute [Baroque - London Baroque] – Stephen Stubbs (7-1 to 7-27)
Lute [Renaissance] – Toyohiko Satoh (4-6, 4-10, 4-12, 4-13 (IV), 5-1, 5-5, 5-6)
Music Director [Direction] – Paul Hillier (6-1 to 6-15, 7-1 to 7-27)
Painting [Box Cover] – Jan van Eyck
Positive Organ [London Baroque] – John Toll (7-1 to 7-27)
Producer [CD1] – Simon Woods
Producer [CD2, CD4, CD6, CD7] – Gerd Berg
Producer [CD3] – David Groves
Producer [CD5] – Etienne Collard
Soprano Vocals – Gillian Fisher (6-8)
Soprano Vocals – Lynne Dawson (6-10)
Soprano Vocals – Roger Cericius (7-1 to 7-27)
Soprano Vocals – Sarah Leonhard (6-8)
Soprano Vocals – Sarah Stobart (7-1 to 7-27)
Tenor Trombone – Charles Toet (4-1 to 4-5, 4-9, 4-13 (III&IV), 5-1, 5-2, 5-4, 5-6, 5-8 to 5-13 (With Chorus II))
Tenor Vocals – Charles Daniels (3-1 to 3-6, 3-10)
Tenor Vocals – John Potter (1-1, 1-2, 1-4 to 1-6, 1-9, 1-11, 1-12, 1-14, 1-17 to 1-22, 1-24, 3-1 to 3-10, 7-1 to 7-27)
Tenor Vocals – Leigh Nixon (2-1 to 2-11, 3-1 to 3-6, 3-10, 4-1, 4-6 to 4-9, 4-13, 5-1 to 5-3, 5-7, 5-8 to 5-13 (Chorus II), 6-5 to 6-8)
Tenor Vocals – Mark Padmore (1-1, 1-6, 1-7, 1-15)
Tenor Vocals – Paul Elliott (2-1 to 2-6, 2-8 to 2-13, 4-1 to 4-9, 4-11, 4-13, 5-1 to 5-4, 5-7, 5-8 to 5-13 (Chorus I), 6-2 to 6-14 (Evangelist))
Tenor Vocals – Rogers Covey-Crump (1-1, 1-5 to 1-9, 1-13 to 1-17, 1-20, 1-22 to 1-24, 2-1 to 2-12, 3-1 to 3-10, 6-10, 7-1 to 7-27)
Viola da Gamba – Kees Boeke (4-13 (IV), 5-1, 5-2, 5-8 to 5-13 (With Chorus II))
Viola da Gamba – Titia De Zwart (4-10, 4-13 (II&IV), 5-1, 5-7, 5-8 to 5-13 (With Chorus II))
Violone [London Baroque] – William Hunt (7-1 to 7-27)
Alto Vocals – Christhard Liebert (7-1 to 7-27)
Alto Vocals – Detlef Bratschke (7-1 to 7-27)
Alto Vocals [Judas] – David James (6-1 to 6-15, 7-1 to 7-27)
Baritone Vocals – Gordon Jones (1-3, 1-22, 1-25, 7-1 to 7-27)
Baritone Vocals – Paul Hillier (1-1, 1-2, 1-4 to 1-7, 1-10 to 1-12, 1-14 to 1-16, 1-18, 1-21 to 1-23, 1-25, 2-1 to 2-11, 2-13, 3-1 to 3-10)
Bass Trombone – Richard Lister (4-1, 4-2, 4-9, 4-13 (IV), 5-1, 5-4, 5-6, 5-8 to 5-13 (With Chorus I))
Bass Vocals – Michael George (2-1 to 2-4, 2-13, 3-1 to 3-6, 3-9, 3-10, 6-7, 7-1 to 7-27 )
Bass Vocals – Michael Pearce (6-1 to 6-15)
Bass Vocals – Paul Hillier (4-1 to 4-9, 4-11, 4-13, 5-1 to 5-4, 5-7, 5-8 to 5-13 (Chorus II), 6-1 to 6-15 (Christus))
Cello [London Baroque] – Charles Medlam (7-1 to 7-27)
Chorus – Knabenchor Hannover (7-1 to 7-27)
Chorus Master [Knabenchor Hannover] – Heinz Hennig (7-1 to 7-27)
Compiled By – Philipp Puls
Compiled By – Rolf Gertler
Cornett – Bruce Dickey (4-1 to 4-5, 4-9, 4-13 (III&IV), 5-1, 5-4, 5-7, 5-8 to 5-13 (With Chorus II))
Countertenor Vocals – Alex Donaldson (6-1 to 6-15)
Countertenor Vocals – Ashley Stafford (1-9, 1-25, 2-1 to 2-11)
Countertenor Vocals – David James (1-2, 1-4, 1-8, 1-9, 1-11, 1-12, 1-16 to 1-18, 1-20, 1-21, 1-23 to 1-25, 2-1, 2-12, 3-1 to 3-8, 3-10, 4-1 to 4-11, 4-13, 5-1 to 5-4, 5-6, 5-7, 5-8 to 5-13 (Chorus I))
Countertenor Vocals – Michael Chance (3-1 to 3-7, 3-10)
Engineer [Balance - CD1] – Tony Bridge
Engineer [Balance - CD2] – Nikolaus Matthes
Engineer [Balance - CD3] – Neville Boyling
Engineer [Sound - CD4, CD7] – Hartwing Paulsen
Engineer [Sound - CD5] – Frédéric Briant
Engineer [Sound - CD6] – Mark Vigars
Ensemble – Kees Boeke Consort (4-1 to 5-13)
Ensemble – London Baroque (7-1 to 7-27)
Ensemble – The Hilliard Ensemble
Graphics [CD1: The Old Hall Manuscript - Salve Porta Paradisi By Damette] – British Library
Graphics [CD2, 4 & 5: Original Covers] – Roberto Patelli
Graphics [CD3: Firenze. Pianta Della Catena, Parte Centrale] – Museo Di Firenze
Graphics [CD6: The Crucufixion (Middle Section, 1464) St Bavo's Cathedral, Ghent] – Joos Van Wassenhove
Graphics [CD7: St Cecilia (c.1623); Museumslandschaft Hessen, Kassel] – Gerrit van Honthorst
Liner Notes – Simon Heighes
Liner Notes [French Translation] – Michel Roubinet
Liner Notes [German Translation] – Dorle Ellmers
Lute [Baroque - London Baroque] – Stephen Stubbs (7-1 to 7-27)
Lute [Renaissance] – Toyohiko Satoh (4-6, 4-10, 4-12, 4-13 (IV), 5-1, 5-5, 5-6)
Music Director [Direction] – Paul Hillier (6-1 to 6-15, 7-1 to 7-27)
Painting [Box Cover] – Jan van Eyck
Positive Organ [London Baroque] – John Toll (7-1 to 7-27)
Producer [CD1] – Simon Woods
Producer [CD2, CD4, CD6, CD7] – Gerd Berg
Producer [CD3] – David Groves
Producer [CD5] – Etienne Collard
Soprano Vocals – Gillian Fisher (6-8)
Soprano Vocals – Lynne Dawson (6-10)
Soprano Vocals – Roger Cericius (7-1 to 7-27)
Soprano Vocals – Sarah Leonhard (6-8)
Soprano Vocals – Sarah Stobart (7-1 to 7-27)
Tenor Trombone – Charles Toet (4-1 to 4-5, 4-9, 4-13 (III&IV), 5-1, 5-2, 5-4, 5-6, 5-8 to 5-13 (With Chorus II))
Tenor Vocals – Charles Daniels (3-1 to 3-6, 3-10)
Tenor Vocals – John Potter (1-1, 1-2, 1-4 to 1-6, 1-9, 1-11, 1-12, 1-14, 1-17 to 1-22, 1-24, 3-1 to 3-10, 7-1 to 7-27)
Tenor Vocals – Leigh Nixon (2-1 to 2-11, 3-1 to 3-6, 3-10, 4-1, 4-6 to 4-9, 4-13, 5-1 to 5-3, 5-7, 5-8 to 5-13 (Chorus II), 6-5 to 6-8)
Tenor Vocals – Mark Padmore (1-1, 1-6, 1-7, 1-15)
Tenor Vocals – Paul Elliott (2-1 to 2-6, 2-8 to 2-13, 4-1 to 4-9, 4-11, 4-13, 5-1 to 5-4, 5-7, 5-8 to 5-13 (Chorus I), 6-2 to 6-14 (Evangelist))
Tenor Vocals – Rogers Covey-Crump (1-1, 1-5 to 1-9, 1-13 to 1-17, 1-20, 1-22 to 1-24, 2-1 to 2-12, 3-1 to 3-10, 6-10, 7-1 to 7-27)
Viola da Gamba – Kees Boeke (4-13 (IV), 5-1, 5-2, 5-8 to 5-13 (With Chorus II))
Viola da Gamba – Titia De Zwart (4-10, 4-13 (II&IV), 5-1, 5-7, 5-8 to 5-13 (With Chorus II))
Violone [London Baroque] – William Hunt (7-1 to 7-27)
℗ as shown on wallets.
This compilation ℗ & © 2017 Parlophone Records Limited, a Warner Music Group Company.
Manufactured and printed in the EU
Stereo · Recorded in 1980-1990
This compilation ℗ & © 2017 Parlophone Records Limited, a Warner Music Group Company.
Manufactured and printed in the EU
Stereo · Recorded in 1980-1990
Barcode (Text) – 0 190295 825072
Barcode (Scanned) – 0190295825072
Label Code – LC 30434
Rights Society – GEMA
Rights Society – BIEM
Matrix / Runout (CD1) – 0190295825072-01 AH81762-01 manufactured by optimal media GmbH
Mastering SID Code (CD1) – ifpi L575
Mould SID Code (CD1) – IFPI 9701
Matrix / Runout (CD2) – 0190295825072-02 AH81763-01 manufactured by optimal media GmbH
Mastering SID Code (CD2) – ifpi L575
Mould SID Code (CD2) – IFPI 9701
Matrix / Runout (CD3) – 0190295825072 AH06445-01 manufactured by optimal media GmbH
Mastering SID Code (CD3) – IFPI L577
Mould SID Code (CD3) – IFPI 9701
Matrix / Runout (CD4) – 0190295825072-04 AH81765-01 manufactured by optimal media GmbH
Mastering SID Code (CD4) – ifpi L575
Mould SID Code (CD4) – IFPI 9701
Matrix / Runout (CD5) – 0190295825072-05 AH81766-01 manufactured by optimal media GmbH
Mastering SID Code (CD5) – ifpi L575
Mould SID Code (CD5) – IFPI 9701
Matrix / Runout (CD6) – 0190295825072-06 AH81767-01 manufactured by optimal media GmbH
Mastering SID Code (CD6) – ifpi L575
Mould SID Code (CD6) – IFPI 9701
Matrix / Runout (CD7) – 0190295825070-07 AH81768-01 manufactured by optimal media GmbH
Mastering SID Code (CD7) – ifpi L575
Mould SID Code (CD7) – IFPI 9701
Barcode (Scanned) – 0190295825072
Label Code – LC 30434
Rights Society – GEMA
Rights Society – BIEM
Matrix / Runout (CD1) – 0190295825072-01 AH81762-01 manufactured by optimal media GmbH
Mastering SID Code (CD1) – ifpi L575
Mould SID Code (CD1) – IFPI 9701
Matrix / Runout (CD2) – 0190295825072-02 AH81763-01 manufactured by optimal media GmbH
Mastering SID Code (CD2) – ifpi L575
Mould SID Code (CD2) – IFPI 9701
Matrix / Runout (CD3) – 0190295825072 AH06445-01 manufactured by optimal media GmbH
Mastering SID Code (CD3) – IFPI L577
Mould SID Code (CD3) – IFPI 9701
Matrix / Runout (CD4) – 0190295825072-04 AH81765-01 manufactured by optimal media GmbH
Mastering SID Code (CD4) – ifpi L575
Mould SID Code (CD4) – IFPI 9701
Matrix / Runout (CD5) – 0190295825072-05 AH81766-01 manufactured by optimal media GmbH
Mastering SID Code (CD5) – ifpi L575
Mould SID Code (CD5) – IFPI 9701
Matrix / Runout (CD6) – 0190295825072-06 AH81767-01 manufactured by optimal media GmbH
Mastering SID Code (CD6) – ifpi L575
Mould SID Code (CD6) – IFPI 9701
Matrix / Runout (CD7) – 0190295825070-07 AH81768-01 manufactured by optimal media GmbH
Mastering SID Code (CD7) – ifpi L575
Mould SID Code (CD7) – IFPI 9701